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~dedicated and gifted to Alyssa Homes Underwood,
in perpetuity
~
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this one, like so many others, is
for my inestimable~faithful friend
who asks, listens and never sings
out of tune,
always lending me his ears…

<>
the 7:42 am train is pulling in…
the tracks run by the soundless waters,
directly through the spaces
called my mind

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sun begging come out & play,
“c’mon baby, you know need warmth,”

(even if mine ain’t the kind that realizes
real dreams, the kind that exhale healing,
but come out anyway, take what you can get,
put off the pains of haunting curses, sins that cannot be erased, random emerging like jacks-in-the-box that were cranked, but just waiting for the right moment to fk you up…try putting them bastids, back in the can with  aplomb & composure but you know it’s way too late..)

Van Morrison serenades
“These are the days
(of the endless summer),”
it is a hymnal
in / of the church of blue sky,
birch  white pews, voices choral…
the caucus of birds who are crazy flitting, cawing, cracking,
making an unholiness mess unsuitable to the moment’s serenity,

the rabbits, seeing if this idiot threw out some
baby carrots (he did), Van singing of love of the one magician, who would turn my blood into wine…

the whistle blows, a one-minute-warning, train
a-leaving,  so is this poem, and the randomness herein is not a poem, but a cry of the mind,

”un cri de l’esprit,”
may it, it may resonant or fall, face~flat to the ground, the sound of the mind,
the train whistle, the symphony of mother morning nature, the quiet lapping waves,
all acknowledge their “failure to soothe,” them, relentless, will return later, on the morrow, same station, them, who
will never concede that they can be beaten,
to superimpose, a mental purity in the recesses
of where the screams crawl out of the mind’s
cemetery, them unmarked graves, of babies that
did not survive to be named, and yes, that’s a
real thing…shhhhhh, them say the triumvirate of the natural forces state with equanimity
”write, let it out, let it go,”
you
hope no one reads this…but it’s far too late
it is
for~formed, created,
on this the seventh day of the week,
when the Maker rested from his
creation~work, and you think maybe a day of rest, not a bad idea, smiling cause, someone is playing Joe Cocker singing,
“Have a Little Faith in Me”
and then,
“(Try) With a Little Help From My Friends”
confirming, in the governing firmament of this world there are no coincidences…*

<>

8:10 by the sky, and
checking out the sky holes and the holy,
seeing the sight lines to souls gone but always,
well remembered…they too shushing me with
loving kindness…and the next stop is
Nazareth
The one umbrella I give her
and get drenched in the rain.

My eyes are not dry
as rain bathes my eyelashes
makes me cry in joy.

I'm happy she's not wet
as it pours on pitter patter
pitter patter.

In the rain I find the might of love
and in the music of the pour
I hear my heart burning
in the light of sound.
With her in the rain, morning Aug 2 2024 on way to school.
Indebted to Nat Lipstadt for his inspiration against my comments on his poem "What is a soundless Sound".
  Jul 2024 Pradip Chattopadhyay
nivek
I talk to the Sycamores-
the eight sentinels
ones I planted as seed

Ten or more years-
I touch their trunks
tell them they are doing well

They in turn shelter
and much more
love me as their own.
I heard your trees both screaming
          As your cack-handed garden workers
    Fired up their vicious, howling saws
                  To start a massacre that no tree could survive.

      I saw the shards of leaves and wood
  Flying off in all directions
               As the lifeblood of the trees
                               Oozed into the gravel just below

                 And before long it grew very silent -
   Only whispered echoes of the screams
           Floated high above the barren wasteland
That is now a yard with nothing in it green.
                    ljm
Big rocks on the stumps can’t hide the shameful crime perpetuated callously against the neighborhood and Mother Nature.
(It was such a pretty yard, too)
My mother was always a better singer
                                than she was a cook.

She may have burnt a lot of things but
                              never missed a note,
         especially when Harry Belafonte
came on the transistor kitchen radio-
a voice so pure it made her cry with joy.

“There’s a hole in the bucket dear Liza,
                                                     dear Liza,”
                         he sang echoing her past,
                                                 the divorce,
                         her humbling present life.

The duet had the reply she wanted to say
to everything and sing it like Odetta--
                             “Well fix it, dear Henry
                                                 dear Henry,
                                                          fix it.”

It was her kitchen cooking song and
           and we would sing it together
            when Harry wasn’t on the air.

We sang it so often,
                                  switching voices.
                                      that I believed
                         she could fix anything
                                     and I could too.    

When we got to the fortieth line
                the meatloaf was burnt
                                              on top.

I ate it all with a lot of ketchup.
She just cut off the burnt part
                and fed it to the dog.

My sister,
                             two brothers
                              and stepdad
                             ate it quietly,
                        building up a lot
                                         of bad
                 meatloaf memories.

All the other kids had
                          their own songs
                that she sang to them
                                but she sang
                                               only
                         Belafonte to me.  

“Daylight come and me wan' go home,”
                    she sang to me in a whisper
                   before kissing me goodnight.

Calypso more than Salsa echoed
                            her Boricua pride,
                 the youngest of thirteen,
            yet never born to the island.

“Midnight come  and she wan’ go home,”
I sang to her open casket 22 years later,
                              kissing her on the head,
                      taking the hole in the bucket,
                                     along with Belafonte
                                                   to the future.
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