Come closer my child,
do mind the fire.
and I’ll tell you the tale of
Wayne, the Good Squire.
It was once, long ago,
in the kingdom of Kam,
that a cruel, recreant knight
controlled the whole land.
He had taken the kingdom
through fiery force,
And though many had died,
he showed no remorse.
He captured the castle with
hatred and slaughter.
No one remained, except the
king’s daughter.
For she was the picture of
beauty and grace.
The cruel knight fell in love
when he looked at her face.
And so there they remained,
the princess and her captor.
The kingdom was silent,
devoid of all laughter.
In a neighboring kingdom there
lived a knight.
With his armor all shined he
was a formidable sight.
He had heard of the story with a
mixture of glee,
for he needed to prove himself
to the community.
But he was young and stupid,
as most of them are.
He had not the brains,
he was only good for a spar.
So his kind, caring father
sent him off with a squire.
His name was Wayne,
and his wits were much higher.
The knight went for glory and
the love of a girl,
while the squire went for money
from the hand of an earl.
And so off they set, our
squire and knight.
They were well prepared for all
but a difficult fight.
They travelled for days without
sign of the castle,
Din the knight began to
complain, cursing such hassle.
He wanted the glory
but none of the trouble.
And while he was toiling
his anger did double.
He wanted to turn back, to
give it all up.
To go home and sleep with
ale in his cup.
But Wayne the Good Squire
convinced him to stay,
promising his fame in just one
more day.
This promise was good for on
the next night,
a castle loomed just ahead:
the cause of their plight.
The knight rode ahead,
ready for battle.
But Wayne followed slowly,
wary even of cattle.
Our Din was too loud,
too sure of himself.
He would soon be a trophy  
above the castle shelf.
The Lord of the castle,
the cruel knight named Lor,
knew he was there before
he came to the door.
His armor was on,
his sword by his side
he planned to be done with it
before he even stepped outside.
But Wayne had been watching
him prepare for the fight.
He rushed down the hill to warn
his burdensome knight.
He had concocted a plan above
either knights’ thinking.
He would switch places with
Din, faster than blinking.
He would go to the door
in place of the knight,
and when the door opened,
Din would give Lor a fight!
So Din went to hide in a bush
near the door,
while Wayne rode up proudly,
looking ready for war.
But when the doors opened,
there stood a man.
He was so large and monstrous,
Din forgot the whole plan.
He sat frozen in fear,
hidden in the bush,
not even brave enough to give
Wayne’s horse a push.
And so Wayne was left alone to
face the giant knight.
Lor looked upon him with a
laugh of delight.
But the brazen, young squire
refused to run back.
He charged without thinking,
his sword ready to attack.
Lor was astonished,
the squire caught him off guard.
The sword hit its target,
whacking Lor hard.
Dazed from the blow, the cruel
knight fell to the ground.
Wayne struck him once more,
and Lor died with no sound.
Gasping for breath after his
arduous fight,
Wayne fell out of the saddle
still dressed as a knight.
He stumbled into the castle to
make himself known,
but all he could manage was a
soft, feeble moan.
He fell to his knees and
curled into a heap.
Unable to stay awake,
he gave into sleep.
He awoke to find himself in
a soft bed,
he was so warm and content
he thought himself dead.
But then he saw a figure
slouched in a chair,
he saw it was Din, but he
could do nothing but stare.
Din saw him looking and
quickly sat straight,
his eyes were angry, his face
contorted with hate.
He accused Wayne of stealing
his glory and good name;
out from the beginning to
capture his fame.
Din got up from the chair and
moved with a knife,
and so Wayne was in yet
another struggle for life.
The fight was short-lived
for when Din stood he swayed.
And when he went to attack,
he fell onto his blade.
Wayne was astonished, it just
couldn’t be;
the knight that lay dead was the
one that started this spree.
He had planned to **** him
for fake lies and deceit.
So Wayne felt no remorse for
the man at his feet.
He left his room, in search of
the princess,
in hopes that he would return
with reward for his success.
He needn’t go far for outside of
his door,
there stood a woman whom
he couldn’t love more.
She too was taken by Wayne’s
good looks and charm.
She apologized for being
the cause of his harm.
He couldn’t hear more so he
got on his knee,
asking her to let him help
rule the country.
She accepted this offer with
happy tears.
For he was the knight that had
destroyed all her fears.
They embraced and as she
looked past his shoulder,
she received a scare from a man
that lay still as a boulder.
“My sweet who is that man that
hast scared me so?
He looks to be stabbed,
was he your foe?”
“My dear, don’t take fright of
such gruesome a sight.
That is only the once grand,
Cowardly Knight.”
Wayne and his love were
soon wed for life,
and never were their lives again
full of such strife.
And so it was that many
came to admire
and listen to the tale of Wayne,
the Good Squire.

