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 May 2017 kelly jane
Anderson M
Structure and style are
Major course setting twists
Inspiring most human
Lush and lackluster dealings
Especially in most arts.
#tankrostic
 May 2017 kelly jane
Anderson M
Today, the sun peeped shyly
Over the eastern horizon,
I have a feeling she felt conflicted
She’d smiled so brightly the day before
So she couldn’t help feeling downcast.
I saw her furtively stealing
Glances at humanity and my heart couldn’t
Take it no more, it developed a set of wings
And flew up to her, a quick embrace
And she felt relatively at ease.
She descended her hallowed throne
And proceeded on in her usual daily routine.
I am elated that “I saved the day.
I think sun's got a human heart.
 May 2017 kelly jane
Anderson M
Let me warm
Myself at the feet
Of your fire.
it's cold
 May 2017 kelly jane
Anderson M
Love’s a bitter pill
That everyone has to
Swallow still.
We feel in many dynamic ways.
 May 2017 kelly jane
Traveler
Are such narratives abrasive
Such as the condition of our racists
Like our cops who fear black faces
Perhaps you find such dialog tasteless

Would you rather read of love
Higher powers from above
Blinded souls that now can see
Angelic intervention when we bleed

Are you afraid to know
Or uncomfortable
Surely you must have a care
The establishment
Has taken the power
While we were unaware...
Traveler Tim
HP  Jul 2016
 May 2017 kelly jane
Mike Hauser
this poem has no title
for it to lean on
so there is no telling
the direction it goes

no title to hinder
or hold it back
all of its meaning
is in all that it says

this poem has no title
to hold it in place
it can only rely
on the rhymes that it makes

whether they're good
or whether they're bad
this poem has no title
to hold its hand

this poem has no title
to weigh it down
which forces a read
to find what it's about

and what it's about
you may not find
until you have reached
the very last line
 May 2017 kelly jane
Pablo Neruda
There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.

Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
     finger in it,
comes and shouts with no mouth, with no tongue, with no
     throat.
Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.

I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.

But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.

Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.
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