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623 · May 2016
SOOTHING THE MUSIC
Donall Dempsey May 2016
SOOTHING THE MUSIC

the piano was angry
he tried to sooth the music
that kept biting at his fingers

each note...each note
the world fading away 'til there was only
the music alive in him

just him & the music now
sharing the same body
the music snatching at his soul

when the music left
it took time
to become human again

he sat with a cigarette
having a conversation
with the smoke

the music loved him
he tried
to love it back


My friend had a breakdown and the music seemed to swallow him up...devour his personality. This is his description of what it was like to be him whilst playing.
Donall Dempsey Apr 2016
"SPRING IS HERE, I HEAR. . ."

I carry the sky
across the street

stumble under
its weight.

Now I carry the buildings
and finally some trees and a dog.

The dog barks
at itself.

I look like a mirror
with legs.

A mirror walking
down the street.

We, dance partners
it & I.

I all huff & puff
the mirror calm as anything.

The edges of the mirror
bite deep into my palms.

I am tired of carrying the sky
place it against a red-bricked wall.

Finally the mirror
half cracked at the top

has time to
reflect upon its new home.

I have saved it from a fate worse than
a skip.

It gives my little room
an extra dimension.

A room that isn't
there that I am

always walking in( ouch! )to.

Sometimes I talk to
the me in the other room.

I paint my room bright
bright yellow

fill it with jonquils
and daffodils.

A red skirting board
runs around the room.

The flowers rejoice.
Spring, it appears, is:

here.

There is no you nor
ever will be

again.

I sit with my reflection.

Both of us say nothing.

We have
nothing

to say.
Donall Dempsey Sep 2017
Shhhhh...ECOUTER LE SILENCE
( Shhhhh...LISTEN TO THE SILENCE )

the silence so loud
one could hear
the cat blink

( le silence si fort
on pouvait entendre
le clignotement de chat )

the music of the silence
when the music
stops

( la musique du silence
quand la musique
arrêts )



the cicadas weaving
a sudden silence
out of all their noise

( le tissage de cigales
un silence soudain
hors de leur bruit )



the only thing heard
in the immense silence
the cicada's beating heart

( la seule chose entendre
dans l'immense silence
les cigales battant coeur )



I could hear my blood
circulating within me
the hurtling of large corpuscles

( je pouvais entendre mon sang
circulant à l'intérieur de moi
le dévaler corpuscules de grosses )



in the darkness
our hands our eyes
we touch with kisses

( dans l'obscurité
nos mains nos yeux
nous touchons de baisers )
Donall Dempsey Dec 2016
I FEEL PRETTY...OH SO...PRETTY!

I a...
...wake

covered in glorious glitter
smelling strongly of PVA glue

sticking to my cheek
very

hung
over

& covered in blueorange
yellowred feathers

a bubble
recently blown

perched upon
my nose

I...still....half coma...tose

tiny bubbles travel
amongst my curls

as through
a bigger bubble brightly

nestling neatly
over my right eye

I observe
my tiny daughter

purse her lips
& kiss

more bubbles
into being.

“Till...y! ”

I force my lips
(still frozen in sleep)

to some
how speak:

“What...you...do? ”

(even my syntax and sentence structuring is shot)

She smiles sweetly: “I’m
...pretty-ing you! ”
619 · Aug 2015
THE ONLY TRUE RELIGION
Donall Dempsey Aug 2015
By the grace
of your kiss

I enter the door
of this bliss

finding myself

newly created
by you

in the image of
your love

the kindness of your hands
offering me

the gift of this

your smile

the only true
religion

I can believe in

your eyes
the only prayer

that I know

your laughter
the only heaven

known to me

your lips
the forever where

my soul
enters

to kneel
before your heart.
619 · Jun 2016
THE PURSUIT OF HAPPINESS
Donall Dempsey Jun 2016
THE PURSUIT OF HAPPINESS

We declare
- this our bedroom -

an independent
dominion

secede from
the United Kingdom

& the Commonwealth
of Nations

(although still enjoying
our European unions) .

Us a Republic
of Love

out on our own

our New Found Land
as Donne had done

a currency
of caresses

our national tongue
...kisses

needing nothing
but the other

to complete
our independence

flying the flag
of happiness

in this our brave
new world

of
Love.
618 · Apr 2015
RUNNING TOWARDS THE LIGHT
Donall Dempsey Apr 2015
The fear of War
walks upon the air

strides across
a countryside

like a gigantic
demonic **** in Boots

a Grimm tale
let loose

upon a world
that can only offer

in its defence
the beauty of this spiderweb

thrown across
the space between

hedgerow and fence

this the last sunset
that will ever know "Peace...

