I was happy once - when sadness loomed
Over gangly shoulders and looked
With its bare black eyes upon the world
Upon which I looked, I laughed pale-toothed
And gaunt, and startled its wings that clothed
My pretty green arms and made me lean
into the silly embrace

Sweet, ghastly vehicles churned
Before childish eyes, my childish eyes, and
All night long I watched the city chase its tail
Do you understand? There is a gloom
To trap the soul. The laughter but boiled
Oozed out like ants from a bottle of sweet -
Canvas-skinned, like torn milk it was, and
I chased it like a babe before a bee,
Then like a babe I feared its pretty pinpricks
There is a beast in fear that touches
The young

The gape of a cold cold crown that makes
Even the crescent ugly - of rains run stale
Through the ages of dance, of wheat fields’
Jolly feathers and the merrymaking
Of the nights when warm things creeped
Nearer and said things so gentle, they lead
Through paths of grey caress toward
The golden sun

There is a gloom to eat the sky
A joy that mumbles like dry thunder, that wobbles
Like ripe clouds through the winds, swept off
From the heights…

Sweet, the night lifted her head and nodded, and
Sweet, all good things drooped like prayers
before stone - sweet, the crescents,
Of indent and star, where holy terror
Had loved us slow, never felt so small as did
In the leaning - the yielding - us, beautiful:
Bone-eyed and bare, shuffled off from the heights
Of silver youth, as ****** birds, as ****** boys
Through the winds, and we melted
Sifted, out of ourselves and into the honeyed
Embrace of old

01:16 am

and this night
things are gentler

pillow - the stuffed owl and the clock,
swivel of silence
and stray dust; white-lit
hands as shadows
moulding themselves around limbs

and sensation:
a simple news
to the heart: a moth-wing
watching the light,
its ticks
timed with the pulses
of time -
it watches slowly
the light

—

and this night
we are gentler
body on body - like mingled wave,
ripples trail
but carefully so
as all fish sleep
or rest

—

and tonight
the weight
is just a weight

—

and tonight
there are no flutters
                          to drown to

I don’t, don't speak human
when blue comes down to talk
in the clogged old crannies of the night
woman
with ornate skin
moves her arm
her wrist, her fingers
quick like the clicking of a tongue
quick glitter, gentle then gentler
and rippling, a water eye in blue

over hills and over muddles
see the crow fly

when time comes fluttering back to us
tell me again of the war
when mingles the sword with
flowering heart and the reeds
speak up, their
thin throats filled
with lore, and lure the scattered world here
here here
          here

tell me

tell me, on and on the
tingling of mud as it is
lifted, lifted, to man, to callous,
like sun-forged flesh and force,
to his child, and the parting
of two lips
parting! the lifting, the toiling of tendon in the
riot of soul

over the woods! over mountains
see the crow fly, feel her shadow
when throe laughs, tickles the muscle
and even past wakes up
and even the gaunt clutched spine
of a thin sallow voice
perks up keening

hear hear hear

the beating of the feat
the beating of the nerve
when chant them men, and sole
and leather, with rumble
the rumble of war
when slides sly down the sweat and dust
and galleries light up
with walls full of human
and museums cradle little stones
little bones and calls
tell me
tell me tell me
even a crow can sing sing
sing one awake

tell me, tell me tell tell tell
when ducks beat pebbles
a tribal thunder
and beetles scramble stumbling beneath leafs
tell tell, the warm-bellied lady
said birds become children

and flutes the grasshoppers they hear
in warm green sleeps
as out curl curling
the stout sun-seasoned caterpillars
shrill now! now not! now piercing needles
sewing brazen black black to brittle dreamings
tell me tell me tell
what the old man said, said
lyres rebel rebel and
strum, say, strum taut a riot unsettled
even as geese vanish grey
in grey
and ducks pat their way away
to springs of seas where no child sails

even then
the sky plucks her lightening sly
and claps claps claps the day,
the night, the day, down
to a kites sway
as a perfect moon-arc it cuts
and
we heard birth
brings along a dress
that tribe men
and tribe women flower
when they
spin and spin and circle clapping
cursing merriment up the sick old sky

who need fly

tell me tell me, valley-joy on a face of age,
oh human song and human sigh! tell tell
also of koel’s mimic cry

tell tell, tell then
and they pound their feet
together apart together apart and the ground remembers, the ground
remembers!
and then tell this too! we heard,
ducks lurk by listening
practicing
their
drums! and and
and some

some children almost hear

-

loud
so loud

I cease to hear it
almost

but then
in solidity
it is here
in the throat, on the lashes

it becomes a blinking billboard
it pounds
      pounds
like a fist like a fist
        like a
wasp
like a thousand

a thousand a thousand

watching

When you caught me compulsively washing dishes at 3am

When we agreed to tell each other if there was anyone else

When you cried in your sleep and all I could do was hold you tight

When you were still there for me after flashbacks even though you didn’t know what was happening to me

