i've never cooked crocodile flesh before...
but i've seen what happens when
you buy raw herrings...
you're not going to cook the herrings...
after all: herrings are the Baltic sushi...
but you can't just eat them raw...
you need to curate them to some brine...
i.e. soaking them in salty water...
phenomenal... a fish swims all this time
in salty waters... as a whole...
but when you turn it into a schematic of
edibility...
you have to... ha ha... pluck all that's liver
all that heart... intestines...
to get to the flesh: edible flesh... proper...
you have to throw it back into salty water:
it's obvious that the flesh of the fish
never experienced... what could make
it edible...
apparently crocodile meat is the same:
it's lean... although... herring flesh
is also high in fat...
to brine something involves the thing
sitting in its own juices:
for the "other" thing: the protein about
to be eaten is left curated:
salt... in terms of what's edible and what's
not... weighs as much as gold...
if not more...
          but you can bypass this whole
chemical experiment with mushrooms!
you don't need fish: which have to be brined...
or with meats which have to be cured...
with mushrooms it's much more simple...
you start off frying a batch in some unsalted butter...
they fry... and fry... getting all golden...
you start choking them with a lid above
the frying pan... that sort of helps...
but... doesn't... it's only until you sprinkle some salt...
and: but especially in terms of fungus...
salt: the great drawer of water...
you put the lid back on... or whatever...
to get the mushroom: you need to cook it with
some salt...
it's like... the most organic magnet...
salt is a magnet... for water...
salt is what allowed such great bodies
of water as the Atlantic and the Pacific to stay
intact... even when the rivers and the lakes
dry up... the seas will never dry up:
salt is a magnet... for water...
water, water everywhere: but not a drop
to drink... that line stands eternal:
from the rime of the ancient mariner...
esp. with fungus...
you sprinkle from salt on them while frying
them off in butter... and hey presto!
you tempt the water encompassed
in the mushrooms come flooding out...
you end up cooking them in their own juices...
the texture of the mushroom is arrived at...
but there's also the essences of the taste of
mushroom...
salt: magnet... sieve!
- but that's not brining... unless it's...
brining done... exponentially quick... which it is...
meat takes time... fungus is neither
meat nor... salad...
but salt! salt is light!
        how it draw out the remaining water
from a thing... and allows the thing
to be cooked in its own storage of water...
which it wasn't expecting to be cooked in...
you might add some more water:
depending how much you're cooking...
some excess of fat also helps...
but i've never cooked crocodile meat...
watched how someone failed to cook it on
Australian MasterChef...
          if crocodile behaves like a herring...
even though one is a lizard get-go...
while the other is... fritz...
           i expect a crocodile tartar steak of sort
could have aided the contestant...
because i can't actually imagine
eating a cooked herring...
later soaked in some spirit vinegar with
onions... a lay leaf... all-spice... mustard seeds
crescent moons of garlic... onions...
and oil...
but cooking a herring seems as much a bad
idea as cooking a salmon: rather than
not smoking it...
still: quickened brining process...
no water involved... since we're dealing with
mushrooms... fungus...
you start cooking they're browning beautifully
like it's some post-racial but still nationalistic
Brazilian utopia (since they have
a ******* football team that tells others...
you're not us... blah blah)
   but it's only when you add the salt
that the mushrooms give in...
to the "torture" of being:
less the telepathic busy-bodies attached
to the moon-key-brain they latched themselves
onto... i wish they were hallucinogenic prone
types... sometimes:
but then... all these supposed colours
and no clarity in writing in b & w...
i couldn't stomach it...
with herrings about to be turned into pickled
flesh i expected the slow-brining process
is expected: fish is not fungus...
all that excess water storage in the flesh
is what gives man a brain...
i hope... then again: i hope not...
that's why i drink: to be borderline dehydrated...
quickened brining: frying off some mushrooms
in butter then sprinkling some salt on
the frying process... immediately a mushroom
stock arrives "out of nowhere" on the canvas
on the frying pan...
the mushroom is to be then: essentially eaten...
the flesh of the mushroom: isn't mush...
it resembles something from the annals of
seafood... but the juice is... earthy...
beguiling the humanoid to harvest these
forest pleasures...
       salt is ought to be: ought have to been
more treasured than gold...
there should have been salt coins...
how there should be painting of one army
riding horses... another... riding bulls...
salmon ought first to be smoked
then... decided upon: cooking salmon ought
to be considered: haram: forbidden...
i don't want to see that orange flesh of the waters
turned into an anaemic pink...
dried out: not once... not ever!
it's one "thing" to butcher an animal once...
it's another "THing" to butcher
the animal twice upon the altar of cooking it
poorly!