Wayne, Wayne, Wayne.
My dear solitary Wayne.
I want to write about Wayne again tonight;
with his head in my lap and a candle
by my side.
With a torn heart that has healed,
A sordid love that has recovered.
Wayne, in tonight's candlelight looking damp
and fragile,
Like the cheap autumnal winds
He has struggled to step out from.
Wayne, I can see winds in his hair;
The sea in his eyes;
Which are too thick and oceanic blue.
Wayne, with his breath in front of me,
Like a pure puff of wintry smoke,
He chants loving spells again and again.

Wayne, Wayne, Wayne,
And guess how this heart could meet with thine;
And think how my poetry should be written--
if only there was not a sign of thee here.
Thou art the very thread that I write,
A breath that inspires,
A heart that is ne'er too tired to smile.
A dream I had carried all along--before that one
sunny day.
A dream I had troubled myself to think about.
Ah, Wayne.
If only I could heal that sadness in thy eyes;
Although with a tongue of satires and lies;
Then I would do so now, with thee here,
Ah, but at a night too loud and surly,
I can but barely see thee here.
I feel thy golden hair, smooth like silk in my hand,
And thy curved cheeks which oft' smile like
a little boy.
Ah, Wayne, but why art thou with me here;
I, who is neither popular nor unpopular,
I, who is neither famous nor infamous,
I, who says and writes just like a poet does,
I, an irregular poet, with some odd, lame greasy odes.
I, the phantom this land wants not to see,
I, and my secrets that they know not about.
I, who remains futile to the whole sneering stars;
and I, who is neither blind, nor able to see.
I, who in her prayers is consumed,
By the cold flaws of the universe,
I, who oft' cannot see my own skin.
I, who has but lost the warmth of my hands,
And whose heart is ice cold, buried deep in its own
Shrieking labyrinth of deadened peace.
Ah, and I, who sometimes longs just to hear thy voice,
And dream of a night of bliss with thee.

Wayne, Wayne, Wayne,
And I, thy futile friend,
With a lost conscience I have given to thy hand,
I write only a vain poem again,
I, who has denied my own taste and grace
And dreamed of bitterness, once, and disgrace.
For perhaps thou wilt not think nor say of me;
For my beauty is not a beauty to thee;
For my beauty, to thee, exists only in sleep.
When thou saith I am beautiful,
I blush and become forgetful,
But a saying is not faithful
And words are false and not cordial.
I, a friend, sometimes hear stories of another friend;
A friend for whom thy heart serenely longs;
But a vague one, like one of summer's rejected old songs.
But what about me--and my own heart;
A scar is left there that pierces it apart;
A scar that perhaps shan't heal again;
Ah, Wayne, for thou hear me not, nor see my pain.
A secret hidden deep in my lofty lungs;
A fleshy wound I have carried all along.

And I wonder why she is not here;
While she is not me, and I am her not;
And all those of her sound so lithe and bare;
But, ah, in such silence I shan't turn to care.

And I wonder why she sees you not;
And hugs you not when it freezes to cold;
Shoulder you not behind the watery rain;
Shredding not your tears, nor your grief in pain;

But I am not her, and I am not thine;
I shrink by thee still under her rain;
And in thy charms so shall she live.
Perhaps thou shalt never know,
But I am here like I am now,
Clogged in the wrath of my beauty,
Who sometimes seeks and seeks thee not.
And I am still here like now,
Frozen in the air of my poetry,
Cold in such tears that can't lie;
Caught at the eastern wings of the sky,
Unable to move, 'till thou again pass by.

May 18, 2001
Wayne M. Williams Sr. slipped the bonds of life and is now in the arms of Jesus.

For death is just a change of address.  We go to a place of freedom.  A place that is free of pain, free of sorrow, free of doubt, free of uncertainty.

Saturday night, Dad Williams moved from Denver Street in Turner, where he left behind the earthly possessions,  to Jesus street in Heaven where there was a room prepared and waiting. Jesus said that He would go and prepare a place for us that we may be there also.   To paraphrase the Apostle Paul, “Wayne has run the race, he has fought a good fight, and now he has crossed the finish line."

Wayne’s father, Harrison Williams, raised his family to know God.  His Father started school for the first time when he was 16 and had a total of 23 months of school.  He had a deep desire for knowledge that he passed along to his children.

He was a self educated man.  He studied Greek and Latin. He knew the Bible from cover to cover.  He preached the word of God in Texas to any and all and did so until the day he died.

He had God’s promise that his children would come to know the Lord.

Well, it took some time for Wayne to come back to his Godly heritage.  But come back … he did.

This poem I am about to read captures Wayne’s spiritual journey.  The love of God and the price Jesus paid on the cross captured his heart.

The theme of the music Wayne wrote and sang had to do with the Cross.   The title is “Arms of Love”

Arms of Love
(Love Divine)
———————–
I was lost in sin from doing my will,
My need was great, impossible to fill.
Then someone told me of Your love divine,
How You came to earth to save mankind.