When we were so shitglued that our accents came out and our friends had no idea what the hell we were saying

When you shattered your Chanel bottle all over your bathroom and I smelled like you for days after

When I tried to cook eggs drunk and you didn’t have butter or milk and had to save them from me

When a tiny version of you found my pirate wig from Halloween

When I moved heaven and earth for you at work

When you took me to the fanciest Italian place I’ve ever eaten at

When we entered a room together people stopped and noticed

When I caught you compulsively washing dishes at 3am

When you orchestrated Thanksgiving and taught me about family

When I bought you boot socks and moleskin to heal your outrageous blisters

When you took me along with you and your daughter to look at Christmas lights, and you didn’t know what I was fleeing from

When I found you folding my laundry at midnight, and I left my heart on the couch next to you

Enough then
I don’t need your permission
    Or a final whisper from lips that raised all my dead

The cathedral in my heart that I lifted up for you
   And filled with all my lonely ghosts
     It burns tonight

And tomorrow
  The Beginning
    The Work
      The Empire

tried too hard
and I ****** up the poem
moon did not shine a Siren’s call
nor the sea, Icarus rose: I meant—
I meant— forgive
my petty tasteless decor. I meant a yearning
sloshed
against the jagged dry throat
left silvery sensations in its absence of feather, and I
could write sea only—
could have drowned blissfully hazed
had bright strings’ luring pulls I
had wished to flee
wished— wished— but wishes
so lowly true— deceiving, their dullness in
so forlorn the skies, I gasped and
gasped
stuttering wordily

Maybe next year I'll tell you
I love you, the platonic type,
the words light from my mouth
as though constructed from bubbles
and you could be there, set to let them
pop against your tongue, maybe reciprocate.

The other type, I've heard, resembles falling,
but does that feel like floating, your body
when dancing, suspended in air for
a cluster of seconds before caught
by your sequinned partner, all smiles,
or is it more sinking,

we did this at primary school a few times,
the chilly, barefeet-plastered hall floor,
told to close our eyes and gently melt,
pretending we're chocolate in a microwave,
every boneless portion hopeless, floppy
until our teacher revived us with her sound.

Otherwise, it could be a tumbling of sorts,
a trip-on-the-first-step-smash-every-limb-kind,
skin blotches that gasp in agony with a touch,
your mistake stains in violet tones, or,
if executed with a more Wonka flourish,
just lust in the blood. Perhaps you'd bleed pink.

Like I know the feeling anyway.
If the words in my throat are
painted with truth, I'll say it, mean it
and breathe or let embarrassment
crush me in its reptilian silver claws.
You might even say it back, platonic or not,

even if I don't know you much,
even if my bedtime is your breakfast
and you handle cutlery better
and don't mind my eczema if you ever
see it on a fuzzy screen or body to body.
Even if my lips have never known what to do.

the house smells like a melting wire

and
   outside

city
smoke, leaf–– kite

I lie by my window
an old god covered in age
once painted, now
white is my name

but it is suddenly so lovely

I watch my world grow
once clumsy babbling
it talks now endless

somewhere
     sun subsiding

and I am not rot

I am not rot

this is a whisper I will not let go

I run my stoney hand
on my stoney hand
my hand
the hand of an archeologist
uncovering time from time
and my hand
the trembling power of a painter
unsure fingers with a half-filled quill

I rewrite— strangely— verse after obsolete verse
red and blue and dawn on dust

glittery awakening-– heavy and sour
white sightless eyes on history focused

exit centuries
like lather through sink-– exit war and tomb-people
exit sunken empires where deities go to die
–– exit exit exit!

          open the window!

in a flood thick

awash this skin, porcelain and stone
awash tongue forgotten, awash pupil

an artefact arm
slowly mobile
a hand blooming to veil the light
from wet, blinking eyes

a rickshaw bumbles by
a van singing
even the quiet whistling of a
bicycle’s chain
it’s getting cold

my socks? where did— here they are

the house still smells like a melting wire
but Faizan said
that Saad said that
he is bringing pizza on his way home

and outside
grey-gold fades

slowly— strangely—
I am not rot

        a melting's quiet sniffs

I am not rot