n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"

Im so Alone..     ..... .on my own .
Im bent....Iam spent..... darkness my only friend.
Another secret we will share.
Inot sure when and I dont know where.
But I dont care. Im glad Im there.
It    Whispers  Images that come in waves...
Each appearing  in it own unique way.
In a  vibrant white and yellow glow..
A silhouette of a man...   I do not know.
The outline of a  very high bridge....
That spans across a narrow ridge.
Letters, numbers a bass guitar....
A lined highway road that  goes straight ,very far.

Each image manifests,and dissipates...
into the pitch black, empty space.
Illuminated in electric light.
Shifting shape before my eyes.
They see all ,theyre opened wide.
What happened to gravity.?Why do they glide?


What I thought was a loud buzzing hum...
Accompanied  by the pound of a  drum.
Is  the silence that  echos in  my head.
 It courses my   veins...Like the blood I have bled.
Only it  holds me here instead,as if im incased  in a ton of lead
To  my bed and pillow held under this weight.
 Only I could be fragile glass about to break
Until  I reminded myself that what I feel is fake.
Then my mind is pulled to a quiet hush. 
Where my  head sinks down in  inviting plush

Suddenly I feel as if  I'm floating  in time.....   
Forward yet I'm moving into mine.
Theses images -that  continue to fade in....  
Then changing as it fades right back out again.
 While others make there way with a pop
That flashes  down low and shifts up to the top....
And lingers for a moment til its shape forms  another to take its place.
 What omce  vague I come to realize that what actually fades in and out is  I.
In and out but forward into myself .I wonder how thought  it was anything else.
 Am I in flight or am I floating ...into the images I go through.?
Should I question if what I see if false or true?
I won't look down for fear the view.
It might will let me drop and'.I dont know if I want to start.

As I go forward   into my self I move  on- In this current  Im carried it pulls me  along .
Through a timeless space of nowhere.
Every thing is as meaningful  as it  is pointless  there.
 I m drifting.... I drift in a slow steady pace. 
Not just watching .....but Ive become part of the space 
Not only within.... but all over the place.

Interacting with each scene - that I see - as I glide.
Looking from inside .....but also within.
When what I watch ends....another begins.

As if it is the most normal thing in my whole life
What seems strangely familiar, Is too vague to realize.
While It escapes all  logic  Its so incredibly wise.
I even ask myself not to believe my eyes.
But Im true to myself I tell no lies.?..Not this time....
Not  to me myself and I.
I f  there were times , surely, this is not one.
  I see myself  doing things I've done
 And doing these things.... things I'd never do.
Yet Im continueing to do them all the way through.
And Im feeling the same emotions I see me haveing too.
They come and go as quickly as what surrounds me.
Whatevers around me..
. Laughter, surprise,embarrassment they go on and on.... 
Anger, contentment.....but  I feel mostly mostly calm.
  In a hum of  energy that  sometimes snaps and sparks.
But It continues in motion even when I dont want it.
 In a current pulled away  but within it ....Im on it.

In a flash I stop. It lets me drop...
With that halt - I m in a fall .
Gravity ****** me heavily away.
It pulls my body and stretches my face.....
It tosses my tummy like a carnival ride.
And me, with this awful fear of heights...
Thats when I remember- I know how to fly.
I dont end in a crash....I soar to  the skies....
Im an expert at this I barely have to try.

I feel so safe, so free from harm.Oh great ,Whats the noise coming out of my arm?
I this sound ,'What is it ?
Why...thats my alarm!!!
                       Eyes open wide.What a ride!
MEDITATION Astro glide.
    
                                      

                        ­          -

un sauce de cristal, un chopo de agua,
un alto surtidor que el viento arquea,
un árbol bien plantado mas danzante,
un caminar de río que se curva,
avanza, retrocede, da un rodeo
y llega siempre:
                          un caminar tranquilo
de estrella o primavera sin premura,
agua que con los párpados cerrados
mana toda la noche profecías,
unánime presencia en oleaje,
ola tras ola hasta cubrirlo todo,
verde soberanía sin ocaso
como el deslumbramiento de las alas
cuando se abren en mitad del cielo,

un caminar entre las espesuras
de los días futuros y el aciago
fulgor de la desdicha como un ave
petrificando el bosque con su canto
y las felicidades inminentes
entre las ramas que se desvanecen,
horas de luz que pican ya los pájaros,
presagios que se escapan de la mano,

