Sep 2014
5 X 5
sitting in that chair, once more,
that chair that is my picture of me...
One:
The bay laps quiet rhythmic hellos
knows better than to ask,
just graciously accepts,
one of us says Hallelujah,
and the other, Selah!
a torrid summer of morose and illness,
lingers still, and here I am, cosseted,
comforted by familiar comfort foods,
baby waves, the gentlest of precision-crafted currents
of air, all together a baklava so sweet,
one could forgo forever eating,
but never, writing of them, to you
Two:
Crumpled tissues,
absorbers of ****** fluids,
crumpled poems,
absorbers of mental fluids,
evidence of a body and soul's
dismal anguish, creativity extinguished,
weeks of weak, months of morbid,
were the pretense that a lovely physical shelter exterior,
could ever successful well-mask the human upheaval within,
as if a summer tan could disguise the illness exposed in his eyes
Three:
Sun of moderated fall heat enters via the nostrils,
crimping the bacteria of depression,
that come from an overrun immune system,
a summer of discontent for the summer man,
who has been encapsulated by the suicide
of a man he knew only from his humorous artistry
am I better? some. healed? of course not...
but here I begin a summation of my silences,
that came with no explanation substantive,
for which I formally apologize
Four:
Four is for me, a self-addressed postcard,
way past the point of clean slates,
I am a blackboard with years of dust cumulated
from scrawls, equations, mistakes,
and here n' there a teachers favorite,
a large exclamation point!
decide that it is perhaps time
to relearn how to write poetry for pleasure,
wipe that chalk dust off some,
not for pain disclosures hall marked,
though the pain must be played through,
today, a new season starts and my record,
unblemished a perfect 0-0
Five:
Why 5 X 5? No idea!
this is how it starts for me,
a title, a notional emotion,
a horse rider with a head,
but no body attached,
no direction home,
and the words, disassociated,
pulled together and now there are
five babies tendered for your
care and consideration,
perhaps even,
for your pleasure...
sitting in that chair, once more,
that chair that is my picture of me...
One:
The bay laps quiet rhythmic hellos
knows better than to ask,
just graciously accepts,
one of us says Hallelujah,
and the other, Selah!
a torrid summer of morose and illness,
lingers still, and here I am, cosseted,
comforted by familiar comfort foods,
baby waves, the gentlest of precision-crafted currents
of air, all together a baklava so sweet,
one could forgo forever eating,
but never, writing of them, to you
Two:
Crumpled tissues,
absorbers of ****** fluids,
crumpled poems,
absorbers of mental fluids,
evidence of a body and soul's
dismal anguish, creativity extinguished,
weeks of weak, months of morbid,
were the pretense that a lovely physical shelter exterior,
could ever successful well-mask the human upheaval within,
as if a summer tan could disguise the illness exposed in his eyes
Three:
Sun of moderated fall heat enters via the nostrils,
crimping the bacteria of depression,
that come from an overrun immune system,
a summer of discontent for the summer man,
who has been encapsulated by the suicide
of a man he knew only from his humorous artistry
am I better? some. healed? of course not...
but here I begin a summation of my silences,
that came with no explanation substantive,
for which I formally apologize
Four:
Four is for me, a self-addressed postcard,
way past the point of clean slates,
I am a blackboard with years of dust cumulated
from scrawls, equations, mistakes,
and here n' there a teachers favorite,
a large exclamation point!
decide that it is perhaps time
to relearn how to write poetry for pleasure,
wipe that chalk dust off some,
not for pain disclosures hall marked,
though the pain must be played through,
today, a new season starts and my record,
unblemished a perfect 0-0
Five:
Why 5 X 5? No idea!
this is how it starts for me,
a title, a notional emotion,
a horse rider with a head,
but no body attached,
no direction home,
and the words, disassociated,
pulled together and now there are
five babies tendered for your
care and consideration,
perhaps even,
for your pleasure...
Sept. 7th, 2014
if I had to choose one sense, then, once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?
(How to Read a Poem (Hint! not with your eyes))
Taste
Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows, and the one that follows.
Taste each poem upon thy tongue and then pass it on,
you know how....
Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.
Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.
As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.
Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
if I had to choose one sense, then, once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?
(How to Read a Poem (Hint! not with your eyes))
Taste
Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows, and the one that follows.
Taste each poem upon thy tongue and then pass it on,
you know how....
Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.
Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.
As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.
Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
