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If you view older people as
architectural salvage
they become
as they should do
more valuable.

I'm in the classic range
which is a mountainous region
in Spain
or so
I'm led to believe.

There's a lot of humour about
don't let them take it from you.
Vintage Chanel lives rent free in my mind
the colors are deep, subtle and magical.
Over time, the originally soft textures,
become luscious, like a lover's caressing touch.

In college, you dress down,
you want to blend in, not stand out
gods forbid you flag entitlement
and draw envy's barbed compliments.

The simple styles bear the twin burdens
of camouflage and practicality.

In Paris, fashion can be capricious,
but elegance is a silent conversation,
with its own intricate vocabulary in drape,
line, fabric and in painstaking choice.

In places where fashion matters - Paris, Manhattan, the Hamptons,
it can signal position, the way uniforms signal authority everywhere.

A splash of fashion can not only have a fabulous effect
on how its wearer feels, it can tell important stories.

I’m told that, in back rooms, where fortunes are awarded or lost,
fashion can announce arrival, rank, and intent.
It can whisper new wealth, in upstart display
or a threadbare, silent duel with mounting debt
.
.
Songs for this:
The Way It Is by Bruce Hornsby & The Range
Read Between the Lines by The Bingtones
BLT Merriam Webster word of the day challenge 08.05: Capricious: something impulsive or unpredictable.
~
August 2024
HP Poet: Guy Scutellaro
Country: USA


Question 1: A warm welcome to the HP Spotlight, Guy. Please tell us about your background?

Guy Scutellaro: "I'm an adult basic education specialist at a local college, "a teacher". You have to be part psychologist, part coach and I especially enjoy working with students from other cultures and countries (Egypt, Greenland, Palestine, Kashmir) it's enlightening."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Guy Scutellaro: "I been writing poems and stories off and on for years. since HP I've been writing consistently. I guess I've been on HP 6, 7 years. I use to send the poems out, had some poems in the small presses. recently, I sent some poems to one small press. the editor sent them back because the pages weren't numbered. I won't send anymore."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Guy Scutellaro: "I go back and reread my poems. I amazed at some of the **** I come up with. Sometimes I have just a word or phrase I'd love to use and I begin with that. The poems, stories are 80 percent fiction. Words fascinate me...simple words. there's a difference, for example, "a" house, and "the" house, a completely different connotation."


Question 4: What does poetry mean to you?

Guy Scutellaro: "At one phase of writing I eschewed capitalization. no one word is more important than another work. Punctuation, I thought was unnecessary. the same thing can be accomplished using line breaks and spacing. But now, I see the creative value of using capitalization and punctuation."


Question 5: Who are your favorite poets?

Guy Scutellaro: "The poets I love and are most grateful too are the poets on HP. There's a gentle kindness that permeates the poets that comment on my scribblings. Their words are greatly appreciated. I recommend reading the "Latest" poems. there's a desperate and endearing beauty that appears on those pages at times. Perhaps it's the desperate, heartfelt honesty that attracts me to the poets I read and admire: Sylvia Plath, Shane McGowan, Robinson Jeffers, Anne Sexton. desperate, heartfelt, honesty is something I'm shooting for in what I write. but I'm not reluctant to throw in "*******"."


Question 6: What other interests do you have?

Guy Scutellaro: "I enjoy listening to music. lately, I'm into big head Todd and the monsters, cowboy junkies. Other interests are the outdoors, backpacking, mountaineering. Although now it's unaffordable as I m paying back my kids college loans."



Carlo C. Gomez: “Thank you so much for giving us this opportunity to get to know the man behind the poet, Guy! We are honored to include you in this ongoing series!”




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Guy Scutellaro a little bit better. I most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #19 in September!
~
just ask any waitress
in the diner
still sane.

ask a businessman
locked behind a desk.

ask a cop in jail for theft
or custer
or van gogh

or a child in harlem
foodless and cold.

ask the grey day
evaporated by the sun

just ask.


we all want to burn,
to dance and sidestep
through are own private hells

to hang
upon
a church bell
high above a cathedral
in notre dame
laughing,
in love with the finality of fire.

the fire
is a man with shotgun
standing in a savings and loan

the fire
is a 16 year old girl
in a
short
short
dress
with oh
so
long legs

the fire cries like snow geese
warm
so warm
into this cold winter's night.

this life we love
is but a hawk on fire
flying
flaming
into the sun of our existence...

we want what we fear,
i want the sun


i am burning.
when 2 birds standing on
2 different high tension wires kiss
love is short.

you wanted me to tattoo your name on my back.
"but who would see?" I asked.
"you just don't get it, " you screamed,
"you don't ever get it."
and you smashed a glass
on the worn rug.

it was a velvet rug
with a picture of elvis
painted across it
meant to be hung on the wall
and when the wind parted the curtains
the shards sparkled like stars...