una presencia como un canto súbito,
como el viento cantando en el incendio,
una mirada que sostiene en vilo
al mundo con sus mares y sus montes,
cuerpo de luz filtrada por un ágata,
piernas de luz, vientre de luz, bahías,
roca solar, cuerpo color de nube,
color de día rápido que salta,
la hora centellea y tiene cuerpo,
el mundo ya es visible por tu cuerpo,
es transparente por tu transparencia,

voy entre galerías de sonidos,
fluyo entre las presencias resonantes,
voy por las transparencias como un ciego,
un reflejo me borra, nazco en otro,
oh bosque de pilares encantados,
bajo los arcos de la luz penetro
los corredores de un otoño diáfano,

voy por tu cuerpo como por el mundo,
tu vientre es una plaza soleada,
tus pechos dos iglesias donde oficia
la sangre sus misterios paralelos,
mis miradas te cubren como yedra,
eres una ciudad que el mar asedia,
una muralla que la luz divide
en dos mitades de color durazno,
un paraje de sal, rocas y pájaros
bajo la ley del mediodía absorto,

vestida del color de mis deseos
como mi pensamiento vas desnuda,
voy por tus ojos como por el agua,
los tigres beben sueño en esos ojos,
el colibrí se quema en esas llamas,
voy por tu frente como por la luna,
como la nube por tu pensamiento,
voy por tu vientre como por tus sueños,

tu falda de maíz ondula y canta,
tu falda de cristal, tu falda de agua,
tus labios, tus cabellos, tus miradas,
toda la noche llueves, todo el día
abres mi pecho con tus dedos de agua,
cierras mis ojos con tu boca de agua,
sobre mis huesos llueves, en mi pecho
hunde raíces de agua un árbol líquido,

voy por tu talle como por un río,
voy por tu cuerpo como por un bosque,
como por un sendero en la montaña
que en un abismo brusco se termina,
voy por tus pensamientos afilados
y a la salida de tu blanca frente
mi sombra despeñada se destroza,
recojo mis fragmentos uno a uno
y prosigo sin cuerpo, busco a tientas,

corredores sin fin de la memoria,
puertas abiertas a un salón vacío
donde se pudren todos los veranos,
las joyas de la sed arden al fondo,
rostro desvanecido al recordarlo,
mano que se deshace si la toco,
cabelleras de arañas en tumulto
sobre sonrisas de hace muchos años,

a la salida de mi frente busco,
busco sin encontrar, busco un instante,
un rostro de relámpago y tormenta
corriendo entre los árboles nocturnos,
rostro de lluvia en un jardín a oscuras,
agua tenaz que fluye a mi costado,
busco sin encontrar, escribo a solas,
no hay nadie, cae el día, cae el año,
caigo con el instante, caigo a fondo,
invisible camino sobre espejos
que repiten mi imagen destrozada,
piso días, instantes caminados,
piso los pensamientos de mi sombra.
piso mi sombra en busca de un instante,

busco una fecha viva como un pájaro,
busco el sol de las cinco de la tarde
templado por los muros de tezontle:
la hora maduraba sus racimos
y al abrirse salían las muchachas
de su entraña rosada y se esparcían
por los patios de piedra del colegio,
alta como el otoño caminaba
envuelta por la luz bajo la arcada
y el espacio al ceñirla la vestía
de una piel más dorada y transparente,

tigre color de luz, pardo venado
por los alrededores de la noche,
entrevista muchacha reclinada
en los balcones verdes de la lluvia,
adolescente rostro innumerable,
he olvidado tu nombre, Melusina,
Laura, Isabel, Perséfona, María,
tienes todos los rostros y ninguno,
eres todas las horas y ninguna,
te pareces al árbol y a la nube,
eres todos los pájaros y un astro,
te pareces al filo de la espada
y a la copa de sangre del verdugo,
yedra que avanza, envuelve y desarraiga
al alma y la divide de sí misma,