I called Your name Lord, not knowing the cross.
Would You be there, for me - the lost?
Would I be worthy to call Your name?
The deeds I had done, had caused You shame.
———————–
You were there, oh Lord, waiting for me,
With arms open wide for all to see.
You lifted me up from my deep, dark sin,
And gave me peace, such peace, within.

I sought Your touch for the love I’d missed
From the times of doing, what I thought best.
I sought Your presence to receive Your love,
And found such joy, God’s gift from above.
————————
Your love covered me, in all my need,
I saw the cross where You did bleed.
I felt Your love growing deep within.
Your touch cleansed me from where I’d been.

You cleansed my soul from inside to out
By Your love divine, I have no doubt.
Your love surrounds me, all my days,
As I walk with You, learn your ways.
——————–
In desperation I had reached for you,
Oh love divine, I found You so true.
So find Him now, oh dear one I pray,
Give Him your life, do it today.

He is waiting for you, with arms of Love,
The precious gift, from God above.
There is grace and mercy, waiting for you,
With love and forgiveness to see you through.
————————-
Lord, I call your name, now knowing the Cross
You are always there, for me - the lost.
You make me worthy to call Your name,
So the deeds I do, won’t cause You shame.
———–
John Stevens 2-13-2000

Sometimes we can carry around a lot of baggage in life that is totally unnecessary.  We can harbor resentments of things long forgotten.   We can let the opportunities for knowing the Savior slip through our fingers like sand.

If we wait until we feel we are good enough to meet Jesus, to take Him as our Savior, we will not make it. We will be lost.   He wants us just as we are with all the warts of life, problems, fears and doubts that life can bring.  For you see, it is never too late to seek the face of Jesus and give Him our lives as we transition from this state of the flesh (which as I get older is not so great) to the state of the spirit. Even when life is mostly over we can place our life and trust in His hands and it will be secure.  Even when we know Jesus, when we feel we are not close to Him at times, we can have the assurance, that blessed assurance,  that He is always near, ever present, holding our hand, leading us to our destination. For without a doubt, according to Romans 8:38-39 “Jesus is our eternal security”. Nothing can separate us from Him.

I have known Wayne for over 35 years, nearly 34 years as his son-in-law. He has always been a man of high integrity and honesty.   He has been the best father in law a man could have. Anna already knows this.  She is the best mother-in-law a guy can have.   Over the years Wayne and I have talked for hours and days at a time about various subjects.  I have seen him grow in his walk with God.  Some may have thought he was a little unorthodox but his heart was right and his love of spiritual things was evident.

At Christmas times when my family would visit for a week… when everyone had gone to bed…. in the wee hours of the morning, he would be strumming his guitar and singing hymns.  I could hear him in the quiet of the night.  It was a comfort to me to know that the Lord was on his mind. That he sang of God’s Love.  That he knew of God’s love.

It has been a great privilege to know Wayne and listen to the stories he had to tell about WWII when he was an MP and many other stories throughout his life.  I never ceased to enjoy the stories… just as I enjoyed hearing the stories over and over from my father who got his new address in 1996.  My Father came to know Jesus in his late sixties.  He knew and rejected accepting the Lord as his Savior until one Sunday morning in church, he walked down and knelt at an alter and said, “it is time”.

My father and dad Williams saw each other only once many years ago at Christmas time.  It was fun to watch them talk and reminisce about the old times.  Now they both live on the same street - for there is only one street name there….  Jesus Street.

Dad Williams had a lot of questions about life.  About things in the Bible mostly, for he studied the word.  Many times he asked me questions year after year. I apparently did not get any smarter from year to year because we went over it again and again.   Now he can get the answers he always was trying to figure out.

He will be missed by his family and friends.  I believe his angel came and escorted him into God’s presence.  Home at last.  The angels are rejoicing in Heaven today because another one made it home.

—————–
(This was delivered at my father-in-law’s funeral. He was rough on the exterior but on the inside… kind, gentle, loving man.  I am a better man because of knowing him. )

The torture on the golden ship of evil horrors
after arriving at the big golden pirate ship of torture we are made to walk along the black plank to board the grisly ship.  The horses look around the deck while the evil pirates watch with nasty and wicked eyes of hate towards our bodies.

All of a sudden hundreds of ghostly pirates appear from their  city of spikes and watch  us on the devils deck of terror.  The patch eyed monster with one leg then shouts towards a dark room on the ships deck while the other creatures jump and scream with a mist pint of froth in  their red hands.

The golden  goddess screams in terror when a dark figure wearing a purple hat walks out on the red deck of horrors.  We all look in horror when the rest of the pirates  chain our army towards  the ships  rails of torture.

i comfort luitent megs with my outreached arm while the dark pirate figure without a nose  and mouth pulls out it jagged  red swords  of horror at our trembling bodies.  The golden goddess stares inside its deep purple eyes while it pulls two  warriors out  from the carnage.

