Jan 2016
I can only summon feelingfulness like the passing of a dove,
postponing its arrival mid-air, somewhere along the tucked
bramble across Poblacion, starting with metaphorical sensibility
or an insensibly bland space to procure wanted meaning.
Girls prefer roses and their bright foreheads diademed with more
flowers, and boys, their chiaroscuro or lack of a color thereof, seems
to be fitting in this maladroit contrast, and so I begin, as always,
with your very vague and caged memory. Your face, the whiteness
of snowcapped alps. Your strut, my slalom in a treacherous course
of words reduced to whisperings, to flutings. Your voice, though nuanced,
flitters with an overtone of arrogance: if sound was clothed, yours would
be flamboyant ermine. And the line in front of you before I, my arbitrary turn,
assimilates into a picturesque form of waiting somewhere in Cubao.
I wanted to smash myself with train-speed towards the metallic turnstile,
which, would then famish me even so, just as much as I wish to be a car crash
somewhere within the outskirts of your town, heavily vandalized by the swill
of squalor hefting itself like the rest of the world conscious of its viscera.
This is how I start you – like waiting for the sun to emerge by Borobudur,
or the clandestine *** of mildew and grass, a hundredfold of images appear
before me and I cannot choose upon my whims and caprices. Are you a dove?
A spear of Sun? A thunderous crackle of an impending rain? A harlequin?
A moseying cirrus? Or just another by-stander in the crowds where I ultimately
seek your being?
This answerlessness measures my knowledge of star, and my breath snuffed
out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries.
A progeny from all superseding conundrums arises: are you a retrogression of a wave
back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else
on a fine and lucid day where children skip stones and chant name-callings?
I sense the peril in this undertaking, and much to my chagrin, I still
do not know how to end you.
postponing its arrival mid-air, somewhere along the tucked
bramble across Poblacion, starting with metaphorical sensibility
or an insensibly bland space to procure wanted meaning.
Girls prefer roses and their bright foreheads diademed with more
flowers, and boys, their chiaroscuro or lack of a color thereof, seems
to be fitting in this maladroit contrast, and so I begin, as always,
with your very vague and caged memory. Your face, the whiteness
of snowcapped alps. Your strut, my slalom in a treacherous course
of words reduced to whisperings, to flutings. Your voice, though nuanced,
flitters with an overtone of arrogance: if sound was clothed, yours would
be flamboyant ermine. And the line in front of you before I, my arbitrary turn,
assimilates into a picturesque form of waiting somewhere in Cubao.
I wanted to smash myself with train-speed towards the metallic turnstile,
which, would then famish me even so, just as much as I wish to be a car crash
somewhere within the outskirts of your town, heavily vandalized by the swill
of squalor hefting itself like the rest of the world conscious of its viscera.
This is how I start you – like waiting for the sun to emerge by Borobudur,
or the clandestine *** of mildew and grass, a hundredfold of images appear
before me and I cannot choose upon my whims and caprices. Are you a dove?
A spear of Sun? A thunderous crackle of an impending rain? A harlequin?
A moseying cirrus? Or just another by-stander in the crowds where I ultimately
seek your being?
This answerlessness measures my knowledge of star, and my breath snuffed
out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries.
A progeny from all superseding conundrums arises: are you a retrogression of a wave
back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else
on a fine and lucid day where children skip stones and chant name-callings?
I sense the peril in this undertaking, and much to my chagrin, I still
do not know how to end you.