. . .in our time."

I fear Mr. Chamberlain
has got it - wrong.

Herr ****** has caught the bus.

A hawk hovers
in its beauty.

I sit making
its jesses and leashes .

Already I can see
I stand in the ruins of my life

an ordinary man
turning into history.

War invisible
yet totally tangible

its hand touching
my landscape.

An ancient chalk man
holding the gates open

the what will
be...will...be.

A sunset caught
in a spiderweb.

The last time
I ever was

me.
Donall Dempsey Aug 2016
RUNNING THROUGH HISTORY
( for Grandfather Sheedy )

I, a creature of flesh
& mud.

Mostly mud I
train...run...running

across Curragh
Plains...pain. . .pain.

School cross country
running is - not:

my forte.

I, being constantly told I
am not my grandfather.

Obviously.

I plod after grandfather's
famous footsteps

inheriting only his calf muscles
but not...his stamina.

I am all skin & bone
merely my mind keeping me going.

Grandfather Sheedy is
running on into history.

I, the clod forever
running after his fame

into many a Curragh
sunset.

I run back through
time.

"In the year of the world
4608. . "

The Annals of the Four Masters
a running commentary in my mind.

I run through
my mythological past

the ghosts of kings famous
before time began.

Cobhthack Gael is still
killing Laoghaire Lore.

He highfives me as I
stagger past.

St. Brigid casts her cloak
it covers the entire plain.

I greet and thank her
with a wordless nod.

The Curragh Camp of today
coalescing into being

thanks to the Crimean
Campaign.

I recite Tennyson to
startled furze bushes.

"Furze bushes to the left of me
furze bushes to the right of me. . ."

into my mind rides
the 17th Irish Lancers

leading the Balaclava Charge

their mascot terrier Jemmy
following close behind

barking at the Russian guns

surviving it all
to roam around where I am

raoming now.

My Uncle  Tossie's
familiar greeting

"How ya...howya...how ya
are ya winning...are ya winning!"

Grandfather and Uncle
Balaclava dog & mythological

kings and saints

all urging me on
claiming I can do it.

I can & I will
...come. . .last.

Me the non-runner runner

driven by
history
"Ar son Dé...faion spéir cá raibh tú?"

The Academy didn't do art so the only way I could do so was to go to the Convent on a Saturday. I did this for about 6 months before throwing in the paintbrush! I was always told there:  "You are not your sister June...are you Donall!"

Alas the mere me I was was good. . . for nothing! So I knew who I was not as good as but  - not what I was actually good at. Alas the story of my life!

Brother Laurence our Science teacher for some God forsaken reason introduced  cross country running all of a sudden!  He was lovely man with an energy that that almost burst out of his body as if he were a human dynamo. He always had a little smile just Mona Lisa'ing on him as if he were constantly amused at something or as if he had just told himself a very good joke in his head.
It was just as if it were an English school and we were good old chaps! It was like being in a boy's own story but it was really  "Hard cheese!"

When Brother Laurence got totally exasperated with my lack of prowess he( to not risk swearing )would step into the Irish.

"Ar son Dé...faion spéir cá raibh tú?"
( "For God's sake..in God's name where were you!" )

I not being good at the auld Irish would always answer: "Amuigh  faoin spéir!" which was the title of a well known nature programme at the time. It mean out under the sky!

Some time later I answered with: Ag Dia amháin atá a fhios!" which translates at "God only knows!" He laughed at this and said: "Ahhhh Dempsey...at least the running has taught you a bit more Irish than repeating television programme names to me!"


I was more interested in reading LP Hartley's THE GO BETWEEN. It was my mind that was running and covered not in mud but in glorious words. I ran shouting Gerard Manly Hopkins to the skies to comfort the agony of chest and legs and to soothe my poor troubled mind. Or the Wreck of the Deutschland: "Thou mastering me..."

All it did was make me more aware of my own history that was right on my doorstep. And it was the history I was more interested in than being a mud splattered waif. Oh I knew the loneliness of the long distance runner!

I was surrounded by Sheedys....Sheedys to the right of me....Sheedys to the left of me and I had before me that most lovely of men **** Sheedy whose kindness knows no bounds so Grandfather **** Sheedy lived on in our minds. I thought he deserved a poem so this is that...poem!

