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Joshua Wooten Aug 2016
if I walk for a while
I can get out of the city,
the chaotic place
echoing from the causality
of all of the wire skeletons
and every silhouetted structure
painted against the sky.
the night burns a brighter dark
than the shadows of skyscrapers,
and the architecture is an oily black
droning a metallic buzz
that sticks to the road
and the people that cross it
with cars and shoes
so they remember where they are;
drop their inspiration
down storm drains and gutters
and forget the words
they worked so hard to find again,
searching their closets and dressers
for eloquence they can't remember
tucking carefully under their pillows
just the night before
or was it a month?

I can keep going for hours
watching mile signs pass--
reading them with no reason:
mile 337, 338, 339--
feeling the road beneath my feet
writhe like snakes in its unevenness
and turn to dirt and pebbles
that keep pace with my steps,
******* into boulders
that roll slowly forward--
but I leave them behind
in whirling eddies and clouds of dust
kicked up by my trudging
and the sighs of wind.

the signs are becoming infrequent.
they skip numbers now as I pass -
surely 764 doesn't come after 749 -
I can't see the old buildings anymore
and all of the buzzing people
are safe in sound, far away
too far from the mile 764 sign
to hear my heaving breath
or my beating heart,
but I can hear them both.
the last mile sign is scratched off,
the number on it replaced by silver:
crisscrosses and a crude, scrawling zero.
below the mile sign is nothing -
a steep drop ends the ground,
swallows the snowball boulders
and signals my rest.

here I sit and dangle my legs;
I lean against mile zero
and stare into whatever it is
stretching out forever before me.
this is where the storm drains empty
and all of the inspiration pours out,
I've decided, like surging rainwater.
beyond the last mile is an ocean,
troubled, violent waters in the distance
but almost mirror-like at the shoreline,
so far under my feet
I can barely see it.

is this a dream?
one grows tired of dreams
and yearns for sleep.
the boulders groan forward,
hurling themselves one by one
off the edge to the water--
they fall quietly and are no more.
I want to follow them.
I close my eyes,
push off of the sign,
fall quietly as a rock.
for a moment I am open,
****** into beauty and inspiration,
my lovely splurge of hyperactive thought
and then I wake up,
return to the city that buzzes
with useless words
and lost musings.
my shoes are where I left them.
I decide to slip them on -
I know if I walk for a while
I can get out of here -
one grows tired of sleep
and yearns for dreams.
I wrote this one after a period in one of my literary doldrums.  (one of those times when every word I write sounds unoriginal and fake and I can't stand anything I come up with--not fun) but this kind of describes how my mind works when I do write well.
Joshua Wooten Jul 2016
the tides are impossible these days
moving in and out of focus,
leaning and falling back from shore
clawing the ground as they're pulled.
they sift through the rocks
like a child looking for shells
or burying his feet
as deep as he can in the gravel's warmness
before the cold comes for his ankles.
the water moves faster than before--
now that the moon's in an ice chest
shedding dust and gravity
somewhere in a ship far from shore--
and the men who caught it
have hopelessly lost their way,
victims of an all-too-sudden high tide
and violent, rushing winds.

it turns out it didn't take much
to take the silvered old rock down.
moonlight is spun like a web
down in pillars to the ground and water,
sticking to sea spray and the clouds,
suspending in the air.
a couple of fishermen caught it
while filled half-and-half
with sleep and moonshine.
they said it wandered near the edge
of the cliff where night meets the day
and when they threw the net up
the moon's web got twisted, tangled in rope
and pulled it right down with them.

some light floats on.
broken strands of silk take to the air,
still attached to the ground and water,
though the connection's cut at the other end.
they're waving away today, in the sky,
like a luminous greeting:
hello, or goodbye.
people watching onshore say it's pretty
to see the moonlight like this--
they say it looks like a field of tall grass
pushed sideways and whirling,
carrying fireflies and ladybugs away
from the overgrown--
and they feel like the insects
buried deep in their own glowing forest,
talking to the sea and moonlight with waves.
I'm fond of this piece.  I've got a lot saved on my phone and this one is my most recent, which draws me to it for some reason.  I nearly always think my most recent piece is my best, maybe because I see the newness and imagine myself in the poem, becoming new as well.  but maybe not who knows for sure

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