The horses plead for mercy while the  creature drags then towards a small dark corner of the ship.  One of the warriors is then tied down on a long plank of wood while the other pirates begin to move forward towards her shaken bodies.

An angry golden goddess try's to break free from the chains of torture while the other brave warrior try's to save the poor old woman warriors body.  We weep with anger when the pirates begin to rip her golden uniform off revealing her  lacy white old underwear of modesty.

The pirate monsters then quickly surround the shaken mature  woman  and ripping  her underwear off with ease. We listen the the pirate creatures howl with pleasure  whilst exploring her naked body.

Two of the pirates hold her head down while  the ******* pirate  pulls out its small flashing blade and cuts off  her nose  while she scream in terror.  The other pirates then keep her head very still while the creature begins to cut her mouth and lips off while blood fires up across the ships cold dark deck.

A sick golden goddess then begins to throw up when the black pirate holds the woman's golden lips  in the air for all the other pirates to see  and enjoy. We all sink into a dark huddle when the  other warrior is pinned down and sliced open by the black  pirates  sword of horror.

The horses tremble and shake when the other  warrior is pinned by down by fifteen pirate creatures for the black demon pirate pleasure. We all look with open eyes when the demon black pirate carefully removes hes golden genitals and ***** for the screaming warrior.

We are all then taken below deck towards a long  black freezing jail while the pirates party  and drink on spike city of evil horrors.  The horses sit and wonder how to escape  the evil city while the rest of us lay down in the dark  cells of torture.

written by wayne mockler
ownership and copyright wayne mockler


The torture on the golden ship of evil horrors part 2

After a long few hours in the cold dark cells of horror the  evil pirates bring us up on deck while all the other creatures watch  from pirate land of evil. The golden goddess and her army are led out first onto the golden ships deck with  me and luiteant  megs, white tiger and horses behind us.

We shiver and shake when we notice the plank of torture  hanging over the cold red water of evil.  One of the dark pirates comes towards our cold tired bodies and looks at us with  its green eyes of evil while its flowing  hair of snakes shines at our clouded minds of terror.

The golden goddess speaks out towards a smiling one eyed captain before being ******* with rope on a ships pole.  We be the captain for mercy but he's monster pull out two golden warriors and makes them stand near the long plank of wood.

One of the golden warriors is forced to walk the long dark plank while others look on in terror and suspense. The horses try and break free from their handcuffs but get beat down by  the evil pirate creatures of horror

A scared and  terrified warrior stands in the middle of the plank until a giant black figure emerges from the deep red river. The figure a shark with five heads and axe tail jumps at the golden warrior leaving a big deep cut on his forehead with golden blood flowing out everywhere.

I hold a terrified luitent megs tight while his head ***** open in the cold dark night of spike city.  The horses hold onto a shaking white tiger while the creature dives back in the deep red water.

The shark  monster  then jumps again but this time cutting the warriors head off while making the golden blood pour over the dark plank of wood.  The golden goddess begs for mercy until the pirates surround the fighting body of torture with eyes transfixed on her large ******* with glee.

We tell the pirates to keep of her  until  a black pirate with one arm begins to unbutton  her golden  blouse with ease.  The other creatures get closer towards her blushing red cheeks while the dark pirate begins to release the red buttons and exposing her large  ******* to cheers from the ***** pirates  creatures.

After getting  touched and explored by all the evil pirates a crying golden goddess is carried towards spike city drinking saloon along with the other golden warriors. We are  made  to follow behind a guard of pirates while the horses and white tiger  are chained up in the cages of hell.

Once in the drinking den of horror we are made to sit on big long stool while the pirates  strip a red faced golden goddess naked  while the captain watches with a barrel of ***.  we are then taken back towards the dark cage in spike city and locked up with the horses and white tiger.

We look over at the  other big cage from hell and see the army of golden warriors laid down  from the fight on hell.  The horses tend to to a distraught golden goddess with their warm fur of hope and look for a way to escape this hell hole.

written by wayne mockler
ownership and copyright wayne mockler

The torture on the golden ship of evil horrors part 3

After a long night of drinking and laughing the dark pirates settle down under a mist of red sky of horrors.  We sit alone in our  cold dark cage until the  purple light of sunlight shines though the next morning.

The pirate creature wake and walk around the dark spike city of horror until another ship sails in under a tunnel of torture towards the dark city's lights.  A scared golden goddess looks out and sees another pirate ship with orange sails come into spike  harbour.

We cringe with horror when the dark pirates cheer the ship while an orange pirate with six arms stands on its deck.  The  big green and blue ship then settles in harbour while the six armed orange creatures jump out and walk around the scared golden warriors cage.

A sadistic dark pirate captain  then unlocks the cage and drags out tow more golden warriors screaming and kicking for survival. The disgusting black captain then throws one of our heroes to the  orange horrors of lust.

The horses bang and shout at the dark pirate captain  until the orange creatures carry  the golden warrior woman towards a cold dark table of hate.  we listen to her screams while the pirates begin to cut open her golden uniform from to to bottom.

