“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,
Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.

Smooth, smooth, fringed by yellow smudged, hard plastic
smooth, left to right then a painterly inconclusive running
out, the stroke all 60” expires into the yellow, then a firm
vertical orange stripe, a bookend, a hot surface elevated
upon a warm yellow bed, exotic, turmeric, heated from
below, as though from another world, a future planet found
in Manga, gum wrappers, belonging to the wedding
wardrobes of older women, and those with impossible
shoes, maybe a scarf, definitely lipstick and small Japanese
cars, decorative paper, a can’t-miss logo, as when I close
my eyes in the act of love, holding your kneeling body to
me I lose myself in a pattern of flashes, the bright play of
light and colour, a sensual play of pigment, blue and red
wavelengths, fuchsine, electric, electric, and the aura of
artists, such latent energy, hidden passion, rich in ******
fragrance, edged with desire.

The path of the brush now right to left yellow exposes a
yellow bookend at the left hand edge, there is a roughness
here in its covering of yellow, as though applied in haste or
in a single gesture with a large brush, it is thick, thick and
rough, but the yellow is almost present, a hint, a reflection,
as in the petals of the Bellis Perennis, you open your mouth
breathing, breathing your lips frame such perfect teeth as
day arrives,

Left to right, the paint thick then thinning to a broken
tailpiece revealing yellow on magenta, again, again, again, again,
how little I yet understand your body, the innerness,
the sheltered regions of your desire, I am afraid to harm this
preciousness, be disrespectful of the tapering valley where
love’s caress and kiss meet, are multi-dimensional, the
rectangle is not charcoal, but deflected, hesitant, to the left
the darkness of chocolate, to the right a greyness, a *****
grey, a dusty dark dog, loamed, a depth then play of
shadow, dark, textural as your maidenhair under the covers
above my right hand as it spreads my fingers across its
darkness into deeper darkness, a flat stone, its left end
washed by the cold tide, olived, clothed in mourning, there
is unpleasantness, some distaste, a little fear, the unknown,
the unknowable.

Daisy petals, opening in the morning light, the clapperboard
house on the Block Island beachside fresh-painted every
spring, immediately weathered, porcelained sea shell
textured, turned, tumbled, a dawn sky after rain,
ceramicised fungi, plain flour, acidic, taut, the moment
when the heart and breath seem to pause as we join each
other’s flesh as though this cannot be cannot really be.

Unrhymable this flower shade hued pigment deep saffron
vibrant, phoned, not quite of the fruit, a different tang,
sharper without sheen, magenta beneath its smoothed
surface up to left and right edge, (but for the yellow
frill beneath), lip covering, silk-scarfed, not autumnal yet, but oh
those Californian poppies, those desert landscapes as the
sun sets,

a single uneven gesture thrown left to right, an island
in silhouette with a rocky foreshore spreads into distance,

a bed of sylvan jade, an oasis, this an aerial view of tree
tops modulating to grassy pasture, a down-stroke western
boundary, an edge of surf on its northern border, perhaps
the brush formerly coloured has left its trace,

the main body of this Australian desert seen from the air,
Sidney Nolan’s bush, aboriginal earth, coloured mud,
unguent, the sense of liquid in your kiss, its warmth, the
very tip and corner of your lips, the brush of hair as you
move your head to my chest, the rubbing of hair on hair,
under your arms this play of sensation through the lips’
touch, then the shore, the sand no sand though, only in the
brochures, daffodilled perhaps, unsmudged, fresh,
vigorously golden, well-watered.

O Krishna, Lord of Hindustan, I sorrowed by the lonely Jumna river bank, where Thy flute-notes thrilled the air and led the lost calves to their homes. O Lotus of Love, musing on the sad absence of Thy delusion-dispelling eyes, I saw Thine invisible Spirit take form, frozen by my devotion's frost.

Thy divine form of sky-blue rays, with feet of eternity, walked on the banks of my mind, planting lasting footprints of realization there. I am one of Thy lost calves which followed Thy flower-footprints on the shoals of time. Listening to the melody of Thy flute of wisdom, I am following the middle path of calm activity, by which Thou hast led many through the portals of the dark past into the light.

