From her dark purple lips hangs a cigarette with pink smoke, and headphones with no music play a tune inside her head, and she paints bright red words loud as a FRAGILE stamp on her skin, and maybe on yours too, but only when you seem particularly insightful. She knows every word to every song of a band you’ve never heard of, and when they play and she’s driving the car, she will literally pull over and close her eyes to absorb the sound into her bloodstream, which seems to be composed of tiny bits of the galaxy and maple syrup and diary entries she never lets you read. She will kiss you in the movies, but only in parts heavily dripping of gore and violence, a metaphor she’s explained countless times but you will just never understand. She will paint her nails with your name sprawled across the *******, hold your hand in the gas station while shaming glossy magazine covers and everything that’s just soooo wrong with societies expectations of women today (despite the fact she’s somehow maniacally maintained her perfect body in the three weeks you’ve known her), and tell you that you’re her favorite season, a thought that your mind will spin around in its head like you ran around your 3rd grade classroom when your teacher was introducing concepts of matter and announced “now switch from a solid to a gas!”
But she will never tell you she loves you.
She will curse under her breath when you climb your courage without a harness to break the cold silence of the night, while laying on your back on the street under the stars. She will whisper “I’m so sorry” and speed off into the night, running with an elegant skirt she found in a thrift shop- made in 1956 or some other far-off year- flicking like a black-and-white movie behind her, the last thing you see before she disappears into the night, before she disappears from the audience’s cares and back into your mind.
She was everything I wanted to be for as long as I could remember, a terrible destruction of the human mind, a horrific enigma that perfection was so messed up that perfection itself could never learn how to love. Manic Pixie Dream Girl was my role model, Manic Pixie Dream Girl wore shirts from France hand-painted with Swedish fables, Manic Pixie Dream Girl knew every Edward Sharpe and the Magnetic Zeros song on the xylophone but only played with her eyes closed, Manic Pixie Dream Girl hated her sister and her parents and told everyone she was a mess they didn’t want to clean up. A disgusting idea that a woman only exists to make a man happy, to cure a man of his dark cloud of spinning inhibitions, and if she dares become real then she no longer is deemed entertaining. Manic Pixie Dream Girl was my goal, and with this in mind I embarked upon puberty with a music taste straight out of a Wes Anderson movie and teal eyeliner and the idea that being broken was desirable.
Until I actually was.
Manic Pixie Dream Boy refused to listen to the radio, wanted to be a famous actor, planned days to simply lay in bed all day, and smoked over a pack a day despite asthma so bad I worried every time we went up the stairs. Manic Pixie Dream Boy wore clothes with animals on them, but said he didn’t believe in giraffes, Manic Pixie Dream Boy hated school but loved to learn, Manic Pixie Dream Boy was perfect. Until he became the thing I so desired, telling me relationships weren’t for him and he couldn’t possibly ever fall in love, he was too broken.
But now I was Manic Pixie Dream Girl, wasn’t I? Broken, just as she was? Just as I had so desired to be when re-watching The (500) Days of Summer over and over again in middle school?
I hate you Manic Pixie Dream Girl. I hate telling the kind boy with the good grades and nice intentions that I couldn’t possibly love again, I detest the enigma I now am.
But when new boy with blue eyes darker than the Pacific coast tells me to lay down with him in the gravel and tells me that he hates the number 63 more than wheat-brewed beer, I say yes and give into manic dreams again.

A pixie marching band took their show on the road.
17 tiny horn players and a drummer
with a button for a snare.
Across the water they walked,
regimented in three lines,
playing "Has The Day So Quickly Ended" to the rhythm of water splashing
on finely cobbled pixie shoes.
Tireless they moved forward
across an entire ocean
seeking comfort and solitude of Icelandic shores.
Unnoticed by the many captains of the many ships they slipped by, their music nothing more than crickets chirping or the ringing in their ears.

It was a long journey and they never stopped playing once.
Seven hundred and seventy-six songs in their repertoire
they played each one at least twice as days turned to night
and the cycle would need to be repeated
Every pixie musician in the band had every one of those songs memorized
you could call the tune
at any time
day or night
he would pick up his pixie instrument and play it note perfect.
Not a single mistake.

Legendary songs of pixie lore, like "Call The Wild Dogs to Anglicize", "Too Many Curtains" and "Fill Your Cup With Salty Seltzer".
Popular pixie songs all pixies knew, like "Bertha You're a Hard Act to Follow", "Dropped My Horn in the Bay of Pigs", "Livestock", "Ain't No One Answerin' the Phone" and "Drop Yer Pillow, Samuel".
Sacred pixie songs celebrated their common faith in the one true God, like "God, There Ain't No Other God", "Our God Sails the Seven Seas" and "God Help the Fool Who Fools His God".
Pixie drinking songs, "Bottoms Up", "Can You Hear the Weeping Warm Beer?", "1-2-3 Let's All Get Drunk", "Pixie Drinking Song" and "Hustle That Swill".

