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Michael R Burch Aug 2020
The Song of Amergin: Modern English Translations

The Song of Amergin
loose translation/interpretation by Michael R. Burch

I am the sea breeze
I am the ocean wave
I am the surf's thunder
I am the stag of the seven tines
I am the cliff hawk
I am the sunlit dewdrop
I am the fairest flower
I am the rampaging boar
I am the swift-swimming salmon
I am the placid lake
I am the excellence of art
I am the vale echoing voices
I am the battle-hardened spearhead
I am the God who gave you fire
Who knows the secrets of the unhewn dolmen
Who understands the cycles of the moon
Who knows where the sunset settles ...



The Song of Amergin
an original poem by Michael R. Burch

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs . . .

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne―green, brooding―nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
. . . and Time here also spumes, careers . . .

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



The Song of Amergin II
a more imaginative translation by Michael R. Burch

after Robert Bridges

I am the stag of the seven tines;
I am the bull of the seven battles;
I am the boar of the seven bristles;

I am the wide flood cresting plains;
I am the wind sweeping deep waters;
I am the salmon swimming in the shallow pool;

I am the dewdrop lit by the sun;
I am the fairest of flowers;
I am the crystalline fountain;

I am the hawk shrieking after its prey;
I am the demon ablaze in the campfire ashes;
I am the battle-waging spearhead;

I am the vale echoing voices;
I am the sea's roar;
I am the rising sea wave;

I am the meaning of poetry;
I am the God who inspires your prayers;
I am the hope of heaven;

Who else knows the ages of the moon?
Who else knows where the sunset settles?
Who else knows the secrets of the unhewn dolmen?

Translator's Notes:

The "Song of Amergin" and its origins remain mysteries for the ages. The ancient poem, perhaps the oldest extant poem to originate from the British Isles, or perhaps not, was written by an unknown poet at an unknown time at an unknown location. The unlikely date 1268 BC was furnished by Robert Graves, who translated the "Song of Amergin" in his influential book The White Goddess (1948). Graves remarked that "English poetic education should, really, begin not with Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." The poem has been described as an invocation and a mystical chant.

I did not attempt to fully translate the ending of the poem. I have read several other translations and it seems none of them agree. I went with my "gut" impression of the poem, which is that the "I am" lines refer to God and his "all in all" nature, a belief which is common to the mystics of many religions. I stopped with the last line that I felt I understood and will leave the remainder of the poem to others. The poem reminds me of the Biblical god Yahweh/Jehovah revealing himself to Moses as "I am that I am" and to Job as a mystery beyond human comprehension. If that's what the author intended, I tip my hat to him, because despite all the intervening centuries and the evolution of the language, the message still comes through quite well. If I'm wrong, I have no idea what the poem is about, but I still like it.

Who wrote the poem? That's a very good question and the answers seem speculative to me. Amergin has been said to be a Milesian, or one of the sons of Mil who allegedly invaded and conquered Ireland sometime in the island's deep, dark past. The Milesians were (at least theoretically) Spanish Gaels. According to the Wikipedia page:

Amergin Glúingel ("white knees"), also spelled Amhairghin Glúngheal or Glúnmar ("big knee"), was a bard, druid and judge for the Milesians in the Irish Mythological Cycle. He was appointed Chief Ollam of Ireland by his two brothers the kings of Ireland. A number of poems attributed to Amergin are part of the Milesian mythology. One of the seven sons of Míl Espáine, he took part in the Milesian conquest of Ireland from the Tuatha Dé Danann, in revenge for their great-uncle Íth, who had been treacherously killed by the three kings of the Tuatha Dé Danann, Mac Cuill, Mac Cecht and Mac Gréine. They landed at the estuary of Inber Scéne, named after Amergin's wife Scéne, who had died at sea. The three queens of the Tuatha Dé Danann, (Banba, Ériu and Fódla), gave, in turn, permission for Amergin and his people to settle in Ireland. Each of the sisters required Amergin to name the island after each of them, which he did: Ériu is the origin of the modern name Éire, while Banba and Fódla are used as poetic names for Ireland, much as Albion is for Great Britain. The Milesians had to win the island by engaging in battle with the three kings, their druids and warriors. Amergin acted as an impartial judge for the parties, setting the rules of engagement. The Milesians agreed to leave the island and retreat a short distance back into the ocean beyond the ninth wave, a magical boundary. Upon a signal, they moved toward the beach, but the druids of the Tuatha Dé Danann raised a magical storm to keep them from reaching land. However, Amergin sang an invocation calling upon the spirit of Ireland that has come to be known as The Song of Amergin, and he was able to part the storm and bring the ship safely to land. There were heavy losses on all sides, with more than one major battle, but the Milesians carried the day. The three kings of the Tuatha Dé Danann were each killed in single combat by three of the surviving sons of Míl, Eber Finn, Érimón and Amergin.