escritura del fuego sobre el jade,
grieta en la roca, reina de serpientes,
columna de vapor, fuente en la peña,
circo lunar, peñasco de las águilas,
grano de anís, espina diminuta
y mortal que da penas inmortales,
pastora de los valles submarinos
y guardiana del valle de los muertos,
liana que cuelga del cantil del vértigo,
enredadera, planta venenosa,
flor de resurrección, uva de vida,
señora de la flauta y del relámpago,
terraza del jazmín, sal en la herida,
ramo de rosas para el fusilado,
nieve en agosto, luna del patíbulo,
escritura del mar sobre el basalto,
escritura del viento en el desierto,
testamento del sol, granada, espiga,

rostro de llamas, rostro devorado,
adolescente rostro perseguido
años fantasmas, días circulares
que dan al mismo patio, al mismo muro,
arde el instante y son un solo rostro
los sucesivos rostros de la llama,
todos los nombres son un solo nombre,
todos los rostros son un solo rostro,
todos los siglos son un solo instante
y por todos los siglos de los siglos
cierra el paso al futuro un par de ojos,

no hay nada frente a mí, sólo un instante
rescatado esta noche, contra un sueño
de ayuntadas imágenes soñado,
duramente esculpido contra el sueño,
arrancado a la nada de esta noche,
a pulso levantado letra a letra,
mientras afuera el tiempo se desboca
y golpea las puertas de mi alma
el mundo con su horario carnicero,

sólo un instante mientras las ciudades,
los nombres, los sabores, lo vivido,
se desmoronan en mi frente ciega,
mientras la pesadumbre de la noche
mi pensamiento humilla y mi esqueleto,
y mi sangre camina más despacio
y mis dientes se aflojan y mis ojos
se nublan y los días y los años
sus horrores vacíos acumulan,

mientras el tiempo cierra su abanico
y no hay nada detrás de sus imágenes
el instante se abisma y sobrenada
rodeado de muerte, amenazado
por la noche y su lúgubre bostezo,
amenazado por la algarabía
de la muerte vivaz y enmascarada
el instante se abisma y penetra,
como un puño se cierra, como un fruto
que madura hacia dentro, echa raíces,
crece dentro de mí, me ocupa todo,
me expulsa el follaje delirante,
mis pensamientos sólo son sus pájaros
su mercurio circula por mis venas,
árbol mental, frutos sabor de tiempo,

oh vida por vivir y ya vivida,
tiempo que vuelve en una marejada
y se retira sin volver el rostro,
lo que pasó no fue pero está siendo
y silenciosamente desemboca
en otro instante que se desvanece:

frente a la tarde de salitre y piedra
armada de navajas invisibles
una roja escritura indescifrable
escribes en mi piel y esas heridas
como un traje de llamas me recubren,
ardo sin consumirme, busco el agua
y en tus ojos no hay agua, son de piedra,
y tus pechos, tu vientre, tus caderas
son de piedra, tu boca sabe a polvo,
tu boca sabe a tiempo emponzoñado,
tu cuerpo sabe a pozo sin salida,
pasadizo de espejos que repiten
los ojos del sediento, pasadizo
que vuelve siempre al punto de partida,
y tú me llevas ciego de la mano
por esas galerías obstinadas
hacia el centro del círculo y te yergues
como un fulgor que se congela en hacha,
como luz que desuella, fascinante
como el cadalso para el condenado,
flexible como el látigo y esbelta
como un arma gemela de la luna,
y tus palabras afiladas cavan
mi pecho y me despueblan y vacían,
uno a uno me arrancas los recuerdos,
he olvidado mi nombre, mis amigos
gruñen entre los cerdos o se pudren
comidos por el sol en un barranco,

no hay nada en mí sino una larga herida,
una oquedad que ya nadie recorre,
presente sin ventanas, pensamiento
que vuelve, se repite, se refleja
y se pierde en su misma transparencia,
conciencia traspasada por un ojo
que se mira mirarse hasta anegarse
de claridad:
                  yo vi tu atroz escama,
melusina, brillar verdosa al alba,
dormías enroscada entre las sábanas
y al despertar gritaste como un pájaro
y caíste sin fin, quebrada y blanca,
nada quedó de ti sino tu grito,
y la cabo de los siglos me descubro
con tos y mala vista, barajando
viejas fotos:
                    no hay nadie, no eres nadie,
un montón de ceniza y una escoba,
un cuchillo mellado y un plumero,
un pellejo colgado de unos huesos,
un racimo ya seco, un hoyo *****
y en el fondo del hoy los dos ojos
de una niña ahogada hace mil años,

miradas enterradas en un pozo,
miradas que nos ven desde el principio,
mirada niña de la madre vieja
que ve en el hijo grande su padre joven,
mirada madre de la niña sola
que ve en el padre grande un hijo niño,
miradas que nos miran desde el fondo
de la vida y son trampas de la muerte
-¿o es al revés: caer en esos ojos
es volver a la vida verdadera?,

