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Melting, dripping with time passing,
Wick still clashing.
Ashen, waxen,
Flame un-passion.

Holding candleholder handles,
Snuffing candles,
Watch smoke-shadows
Dance to who-knows.

Out! Out! like the light that it is,
But witness yet
Grey pirouette's
Dark banishment.
At his little hippie college
he shows me a *** that looks like a wall
in a Rwandan museum, all skulls, he

learned clay in the Rift Valley
boarding school, on a kick wheel,
still his favorite

My brother is a potter
multicolor plaid shorts
little goatee

Banjo
Japan dreams
girl from Mozambique.

When we were little in Loiyangalani
we made tiny huts out of obsidian
while our Rhodesian Ridgebacks

sniffed the ground for cobras
sand vipers
scorpions

while twenty camels
walked by in a row
followed by tiny replicas

My brother is a potter, says to me
'When I am doing this I am
doing what I was created to do'

He makes a green and blue
candleholder for me which he calls
'The Islands,' light escapes through many holes

which look like sea turtles
pockets of air and
an atomic bomb just gone off

we turn off the lights
in my room in the hood,
snorkel in candlelight

My brother gives me
Rumi, incense, peace flags
We walk the silent night

smoke a clove
look at stars
like we used to do in the African riverbeds
Lyra Brown  Jun 2013
no name #21
Lyra Brown Jun 2013
ever since i stuck that letter in your mailbox i have:

cried myself to sleep
slept for 12 hours straight
felt sad for having to wake up
smiled at people
listened to my coworkers complain about being overworked
folded napkins
broke a candleholder and swept up the glass
walked into a table and felt the brewing of a bruise
spilled coffee all over the bathroom counter
missed you
wondered when you would read the letter
or if you already had, then i wondered how
it made you feel
came to the conclusion that i am a terribly clumsy person
when i tell the truth.
Marc Morais Mar 11
The house smells like lavender,
clinging to the wood of her porch.
Molly’s laugh peels through the screen door—
a reminder of the way she greets the moment—
a glass of red wine balanced in one hand,
the other, carefully resting on her hip,
like she’s auditioning for a role
she’s already cast herself in.

Inside, her house sways with its own stories—
a lazy tide of late nights and Sunday mornings,
the furniture draped in hand-me-down denim,
each cushion bruised by bodies
that never stayed too long.

There’s a dent in the hardwood floor
from a fight she doesn’t talk about anymore.
A spot on the wall she calls her temper—
she won’t paint over it.

Molly believes in forgetting—
she says weekends are for starting over,
and so we let go.
We forget the eccentric candleholder
on her nightstand, she swears she loves—
the one that smells of mint
and something sharp.
The reason her fridge is almost empty,
or why her cat won’t leave her bedroom.
We forget the names of men
who left with her laughter
stuck in their teeth.

She turns up the radio,
dancing barefoot,
toenails chipped and smeared with polish.
She throws her arms out
like she’s trying to hug the whole **** room,
whirling into a blur of long legs
and burnt orange hair.
I can’t help but watch,
the sun and her dress fighting over
who casts the better shadow.

The warm night unspools
into red wine and half-sung songs,
her stories merging into mine,
blurring the lines
between heartbreak and nostalgia,
between her freedom
and my quiet envy.

She’s so good at pretending,
you can almost forget
there’s something hollow in her voice,
a small crack she can’t quite smooth over.

Sunday late afternoon—
the wine bottles are all uncorked,
and Molly is a closed door.
I leave her house slowly,
stepping over the ghosts she didn’t name,
leaving her with the quiet murmur
of her breathing walls.

I drive home in silence,
thinking of the scent of lavender
still clinging to my clothes—
that smile, already setting the stage
for next weekend’s chance
to start over again.
Marc Morais Mar 1
The house smells like lavender,
clinging to the wood of her porch.
Molly’s laugh peels through the screen door—
a reminder of the way she greets the moment—
a glass of red wine balanced in one hand,
the other, carefully resting on her hip,
like she’s auditioning for a role
she’s already cast herself in.

Inside, her house sways with its own stories—
a lazy tide of late nights and Sunday mornings,
the furniture draped in hand-me-down denim,
each cushion bruised by bodies
that never stayed too long.

There’s a dent in the hardwood floor
from a fight she doesn’t talk about anymore.
A spot on the wall she calls her temper
she won’t paint over it.

Molly believes in forgetting—
she says weekends are for starting over,
and so we let go.
We forget the eccentric candleholder
on her nightstand, she swears she loves—
the one that smells of mint
and something sharp.
The reason her fridge is almost empty,
or why her cat won’t leave her bedroom.
We forget the names of men
who left with her laughter
stuck in their teeth.

She turns up the radio,
dancing barefoot,
toenails chipped and smeared with polish.
She throws her arms out
like she’s trying to hug the whole **** room,
whirling into a blur of long legs
and burnt orange hair.
I can’t help but watch,
the sun and her dress fighting over
who casts the better shadow.

The warm night unspools
into red wine and half-sung songs,
her stories merging into mine,
blurring the lines
between heartbreak and nostalgia,
between her freedom
and my quiet envy.

She’s so good at pretending,
you can almost forget
there’s something hollow in her voice,
a small crack she can’t quite smooth over.

Sunday late afternoon—
the wine bottles are all uncorked,
and Molly is a closed door.
I leave her house slowly,
stepping over the ghosts she didn’t name,
leaving her with the quiet murmur
of her breathing walls.

I drive home in silence,
thinking of the scent of lavender
still clinging to my clothes—
that smile, already setting the stage
for next weekend’s chance
to start over again.

— The End —