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Blake has written it all and written it
in perfect clarity and beauty
and Baudelaire topped it
with decadence and forbidden pleasures
and  Kerouac took it on the road
and gave it a beat
and Bukowski redefined and simplified
and told all its ugly truths
and got it drunk on beer and women

yet still we sit here poor men and women
and boys and girls
scratching away in our journals
and typing at our refurbished vintage typewriters
and cheap plastic keyboards
attached to overpriced laptops
made of fruit and ego

trying to add to the vast pile of treasure
left behind by Coleridge and Thoreau and Whitman
and Mother Maya Angelou
trying to write ourselves in and out
of the corners of solitude and madness
following in the echos of Plath and Dickinson and Poe

we pickpocket dead myths
and dig up their bones
and dance in the fields of their deaths
and claim their prayers as our own
and play the part of god
as we invent new ways to sin
and feel shame for walking naked
in our own bodies
and daring to enjoy lust
and desire and love

it’s all worthless garbage
and it’s all priceless time well spent
shouting into the void of our meaningless existence
and all the vast emptiness of space takes no notice
no matter who loudly we bash our pans
and pound our fists
and ******* our overinflated sense of self worth

we are helplessly alone
stuffed in overcrowded tin containers
packed tightly in our human misery
willing to sleep with one another
but afraid to look each other in the eye
and see who it really is
we’re sharing our beds with
because we would rather
just imagine it really is love
and not find out if its the truth of love
we’re trying to define
within the fragility of our hearts

we wait till our beds are empty
and our hands are cold
and then we pick up our pens
and strike our keyboards
and lay down lies over the truth
we are afraid to uncover
and we treat it poorly
by doing this again and again

yet it defies us still with its volume and weight
and no matter how many times
are how many ways
we re-write the same poem
over and over and over
the heart stays the same
no matter what color we paint it
red or black or bruised sky blue
what tear lost in the ocean
or ocean trapped in a tear
it remains within the grasp
of the same endless heart beat
coming from the same eternal heart

no matter how many times
a new giant or new lord or new king
or new queen or fool are crowned
and wether they type streams of garbage
or write on leafs inlaid with gold
we will always be connected
by the necessity
of the painful beauty of poetry
She is the woman
I truly admire

Agile and  spirited
Positivity unlimited

A day's train journey
Is what she took
To be with us

Flying is not her thing

She inspires
At 91, yes age is just a number
My grandmother in law has come to stay with us for a few days
She is an inspiration

https://hellopoetry.com/poem/1924502/inspirations-galore/
Misty words billow in the cold
Pluming from their mouths
Quiet swearing and first *** coughing
They walk close to hedgerows
Kicking the dew from the grass
As birds squabble over breakfast
And mushrooms are still socialising
They whistle the dogs to heel
All panting and wagging tails
Stirring the dawn damp air
For happy is the early dog
In these sumptuous fields

Now the business of dawn begins
Low sharp commands are uttered
Bringing the younger bounding learners
To a proper sense of purpose
And that high-toned cross breed
The sleek and swift lurcher
Is eternally proud and primed
This long-sprint racer
Takes inevitable chase
Without sentiment or concious cruelty
An ancient craft is practised here
With the dogs at dawn

                                By Phil Roberts
Today on Plymouth ***, stood showing our respects.
Amongst the ceramic poppies
standing, tall proud and *****.
An installation of "Blood Swept Lands and Seas of Red"
Each one representing a life lost at war
Reminding us life is precious, Lest we Forget.
The least we can do is buy a Poppy.