It has been suggested that the poem may have been "adapted" by Christian copyists of the poem, perhaps monks. An analogy might be the ancient Celtic myths that were "christianized" into tales of King Arthur, Lancelot, Galahad and the Holy Grail.

Keywords/Tags: Amergin, song, translation, Ireland, Irish, Celtic, Gaelic, Gaels, Milesian, Druid, Banshee
RAJ NANDY Nov 2014
AN INTRODUCTION TO THE STUDY
OF HISTORY IN VERSE : PART ONE
              BY RAJ NANDY
              INTRODUCTION
The very mention of History brings to mind
many civilizations, its wars, with endless
succession of ruling dynasties and kings;
Its many dates and events, which appear to be
rather dull and boring!
“If history were taught in the form of stories, it
would never be forgotten”, said Rudyard Kipling!
So if a good teacher of History narrates those
events like a story within a broad chronological
frame work,
While skillfully linking the present in light of the
past;
Mentioning both important and lesser known
interesting facts to arouse the interest of his
class; -
History would be better appreciated by us!
Perhaps in its narrowest sense, History may be
viewed only as a chronological succession of
dates and past events!
But let me assure you that History is a dynamic
linear progression, adapting and evolving with
changing times,
As present recedes into the past all the while!
These changes could be environmental, socio-
economic, or political changes faced by mankind.
But we remain as a living part of History all the
while!
Yet while we live through History, we fail to realize
the impact we make upon history and time;
And this is perhaps the very magic and enigma of
History,
Which occasionally lends it a touch of mystery!
Our family album is a record of our history we
create and leave behind at the micro level;
Just as past civilizations have left behind their imprints
in their architecture, statues, literature, and works
of art at the macro level !
History breathes and speaks to us from the distant
past,
If only we could pause to hear its unspoken words,
As the Romantic poet John Keats had once heard!
Keats’  “Ode on a Grecian Urn” composed during
early 19th century, -
Harks back to the Classical Age of Greek History!
Keats waxes eloquent in his description of pastoral
scenes painted on the urn which lies frozen in time;
While Keats leaves behind his exalted and eternal
aesthetic message - ‘Beauty is Truth and Truth
Beauty’, - which shall outlive our mortal time!
So it is with History, like the Grecian urn the past  
remains eternalized in time with its lessons and
stories;
While it beckons us to unravel her mysteries!
For the historian, the architect, the geologist,
the anthropologist, scholars and the artist,
‘’History is a continuous dialogue between
the present and the past’’;
As observed by the English historian and
diplomat EW Carr.
Even though we cannot change the past, we can
surely absorb the lessons it has left behind for us!
The Spanish born American philosopher George
Santayana had said; -
“Those who cannot remember the past are
condemned to repeat it!”
The Dutch philosopher Soren Kierkegaard had
once remarked; -
“Life must be lived forward, but it can only be
understood backward.”
So let us learn from past History to create a
better future for humanity.
For the past gives us a sense of belonging
and an identity;
Since our very roots lie enshrined in History!
By the time you complete reading my entire
composition,
I hope to convert you into a Lover of History
by broadening your perception!

HISTORICAL BACKGROUND OF HISTORY!
Ancient Greece, the cradle of Western Civilization
during the 6th century BC, -
Saw the birth of Philosophy!
Thales of Miletus, Anaximenes, and Anaximander,
from the Greek colony of Ionia on the west coast
of Asia Minor,  (now Turkey)
Broke the previous shackles of all mythical and
superstitious explanations.
With their questioning mind and rational thinking
they sought,  -
To seek the real behind the apparent, and substance
behind the shadow;
By seeking natural and logical reasons for explaining
natural phenomena, -
Free from all previous religious and mythical
interpretations!
Thus, these Milesian School of thinkers in their quest
for truth with their intellectual lust, -
Gave rise to ‘philosophia’, Greek word for ‘love
of truth’, an early birth!
Subsequently, this newly born Greek Philosophy with
its progressive thoughts inspired scientific methods
of inquiry;
Along with Logic, trial by Jury, and the very concept
of Democracy!
The Greeks also inspired Literature, History, Tragedy,
Comedy, the Olympic Games, Astronomy, and Geometry!
Around 500 BC the Greek written script had stabilized,
going from left to right;
And the first addition of vowel letters by the Greeks
to the adopted Phoenician consonants, can never
be denied!
The first two Greek letters ‘alpha’ and ‘beta’ which
gave the name to our Alphabets forms a part of
early History.
Now Herodotus, during the 5th century BC, had
inherited this intellectual Greek Legacy!