...they say the human heart
weighs 3/4 quarters of a pound
and scientists have found
in a tomb in egypt
the heart of cleopatra
shriveled like leather.
bitterness
can preserve a heart for eternity...

...but it's closing time at the bar
and outside in the cold, cold snow,
outside in the snow
my darling
one last time
i'll **** your name.
open window

a cold breeze

a dusty box and a poem in a book


50 years his ashes blown by the winds

who remembers norman morrison?

the children who write with chalk
on the sidewalks
don't

nor the ****** 
who walk 42nd street in the rain

manamarra and westmoreland

he s not
one of their nightmares
any longer and

jerry rubin has too much on his mind:
college speaking dates
stocks and bonds

his shadow
long scrubbed from
the steps of the pentagon


norman kissed his wife and daughter
good bye

doused himself with gasoline
and set himself on fire
on the steps of the pentagon

he cried out in pain

like a mother screams
giving birth

like a baby cries being born and

when the sun rises

all the flowers

of the field

weep
who remembers?
macnamara: one of the architects of the Vietnam war.
westmoreland: general
jerry clyde rubin: viet nam war activist
My First Anniversary…
(August 3, 2024)

This title, this poem, a wholly unexpected,
never thinking this path,  
this particular tango existential
would/was needed,
to be added to
my dance card

an early exit, a poem unplanned,
second chance was not a poem in my long
list of titles awaiting a turn to be written

a year ago,
they sent me to the surgeon,
who had prepared, with no hesitancy declared,
informed that we needed to start
all over again,
my poor heart
was waxing and waning,
and I was currently stuck on
the dark side of the moon,
with no jitney making stops theron

by the way,
the accumulation of damage had attained
a level where heart was
nearly exhausted,
( I believe he mentioned 98%)
that attention must be made,
how about
tomorrow we asked,
he laughed no can do,
but the day after would be ok,
and was I an earlier riser,
a coveted 600am slot available,
my name could be penciled in…

One tear ago, 
 wheeled me in, cracking jokes,
thinking what’s the big deal,
laughing hardest
was me,
for my motto was always leave them
(oops, poor choice of words) laughing…
fear was not in my lexicon, nor in my heart,
nor was
a ferry cross the
Rubicon

so many changes, so many poems 365 days later,
the life marked by many a Cain scar,
the big one, a pencil thin ****  hesty reminder,
plus assorted scars scattershot all over, where the “borrowed” veins and arteries, like pieces of twine, mighty fine,
(no, I never slashed a wrist, though it looks like it)
moved to different places,
repurposed, for I was now a used car
but with an extended warranty…

do not think on it much, but as markers come and go,
you think:

oh! I’ll never forget this trip, event, celebration,
and a week later your mind has nearly deleted it from the
critical events memory synapses, just another
day in the blah blah blasphemy
of a insignificant man’s unremarkable life…

but when I shower, the scars rise to the surface,
all over my body’s map, they come out shouting,
“look what I did for you,” from places weird,
they tingle, insuring my never ending surprise,
at that Olympic trial,
they raced, earning a piece & place
on my gold, overall medley team medaling,
or meddling
(when I tease them…)

so, let us bring this to a close, one man’s life,
ain’t making much a difference to most everybody else,
but the question that needyfor asking,
have you changed, how have you changed?

Less than you think, still write you poems with head and heart,
with humor and wit, sweet revelations, reverent with feeling, somehow a
bit original, leaving you laughing,
or maybe even better, smiling…

my mistakes all shared, and my burdens, some shared,
some too dark to be ever revealed, and I’m guessing I’m pretty
((much😉))
the same as I was before, older, not much wiser,

but these days, I surprise myself, for I sit outside
overlooking the wide waters surrounding,
embrace the sun at its earliest morn appearance,
love me the whipping snap of the
sound of great continuous wind gusts,
all the while surveying the world,
while winds are flowing all over me
like vibrant caresses, excavating my creases,
the ancient and recent
lineage
upon my face,
and sit in utter peace
thinking about everything,
and never tire,
staying for longer than a man has a right to do nothing
but to
reassess,
evaluate,
judge,
convey…
and
always
refresh
and confront
today’s

tally…
music
“Blue” by Joni Mitchell
“Older” sung by Ben Platt
My almost grown grandsons
see only a stooped withered
old man when they look at me,
no clue of the young man I used
to be. Or where I have been, the
things I've done. They've only
known me like this. Even 20
years ago, when they were born
I was already a senior citizen.

In my mirror I also see what they
see and can barely recall that
once upon a time younger me.

Time and the elements move
on leaving erosion behind upon
mountains and people too.
Erosion on mountains is
a slow process, we humans
are not that fortunate.
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