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So long summer river
bright snowflakes have fallen
leaving you silent where darkness deepens
grey winds rush
and cannot move you along
so dream of Spring's flowering songs
in cold nights of crystalline
when quiet winter snow
falls still upon
the meadow
Oh how I long
to fall asleep soundly.
Turn off the light,
flick the switch
and dream.
I dream alright.
My dreams are so far from reality
I can't bare it.
I know alcohol
can make you weepy,
but the willow with it's reaching branches,
that droops so sadly,
is teetotal.
My pillow
is my confidant.
I silently sob into it's
soggy material,
stuffing corners of duvet in to my mouth
to stifle,
s t i f l e,
the sound.
The taste of salt runs down the creases of my cheeks
and in to my mouth,
taking me back to days at the seaside,
fish and chips.
I finally tumble in to a fitful sleep
thinking of the ocean.
But it swallows me whole.
And I'm drowning.

Your sweet home
is a place of peace
your decorated room
is a palace of ease
It is the only place,
where you sit and sing;
It is away from loneliness
A place away for solitude;
That place is next to you
It is your secret garden
Where black and white
Becomes a colorful place
Of love, kiss, touch, care,
A moment of two hearts
beat as one and only one
A place where two souls
are interwoven, as one
There with you and
only you beside me.
*
BY
WILLIAMSJI MAVELI
 Nov 2013 Susan O'Reilly
Lyn Senz
'What happens to bad poets
when they die?'
'Aye, tis a good question,'
says the sotted brute
wavin his hand
whilst spittle flyin
with most syllables
'I yam told bad poets
stew in alphabet soup
and get eaten by
old grannies for
all eternity'
'I eard that one
but seems a waste
of good soup'
'Aye, and why de grannies
get involved it's a
misog misog
a ting against
women I'll bet'
'Well then, what might
you think?'
says the innkeeper
to the quiet sod
at the end of the bar
'Eh..I should think
they'd go with the good ones
cuz I'll be ******
if I can tell the difference'
'Aye' says all 'aye'


©2012 Lyn
O'Brien said
the whole girl thing
was a falsity
why waste your time

on them?
he'd told Baruch
yes why?
Sutcliffe said

in an echo
as they walked home
from school
along

the New Kent Road
holding a cigarette
to one side
a thin line

of smoke
coming
from his mouth
as she spoke

Baruch said nothing
about Fay
he just listened
thinking of her

as they walked along
his hands
in his pockets
his scuffed shoes

treading the pavement
his eyes looking
at Sutcliffe
at his blonde hair

and bright blue eyes
and O'Brien
with his shock
of brown hair

and his crafty eyes
I've yet to meet a girl
worth losing sleep over
he said

not a wink of sleep
Sutcliffe added
Baruch had seen Fay
the day before

on the way home
by the church
on the corner
of Meadow Row

she in her catholic
school uniform
clutching her satchel
her bright eyes on him

her fair hair
brightened
by the afternoon sun
how they had walked together

up the Row
she talking of the nuns
at the school
about the whole Latin thing

about the long list
of saints she had
to remember
he took in

her anxiety
her paleness of skin
he told her
of the pottery teacher

who ridiculed his pots
and how he did it
in front of the class
holding up the ***