Support your local heroes buy a Poppy this November.
Seems right to post this again today in remembrance of  all lost lives in all wars.
Thank you for giving your life do we can live.  
Went to visit the Poppy installation on Plymouth *** today, stunningly beautiful and very thought provoking, the original installation at the tower of London in 2014 had 886,000 ceramic poppies, each one representing a British soldier killed in WW1, most were sold off to raise funds for services charities the rest have been touring the country
 Nov 2017 Lawrence Hall
Wk kortas
We have the full complement of the requisite barriers:
Barbed wire, barren landscape, unpleasant canines,
Stark metallic towers with vaguely menacing turrets and gunsights
(Though they are remote, poorly lighted,
Perched high enough that I suspect they may be occupied
By mannequins or scarecrows),
And what cannot be attained physically
Is augmented by other means,
Breakfasts at mid-day, bits of bread in the blackest part of night,
Light as dark, dark as light.
We tell our company this and that of the news of the world:
Half–and-quarter-truths, innuendos of some plausibility,
Outright truths as well, but told with the most outrageous leers,
Put forth in a tone which suggest that such things could never be,
(I have come to appreciate Pilate’s question,
For truth is a singular thing,
Valid within the limits of one’s mind,
No more than a lower-case notion
When butting up against those of others),
And I tell myself that this is all something that needs to be done,
That perhaps there is no greater good
Than a certain regularity,a certain order of things,
But I am unsettled by the memory of an episode
Some three days past, where one of this assemblage
(I suspect the person in question was female,
But we keep our band well-shorn, and they are costumed
In rather shapeless and gray tunics
Which, given the lapse of time
And the long intervals between our own re-supply,
Look suspiciously like our own garments)
Look in my direction with what fervor she could muster,
All but barking You! You will be forgiven none of this!
And I was left perplexed by her admonition,
Which, as I began to readying myself for dinner
(Scrubbing my neck, my face, my hands,
Trying to rid myself of the damnable dust
Which is omnipresent, unavoidable, beyond eradication)
Lingered, as I could not for the life of me
Comprehend the calculus which would mark me,
A relative speck, a cog, a mere functionary,
As the one to be singled out.
So I always color my soul the color of you.
 Oct 2017 Lawrence Hall
wordvango
you know how after gesso-ing the canvas
you sit back,
take the largest brush you have
add some titanium white with the darkest blue
you can find
and attack that woven weave wanting to
make almost love to it
temper it with color
not knowing what result you are after
I do.
Then you see light spots shadows clouds
trees and fields ponds appear
a few geese white flying
just with a slight addition here and there
trees seem to believe they are real
shadows grow all from one tangent knowing
how that is real
when what you want
need to paint is more surreal.
And the perspective all the sudden changes
into third worlds
reality
I do.
I do know the almost uncontrollable urges of creativity.
I know the best selling colors.
I just faint to use them.
I get all wild.
 Oct 2017 Lawrence Hall
Wk kortas
West Center Street was, not so long ago,
A kaleidoscopic flood come three o’clock:
Children in waves of blues, greens, and golds
Set free from Margiotti Elementary,
The more subdued hues of the men
Finishing first shift, at the Montmorenci Mills
All filling the sidewalk
Like some great jigsaw puzzle in continual motion.
Now, the color seems to have left us for greener pastures,
Only the faded, unevenly washed yellow buses
Which take the children
To the central school over in St. Mary’s remain,
Solemn faces forlornly pressed to the windows
As they pass the ungainly and obsolete building
Now dark and silent, squat and hunched-over,
And further on the mill, gates padlocked,R
rusted pieces of chain-link pointing accusatorily downward,
As if the fault for its closing
Lies with us and us alone.

Ah, but it was different, near enough in time
That the memories remain sharp, clear, biting
And they come back in curious bits and pieces,
Like how the Market Basket stayed open twenty-four hours
So the third-shifters could shop for groceries
Without having to short-change themselves on sleep,
The lights in Carter’s Depatment Store,
Bright as Heaven itself to six-year old eyes
Fixed wonderingly on an electric football game
Or a toy bridge of the Enterprise, complete with a transporter
Which made Spock disappear As Seen on TV,
Or how, when we went to the Friday fish-fry at the Kinzua House,
We would stop at every table,
Fathers exchanging greetings, finishing those jokes
Which the noise along the line had left incomplete.

You left, just like everyone else, but not for good, of course;
It was just a temp job to make some money
Until you’d saved up enough to help out your mom.
Once you got settled, you’d come back home
To visit—by Christmas, at the very latest.
We waited outside of the old Rexall for the Trailways bus
That would take you to Erie,
And after the shortest half-hour I’d ever known
We kissed at the curb and embrace
Until the driver intimated with his horn
That we either needed to say goodbye or get a room.
Still, I knew you’d be back, as, after all
There are bonds that time and distance cannot break.



That is all over now, and those dreams
Our parents clung to like rosaries,
Where our lives were better than what they had known
Have moved south to Charlotte, or Houston, or Birmingham;
The Market Basket closed, boarded and de-windowed;
Hell, you can’t buy a single gallon of milk
Between here and Ridgway,
And the Kinzua House long gone as well,
Save for the tattoo place that occupies the space
Where the bar once was,  
And once in a while, though less so every year,
You’ll catch one of the old-timers, frozen in time,
Staring at the smokestacks of the old mill
Ancient obelisks like those
Looming over the graves of the town’s founders
Tucked away in the old section of the cemetery
Up on Bootjack Hill,
The paths chock-full with weeds and briars,
The grass unmown for some three summers now.

*When I got your card, it was postmarked from Denver;
The temp gig hadn’t lasted as long as it was supposed to,
And it’s not like Erie is a boom town, after all.
Still, you were there long enough to meet someone,
Someone, you noted who was looking ahead,
Not over his shoulder all the **** time;
Besides, you noted in your one
And ultimately failed attempt at humor
You remembered how our Geography teacher had once said
That all the land east of the Missisippi,
Even here in the foothills of the Endless Mountains,
Were simply mounds of dirt, old and dead,
While the Rockies were young, vibrant, still shifting and growing.
The card was one of those that come blank on the inside
So you can compose your own witty epithet,
As there are some sentiments so dreadful in their foolishness
That even Hallmark won’t touch them.
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