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Dec 2014 · 1.1k
Ghost Story
Katie Hill Dec 2014
This week we talked over beers,
and my mother told us a ghost story.
We each have  dreams that plague us
again and again, over years,
threatening to creep their way into our realities.
(these are our ghosts.)

My dream was always deep blue and black,
of my body surrounded by water, though I did not drown,
or even gasp.
I was ensnared in moving parts that I had no power over,
held underwater in this churning machine,
not quite a victim but certainly not a hero.
Sunshine was my eventual respite, as was the cushion of my bed,
but the morning always seemed like a fragile gift, then.

My mother dreamed of her teeth, over the years.
She dreamed that they were the traitors inside her,
decaying and betraying,
perhaps cackling as they fell to the floor or
just lying there like bones.

My mother’s delayed trip to the dentist promised her a bridge,
or an implant, but also some calm.  

NPR and This American Life pulled my dream,
my ghost,
from the shadows, too. The story of a diver
ensnared
at 900 feet below the sun,
who would never see it again.

I’ll never be at the bottom of Bushman’s cave,
but, the ghosts say,
you never know.
Jan 2014 · 905
The Grave
Katie Hill Jan 2014
The smoke sputtered
sizzled
stank as the dying fire brought their furrowed brows to shadow.
The wide skies faded too
curling around the edges of their vision
and the desert rushed
threatening chaos in its white noise
and vacancy.
Two sets of set shoulders and two bare backs
began their night’s work
grey canvases heaving under a weeping sky.
By the time they were done
the rain had stopped.
Happy little diddies.
Jan 2014 · 2.0k
My Smoky Blade
Katie Hill Jan 2014
My anxiety is the dream of a knife
almost a romantic fantasy of something physical that
could cause me the pain or discomfort that really
is just coming from my self
from some thought that I’ve swallowed or stumbled into or onto and now it’s mine
I cannot escape it.

Now it’s my burden and the choices are
to feast on it
or to ignore it until its white noise boiling on the backburner is all but a noose around my neck.

The laughable, socially acceptable third option is of course
the bottle of red or
the little white pill
from the purple bottle
exchanged from the pink slip
handed over by a worried lip.
I envy people who check their Gmail inboxes without wincing at the potential onslaught. I get more disappointing e mails from Sephora and the Container Store than I ever do from disappointed fellow humans, but I’m sure most of the disappointed fellow humans are just too polite to write.
Apr 2013 · 631
Give Up The Ghost
Katie Hill Apr 2013
I lived in a metaphorical house for a while,
called it love and locked the door.
Now, the ghosts leave cold tea and trinkets in the corners of rooms and
memories layer like soot
from a drafty floo; a mid-winter affair with history.
I wander barefoot to disturb the accumulating sorrow,
To stir it into the air and hope for gentlemen callers
like the broken man I’ve tried to find new warmth in.
He is broken where I am bent,
and I am bent most places.
For about two years, my ability/courage to write has suffered. Pieces (like this one) slipped out almost in spite of me. This and a lot of what you'll be seeing from me in the near future will tell stories of love and heartbreak, because I guess I need to write those things down eventually.
Mar 2012 · 1.1k
The Kettle, Black
Katie Hill Mar 2012
Dignity,  Arrogance, Apathy and Absolution
I feel as if I am singing your ode to your back,
quite silently. I am mocking you,
the girl who knew you best, who
wanted to be the constant entity on your
occasionally slumping shoulders.
Fool.
Mar 2012 · 841
Sugar the Pill
Katie Hill Mar 2012
Yesterday
a friend reminded me of my own story,
a fable of youth, love and
hard won wisdom.