i'll pretend hunchback posing as a crow:
the crow will disagree:
i'm standing up-right! you're the one who's
hunched! hitchhiker: boring son
of a dozen: that's came from elsewhere...
elsewhere... "elsewhere":
even in the now apparently arrived at now:
i see no familiar face...
i see... too many rivers...
of people... that hardly make up
a sea to froth... to boil up...

people are dying in their minds...
this rot is yet to be made popularly promiscuously:
tempting... enticing... but i fear it already is that...
people are dying in their minds
while their bodies... if agitated...
if alive... are spewing nothing but
fictions! pick-me-ups!

i'm hopeful... this period will pass...
there will be a time of fathoming a relief from this
intermission...
how all empires crumble...
but how "things" have changed...
we're all pretty much educated to recognise
phonetic encoding "biases"...
even if some of us scribble on
walls in giraffe graffiti... so be it...
TAGS...
            let people have what's immediately
available to their imagination's content...
don't let them suffer the constraints of
some ruling... ha! who's ruling in 100 years
from now?!
who's most envy prone to dictate
the peacocking workaround for social:
hierarchical-stratification?
all will pass: in a blink of an eye!
even if no eye is looking:
or to be looked at...

        i've become accustomed to cherish
this onslaught of pulverising subjectivity:
i seem to not have had a welcome escape...
pickling brain: Brian syndrome does that
to one... the sensation of being subjected
to so much... yet objecting to so little...
oh but i'm objecting to as much as i'm being
subjected to...

            i am subjected to gravity:
but i object to it... as a falling "thing" from
the top of a building...
how's that?

          i need language to somehow comes
across a... "2 + 2 = 4"...
       no?i need a sensation of: arable:
with a trill of the R: that's so... desperately
missing in the -ing-leash zunge...
i'm about to call Kaiser Wilhelm and implore
him: more zeppelins! more zeppelins!

tread past the thought that was originally cast:
lay the thread bare...
come as you were... come: less arrived at...
all this will sooner or later be:
gobbled up by the certainty of time...
which competes over space...
minding our progress...
if time is the tongue...
then space is mouth what
yawns at as: welcoming... eager for more sacrifices
at the altar...

curry is great! at a meal...
as a meal one has for... supposing it's 5pm
in Lahore...
but at 9am in France...
where there are no eggs...
poached? scrambled? fried?
  what's on offer?!
*******... CARRY... CURRY...
CRY-WE..
i can't make my stomach churn out appreciation
for a ******* broth in the morning...

it's scented ****-***: overt-**** ***
insatiability in the morning requiring English
pubescent northern girls:
sorry... they "are"...
        "my"... girls?!
i speak the language... last time i heard...
there was a lacking in brick-work...
the people most associated
with keeping food production in line...
the truckers... all gone...
well.. if the Englishman want's
an Empire implosion...
save all the Pakis... he'll get all the ******* Uber
he desires...
"my" people will just leave...
for whatever the brain-drain that arrived...
that will stay...
but the rest of it...

who needs England... when England
is all the more better off for X-factor: people need
to be entertained!
no?!
by even the more ******* sort of...
entertainment!
i'm entertained by the moon...
by a brick wall...
"my" people... came to these shores...
and were quickly told to... *******...
thank you!
let all the Pakis take over!
*******... Ing-Leash... brats!

i have an inherent animosity with these people
that has not schematic to a past
so formidable as to have a past worth
questioning: here lies...
the atomised man...