An angry golden goddess screams with anger when the creatures mange to prize open her golden bra  and ripping it off with loud screams of joy  from the other drunken pirates.  She blushes  red with horror when the  creatures  slip down her golden thong causing the  pirates to go wild with excitement.

We sit and watch with anger when the pirates begin  to touch her naked body all over while he screams in anger and hatred. The  creatures then carry her naked body towards the  creatures drinking saloon  of evil.

I hold and comfort luitent megs while the cheer's get higher and higher  followed by a dull silence. All of a sudden two evil  orange pirates  bring out her golden head before sticking in on a long pole near the river.

The golden goddess screams and kicks with anger at the glowing guards while  the other golden warrior is dragged inside the saloon of horror.  We then suddenly hear high pitched screams coming from the warrior inside until a pirate shouts yes in a loud clear voice.

Another  four pirates of evil walk out holding various  parts of the mans body in their glowing  hands of golden blood. The horses bury their heads in the  cage corner whilst the  creatures throw s his head and legs inside a big dark plastic bag of evil.

We all sit alone in the dark  cage of evil  while the orange and black  creatures toast and dance in the  cold evil  saloon of hatred.  The golden goddess and horses look around the dark cage wondering how to escape from the torture of the creatures hands.

written by wayne mockler
ownership and copyright wayne mockler

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

THE FERRIS WHEEL

I’ve always trusted machines, especially big ones. Like the ones at the annual county fair held at the Oklahoma City fairgrounds. After 2 weeks, the closing ceremony was always held in the main bull riding arena with a captivating routine performed by Roy Rogers and Dale Evans. Even their dead horse was on display throughout the whole time of the fair. His name was Trigger and he was stuffed. Roy Rogers was so in love with Trigger that he couldn’t go on without him. So he had him stuffed and carted him around whatever circuit they might be on. It was a sad but interesting display. But now he had a new Trigger and new tricks which were somewhat entertaining.

In the fall of 1971, upon this particular day Matt, a friend of mine and I convinced my little brother Wayne to go on the biggest ride at the fair, the double Ferris wheel.  It was a Ferris wheel shaped like an 8. The two wheels were loaded one after the other. As the seats were filled the ride would continue going up, up, and up then reaching the apex of two circles, sitting in a little grated seat, held in by a bar that locked you in at the at the beginning of the ride. When you reached the top it felt like you were riding a cloud. Going over the top of the Ferris wheel was an unimaginable thrill, it was built to guarantee a belief that you would in no way survive. Then you would swing back and forth, waiting for the other circle of seats to be filled before the real ride began.

As Matt and I got into our seat, Wayne hopped in next to me. We heard the clangs of the operator shutting the bars over the riders locking them into place. But when we got to the operator, the familiar clang was more like a clunk. The bar had not latched. We were not locked in. Now in the back of my head I took this in, but I chose to ignore it. We went up a little higher as other patrons were clanged tightly into their seats. Then as we went up, people started getting bold, swinging their legs, rocking their seats like a swing chair. After moving up about 80 feet, Matt began to swing ours. ”This is cool, huh” he said, trying to hide any little creep of fear. “Yeah, this is really great”, I agreed. But I didn’t do anything to cause the seat to rock anymore than it already was. Wayne was silent, his eyes clenched shut.

All of a sudden, the whole apparatus raised us up into the atmosphere. I swear we were at least as high as the tallest building in the Oklahoma City skyline. I could tell Matt was truly scared and he had quit rocking the chair. That didn’t matter. One last jolt threw us over the top and the “safety” bar swung wide open, out and away before coming back slowly to rest on our laps providing no safety whatsoever. After the bar swung out a couple of more times I was convinced we were going to fall to our deaths and become county fair legends. All three of us clung to the grated back of the seat, our fingers drained of blood by holding on so tight. We came down three times past the operator of the Ferris wheel before we got his attention. But Wayne was clutched so tightly to the back of the seat; you couldn’t have separated him with a paint scraper. He would have died there had we finally not gotten the attention of the operator and the operator’s boss.

It was becoming apparent that something was dreadfully wrong, so the ride slowly and painfully came to a stop. Passengers at the top were swinging their seats unaware of our impending death. Finally the double wheel cranked our seat to the exit platform. We couldn’t speak. The breath was out of us. Yelling at this time was impossible. Everyone remembered Wayne. He was white as a ghost and his lips were blue. He had clutched so hard to the back of the seat the whole side of his face was imprinted with the grate. I found this very curious. There was a pattern similar to a waffle imprinted from his forehead to his chin. He was still white but the lines in the imprint were deep red. His eyes remained closed until I was able to convince him that the ground was 2 feet below him. Finally he let go, and all three of us were pried from the seat. The ground never felt as good as it did that day.

