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Aaron Mullin Nov 2014
Reconstituting globalization to
re-imagine democracy.

By throwing out scale we
the economizers are forced
to turn into misers
and the satisfisers
might rid themselves
of their pacifiers.

It's all about story and
consuming someone else's
turns you into
an actor, an automaton.
Was it prescribed?
Were you imbibed?
Then you are impaled
on an un-truth and
living out a script
that is not your own.

Time to get ruthless and
cut those strings that
lead us to, plead us to
buy, buy, buy (and cry, cry, cry).
Of course, we might find
a guru
to lead us to promises
of promised lands but
this ain't the way to
Yahweh

Unlock the path that lies within.

I'm talking 'bout multi-spectrum bridges
resonating in frequencies
that ring true for you:

this is the story of Power Geometry
re-constituted
From Wikipedia: Power geometry, according to Doreen Massey, is how the time–space compression of 'globalization' affects people differently. She describes power geometry as the "very distinct ways in relations to [the] flow and interconnections" between different social groups and different individuals.

According to Massey, power geometry concerns not only the issue of who moves and who doesn't; it is also "about power in relation to the flows and the movement" in distinct relationships among different social groups in regards to mobility. Those who move freely have power.
Aaron Mullin Jan 2020
I saw the seeds of the revolution
dawning
crowning

I heard the propositions from vermi-culture
informing the shift
working it out, sifting it out.

I surfed the micro-ripples of influence through
effectures and prefectures and
excused the old guard through heartfelt
conjectures

There was only one logical conclusion so I
quietly and patiently sat in between
with all our relations.

Under the shade of old growth discernment,
I washed through the oceans of my subconscious,
sifted through the compost for kernels, and
mined the midden for wisdom.

New kingdoms arose from that which was expressed.

The raw materials were ubiquitous.
These re-building blocks pointed to
a platform for the gifting economy.

Then one day I woke up zipping around Los Angeles,
toying with a couple of keys,
Sancho Panza and me, all windmills and wizards.

With only one logical conclusion
I took a chance, learned to dance, and
bid my pretence adieu.

Unpredictably, having lost my lance, I won the war.
Now I sit upon my throne with two mats at my door.
One says presence, one says future, and
both are welcome.

Both are welcome because it is here that I found my agency within my sovereignty
through submission.
1st draft was started on December 15, 2019 @ Station Flats. I was looking SW at an awe inspiring sky. Partial re-write on April 2, 2020.

— The End —