I adore the Four Masters' phrase: "...in the year of the world..."
Donall Dempsey Dec 2023
". . .CHITTO JETHA BHAYASHUNYO. . ."
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man he improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"

I always think a sax can take you the beyond the beyond when words fail. Riptide was his pièce de résistance. And he would always quote the Tagore poem before playing it and so that became this poem's title. He used to call it his "habbijabbi" or "thingamjig" in Bengali.

The orginal Bengali script...

চিত্ত যেথা ভয়শূন্য, উচ্চ যেথা শির
জ্ঞান যেথা মুক্ত, যেথা গৃহের প্রাচীর,
আপন প্রাঙ্গণতলে দিবসশর্বরী
বসুধারে রাখে নাই খণ্ড ক্ষুদ্র করি,
যেথা বাক্য হৃদয়ের উৎসমুখ হতে
উচ্ছ্বসিয়া উঠে, যেথা নির্বারিত স্রোতে
দেশে দেশে দিশে দিশে কর্মধারা ধায়
অজস্র সহস্রবিধ চরিতার্থতায়,
যেথা তুচ্ছ আচারের মরুবালুরাশি
বিচারের স্রোতঃপথ ফেলে নাই গ্রাসি,
পৌরুষেরে করে নি শতধা, নিত্য যেথা
তুমি সর্ব কর্ম চিন্তা আনন্দের নেতা,
নিজ হস্তে নির্দয় আঘাত করি, পিতঃ;
ভারতেরে সেই স্বর্গে করো জাগরিত৷

And in Tagore's own translation, from the 1912 English edition of Gitanjali.

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father let my country awake.
Donall Dempsey Dec 2018
Dónall O'Diomsiagh is anim dom!
( Dónall Dempsey is my name! )

I was born
the weight of a bag of sugar.

2 lbs to be
precise.

That was all there was
to me!

( My belly alas weighs more than that now )!

De Da could
hold me in his fist and

I'd disappear
'cept for the little dangly dancing leggy bits.

I had Elvis sideburns
( I was all shock up )

and entered this
world of ours

feet first
putting my best foot forward

ready to rock
'n" roll...mannn!

Doris Day was singing
CE SERA SERA!

And what, what...do ya think
they called the tiniest baby

. . .ever ever seen?

Why, Dónall!
Dónall...of course!

Dónall meaning WORLD
MIGHTY SPEAR POWER.

And Dempsey itself meaning
THE PROUD ONE!

Ahhh the majesty of the Celtic tongue!

A wrestler's name if ever...
"And in the green corner..."

Or an Ozymandias name. . .
"Look on my works, ye mighty ,and despair!"

De Ma would always spoil it for me:

"WORLDMIGHTYSPEARPOWERTHEPROUDONE! You
get yer *** in here this minute and finish yer homework!"

An awful big name
( to be sure to be sure )

for a little fella to
live up to. . .

Ahhh, but sure I do my best
putting words to the test

wrestling with a rhyme
stealing through your mind.

For I am
( am I not?)

the poet with
the hyperbolic name!

WORLD MIGHTY
SPEAR POWER
THE PROUD ONE!
***

The Dempsey family motto is (elatum a deo non deprimat ) UPHELD BY GOD, I AM NOT DEPRESSED!
616 · Apr 2018
"...PASSING STRANGE..."
Donall Dempsey Apr 2018
"...PASSING STRANGE..."

Rose, arose & having risen:
...was angry.

'You never call me
by my name

only love & darling.'

'A rose by any other name
would smell as sweet! '
I quoted.

'That's neat! '
she sweetly smiled.

'That's Shakespeare! '
I whispered in her ear

and kissed her
sweet sweet smile.

(Each reflected in the other's eye) .

'Oh, quote me that kiss again! '
she sighed.

'How I do love thee...! '
I cried.

'...let me count the kisses! '
she replied.

My lovely darling

Rose.
The "...passing strange..." are the stories that Othello tells Desdemona to win her heart....they were not only strange but surpassed all the strange things that could be!
614 · Jan 2017
HOW MANY MILES. .?
Donall Dempsey Jan 2017
HOW MANY MILES. .?

I try to
get back to

the you
before you

died.

You flicker
in the candlelight.

I am trying to
not let the forgetting

happen
to you

but you begin to
fade and falter.

You tell me to let you
...go...

