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Never Had They Seen a Ferris Wheel

On the weathered pier of Huntington laid upon the salt licked beach, the old, hull of a forgotten ship. Split, for its wooden fruit. The juice of our sweat becoming mist while we walked the plank, in suspense, between clouds and sea. The knotted surface sore from sun. Burnt backs float on the waters of their green veins, like Guamamela1 on the dirty river banks. “NO ACCESS,” signs in red and white lights, harshly beating against the dark skin of the wood, the memory of another life. I remember, my Lolo and Lola bending to the waves of people pressed still in one space. The one time, they could hold onto my hands, I felt them shaking. In tongues they resurrected the island, said there none of this exists. Why did I laugh? 1. Filipino hibiscus
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Written by
ATBockholdt
21 / F / Denver, CO
For You?
Written by
ATBockholdt
21 / F / Denver, CO
Published
Dec 7, 2017
Lines·Words
26·136
Notes

This is part of collection for a senior portfolio project at CU Denver

Project is intended to represent the stylistic distinctions of great American poets through the imitation of their poetics and/or their subject matter

James Wright wrote on the "outcasts," of society in an attempt to capture the sentimental loneliness that the disenfranchised members of society felt. This poem works to capture the feelings that my Lolo and Lola have felt their entire lives as Filipino Immigrants into America. Using free verse, I have created a narrative story that marries the surreal aspects of memory and reality. Wright also used very purposeful punctuation to enhance the simple rhetoric he uses in his poems which I also attempt to exemplify in this poem.

Tags
#wright#culture#heritage#filipino#beach#disparity#hibiscus#flower#piers#california
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