HERODOTUS – ‘THE FATHER OF HISTORY’
Herodotus is said to have been born in the ancient
Dorian Greek city of Halicarnassus in south-west
Asia Minor, which is now Turkey;
During the latter half of 5th century BC!
During his days, the city was under the rule of Persia;
Since the Persians had captured the Greek colonies
in Asia Minor!
Frequent revolts by these colonies against the
Persians with help from Athens,
Made the Persian King Darius, and later his son
Xerxes, - decide to invade Athens!
The Persians also wanted to extend their Empire
into Europe across the Bosporus Strait, -
Which divided Asia from Europe in those days!

In 490 BC, when the massive Persian army of King
Darius landed at Marathon as assured victors;
The Athenian running courier Pheidippides ran
150 miles in two days, to seek help from Sparta!
Again later, he ran 25 miles from the battlefield
near Marathon to Athens, to announce that the
Greeks became the final victors!
This historic run by Pheidippides gave rise to the
discipline of Marathon, in our Olympic Games
later on!
Such Marathon runs are now held in many cities
of the world annually,
Thus we remain connected with our past as you
can clearly see!
Years later in 425 BC, Herodotus narrated these
invasions in his famous narrative ‘Histories’.
Cicero the Roman scholar, philosopher and orator,
Had called Herodotus the ‘Father of History’ many
centuries later!
Very little is known about Herodotus’ early life,
But from historical evidence which survive,
We learn about his stay in Athens, and his many
wanderings;
Visiting Egypt, Libya, Syria, Babylon, Susa in Elam,
Lydia, and Phrygia;
Collecting information which he called ‘autopsies’
or ‘personal inquiries’, and hearing many stories;
Prior to composing his famous ‘Histories’!

“THE HISTORIES”: HERODOTUS (430-425BC)
This was written in prose in the Iconic dialect of
Classical Greek,
Covers the background, causes, and events of the
Greco-Persian Wars between 490 and 479 BC.  
Scholars divided the entire work into 9 Books, with
each dedicated to a Greek Muse, - those goddesses
of art and knowledge,
Thereby the Homeric tradition they did acknowledge!
For example, Book-I was dedicated to Calliope, the
Muse of Epic Poetry, and Book-II to Clio, the Muse
of History.
Herodotus begins his narration with these following
words;-
“Here is the account of the inquiry of Herodotus of
Halicarnassus in order that the deeds of men not be
erased by time, and that the great and miraculous
works – both of the Greeks and the barbarians not
go unrecorded.”
Now Herodotus with his lucid narrative style, had
pioneered the writing of History with a specific
framework of space and time!
His style got emulated by later writers of History,
Who improved their narration with better authentic
source and methodology;
Thereby giving birth to the subject of ‘Historiography’.
(Historiography = critical examination of source & selection
of authentic material, synthesis of particulars into a narrative
whole, which shall stand the test of critical methods.)

HERODOTUS’ ‘INQUIRY’ GAVE BIRTH TO ‘HISTORY’!
The ancient Greek word “historia” meant ‘knowledge
acquired by investigation or inquiry’’, and the Greek
‘histore’ meant ‘inquiry’.  
It was in this sense Aristotle later used it in his ‘’Inquires
on Animals’’- during the 4th Century BC;
And this mode of ‘inquiry’ later became ‘History’!
The term ‘History’ entered English language in 1390
as a “record of past incidents and story”.
However, the restriction to the meaning “record of
past events” only, came during the 15th century.
But the German word ‘Geschichte’ even to this day,
Means both history and story, without making
distinction in any way!
Since the story element remains inbuilt in all historical
narrations,
And also remains as a tribute to its author’s creation!
CONCLUDING PORTION WILL BE POSTED LATER AS
PART-TWO. Thanks, - RAJ NANDY.
**ALL COPY RIGHTS WITH THE AUTHOR RAJ NANDY,
OF NEW DELHI
Friends, this is a short intro. to the subject of History in Verse, composed in a simplified form. The concluding portion will be posted later as Part Two. Hope you like the same! In case you like it, do recommend to your other friend! Thanks, -Raj
Mateuš Conrad Nov 2018
.just like having missed Handel's messiah at the Royal Albert Hall, instead returning sullen and ******* in a brothel... now this... Beethoven's Ode to Joy, me writing this and da-ist-sein taking place all around me; but more importantly: beyond me - preying on the hope, of a divine intervention.