Since all of us are of Thy fold, whether moving, sidetracked, or held stationary by the fogs of disbelief, O Divine Christ-na, lead us back to Thy fold of everlasting freedom. O Krishna, Thou reignest on the heart-throne of each knower of Thy love.

From: Whispers from Eternity
A Book of Answered Prayers
1949 Edition

A cabin den
paneled in knotty pine
slick with thick varnish
jellied in mid-ooze
& running down the grooves.
A festive group gathers
around an electric fireplace
talking up old work stories
in mid-December.
My dad sits dead center
for the camera
wearing the face he wore
when in the company of adults
his long sleeves rumpled
and his collar askew
one arm straight up,
a bottle of Blatz in hand
commending
the buzz.

O Buddha, the gold vein of thy sermon of mercy ran through gloom-gorged, rocky hearts, and illumined their darkness.

Thou loftiest soarer of renunciation's skies, beneath thy God-lifted eyes, the kingdom of sense-comfort, the rivers of gross greed, the vast and lust-scorched deserts of desire, the tall trees of temporal ambition, the cactus plants of prickly world-worries—all melt into invisible smallness.

Buddha, the arc-light of thy sympathy sought to melt the hardness of cruel hearts. Once thou didst save a lamb by offering thyself in its stead.

Thy solemn thoughts still silently roam through the ether of minds, searching for ecstasy-tuned hearts. Seated beneath the banyan bodhi tree, thou didst make a solemn tryst with the Spirit:

    "Beneath the banyan bough,
    On the sacred seat I take this vow:
    Let derma, bones, and fleeting flesh dissolve;
    Until the mysteries of life I solve,
    And receive the all-coveted Priceless Lore,
    From this place I shall stir, never, nevermore."

Thou symbol of sympathy, incarnation of mercy, give us thy determination, that we may seek truth as doggedly as thou didst. Bless us, that we may be awakened, like thee, to seek remedy for the sorrow-throbs of others as we seek it for ourselves.

From: Whispers from Eternity
A Book of Answered Prayers
1949 Edition

161 to 180 of 3251 Poets
«78910»Viewsshow detailshide detailsSort by  
Margaret Kaufman

Photo, Brownie Troop, St. Louis, 1949
Deborah Warren

Marginalia
Regan Huff

Occurrence on Washburn Avenue
Anne Marie Macari

From the Plane
Gerald Fleming

There are no poems by this poet on our website.
Sebastian Matthews

Barbershop Quartet, East Village Grille
Charles Harper Webb

The Animals are Leaving
Zozan Hawez

Self-Portrait
Jose Angel Araguz

Gloves
Russell Libby (1956–2012)

Applied Geometry
Robert Haight

How Is It That the Snow
Early October Snow
Dan Lechay

Ghost Villanelle
James P. Lenfestey

Daughter
Robert Hedin (b. 1949)

The Old Liberators
My Mother's Hats
John Maloney

After Work
Kaelum Poulson

The Crow
Stuart Kestenbaum

Prayer for the Dead
Emmett Tenorio Melendez

My name came from . . .
Gary Dop

Father, Child, Water
On Swearing
Berwyn Moore

Driving to Camp Lend-A-Hand
«78910»

O Christ—Thou rarest flower of hearts—Thou didst sail on the storm-tossed lake of prejudiced minds. Its evil-scented, gloomy thought-waves lashed Thy lily-tender soul. They crucified Thee with their evil. Yet Thou didst shed the aroma of goodness and forgiveness, and didst help them to be purified by remorse, so helping them to become attractively sweet-scented with Thine all-loving Flower-Soul.

O Thou Great Lover of error-torn brothers—an unseen monument of the mightiest miracle of love was established in each heart when the magic wand of Thy voice uttered: "Forgive them, for they know not what they do."

Thou hast healed the cataract of hatred, and now we have grown to see: "Love thine enemies as thyself, for they are thy brothers—though sick and sleeping."