That it will be easier
for me.

But I would rather own
the pain of this love.

Hold you all the tighter.

Smuggle you in a dream
across death's border.

You are beyond Babylon
...the many miles to...

The childhood rhyme
I told you.

"Can I get there by candle light..?"
I ask the dark.

"...there and back again..."
the emptiness echoes.

Each night I fetch
your ghost

feeding it my pain
to keep you here again

only to have to
return you

when morning brings a new day
you can never know.
614 · Nov 2023
AFTER THE ROW
Donall Dempsey Nov 2023
AFTER THE ROW



built an over large
snowman
on your front doorstep


&
(
)hid behind it



rang your doorbell until
you were
annoyed  by it



“Yes...yes! ”
you flung open the door
to be confronted


with a snowman
telling you
he loved you



until slowly your heart
began
to melt. . .
614 · Feb 2019
IN THE HERON'S EYE
Donall Dempsey Feb 2019
IN THE HERON'S EYE



you swim
into yourself
the lake doubles you


your swimming reflection
trying to claw its way
into you


from the lake emerges
a head like a bust then a bust then
the whole delicious nakedness of you


your reflection
hides inside you
when you leave the lake


naked
being chased
by your shadow


the heron's shadow
stares through the water's skin
at the fish within


in the heron's eye
the fish already
- caught


a leaf
floats on the tree's reflection
fish swims amongst its branches


we swim amongst clouds & trees
rain taps on the top of the lake
we laugh underwater


piercing the water's skin
thin blades of sunlight
we swim we swim
Donall Dempsey Mar 2015
COME VIENE...VIENE!
(WHAT COMES...COMES!)

The sun is
preaching her sermon

to the town
of Praiano

that clings to the cliffs
in wonder.

Here in her hand
of light & water

she tells the parables
of pebbles.

One wave waves to another
as she walks upon the water.

Bells undress Time
disrobe her of her hours.

Lemons grow
big-bellied on branches

pregnant
with yellow.

The juice
of the Future

praying in a church
of trees.

Here, a congregation
of butterflies & bees.

Grapes dream of being
turned into wine.

Figs ripen
with pleasure.

The gods of pagan times
survive

disguised as statues.

I only believing
in the religion of

a woman's
laughter.

And even now
as darkness

grows
upon the rose

it's as if
the sunlight never leaves

only changes
colour

and the sunlight darkens
only to blossom

into the next morning
in love with Time.

**

CHE COSA SI FA

Il sole
sta predicando

alla citta
di Praiano

che miracolosamente
si aggrappa alle scogliere.

Qui nella sua mano
di luce ed acqua

racconta le parabole
di ciottoli.

Un' onda fluttua verso un'altra
come cammina sull'acqua.

Le campane spogliano il Tempo
la svestono delle sue ore.

I limoni crescono
rigonfi sui rami

gravidi di giallo.

Il succo
del Futuro

che prega in una chiesa
di alberi.

Qui una congrgazione
di farfalle ed api.

L'uva sogna di essere
trasformata in vino.

I fiche maturano
con piacere.

Le divinita dell'epoca pagana
sopravivono

transvestite in statue.

Io credo solo
nell religione

di una risata di una donna.

E anche ora
come il buio

aumenta
sopra la rosa

e come se
la luce del sole non andasse mai via

ma cambia
solo colore

e la luce del sole si oscura

per fiorire
la mattina dopo

innamorata del Tempo.
Donall Dempsey May 2015
asleep she
looks like a photograph
of her self

her expression
the weather of her face
evaporates

lipstick smudges her pillow
a false eyelash
flutters to the floor

she sleeps like a statue
as if centuries
mean nothing to her

an awed moon
gazes in upon
her dreaming

a silk lilac *******
like a little animal
caught crawling across the carpet

a rather fetching
matching bra
dangles from a candlestick

impossibly high stilettos
stand still
pretending to be an art installation

a silk stocking
hangs
from a doorknob

a new millennium
enters the room
a clock ticks loudly
Rien ne pese tant que un secret.

[Nothing weighs more than a secret.] ~ La Fontaine

Rien ne pese tant que un secret. [Nothing weighs more than a secret.] ~ La Fontaine

The secret being that she has conceived...only her body knows this secret and keeps it so for a while! When she counts backwards she realises that this was the night of nights. The poem doesn't let on either except for its title! The poem only observes and doesn't comment...just sees her and the state of the room for what it is...the new millennium cometh and makes her a lady in waiting.

