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Joe Cottonwood May 2016
Infant of painful belly
sleeps only when held upright,
gently bounced,
seeking skin contact,
the family scent, family touch,
flesh to flesh.
My daughter, so tired,
new mother, must rest.

Men need to do things. At least, I do.
The porch rail remains half-built,
the truck idles roughly,
not this evening’s chore.
Just as I once rocked my daughter, now
her babe sleeps with warm little cheek
against my stubbly old,
hot puffs of breath
on my grainy neck.

Some day, grandson, you may wear
my scent of sweat, sawdust, motor oil.
For now you smell of milk, mommy, peace.
Life is so basic with a baby:
doing nothing, giving comfort,
the work of love.
I had to delete this and two other poems from Hello Poetry while a journal published it. The journal, an anthology called Dove Tales, is out now, so here's the poem back where it first appeared.
Joe Cottonwood May 2016
From this tree, they lynched John T,
for the crime of speaking
against slavery. Dead now, this spar
stands among Holsteins
in the pasture of a man
who figures we’re cousins somehow.
He, a midwestern farmer,
me, a California craftsman,
political poles apart
but blood is thicker than geography.

Ancient black walnut
hollowed by rot is tough to salvage.
Working together with chain saw
and wrecking bar we find a section
of solid core, and on the surface
a scar like a grinning face
where the branch broke off,
long gone one hundred fifty years,
the branch that held the rope
that swung John T’s three hundred and fifty
pounds of muscle and fat and bluster
until it snapped.

John T, who was the grandfather
of my grandfather, ran into the forest
where his best friend rescued him,
a man named, ironically, Lynch,
grandfather of the grandfather
of the man with whom I speak.
Thus, cousins — in the country way.

I’ll make salad bowls, I say,
wooden forks and tongs,
walnut plates, maybe even a tea set
for your daughter
who seems so outspoken,
so feisty and strong.
Tea set? he says, she needs a lectern!

So here it is.
The grinning knot on the surface.
Those holes in the side, from bullets.
Lead slugs. I dug them out.
Here, this cloth sack.
May she heft them in her fist.
May her words
fire like cannons
for freedom.
I had to delete this from Hello Poetry while a journal published it. The journal, an anthology called Dove Tales, is out now, so here's the poem back where it first appeared.
Joe Cottonwood May 2016
she is waiting outside baggage claim
in blue jeans and a sweatshirt that says **** YALE
she is texting, frowning without wrinkles
her hair a thick braid to the small of her back
even among the smell of jet fuel and diesel fumes
her hair the scent of cedar smoke, campfires
picture it as a long furry tail
a meerkat, they’re cute, they’re carnivores
she stares at oncoming cars
she hops on one foot
I bet she’s really smart, really nice
she has an LL Bean backpack on rollers and a floral garment bag
she turns to me and asks
“Will you watch my bags? I need to ***.”
before I can answer she dashes in short steps
now I notice tall heels below frayed cuffs
the heels lift her ***, nice ***
but she’s younger than my daughter
she trusts me, I feel elevated
she’s gone so long
the pack on wheels, could it be a bomb?
and me standing, guarding
leering old creep nominated to be smithereens of pink spray
but she looked sweet in an intellectual touchy-feely way
no lipstick, no eyeliner
I appreciate girls with no makeup
and nobody puts bombs in a garment bag,
totally against the bombing code
look there sticking out of a pocket of the backpack
a copy of a book, *******
my novel that went out of print thirty-seven years ago
which is twice her age
there was soft down above her lip, meerkat fuzz
my portrait on the back cover, a younger hairy me
did she see?
when she returns I will speak kindly
a bevy of bluebirds will fly from my lips to her ears
an SUV stops, a burly man in coat and sloppy tie steps out
opens the tailgate, throws the portmanteau inside
then the backpack with the book
should I stop him?
“Are you sure you have the right bags?”
I ask somewhat unassertively
the man looks at me like he’s bitten lime
and says, “**** Yale?”
and I nod okay
and just then she bursts out the door breathless
hugs the burly man
not a glance to me, not a thank you for guarding the bags
she hops into the shotgun seat
the words I hear her say:
“Finally, at last!”
I wonder if she liked the book...
Joe Cottonwood Feb 2016
Once a month in the ghost restaurant
        we bring wine,
        we light candles.
Alan (veterinarian) recites a rowdy lyric
        about the cloacae
        of waterfowl.
Dennis (percussionist, oldies band)
        recites from his bar stool about a pretty lass
        courted by men at a dance, it’s his daughter,
        she saves the last dance for him.
Lynette (social worker) tells how her big brother
        tricked her into looking down
        the nozzle of a hose.
Bob (physical therapist) sings about fishing
        in Canada, then selling all the fish
        to Japan.
Joyce (office manager) reads a poem she wrote
        about music,
so I (contractor, retired) tell about singing
        la la la
        to my grandson
        who needs constant holding.
We all agree holding is a good thing
        but hugging among men is an acquired skill
        not taught in Ohio.
Terry (maintenance man) reads a poem
        about the secret meanings
        of words.
Denise (nobody knows what she does) tells a story
        about hitchhiking in France
        where trapped in a truck
        in the remote alps
        with a man’s hand on her thigh
        she thwarts the tough guy
        by singing songs from The Sound of Music.
Bob washes the wine glasses;
        Terry returns the key to its hiding place.
        We hug, some of us anyway.
Our little town, once a month.
        Literature, home-grown.
Some of the citizens of my feisty little town meet once a month in an abandoned restaurant to celebrate what we broadly define as literature: limericks, songs, cowboy poetry, stories, sometimes a piece of drama. *****? Yes. Serious? Sometimes. Deeply moving? Absolutely.
If I were a secretary keeping minutes of our most recent meeting, they would read like this.
Joe Cottonwood Feb 2016
What was the point saying hi in the hallways
to all those girls (and it was only the girls)
You passed those same kids six times a day
Think of the energy wasted with Hi Mary! Hi Cindi!
when you could be thinking baseball or astronomy
the stuff of seventh grade.