Thou hast taught us not to increase their delirious kicks of hatred by battering them with the bludgeons of revenge. Thine undying sympathy hath inspired us to heal and wake our brothers, suffering from the delirium of anger, by the soothing salve of our forgiveness.

Thy crucifixion reminds us of the daily crucifixion of our fortitude by trials, of our wisdom by ignorance, of our self-control by the scathing hands of temptation, and of our love by misunderstanding.

Thy test on the cross proved the victory of Thy wisdom over ignorance, of Thy soul over flesh, of Thy happiness over pain, and of Thy love over hatred. So are we heartened to bear our crosses bravely and pleasantly. Teach us to pour out sweetness when crucified by harshness, to bear with calmness the assault of worries, and to give understanding unceasingly to those who unjustly hate us.

O Shepherd of Souls, wandering hearts are of themselves seeking the one fold of divine devotion. We have heard the ever-calling music of Thine infinite kindness. Our one desire is to be at home with Thee, to receive the Cosmic Father with joyous, open eyes of wisdom, and to know that we are all sons of our own One God.

Teach us to conquer the Satan of dividing selfishness, which prevents the gathering of all brother-souls into the one fold of Spirit.

Calling to one another by the watchword: "Love him who loves you, and love all who love you not," let us rally beneath the canopy of the universal sense of Christ-Oneness. Amen.

Whispers from Eternity
A Book of Answered Prayers
1949 Edition

Pressed flowers
Forgotten in the pages
Of the that book
Oh what was it called
But anyway,
That book is sitting
In my father's bookshelf
Somewhere between
A history of the civil war
And an encyclopedia from 1949
It is lost in the depths
Of my mother's bookshelf
There the book with the pressed flowers
Covered in dust and memories
Waits for me to recapture the lost moments
Collecting and absorbing the words
And ideas trapped within the binding
Lost flowers, pressed in time
Lost in the pages of my childhood
Bookmarked, forever.

Caught the vampire's failing smile,
cracked by teeth & venom,
wind-walking among the trees,
talking to the vipers
& the rats & the bats & the
men of the old bonetown.

Mr Mann had the right idea,
burn your books & get the hell outta Dodge.
Do not pass go & do not stop,
do NOT make out in the back of a beat-up old auto
parked next to the hypermarket on Dawn & Vine.

Mr Mann up front,
peering through the cracks in the windscreen,
the cracks in reality.
He can see the vampire's slow smile,
the shadows passing across the face of the TV screen,
& hear the old ghost voices,
the old radio voices, the 1949 voices.

Blood on leather,
black roots rising,
saliva on after-effects & after-echoes,
the apocalypse riders chasing the moon up the old dark valley,
the moon chasing the apocalypse riders right back
down the old dark valley to whatever hell they came from.

The vampires! The vampires!
Children beat hasty retreats,
hide under the boxes back of the laundromat,
not daring to peek
as black boots crunch gravel.

Mr Mann has the right surmise,
get outta the books & into guns,
get into heavy metal & iron drag,
get into lead & something magickal,
long forgotten lore & hoodoo voodoo
from years & years ago.

The vampire's smile turns awful yellow,
fades as the stars wheel & that tired old sun begins its ascent,
fades as the dawn breaks over the desert winds & cacti
& the lovers wake in their motel room in the back of beyond
& fumble for their stakes & knives & garlic *****.

Easy now for Mr Mann in the sun-kissed big blue.
Hunt it down in the tumbledowns & old desert towns.
Kick off the jams, break open the locks.
Hose it down with oil & strike a match.
Burn the reality right off that face
& that face right off reality

Splat on the sand. Grue on the sand. Black on the sand.
Mr Mann walking back to the autombile, back to happiness,
radio playing a little something from 92,
or was it 93, he really can't remember now.

It came upon me in silence,
covering the ground and frosting every earthly lip.
Its mystic flurry attacking
the air and space I kept.
With each striking of the clock
the blanket canvass did grow
seeping history into the landscape
using Its flying ghosts of snow.