It was meant as a cautionary tale
to a girl standing on the precipice of herself
examining a razor’s edge
and playing a game on silver scales;
balancing catharsis
and longing
and that ******
wisdom.
Oct 2010 · 1.1k
The Devil's Woman
Katie Hill Oct 2010
At the end of the road she lives alone
a too-thin woman in a too-thin blouse
all silver hair and ancient creaking bone
the leaning presence in that leaning house.
Mothers rush their children past with warning
"a lonely victim of our fathers' war"
the widow they call sick with old yearning-
drinks wine and eats dust, her grin like a scar.
Always alone, she hums quiet songs and beats
with tapping toes all while spirits sing songs
to her about our futures, quiet and neat
in sturdy little homes, safe where we belong.
At village funerals, dressed in all lace
she looks prideful, a wide grin on her face.
experiments with form, and rhyme.
Oct 2010 · 3.2k
Psycho
Katie Hill Oct 2010
I'm a little, little teapot, full of secrets.
I'm a girl, all wet eyed and this morning's
careful ministrations are now my
vengeful war paint - dark eyes
like I haven't slept in days.

Slept till noon in a blue T shirt - it's
so much harder to wake up to an empty bed
even with all my sheets exactly where they belong
Me-*******-ticulous, perfect, all mine, stellar.

I'm a normal girl, a girl, a girl,
a twenty-something brunette who
just doesn't know how to turn off
her ****-off attitude. I'm all flesh
and bone and I just spent 30 minutes
ODing on my own adrenaline,
martyring myself secretly like some
glorified, glamourous ******
trying to stick it to the world that
hasn't done me any favors!
But I don't really believe that.

These days I'm dancing like I fight:
all tight fists and closed, wet eyes.
I'm rage and *** and I'm ****** as ****
and you don't know anything about me.

I'm a girl, a ****** *****, a
twenty-something brunette with
no excuses. I'm sad and I'm angry
and I'm so sick of having absolutely
no reasons why.
Original title: '****** *****'
Oct 2010 · 666
Down
Katie Hill Oct 2010
I lay my head
Down.
I lay my head on mountains of thought and unwoven material.
It weaves itself together and apart in my dreams.
In knots.

I lay my head on uneven, fragile branches and my ankles hang across into the air.

I lay my head down on rough, open water
And icy memories lap at my closed eyelids and frost over my sight.

I lay my head across your wrists and I try to memorize your pulse and the hum of your life
Because it sounds so different from mine.
I lay my head down on the sound of bumble bees and honey.
I can the smell the sunburn and it echoes on the shell of my ear.
I can hear the ocean.

I lay my head down on railroad tracks and my thoughts go loud and flat.
They stretch themselves out into silk.
They loop and strand themselves together and now I think a spiderweb.
I am very glad that I am not afraid of spiders.

I lay my head
Down.
I lay my head across the wings of a bird.
We move the sky and the world falls over itself beneath us
Again and Again.

I am wearing spider silk and birch bark.
There is ice in my thoughts
Even though they are not frozen.
For the first time I can hear honey and bumble bees in my blood
And as I hold my wrists to my ears I can’t help but thinking.

I lay my head down on the Idea of Creation.
Down
And I rest.
Oct 2010 · 2.4k
Avian Astrology
Katie Hill Oct 2010
Birds in cages are immortalized in poetry,
in wordy melancholy and round top cages beside
windows tauntingly open to the mountains, the
earthy smell of wheat and the breezy ocean air.
Hundreds of perturbed human eyes press close against brass,
mooning with open mouths and dry lips
cooing baby-talk bird-calls in hope of a
crying return, like a blessing,
or a soft forgiveness.

Outside,
Lovebirds are doves and songbirds.
They commune with owls and storks
and perch on branches, all the better to coo
and cry to the loving, glowing moon.

Anger, jealousy, and fright are all stones. They are heavy
and they have no place in the bellies of skybirds.
Caged birds have jealousy and clipped wings,
brass bars bent into tiny atmospheres, but canaries
carry bile in their beaks, beady black eyes watching
changing seasons with singing spite.

