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 Oct 2013 Michael
S Smoothie
If I could
tear him out
of my heart
and make this ok
I would
But I'm haunted
by the ghost of him
everywhere I go.
Never spending a minute
alone without the breeze
carrying a love note from him
and such a soul have I,
It cannot bare not to
respond in kind,
and so our love notes
float upon the wind
I breathe in deeply
such a comforting joy
and when the rain falls
And the wind wraps
its forceful hug around me
the scence of longing still lingers
An aching touch passed through
Rushing winds of desire,
Urgent and warm
or the winds
of a raging storm
passionate and avid
or as tender and loving
As a light caress.

A wistful brush of the cheek.

I sit intently, compelled to feel
your love notes on my skin
In some way I know
our love upon the wind
will lighten and warm our hearts
and thus I send my soul
to dance with you
my dearest ghost of love
on our ever loving winds.
 Oct 2013 Michael
Allison
Her hands are made of sandpaper, and her eyes they look like fear;
And the fragility of her porcelain heart is a sign that death is near.

The demons in the form of thought pick apart her empty mind.
They leave her on the roadside, where she is left, deaf, dumb and blind.

Screaming for redemption from her swollen, dry, cracked lips;
In an act of desperation, she starts to sway her paper hips.

With only one thing left to give, she has nothing left to lose;
She raffles off her body for feeble cash and sketchy *****.

And the wrinkles on her face are tiny riverbeds for tears;
Urban camouflage of leather skin and dried up makeup smears.
A poem about a ******* I saw while in Toronto.
 Oct 2013 Michael
Nat Lipstadt
The Gift of the Sleeping Magi


"But in a last word to the wise of these days
let it be said that of all who give gifts,
these two were the wisest.  
Of all who give and receive gifts,
such as they, are wisest.  
Everywhere, they are wisest.  
They are the Magi."
O. Henry


The woman, traveling alone, thru dangerous
West Side badlands, dancing lands,
where resident fairies, ex-ballerinas all,
magical mystify a passerby's thoughts,
mesmerizing them with their mercurial maneuvers,
tango dancing upon shimmering glass pieces,
enslaving all who gaze upon them forever,
turning their captives into sleeping beauties.

Restlessly awaiting her return,
the hombre-lover early retires
to the bed chamber,
weary from another day's
woeful world worries,
long past midnight, he awakens,
disoriented, discombobulated,
and alone.

Fearing the worst,
he summons her return with text spells
and magical ringing cell's bells,
all to no avail.

He dresses,
readying for the search,
to bring her home.

Ready to depart,
he opens the door,
only to find the woman
asleep before their door.

Unwilling to awake
her sleeping hombre,
she gifts him a
rest undisturbed.

Shoulder grasped, elbow guided,
her eye glasses surgically removed,
he returns her to their bed,
to complete her own rest.
instantly, she is re-gifted,
colliding with a gravity pulling her,
into a pleasurable deep sleep.

Now wide-eyed awake,
the hombre muses and
poetry pens this tale
of his restless confusion.

O. Henry's words refurbished,
rise up, infiltrate his consciousness.

Of all who give and receive gifts,
even the simplest,
rest undisturbed, rest completed,
they are the wisest,
everywhere they are wisest.

They are Magi.



2::03 AM, a few years ago.
An old poem. Yes a true story...brought back up from the dead, resurrected and recalled into active service duty, after seeing Matthew Bournes's version of the ballet, Sleeping Beauty, at City Center, New York.

Magi
— plural noun, singular Ma·gus [mey-guh s] Show IPA.

(sometimes lowercase) the wise men, generally assumed to be three in number, who paid homage to the infant Jesus. Matt. 2:1–12. Compare Balthazar(def 1), Caspar(def 1), Melchior(def 1).
 Oct 2013 Michael
SGD
I was never a sinking ship, just the remains
of an ocean liner, settling on the sea’s lips.
At least, that’s what I think.
I am not a tragedy, no,
but so many of my pages are empty and, my god, I need
you to know that if I am a book,
I am half-complete (not half-unfinished––I'm learning, you see?),
but it’s the back half,
and a few scattered paragraphs before that.
Now and then I write in my own history,
just for others to read and believe
there’s something more to me
than a leather bound cover over cheap poetry.
That’s all I am, really.

I’m just trying to keep my head above the water.
I keep my secrets close, and my happiness bottled
––for the nights when I need something stronger
than spirits that burn on the way down,
something that can keep these ghosts
from crawling back out my mouth
to tumble from my lips at last.

Listen, I'm really not hard to figure out.

It’s broken glass,
it’s the smash of a car crash,
it’s the smell of smoke and ash,
it’s a statue of a girl learning to laugh,
and to know, and how to venture
into you. I count the number of times I've been sure,
on my knuckles instead of my fingertips,
because it wasn't the touch, it was the fist
that first said: I am better than this
(fires will die but they fight harder than all else).
Besides, my fingers are not for counting out.
I think they're for you,
to weave yours through,
and to feel on your skin
when I spell out I love you,
because my fingers do not flinch
as easily as my mouth does cringe
and strangle truths in anger.

If you feel I am pulling into myself,
remember I'm likely collapsing inwards,
and know this:
broken homes beget broken bones,
but more often they spit
broken boys and girls from their lips.
My body is new,
no longer mould and mildew,
but steel, mortar, and brick,
and stone
and stick.

I am almost always cold.
My wrists look too thin for the weight of my world.

I carry on, but I am not strong.
**** knows how long those days have been gone.

To the person who will somehow fall for me:
I am not a tragedy,
but a mess of a story.
I write dumb rhymes to feel like I'm growing.
I speak as a cynic, but at heart I'm all dreams.
Sometimes I take a minute to listen and, slowly,
I think I'm becoming someone worth being.

I seem bare as a clinic and empty as glossy magazines,
but it's all a set and some props, one day I'll end scene.
I'm not ready yet, but on One Day, I'll be.

I swear, I'm almost there.
My world is readying,
like winter prepared
to yield to spring.

— The End —