- but while speaking this... zunge...
i reach out to an elder...
i am seeking compensation:
for the tiredness i'm forever to experience...
in English i have no...
certainty: i have only an objectification
of history: not being subjected to it...
i live in a country with a past:
but not history...
anaemic hybrid...
     i'm the barbarian knocking
on the door... with a message:
let me out! let me out!
              
whoever read too much of "journalism"
but not enough of Horace...
                  
      the sanctity of salt:
                      sal de sanctitas....
backwards to forwards...
how time disembowels grammar.

I am Private and he is mine.
  I see him follow in the feet of the other men  
  when his white eyes are turned so is his face  
  he sits in an aisle behind a glass too straight  
  I call to him but the glass is too thick  
  I am he and he is I so how can the separation be stopped  
  my heart is pattering and he sees it  
  a small bird wakes in the nest  
  eyes open  
  the cold salt  

It is all over yet only to those who remember  
  there is always the now if the then was kept forgotten  
  the then is me and he is the now  
  the others stand around us with long hair
  one has white eyes and skin too cool  
  he is dead and standing
most stand in lines straight on forever  
  some turn around in small shuffles  
  some glance over one shoulder slowly  
  those most eat and drink and eat and drink and eat and drink  
  there is nothing to eat no space to turn and no features to see  
  we look and move and eat to go  
  the one with the white eyes and the skin too cool knows but cannot die fully  
  he first scared me and now he is here
we are here and there  
  he and I  
  the one with the skin too cool too  
  the small bird cries out on the edge of the nest as the wind whips around  
  it cannot fall so alone  
  we cannot see it fall  
  there is no space and nothing to eat  
  the white eyes drift away with no movement  
  they seem to be searching

We sit now  
  although surrounded there is no one around  
  the glass is too thick 
  I can hear the thoughts of the others and he can hear their actions
  the walls seem to go on forever
  forever blocking the light
  his light
  the whites of his eyes signaling recognition and reflection  
  the light allows his sight to see me through the glass  
  he is mine  
  he is not dead  
  I am he  
  the cold salt  
  the pattering heart holds me still and devours me
  I am not dead  
  take that heart away from me so I do not wrench it from you  
  the others look on and see nothing for there is nothing  
  it is only in my pattering heart  
  the bird sees something on the ground in the shape of a open heart  
  the bird falls to the other  
  the cold salt

Before I felt him  
  I tried to save him but the glass was too thick  
  the aisle was too crowded before and now it is too  
  everyone dressed in their best black but wearing nothing of meaning  
  they are the same the others  
  I patter at the one sided glass  
  he cannot hear me  
  the darkness of the shadow hides me from him  
  the shadow of the cross deafens him to the birds song  
  I am he and I cannot hear me  
  I pray for the book under the aisle to be true  
  I pray he will see me soon  
  I pray my prayers are needless  
  he wants his pattering heart  
  I want the cold salt on the cheeks of the best black dressed    
  the bird has no cold salt left    
  the fall took them away  
  the heart shaped ground stopped the cold salt forever
before the men and the women were together and now they are the same  
  the one man with the white eyes moves closer  
  I like his skin too cool  
  the buildings mixed and separated them  
  together was complicated  
  together and alone was complex  
  he is large  
  yet there is space for me  
  when he is I cannot be touched  
  no one knows he is dead and I am alive  
  they do not remember  
  that small bird feels another    
  the cold salt and skin too cool