We were still crying and shaking when the Manager of the fairgrounds arrived and removed us to the calming area which also doubled as the baby animal petting zoo.  We sat down in the petting area allowing the straw to dry our pants as all three of us had literally peed in them. As our pants became drier, we became a little calmer and we began petting baby lambs and chicks.   Then I looked across the way at the oddities booth. I had been in there that day. They had all sorts of gross weird things in there. I was fascinated. Some of the exhibits were pickled and some were still living.  I saw 2-headed babies in pickle jars and a calf with a leg sticking out of its forehead. I didn’t even want to think about that now. Too late. I bent over and puked so hard my eyes bulged.

Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!

Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

When Mom died in June of 1991 Dad was rather lost,
like the rest of us. I started writing little letters in
big print so he could read them. He would not talk on
the phone so this was the only way to make contact.
I found out later that he carried them around in his
bib overall pocket and pulled them out from time to time.
Occasionally they would get washed and when Sharon
let me know I would run off another copy and mail it.
It became a means for me to remember the past and help
Dad at the same time. My kids loved to hear stories of
when I was a kid so I would recycle the stories between
the kids and Dad. Now as I read them it is a reminder of
things that have become a little fuzzy over the years,
also a reminder that I need to fill in the gaps of the stories
and leave them for my kids before it is too late. So here it is,
such as it is, if you are interested.

=======================================

    Letter­s to Dad

    Nov. 14, 1991

    Dear Dad,
    Your grandkiddies, as you call them,
    send you a big hug from Idaho. Sara is
    five and in Kindergarten this year and
    doing very well. Kristen is in the forth
    grade and made the Honor Roll list the
    first quarter of the year. We are very
    proud of both of our girls.

    Do you remember when toward late
    afternoon you and I would get in the car
    and “Drive around the block” as you
    always said? We would go up to Cliff’s
    and go east for a mile then down past
    Cleo Mae house and on back home. I
    remember you would stop at the junk
    piles and I would find neat stuff, like
    wheels from old toys, that I could make
    into my toys. I think of those times often.
    It was very enjoyable.

    I will be writing to you in the BIG PRINT
    so you can read it easier.

    It is snowing lightly here today. Supposed
    to be nasty weather for a while.

    Bye for now.

    John

    ——————————————————–

    Dec. 3, 1991

    Dear Dad,

    Just a note to say we love you. I miss very
    much talking to Mom on the phone and
    having you play Red Wing on your harmonica.

    I remember quite often when I was very
    young, 4 or 5, and we would go out to the
    field to change the water or something.
    The sand burrs would be so thick and you
    would pick me up on your back. I would
    put my feet into your back pockets and
    away we would go.

    These are the things childhood memories
    are supposed to be made of. Kristen and
    Sara love to hear the stories about when I
    was a kid and what you and I did
    together. I try with them to build the
    memories that they can tell their kids.
    Thanks Dad for a good childhood.

    Bye for now.
    Kristen and Sara send you a kiss and a
    hug.

    Your son, John

    —————————————————–

    Jan. 12, 1992

    Dear Dad,

    We went to Oregon for Christmas and
    had very good traveling weather. Do you
    remember when you and Mom went with
    us once to Oregon at Christmas and
    there were apples still hanging on the
    tree by the Williams house? We made
    apple pie from the apples that you
    picked. Turned out to be pretty good pie.
    There weren’t any apple on the tree this
    year. I thought of you picking the apples
    and bringing them into the kitchen in
    your hat if I remember right.

    We have had some pretty good times
    together. I was thinking the other day
    about a picture that I took of you about
    12 years ago. It captured you as I will
    always remember you. If I can locate it in
    all the stuff, I would like to get it blown
    up and submit it to the art section at the
    Twin Falls County Fair this year.

    I hope this finds you feeling well. I love
    you Dad. Kristen and Sara send you a
    kiss and a hug.

    Oh yes, I would like for you and Tracy to
    sit down sometime and talk about when
    you were a kid and record it on tape. I
    would like to put your remembrances
    down on paper.

    Bye for now.

    Your son, John

    ———————————————————

    Feb. 11, 1992

    Dear Dad,

    Happy Valentine’s Day!!

    Spring is on the way and soon you will be
    85. Just a spring chicken, right? I hope I
    can get around as well as you do by the
    time I am 85.

    Thanks for the letter. I will keep it for a
    very long time. It is the first letter I have
    received from my Father in 48 years.

    Talked to Ed the other day. He said he
    talked to you on the phone and that you
    were wearing your hearing aids and
    glasses. Great! Mom would be proud of
    you.

    Talked to a guy last week who is
    president of the John Deer tractor group
    here. He invited me to bring my “M”
    John Deer to the County Fair and
    participate in the tractor pull contest.
    Might just do that.

    Well the page is filling up using these big
    letters but if it makes it easier to read it is
    worth it.

    Bye for now Dad, I love you. Pennye,
    Kristen and Sara send their love too.