and running it down
not that I care a toss
Benedict said
least not

about the ***
and they crossed
Rockingham Street
and up the *****

and there they waited
gazing at each other
the silence
like thin silk

he wanted to kiss her
but not doing so
she wondered
if she could get

nearer to him
maybe much closer
but feared her father
might hear of it

and he didn't like Baruch
didn't like the Jew boy
keep yourself free
of them

O'Brien said
girls cling to you
like leeches
and ****

the being
out of you
with their petty wants
yes wants and wants

Sutcliffe echoed
Baruch paused
by the hairdresser shop
by the crossing

opposite Meadow Row
best get home
Baruch said
yes me too

said Sutcliffe
hope my cousin's gone home
she's been with us
for weeks now

and always
in the bathroom
and wandering the house
in her almost

see through night dress
sure sure
O'Brien said
bet you hate that

and he laughed
and Sutcliffe walked off
home the cigarette
behind his back

held
in his inky fingers
see you around
O'Brien said

and wandered on
up the road
and Baruch
saw him off

and crossed the road
and walked down
Meadow Row
thinking of Fay

and that moment
he almost kiss her
how they stood
gazing at each other

he gazing
at her fine beauty
her figure  
and she fearing

her father
would know
and the nuns
at the school

always writing to him
about her
and what she does
and does not

and she seeing
Baruch there
feeling her heart beat
and sensed feeling hot.
SET IN LONDON IN 1950S.
Inspired to write staying up late tonight
Thoughts floating in the moonlight
These games you play I'll never win
Addicted I debate if I shout stay away
Talkin to you makes my day and morning
Sometimes life is boring ever since I cleaned up my act
Taking it slow don't know where things will end
I hope I'm not wasting my time
My heart wants you to be mine
Your flaws and imperfections are okay
Just want us to be happy I pray
Felt a connection make me your selection
My hurt needs protection
Taking the risk was a rush
More then a crush not a game of lust
 Nov 2013 Susan O'Reilly
Redshift
stop loving me.

i feel like a selfish **** asking you to
but there is no love
in my bones
for you
stop breaking them open
to check

i can't be open with people
they feel sorry for the things that have happened to me
then they love me
more
but i can't do anything back

hatred i can deal with
i've dealt with it my whole life
but i don't know how to be careful with you
how to be something different
to make you not love me
moose, darling
don't love me,
please.
there are people like you, moose, who would love me no matter what i did. and i just can't handle it.
Miryam walks along the beach
in her swimming attire, some red
and flowered design, Benedict
notes, walking just behind, having

left the two Moroccan guys behind
with the camel, with whom she'd
posed while he took camera shot.
Bet they don't do that everyday, she

says, swaying her delicious backside
side to side. No, guess not, least
not by the look on their faces,
Benedict says. She laughs, does

a Monroe kind of walk and wiggle.
We came down here last night, she
says, it was quite romantic what
with the moon, stars and warm air.

She stops and turns to look at him.
Was it about here? she asks. He
gazes about him, at the sand and
tufts of grass, the sky blue and the

odd white clouds, could be, hard
to say, it being dark and all. You
found your way around all right,
she says, smiling. Well, a guy gets

to know his way around after a while,
bit like a ****** gets to know the sea,
the rough times and the smooth,
the high tides and the low, when

its best to set out and when to stay
in port. She frowns. Is that what it's
like for you guys? Just like that? No,
he says, just being philosophical, in

fact, it was a good evening, a fine
****, he says softly. Is that all? she
asks. She stands there her hands
on hips, her head to one side. No,

of course not, it's just us guys hate
to get all soft about these things,
he says. She pouts. Soft? These
things? she says. Can't you just

say it was romantic? She says, is
it hard to say that? A fine ****?  
Is that easier to say? It's just one
syllable instead of three, he says.

She turns and walks on through
the sand. He follows, taking in
her figure, her side to side ***,
the tight red hair. OK, he says, it

was a romantic night, I loved the
whole set up, the stars, the moon,
you and me, the sand, the soft tufts
of grass, the ***, the kisses, the holds.

She stops and turns and gazes at him.
It has to mean something, she says,
otherwise we waste our lives in such
pointlessness. He nods, zooms in on

her small ****, her eyes, her whole features.
Sure we do, he says, you're right, it
was one fine romantic never to be
forgotten night. She smiles and walks

to him and kisses him and holds him.
He holds her, feels her, senses her lips
on his, and out of the corner of his eye,
he sees the two Moroccan guys and

camel walk away up the beach, they'll
never know this, he thinks, feeling smug,
far beyond their lives or random reach.
MOROCCO IN 1970
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