The yucca plant from my mother’s garden sits unattended and on the verge of death next to her eldest rose bush, now wildly overgrown and lightly blushing in the cosset of the midmourning sun. Its withered rosettes droop down to its bed of maroon-stained stones in crisp, harum-scarum patterns as if the plant is spending its life like currency trying to touch its toes. I oftentimes find myself wondering if the reason behind this slow rotting of mother dearest’s garden is hidden within her five-year absence. If I didn’t know any better, I’d say her nursery missed the d i g g i n g of her weathered hands.
She was the biosphere of my world; I suppose that it only makes sense for the earth to match my thirst. We sit side by side, that yucca plant and I, as we struggle to nod our heads towards daylight while we rise on the side of the house that is more or less cloaked in shadow; the side that she would sunbathe on during scorching late afternoons. Perhaps without her body giving shelter, all her garden is doomed to atrophy like muscle in the sunlight.
I find irony in the way that my mother’s favored plant was the “ghost in the graveyard;” a perverted parallel to the game that she never wanted us to play. I think it to be sort of sardonic that her pride swallowed the possibility of a cure being found within that ****** plant’s roots. She, a third generation American girl, had blood as muddled as the mud that buried that yucca’s heart. The boundary line between Mother and nature coalesces into one: Gaea six feet under melting into soil I hope she becomes seawater.