Eighth grade brought the mystery
of introductory geometry
the jostling double parabolas of Julie’s body
shaped like an S, she was outgoing in so many ways
I just had to say Hi Julie!
whereas Kathleen one could discern was similarly shaped
but tightly encased, a quiet one, shyly a hello.

My curiosity was for Hi Julie!
my dreams for hello Kathleen
though that was the limit: hello, Hi!
and then after graduation, not even that.
Not even goodbye.
It used to be called Junior High School. Now Middle School. It's still hell for introverts.
Joe Cottonwood Feb 2016
so naturally I would do anything
when she invited me to her room
bolted the door
sat on the bed with legs crossed, chin on fist
a studious frown
told me to strip
but don’t remove your eyeglasses
those ugly black frames so perfect, so typical
stand against the wall
no, sideways, in profile
yes, like that
Your **** is so big
like two pumpkins squashed together
odd on such a skinny guy
Is your **** always crooked
or just when it’s soft
You should paint it red, that would be cool
No, better paint stripes to emphasize the curve
Your little potbelly gives balance to the ***
but you should work out, develop your chest
Okay, put your clothes on
For this evaluation, no charge
but please, more basketball
less poetry and maybe someday
somebody will love you
Just reversing gender roles here. What if women evaluated men this way?
Joe Cottonwood Jan 2016
Grandson unlike most of humanity
enjoys the sound of my singing
so together we make up songs.
He at ten weeks with green eyes,
jug ears and the occasional goofy smile
is an honest audience though a toothless critic
who frowns upon hard consonants
but relishes lengthy vowels:

        la la-la la la-la la, la la-la la
        la! la! la la-la
        ooo ooobie  
        ooo!
        be doobie doo
        green eyes, green eyes, green eyes, green,
        green eyes, green eyes, green eyes, green…

Who needs radio? I compose, he edits,
new melodies fill the room,
perhaps only we two can understand.
Don’t listen.
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