on a site... such architectural Behemoths
of beauty,
were born from the Roman numerals...
to see 31, via XXXI...
     a bit like seeing the ode to joy...
what i would call
   what my English teacher joked around
with when describing the Blitzkrieg
happening while
Wagner's ride of the Valkyries
was playing in the background...
well... time's up...
    plus the moonlight sonata
was overly borrowed...
            notably in geek love
by katherine dunn...
                 imagine calculus, using roman
numerals, are all modern mathematics
for that reason...
  perhaps, just perhaps...
teaching dyslexics arithmetic in roman
numerals, they'd be able to spell better...
after all... what do we have?
  /  i was just thinking that...
since we know what the ancient Roman
numerals were, what were the ancient
Greek numerals, and why do we
hear about them so little? /
   we have... oh look! what a "coincidence"...
anti-Roman Greek propaganda
(how else would the Byzantines
have not arose from the ashes
of the fall of the Roman Empire,
if not via the bible's propaganda...
for me? the book of Revelations
was written first)...
Revelation 13:1...
   a seven-headed beast...
let's see...
   I, V, X, L, C, D, M... by Jove!
that's 'even!
                     i must be in 'eaven...
(keep in mind that ode to joy
by Beethoven is playing in the background
as i mash this out)
- because you rarely hear about
the ancient Greek numerals...
i'm guessing because...
  whatever letter was whatever numeral...
became... a scientific constant...
i.e. a hyper-numeral...
        what with the Rho... ahem...
Trojans suiting the duo graphemes to look
more sophisticated in their sophistry
(Cicero and Seneka...
both loud-mouths, who apparently didn't
bother to think), as in their writing...
just marvel at this:

αʹ 1 ιʹ 10 ρʹ 100
βʹ 2 κʹ 20 σʹ 200
γʹ 3 λʹ 30 τʹ 300
δʹ 4 μʹ 40 υʹ 400
εʹ 5 νʹ 50 φʹ 500
ϝ 6 ξʹ 60 χʹ 600
ζʹ 7 οʹ 70 ψʹ 700
ηʹ 8 πʹ 80 ωʹ 800
θʹ 9 ϟʹ 90 ϡʹ 900

                          (look! look! they had knowledge
of runes! ϟ - soowiloo / sun
   and a chiral variant of ᚠ - fehoo / wealth
   and ᚨ - ansuz / one of the Æsir)

the precursor of chemistry,
the apostrophe attached to
          letters to represent numbers
absolutely genius...
      the ancient Greeks utilißed
their entire alphabet...
  yet the squalid Romans made use of 7...
**** me...
that really is worth noting...
    so the idea of writing chemical
equations like H₂O came from the use
of the apostrophe in the Greek numerical
use of letters...
and to think... the ancients entertained
a dual nature of letters...
they could encode speech,
but also think abstractly about,
weights, measures, architecture,
    triangles...
                          to me they were far
more sophisticated than we will ever
hope to be...
actually...
   doesn't Braille borrow from this model?
the Greek numerals?

the apostrophe is the number indicator...
ergo
         αʹ = 1
                                 but in Braille...
the number indicator is
    ⠼           ergo                   ⠼⠁= 1
oh look!
                     no ****!

now i know why i wrote the title first,
i knew i was going to digress...
Heidegger's aphorism XXXI, VIII,
well... i guess for you to read it...
you have to cough up around thirty quid
as i did...
       i won't rewrite the text...
forget it...
                    it basically summarizes
the ontology of the English...
   covertly, because this isn't an observation
done as directly as Voltaire's...
this is the English mentality....
briefly... it talks about the the veneration
of "facts"... "facts" that however much true...
disintegrate into a spaghetti mesh of
utter *******, or rather a caution:
to not seek origins in "ideas" or furthermore,
building a solid foundation
on theories...
              rather? experiences... empiricism...
i already knew that the English
were suckers for science as their new
guiding voice of having replaced
religion... that was ****** obvious
through their egalitarian idealism...
but yeah...
     ancient Greek numerals,
              the evolution of the numerals
into scientific constants...
   and the concept-borrowing from them,
using the idea of the apostrophe,
to write in numbers into the Braille codex.

ps. to ode an die freude:
  which brings me to the conclusion...
how not similar is the ancient Roman
numerals from how music is written?
from the most simple schematics,
arise the most complex structures...

    (⠼) ⠊     ⠃⠃     ⠃⠙      ⠁⠃     ⠉      ⠙       ⠁⠉

something so simple, can produce
at the same time something eternally complex,
and original...
   music... to think...
we need 26 letters to encode talking,
and with these 26 letter encoding,
we can muster up such vitriol as
to find it better to simply shut up...
  
     A, A# / Bb,
            B, C,
                   C# / Db,
                   D, D# / Eb,
                   E, F,
         F# / Gb,
                    G,
                      G# / Ab....

how many letters is that?
  **** me... 7!
             7 letters...
  and at the end of it...
you have either Handel's messiah,
or Beethoven ode to joy...
who would have thought.
             - and all of this... while drinking
two bottles of beer... ha!

— The End —