¡caer, volver, soñarme y que me sueñen
otros ojos futuros, otra vida,
otras nubes, morirme de otra muerte!
-esta noche me basta, y este instante
que no acaba de abrirse y revelarme
dónde estuve, quién fui, cómo te llamas,
cómo me llamo yo:
                              ¿hacía planes
para el verano -y todos los veranos-
en Christopher Street, hace diez años,
con Filis que tenía dos hoyuelos
donde veían luz los gorriones?,
¿por la Reforma Carmen me decía
"no pesa el aire, aquí siempre es octubre",
o se lo dijo a otro que he perdido
o yo lo invento y nadie me lo ha dicho?,
¿caminé por la noche de Oaxaca,
inmensa y verdinegra como un árbol,
hablando solo como el viento loco
y al llegar a mi cuarto -siempre un cuarto-
no me reconocieron los espejos?,
¿desde el hotel Vernet vimos al alba
bailar con los castaños - "ya es muy tarde"
decías al peinarte y yo veía
manchas en la pared, sin decir nada?,
¿subimos juntos a la torre, vimos
caer la tarde desde el arrecife?,
¿comimos uvas en Bidart?, ¿compramos
gardenias en Perote?,
                                  nombres, sitios,
calles y calles, rostros, plazas, calles,
estaciones, un parque, cuartos solos,
manchas en la pared, alguien se peina,
alguien canta a mi lado, alguien se viste,
cuartos, lugares, calles, nombres, cuartos,

Madrid, 1937,
en la Plaza del Ángel las mujeres
cosían y cantaban con sus hijos,
después sonó la alarma y hubo gritos,
casas arrodilladas en el polvo,
torres hendidas, frentes escupidas
y el huracán de los motores, fijo:
los dos se desnudaron y se amaron
por defender nuestra porción eterna,
nuestra ración de tiempo y paraíso,
tocar nuestra raíz y recobrarnos,
recobrar nuestra herencia arrebatada
por ladrones de vida hace mil siglos,
los dos se desnudaron y besaron
porque las desnudeces enlazadas
saltan el tiempo y son invulnerables,
nada las toca, vuelven al principio,
no hay tú ni yo, mañana, ayer ni nombres,
verdad de dos en sólo un cuerpo y alma,
oh ser total...
                      cuartos a la deriva
entre ciudades que se van a pique,
cuartos y calles, nombres como heridas,
el cuarto con ventanas a otros cuartos
con el mismo papel descolorido
donde un hombre en camisa lee el periódico
o plancha una mujer; el cuarto claro
que visitan las ramas del durazno;
el otro cuarto: afuera siempre llueve
y hay un patio y tres niños oxidados;
cuartos que son navíos que se mecen
en un golfo de luz; o submarinos:
el silencio se esparce en olas verdes,
todo lo que tocamos fosforece;
mausoleos del lujo, ya roídos
los retratos, raídos los tapetes;
trampas, celdas, cavernas encantadas,
pajareras y cuartos numerados,
todos se transfiguran, todos vuelan,
cada moldura es nube, cada puerta
da al mar, al campo, al aire, cada mesa
es un festín; cerrados como conchas
el tiempo inútilmente los asedia,
no hay tiempo ya, ni muro: ¡espacio, espacio,
abre la mano, coge esta riqueza,
corta los frutos, come de la vida,
tiéndete al pie del árbol, bebe el agua!,

todo se transfigura y es sagrado,
es el centro del mundo cada cuarto,
es la primera noche, el primer día,
el mundo nace cuando dos se besan,
gota de luz de entrañas transparentes
el cuarto como un fruto se entreabre
o estalla como un astro taciturno
y las leyes comidas de ratones,
las rejas de papel, las alambradas,
los timbres y las púas y los pinchos,
el sermón monocorde de las armas,
el escorpión meloso y con bonete,
el tigre con chistera, presidente
del Club Vegetariano y la Cruz Roja,
el burro pedagogo, el cocodrilo
metido a redentor, padre de pueblos,
el Jefe, el tiburón, el arquitecto
del porvenir, el cerdo uniformado,
el hijo predilecto de la Iglesia
que se lava la negra dentadura
con el agua bendita y toma clases
de inglés y democracia, las paredes
invisible, las máscaras podridas
que dividen al hombre de los hombres,
al hombre de sí mismo,
                                      se derrumban
por un instante inmenso y vislumbramos
nuestra unidad perdida, el desamparo
que es ser hombres, la gloria que es ser hombres
y compartir el pan, el sol, la muerte,
el olvidado asombro de estar vivos;

