The traditional pattern
of a set to for Nomark is this:
against the backdrop of the giant grift
perpetrated by the grand smug *****
he firmly grasps the wrong end of the stick
which, to be fair, is waved at him enough

A poster child for impotent rage
he’ll berate the checkout staff
about a voucher that’s either expired
or, mired in labyrinthine small print,
doesn’t amount to a free diddly squat

Without the words, the means,
the agency to upbraid the bosses
he huffs home on an overcrowded bus
where not a single other ****** wears a mask