I am still alone but with him alive  
  here is where I can see him  
  this place too small is where I wait  
  I saw him in the rain and fell to him  
  the bird fell to the pattering heart  
  he is still down there  
  his skin too cool and his eyes too white  
  I want those eyes  
  they smile up at me through the lighted glass even  
  the skin too cool reaches me and I am fed  
  there is no food but his skin  
  there is no sight but his eyes  
  he is the smile   
 I am the happiness  
  I am him  
  the bird smiled on the way to the heart shaped ground  
  it hit the ground and the cold salt stopped  
  the cold salt
the ground hits
  the pattering of my heart beats all the louder against his one sided glass  
  now illuminated
  the light warms his heart and cold salt 
  it patters in time with the rain   harder and harder like the ground the bird hits 
  over and over until his patters with mine 
  he is me
  he is mine 
  his cold salt 
  I miss those 
  I lose them to rain down on him and he feels their sound 
  he is not the smile now 
  I feel his heart pattering 
  mine patters the hardest against his glass too thick and too straight now lit 
  in this room too small surrounded by the others but without him I am alone 
 I am his happiness 
  I want his skin too cool and eyes too white 
  I am his smile 
  the cold salt and the skin and the eyes and the smile are me
he was lost to me one too many times
  my not dead man was kept hidden behind a glass too thick and too straight 
  I cannot see what is hidden even though I am hiding 
  the others sway now   there is no room in here to move 
  the ground is gone 
  the small bird sings 
  he is mine 
  he looked up when I first pattered on the glass 
  he saw nothing 
  he was not going to then without the light 
  now the cold salt illuminates the pattering heart 
  his cold salt
  
I am sitting at the top of a building in the rain 
  the rain falls just as the bird and my heart 
  the ground fast approaches 
  a glass too straight through which I see him 
  he is alone in his room 
  the one with the skin too cool 
  his heart now pattering through his wrists 
  it falls and patters like mine did and does for him here 
  I want my skin too cool
the best dressed do not want to really see him 
  they do not want to see me 
  so they remember 
  I am in a room too small wanting his skin too cool
the others with the long hair carry ropes in their hands or a gun or a bottle 
  we are all in a room together but cannot fit 
  there is no room 
  there is no light 
  the aisle is now empty and the glass is still too thick 
  I am he 
  I walk 
  the cold salt drops 
  I am not dead until we are all dead 
  he is dead the room was too small and could fit no one 
  the small bird loved his skin too cool 
  the man sees the small bird jump for him 
  I am the bird 
  I am the man 
  he is me 
  he is mine 
  I have his skin too cool and now pattering heart  I am here 
  the cold salt falls now with his smile and my happiness



Private, he my friend.
He mine.
See.
  He come back to me even now.
  I don’t have to tell him anything, he knows.
  They all looked at me, but to him I say nothing, nothing needs to be said.
  He reached safety and came back for me.
  His love penetrated, and now mine patters even more.
  I cried cold tears when I saw him fall.
They never left my cheeks and he dried them.
  I see him in my room and play with him like all friends.
  The church glass was the last place I saw him.
  Wet with rain from my tears he was a bird, broken and small.
  Sundays were hard for him and me.
  I had love for him in the pattering of my heart.
  I tell him that over and over now, and he understands.
  He my friend.
  The one I only have tears for anymore, even after the rainy day took them from me;
  after his body reminded me of the small bird on the ground under the nests.
  He did not come back to the school or to his home, but to me.
  I am his pattering heart, only fully opened now.
  I don’t have to explain that the men and priest made me into this.
  They took my love and warred against it.
  They told me to feel this and not that.
  Love was red and boys were blue.
  Now I know why the stained glass which separated me and him was all colors.
  Now I’ll be on the lookout.
  I tell Private what a new winter this shall be, another one to warm my cool skin.
  We’ll be warm together, Private.
  Private.
  I don’t remember the verses of the Lord.
  The black book under the pews, those hated aisles, have no rememory to me.
  All is he, and he is mine.
  We would be one again, you tell me in my room late at night.
  Private came back to me by falling, like the baby birds on the farm under the nests too high.
  You warm my skin and catch my tears.
  You got close and I am now.
  When you fell I wanted to lay with you and now I can.
  My pattering heart and its contents now flow freely from the arms longing to hold you again.
  I am close. 
  I should have been close then.
  I wanted to.
  Nowhere I had lain in peace since the rain and the fall.
  Now I can lie like the birds and their young.
  He come back to me, Private, my friend, and he is mine.