amar es combatir, si dos se besan
el mundo cambia, encarnan los deseos,
el pensamiento encarna, brotan alas
en las espaldas del esclavo, el mundo
es real y tangible, el vino es vino,
el pan vuelve a saber, el agua es agua,
amar es combatir, es abrir puertas,
dejar de ser fantasma con un número
a perpetua cadena condenado
por un amo sin rostro;
                                    el mundo cambia
si dos se miran y se reconocen,
amar es desnudarse de los nombres:
"déjame ser tu puta", son palabras
de Eloísa, mas él cedió a las leyes,
la tomó por esposa y como premio
lo castraron después;
                                    mejor el crimen,
los amantes suicidas, el incesto
de los hermanos como dos espejos
enamorados de su semejanza,
mejor comer el pan envenenado,
el adulterio en lechos de ceniza,
los amores feroces, el delirio,
su yedra ponzoñosa, el sodomita
que lleva por clavel en la solapa
un gargajo, mejor ser lapidado
en las plazas que dar vuelta a la noria
que exprime la sustancia de la vida,
cambia la eternidad en horas huecas,
los minutos en cárceles, el tiempo
en monedas de cobre y mierda abstracta;

mejor la castidad, flor invisible
que se mece en los tallos del silencio,
el difícil diamante de los santos
que filtra los deseos, sacia al tiempo,
nupcias de la quietud y el movimiento,
canta la soledad en su corola,
pétalo de cristal es cada hora,
el mundo se despoja de sus máscaras
y en su centro, vibrante transparencia,
lo que llamamos Dios, el ser sin nombre,
se contempla en la nada, el ser sin rostro
emerge de sí mismo, sol de soles,
plenitud de presencias y de nombres;

sigo mi desvarío, cuartos, calles,
camino a tientas por los corredores
del tiempo y subo y bajo sus peldaños
y sus paredes palpo y no me muevo,
vuelvo adonde empecé, busco tu rostro,
camino por las calles de mí mismo
bajo un sol sin edad, y tú a mi lado
caminas como un árbol, como un río,
creces como una espiga entre mis manos,
lates como una ardilla entre mis manos,
vuelas como mil pájaros, tu risa
me ha cubierto de espumas, tu cabeza
es un astro pequeño entre mis manos,
el mundo reverdece si sonríes
comiendo una naranja,
                                    el mundo cambia
si dos, vertiginosos y enlazados,
caen sobre la yerba: el cielo baja,
los árboles ascienden, el espacio
sólo es luz y silencio, sólo espacio
abierto para el águila del ojo,
pasa la blanca tribu de las nubes,
rompe amarras el cuerpo, zarpa el alma,
perdemos nuestros nombres y flotamos
a la deriva entre el azul y el verde,
tiempo total donde no pasa nada
sino su propio transcurrir dichoso,

no pasa nada, callas, parpadeas
(silencio: cruzó un ángel este instante
grande como la vida de cien soles),
¿no pasa nada, sólo un parpadeo?
-y el festín, el destierro, el primer crimen,
la quijada del asno, el ruido opaco
y la mirada incrédula del muerto
al caer en el llano ceniciento,
Agamenón y su mugido inmenso
y el repetido grito de Casandra
más fuerte que los gritos de las olas,
Sócrates en cadenas (el sol nace,
morir es despertar: "Critón, un gallo
a Esculapio, ya sano de la vida"),
el chacal que diserta entre las ruinas
de Nínive, la sombra que vio Bruto
antes de la batalla, Moctezuma
en el lecho de espinas de su insomnio,
el viaje en la carreta hacia la muerte
-el viaje interminable mas contado
por Robespierre minuto tras minuto,
la mandíbula rota entre las manos-,
Churruca en su barrica como un trono
es