    Your son, John
    —————————————————-
    April 13, 1992

    Dad

    Though the years have past and you are now
    85, you are still the same as when I was a
    child. The memories of going with you to the
    field, when you were “riding the ditch”,
    surveying in a lateral, loading up the turkeys
    in the old Ford truck and taking them to the
    “Hoppers” - is just as if it were yesterday. I
    think of you playing Red Wing on the harp. I
    remember when during the looong cold
    winters we would play checkers. You would
    always beat me. I learned to play a good game.

    Not much has changed except we are both
    much older now. The values you did not speak
    but lived out in front of me has helped make
    me what I am today. I pray that I will be a
    good example before my children to help them
    on their way through life.

    On your 85th birthday, I want to wish you a
    Happy Birthday and thank you for being my
    Father.

    Love
    John

    April 13, 1992

    ————————————————–

    June 10, 1992

    Dear Dad,

    I hope this finds you well. The Stevens
    family in Twin Falls Idaho is having a
    busy summer. Kristen just finished the
    fourth grade and was on the Honor Roll
    for the entire year. Sara will now be a
    big First Grader next year.

    The other day we went out to eat and
    Kristen had chicken and noodles. She
    said, “This tastes just like Grandma
    Nellie’s noodles.” I hope they can keep
    these memories fresh and remember all
    the good times we had back in Nebraska.
    It is difficult to accept that things have
    changed and will never be the same again.
    We miss the weekly phone calls to Nebraska.

    It is clouding up and we might get rain
    this week. It is very dry around here.
    Some of the canals will be cut off in July.

    Bye for now.

    Your Son John

    Love you Dad. I think of you often.

    —————————————————-

    June 22, 1992

    Dear Dad,

    Hope you had a good “HAPPY PAPPY”
    day. This note is to wish you a late
    “HAPPY PAPPY” day.

    I was thinking the other day about the
    times you would take me roller skating
    out at the fair ground on Sunday
    afternoons. I really enjoyed those times. I
    remember how you could give a little hop
    and skate backwards. For me staying on
    my feet was a challenge.

    Sara will be 6 years old June 29. Seems
    like yesterday when she was born. Time
    has a way of passing very quickly.

    Love you lots Dad. The family sends their
    love too.

    Bye for now.
    John

    —————————————————

    Aug. 11, 1992

    Dear Dad,

    Just a note to let you know that your
    Idaho family love you. It was good to talk
    to you for a minute or two the other day.
    I miss the harmonica playing you would
    do over the phone.

    We are all well even though the place
    was covered with smoke from all the
    forest fires last week. It got a little hard
    on the lungs at times but the smoke has
    moved on now. Probably went over
    Nebraska.

    Talked to brother Ed the other day. He
    had just returned from from Nebraska.
    Ed said you looked good for 85.

    Bye for now.

    John

    —————————————————–

    Sept. 10, 1992

    Dear Dad,

    I am sending a copy of what Mom sent
    me a few years ago of what she
    remembered about growing up. I wish I
    had more. How about sitting down with
    Tracy and Sharon and telling them some
    of the things you remember about
    growing up? They can record it and I will
    put it on paper. I would really like that.

    We are ok here in Idaho. Summer had
    disappeared and it is school time again.
    Kristen is in the 5th grade and Sara is in
    the 1st grade. The family went to the
    County Fair today for the second time.
    One day is enough for me.

    I think of you often and love you Dad.
    Thinking of the good times we had
    together while I was growing up always
    makes me happy. You and Mom raised
    four pretty good kids.
    God Bless you Dad. We love you from
    Idaho.

    Bye for now.

    John

    —————————————————–

    Oct. 11, 1992

    Dear Dad,

    We are fine out in Idaho. We are having
    beautiful fall weather. It has not frozen
    enough to get our tomato plants yet.

    Kristen and Sara are doing very well in
    school. They brought home their mid
    term report cards and are getting A’s
    and a B or two.

    Remember when we would go out in the
    corn field and pick the corn by hand? I
    would drive the tractor and you and Ed
    and Wayne picked the corn and threw it
    in the trailer. You guys kept warm from
    the work and I was freezing on the
    tractor. Before that we used the horses
    named Brownie and - was it Blackie?
    The one that kept getting out up north by
    the ditch was Brownie. He figured out
    how to open the gate.

    I remember the times that you were
    hauling cane or sorghum from the field
    east of Mercers and I would ride behind
    the wagon on my sled.

    I had a very good childhood really.
    Thanks for being my Dad.

    God Bless you Dad. We love you from
    Idaho.

    Bye for now.

    John

    ——————————————————-

    Nov. 10, 1992

    Dear Dad,

    It is snowy here and cold. I have a hole in
    the back of the house I must get sealed up
    to keep the cold out. We are redoing this
    part for the kitchen.

    Kristen and Sara made the Honor Roll
    this quarter in school. Kristen’s teacher
    said he wished he had a whole room full
    of Kristens to teach.

    Sorry the phone connection was so bad
    when I called the other day. It was good
    to here you say “hello hello….” any way.
    Glad you are feeling better.