A lot of songs.
A lot of moods.
A lot of reasons to go  home to Iceland,
as if they needed any besides the food.

The pixie band was pushing three-quarters of the marching journey across the ocean
when Big Jim Pixie turned around and scolded Billy Joe the trombone player.

"Bill, you clumsy *******!" barked Big Jim. "You just about hit me in the back of the head with that ******* trombone slide! Do I have to tell you what I'm going to do to you if you actually graze me with that spit-drippin' thang?"

Billy Joe, typically soft spoken, was not having any of this.

"It was a flying fish that whisked up 'gainst the side of yer noggin, not my slide. If I was of a mind to bean you with this here slide you'd be rubbing the back of your head right now and you'd be so shook up you wouldn't even know it was me that done it."

"You sure do talk tough now, don't ye?" asked Big Jim, reluctantly realizing that it could well have been a flying fish but not yet willing to let the trombone player off the hook. "Don't make me turn around cuz if I do you are going to be in the market for a new trombone."

"That's a well may be, Jim-Jim, but the hand that holds the pen that signs the check that pays for it is going to be yours. Let that stand as a natural fact."

If there's one thing in the world Big Jim didn't like being called
it was Jim-Jim.
Billy Joe was always calling him Jim-Jim because he knew it bugged him.
The pixies in the company had all used variations on his name when referring to him in the past  
Jimbo Johnson,
Johnny Jimson,
Little Jim Big Jim,
Jimmy Jolson,
George Jimson,
Son James the Ham Chef,
Carl Jim Has Been,
King James Version Abridged,
James Wainright Teller,
Jim the Traitor,
Jim the Christ Killer,
Jim the Destroyer of the World,
Jim the Enemy of the Known Universe  
each one of these appellations rankled him but none so thoroughly as the simple
Jim Jim
that Billy Joe would call him.

"I ain't payin' a ******* cent, trombone player."

"Then you ain't breakin' my trombone, Jimmy Jack Jehosaphath."

"Don't test me, you may have to arrest me."

"I'll bring you a file so you can get out of jail, Jim Jim".

"Well that's mighty white of you, pixie. Now what are you gonna do if that spit valve was leakin' and you got some of your nasty ebola saliva on the back of m'neck? You gonna come visit me in the hospital?"

"I might. But then again I might just wait and come visit your grave when they put you down."

"Joe, if we weren't still marchin' I swear to almighty God I would turn around and beat you so bad they'll be countin' a man short when we finally get home."

"Jim Jim, them's fightin' words but you ain't never fought nothing no tougher than the urge to **** in public. You ain't gonna do no permanent damage to me nor my trombone here. So why don't you put your money where your mouth is or keep that mouth shut?"

Big Jim turned around
hit Little Joe hard square between the eyes.
He heard and felt bone crack.

Joe looked stunned.
He'd never call that mean ******* Jim Jim again.
No,
never again
because he hit the water hard and sank down as the band marched right over him,
most not even noticing.

Jim looked for as long as he could then turned around and proceeded to march the rest of the way to Iceland.

"Don't call me Jim Jim," he said, speaking only to himself.

Then he heard a voice in the back of his head.
It was loud enough to be heard over the
music
and
the waves
and
the ocean breeze.

It was HIS voice,
but he had no control over it whatsoever.

"Jim Jim."

"Jim Jim."

"Jim Jim."

...and so it was Big Jim, whose trumpet playing had practically defined the style of this particular pixie band, lost his mind, eventually taking up residence in a Reykjavik sanitarium screaming every night, keeping up the attendants and making things worse.

"Little Joe Jangly Hops! Come here you ******* I got a lollipop for ya."

"Joe Joe Deathgrip Toenail! I'm gonna light your mama on fire!"

"Little Joe Clamfry, somebody took a **** in your bed!"

On and on he went until the people in the kitchen stopped giving him bananas. Then he stopped for awhile.

But only for awhile.

The beast cuddled the angry pixie,
And it writhed. So he crushed the pixie.
The beast tentatively held the pixie,
And it bit him. So he squished the pixie.
The beast stayed close to the pixie,
And it burned him. So the beast hated the pixie.
The beast spoke with the pixie,
And it sassed him. So the beast hissed at the pixie.
The beast listened to the pixie,
And it soothed him. So the beast cuddled the angry pixie.