I am and have always been a swallow,
all creamy white belly and a thousand
creeping kinds of brown.
I wish to stay up, up for a thousand hours
in the realm of thought. In your thoughts,
I wish to be the voice whispering stories to you
from inside your precious head, curved
lovingly above me like an unending sky.
I am wings and feathers and I am full of things
that I desire much much more than air.
Oct 2010 · 553
Moonbirds
Katie Hill Oct 2010
It smells like rain, and the stink of it
sticks to our faces and our clothes. We shed
our shoes and soon our clothes and soon
our voices are abandoned amid the rows of slumbering
apple blossoms.

Some haven’t seen it yet – Children are asleep, and
they cannot feel the earth as it trembles, or hear their parents
as they whisper at their open window.

The earth has grown hungry, and angry,
and the earth has eaten the moon. The soil yawns
in contended fullness, and the world trembles.

Hours ago, we began to fret about the ocean. We
began to fear our own earth, and to speculate in whispers
which legend it would attempt to gobble up next. Whispers,
like keepers of secrets from a god gravity won’t let you escape.

Now we’re bare and secrets tumble from lips
like baby birds from trees, hundreds of heathens flashing their hips
in the darkness that would have been a full moon. We’re all waiting
for rushing water, naked. Soon, I won’t have secrets to keep at all.
awaits inevitable revision, but exists now as a simple truth.
Sep 2010 · 911
Leaving Home
Katie Hill Sep 2010
You pace a room full of forgotten thoughts
And find yourself hanging
Down
From the peeling wallpaper
It is yellowed and crisp
In your hands

A tangled man
Made of Spiderwebs
Asks you why.
“why,” he asks. “Do you always fall parallel to the earth
But perpendicular to everyone else?”
You toss him away on a puff of breath.
You tell him you like falling, thank you very much,
And fall out of a shattered window
And you are reabsorbed into the nighttime.
Katie Hill Sep 2010
The purpose of poetry may be to create from immaterial
   To deceive
   To be unbearably honest and
             undeniably cruel
   To know
   To understand
   To attempt understanding and
             maybe even empathy.

The purpose of poetry may be the art itself of
             harnessing energy and chaotic self influemce.

The purpose of poetry may be to externalize insanity
             or find/create the soul.

The purpose of poetry may be to realize the power
             of our own subconscious
   To find the potential energy in our words and use it
             kinetically across our tongues.

The purpose of poetry may be to find god and to finally
             find out what this was all about in the first place.
Aug 2010 · 779
My Red Door Dream
Katie Hill Aug 2010
I am in a dream full of romance.

A Young war hero arrives home with
A broken spine and he says
He wants me
And a broken house
With a crooked chimney
And a red door.

I warn him, quietly.
I tell him that my door is green
And that when I open it
The wind will always blow it shut again.

He hands me a can of paint
And he kisses me on my lips.

I live in a broken house
With walls full of bones
behind a red rusted door.
I do not use my door.
Only thieves use red doors
And I use the skylight
Sometimes,
                                                                ­                                                                 ­                                                                 ­                                    I wish I were still too stubborn to be lonely.

A man knocks on my rusty red door
And I yell at him through a broken window.
He has a boat,
And this sea captain takes me on his ship
Under heavy woven sails.
He names me first mate
But keeps me in the kitchen
Until we start taking on water
And I push him off the stern
And sink the boat myself.
Aug 2010 · 811
August 29th, 2010
Katie Hill Aug 2010
The woman is wearing jewels and a smile. She's a woman now
or at least she's pretty sure
it really depends on the day.
History trails behind her, like all the mahogany hair that
isn't there anymore, but was his favorite part. History said
the measure of a woman lies in the worth of her hips
the twist of her lips, or so they said. She sees peridot
out of the corner of her eyes, in shadows and in
handsome faceless strangers. And she figures
she's a woman now; the way she sees her fingers
long and white, gentle lines drawn
on strangers arms
familiar corners
a warm jaw. In memory. In the dark.