    Your account in the credit union is about
    $34,000 now.

    I was just thinking back when we were
    cultivating corn with that “crazy wheel
    cultivator”. The one that you drove the
    tractor and I rode on the cultivator and
    used the foot pedals to steer it down the
    rows. I remember sometimes it cleaned
    out some of the corn row. Cultivator
    blight, right? It was kind of hard to keep
    straight. Those were the days.

    I keep remembering little bits of things
    while growing up. Sometime I will put
    them all together for my kids to read
    about the “good ole days”.

    God Bless you Dad. We love you from
    Idaho.

    Bye for now.

    John

    ————————————————
    Dec. 17, 1992

    Dear Dad,

    The snow has fallen and the kids stayed
    home from school today. The wind is now
    blowing so it will begin drifting the road
    shut. Besides that the whole family is sick
    with a cold.

    We are putting together a Christmas gift
    to you but it won’t be ready for
    Christmas. It is something that you can
    watch over and over if you want. So
    Merry Christmas for now.

    Last night was the kids’ school Christmas
    program. Kristen started playing the
    flute this fall and played with a group for
    the first time this week. She did very well
    and I got it on video.

    Time to get this in the mail. Love you
    Dad.
    Bye for now.

    Kristen and Sara send you a kiss and a
    hug.
    Your son, John

    ——————————————————

    Jan. 11, 1993

    Dear Dad,

    We have a lot of snow on the ground
    now. I was telling the family about the
    winter of 49 where the snow covered the
    door and you had to scoop the snow into
    the house to dig a tunnel out then haul
    the snow out through the tunnel. That
    was a 15 foot drift wasn’t it? It sure
    looked big to this 6 year old. Then the
    plane flew over the house for a few days
    until we could get out and signal an OK.
    Those were the days! What I do not
    remember is how you took care of the
    cows and stuff during this time. I
    remember being sick and Wayne took the
    horse and rode into Broadwater to get
    oranges and something else. The big
    white dog we had went along and was hit
    by a car. Wayne had to use a fence post
    to finish him off. I remember feeling very
    sad about the old dog.
    We haven’t had this much snow in 8
    years.

    I trust you are feeling well. Our prayers
    are with you all.
    Bye for now. Love you Dad
    The family send a BIG Hi!!!!

    Your son, John

    —————————————————-

    Feb. 9, 1993

    Dear Dad,

    When the kids go to bed they say “Tell us
    a story about when you were a kid on the
    farm”. So I tell them things that I write
    to you and a LOT that I don’t write to
    you. The other day going to school we
    were talking about one of the first snow
    falls we had this year. I spun the van
    around in circles in the parking lot and
    they thought that was GREAT fun. Then
    I told them about the time that their
    Grandpa cut some circles in the Kelly
    School yard and hit a pole with the back
    fender. Do you remember that? I
    remember Mom bringing it up every now
    and then. Then there was the time you
    got a little close to the guard posts along
    the highway just west of Broadwater and
    ripped the spare tire and bracket off the
    old Jeep. Of course none of US ever did
    anything like that. HA.

    It is good to remember back and tell the
    kids about the things we did “in the old
    days”. They find it hard to believe there
    was no TV and I walked through rattle
    snake country to go to the neighbors to
    play. It WAS a good time for me and I
    had a GOOD Dad to help me grow up.
    Thanks again Dad. You and Mom did a
    very good job on us four kids. Sometimes
    we don’t show it often enough but I for
    one thank you and LOVE you.

    Soon you will have another birthday.
    Before you know it you will be 90. I
    should be so lucky.

    I trust you are feeling well. Our prayers
    are with you all. Bye for now. Love you
    Dad
    The family send a BIG Hi!!!!

    Your son, John

    —————————————————–

    Mar. 9, 1993

    Dear Dad,
    Time has a way of disappearing so
    rapidly. I was going to write you a note
    two weeks ago and now here we are.

    It looks like spring is just about to arrive.
    I am ready for it. I’ll bet you are ready to
    get out side and do something. Do you
    miss not farming? I think often about the
    farm and the things we used to do. The
    kids always ask for stories about being on
    the farm. I tell them about raising a
    garden, rattlesnakes, floods, the BIG
    ONE in 49, anything that comes to mind.

    The family went to Sun Valley about 70
    miles north of here Sat. with Kristen’s
    Girl Scout troop for a day of ice skating.
    Pennye used the VCR and played back
    their falls and no falls. It reminded me of
    the times you would get your old clamp-
    on skates on a cut a figure on the ice. I
    never was very good at it. You could hop
    up and turn around. I couldn’t stay of
    my back side and head. I still have a big
    dent in the back of my head from the last
    time I tried. Nearly killed me. So much
    for that.

    Next month you will have another
    birthday. 86 years! Before you know it
    you will be 90.

    I paid your insurance for another year
    I trust you are feeling well. Our prayers
    are w