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Scarlet McCall Jun 2019
The elixir was mixed.
The potion had been poured.
The candles were all burning.
Over the Book of Spells, I’d pored.
I handed you the goblet--
my commandment you ignored.
I intoned the incantation--
you sat and just looked bored.
I looked into the crystal ball
and told you of your fortune.
You disagreed—but how is this?
Of the two of us there’s only one
who is the sorceress.
Why did I paint the pentagram
and summon all the spirits?
I’ll have you know I’ll still be charging
my fee for all your visits.
Originally titled "Psychotherapist's Lament." But what's the difference?
By the time I got to Woodstock, I was pushing Sixty-five.
I was qualified for Medicare when I finally arrived.
All the famous bands that played there, by and large, they are no more.
You can hear them still on vinyl; just not at the record store.
It was mud and drunken nakedness in the summer of sixty-nine.
There were ******-active drugs too if you were so inclined.
All the gorgeous girls who made that scene back in Love’s own summer,
Now use Clairol to hide the gray and are somebody’s Grandmother.
And what about the tall lean dudes who lusted for them then?
They now rely on small blue pills to get it up again.
Imagine standing on that stage staring out at the tie-dyed throng
as Janice Joplin poured her heart and soul out in a song.
I hear Hendrix was electric even as the skies did pour.
And Crosby, Stills, Nash, and Young were up for an encore.
Lennon couldn’t make it and Jethro Tull declined.
Joan Baez was magical; Joni Mitchell would have cried.
They are but ghostly echoes now, playing to an empty field.
We were all once young and beautiful, and Love was true and real.
Still, Time is a heartless arrow, relentless now as then.
I only fooled myself to think I could go back again.
Standing in that now empty field in Bethel, New York in the summer of Trump
  Apr 2019 Scarlet McCall
ConnectHook
We soon got wind of of the crime: he wound up with a wound but weathered it fairly well, waiting for the affair to wind down while they wondered whether windy weather had played a role affecting the whole scene. The effect of the hole, (seen in court) was downplayed, read at the hearing as a likely red herring.

The jury, having heard, gave their verdict as a herd; unanimously.
(And, more famously, anonymously.) The infamously failed assassination set precedents for presidents as we asked, as a nation, to have safety take precedence over presidential presence, urging all residents to monitor their residence since shooters deft for lead could leave others left for dead indeed.

The casings were recovered, and the whole case covered by the press (though some journalists, pressed by the particulars of the case, cased out the possibility of covering close-up) until the case closed up.
Barely made it on PROMPT #14:
write a poem that incorporates homophones, homographs, and homonyms,
or otherwise makes productive use of English’s ridiculously complex spelling rules and opportunities for mis-hearings and mis-readings.
Scarlet McCall Mar 2019
55--is it the limit?
I’ve been slowing down, for sure.
Trying to economize, but my size
is growing.
No longer a tease; I’ve got bad knees.
I seize the day,
but please,
ask me if I prefer the elevator.
I might see you later--or not.
We can't count on tomorrow,
but I don't dwell in sorrow.
Now I hear more, see more,
even when I've lost my reading glasses. I know what life is for.
I grow things. I sing. Gladly
I do the dishes.
I have no birthday wishes. Wishes are for a future.  
I’ve removed things, and sewn a suture.
The way I was is history. That girl, with pretty shoes,
didn’t play the blues.
Now I listen, and I play those tunes.  
I’ve got no use for pretty, ‘cept for being pretty sure.
Sure, I've been wrong—wrong to wear those shoes, for one thing,
cuz my toes hurt.
Now, I know all the dirt. I’ve got things buried so deep
no one knows. But from the dirt, stuff grows.
I’m watering those plants, and wait til you see what springs up. Time ain’t up yet,
and there’s a green hill, and tall trees, and a sunset.
I had trouble saving this poem. It didn't want me to start with a number. Weird.
I weep for words that will not dance,
That will not float on wings of thought,
But only thud on solid ground

I weep for songs I cannot sing
The phrases buzz like happy bees
That sting me and then fly away

I weep for souls I cannot touch
With tenderness and hope
Because I reach with crippled hands

I weep for gifts I cannot share
The addressee is marked “unknown”
And it comes back all soiled and torn

I weep because it’s all I know
When nothing blooms from what I plant
And barren soil is all I have to til
ljm
As I read the wonderful things others write, I often break into tears because I want so much to write like that, and can't. I try and it comes out contrived and awkward.  It's a terrible thing to be a singer without a voice.  And please don't rush to tell me that's not true.  I'm very aware of my limitations. Just let me cry for a little bit. I'll be OK again tomorrow.
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