In the dark, she nibbles her fingertips
and cherishes the sensation of not
quite
being a proper lady. A woman, yes,
but in this empty bed
but in her mussed up head
with her nibbled, lonely fingertips
not a lady. She closes her eyes and
with a deep breath she imagines space. She imagines
her body
filled with space, her 24 ribs pulled back
like the bows of 24 warriors,
two for each month of a visceral, joyous battle,
though she's not sure she's a warrior anymore. Not
quite
the girl she was with a heavy shield and a blade of
cheery cynicism she treated as friend and lover both.
Not a warrior girl, not anymore,
but a woman full of space, and
a woman playing host to the passing of time.
Aug 2010 · 745
Earth I: East
Katie Hill Aug 2010
We remember the promise, the oath, the flowing words taken straight from the

serpent's crooked mouth. We knew once the promise of immortality, the miracle of my

skin and yours and it was then that we had the miracle cure for loneliness. We knew

once of love and patience and kindness. We knew once of sun and warmth and peace.

We knew all of this, and it never once took its existence from our healthy pink souls.

            Lately, we have been paving our roads in gold. We sing mountain songs to the

resilient soil and murmur our prayers against the air -  all along looking for the right way

to cheat god. Shapes and souls move constantly against each other, but we are all alone

in our own thoughts, singular in our skin. This is the threat of knowing, of seeing

clearly, of looking straight into the sun searching for reason. We together (on our own)

bury out cleared eyes in calculations; latitude, longitude and hemispheric paradises. We

are all looking for Eden.
Aug 2010 · 779
Corpse II
Katie Hill Aug 2010
Body is your ten fingers, ten toes and then growing up and losing/scaring/breaking
           them one by one.

Body is spaceship, underwater capsule, walking love bomb.

Body is here and now and there will never be a way to know its location in the
           future, except that it will be on earth as dust or dirt or skin.

Body is always pretending to be yours, to be acting out commands and working
           towards your master plan but it will always be telling secrets and saying
           things you're not speaking.

Body is gifted, broken and made of more than your soul and proteins.

Body is rhythm and habit even on the most erratic of Sundays, Mondays and through
           the curses of the witching hour.

Body is the integral physical material of an individual. Body is cellular
           as in multiple moving parts, joints and broken mechanics.

Body is often known to be alongside your death, because you will always exist after
           your last fact. Corpse.
Aug 2010 · 690
Politics 1
Katie Hill Aug 2010
Moving shapes, moving ideas- all consisting of
social relations involving authority
or power. Their minds are
running numbers, counting steps and
every fluctuation of the systems they surround themselves with.
The numbers equate somehow to colors and
somehow to hope and
somehow to the logic of         us.
The collective,
the silent moving voice.

Suddenly we are all singing.
We are mourning our dead but
watch us
as we all fight for our futures.
               Ours.
Our flat feet meet only concrete but
we reach downwards, call for home,
cry salty tears for the earth that makes us air,
makes us food,
make us love.
We love, and now we rejoice together for hope,
in numbers. In such great numbers.
Aug 2010 · 745
Decaprophetic
Katie Hill Aug 2010
In ten years I will be chasing twelve fireflies
through the tangled forest. Ten years from now
I will be the wrath of the trees, the walking, moving,
constantly told fable. I will be the local witch,
the woman hiding under the back shed and
eating the hearts and souls of children and
the passion of the young and beautiful; the lovers.
I will be the woman carrying her secrets in a wicker basket
with her bread and cheese and I will be the woman
with a hundred names that nobody knows.

In ten years I will be tending a garden; my knees and
the palms of my hands will be brown and red. I will be
drinking from the river and making prophecies in my sleep.
In ten years I will keep songbirds in cages with no bottom.
I will hang a welcome sign around the scarecrows neck
and I will paint it myself. I will still live alone.

In ten years I will be pulling grey hair from my scalp
and selling it to the man beneath the bridge for the price
of silver. In a matter of weeks I will be questioned
on the value of precious metals and I will tell them
only my name. They will nod. They will let me walk free
again and forget my name. I will not tell them of
the man buried beneath my front step.

In ten years I will notice the absence of the moon for the first time.
I will be standing in the middle of my garden, barefoot.
I will be looking upwards at a wide, whole sky.
I will be found there at dawn.

— The End —