The poem insists on keeping its mystery....it is not necessary for it to give it up! The explanation lives amongst the backstory with the little afterglow of knowing if one wants a little more insight into what was going on....although one does not have to know that!
609 · Jan 2016
GREEN SILENCE
Donall Dempsey Jan 2016
GREEN SILENCE

Dust settles
on the ladybird.

She sits on the window sill
dead to the world

pretty
as paste jewelry

courted by a terra cotta
Priapus

chatting her up
unaware that she is

dead.

She remains deeply
unimpressed

by his ability
to keep it up.

A fly lands on the very
tip top of his tumescence.

It's enough to make
a dead ladybird laugh.

The dance of net curtains
animates the moment.

Outside the silence
is stained green

by chestnut leaves
flirting with the sun.
Donall Dempsey May 2015
He can only see
her voice

cry out

hear her body
move under him.

The moon
averts her eyes

leaves the lovers
lost in darkness

country dark
blind

to almost everything but
themselves

the wind flowing
through tree to tree

the world available
only through touch

the lap lap lap
of lake

waters

an owl's call.
604 · Feb 2019
BABYCHAMS
Donall Dempsey Feb 2019
BABYCHAMS

Here under a large pub table
hidden by its tasselled cloth

in my own private theatre
of self

making my Dinky car
come alive

and run on high grade
imagination.

The chattering of aunts
like a foreign language.

I could never understand
the clatter of the lingo.

When suddenly a pair of female legs
****** themselves under my table.

Then another and another
each ******* into my space

like an iron maiden
of fleshly legs.

All  shapes and sizes
stocking...un-stockinged
skirts hitched up beyond
as far as possible
knickered...un-knickered
places scratched
never thought possible.

And I in the one breathing space left
unable to breath.

I was that French cartoon cat
chased by Pepé Le Pew.

"Le pant!"
I gasped
"Le phew!"

Aunts abandoning all their power
returning to being the girls they were.

The Babycham gone
to their heads.

And I forever
putting aside

childish things
and toys

wise as a Solomon
though thoroughly terrified

with this
the newest of knowledge.
A twenty-minute-write-a-poem that emerged from Ian McLachlan's poetry workshop at The Corner in Wembley Library the other evening.
I knew Ian of course as the perfect poet/performer that he is and now can add poetry facilitator to his accomplishments. Much thanks for his ability to drag these words outta me.

That insufferable romantic skunk who stunk of his own "me me me-ness" and inflated ego and libido.

The long suffering female cat that he would mistakenly take for a female skunk("la belle femme skunk fatale") due to some circumstantial mishap( squeezing under a fence with wet white paint)was of course -Penelope Pussycat. The fractured French would half us in stitches...."Le mew? Le purrrrrrr!"

Pepé: (sings) Affaire d'amour ? Affaire de cœur ? Je ne sais quoi… je vive en espoir. (Sniffs) Mmmm m mm… un smella vous finez… (Hums)

Even titles laid it on thick - FOR SCENT-IMENTAL REASONS...SCENT-IMENTAL OVER YOU...ODOR OF THE DAY..ODOR-ABLE KITTY...LOUVRE COME BACK TO ME!
Donall Dempsey Aug 2016
BALLEA PLAY

( for my fellow playmate of those days
my cousin Mary Francis Forde )

The cut corn
bound by twine or súgán.

into sheaves into stooks into stacks
stacks and stacks reeks and reeks of it

hay into haggard

and that was it
"cored" as they said.

And yes that was uncle's and dad's work
but a harvest indeed for us kids.

We took it from there
fodder yes but for us play.

Jumping from the far away top
falling through air

lots and lots of air
into more hay

hours and hours of horseplay
bungee jumping without the rope.

A mountain of hay to leap from
a mountain of hay to land in.

Shouting: "Stooks...shocks & ricks!"
New sounds we were only after learning.

Or places names that one could taste on the tongue:

"Killingly...Killingly...KILLINGLY!"

I still forever falling through the air
of that day....that free fall through the years

landing in today
the 30th day of my 60th year.
604 · Sep 2015
MY MOTHER'S HANDS
Donall Dempsey Sep 2015
My mother’s hands

washing potatoes
washing kids
washing pans.

My mother’s hands
on bitterly cold days

******* yet more washing
on a pregnant line

the line growing nothing but
nappies

her hands blind
with the cold.

My mother’s hands
ironing clothes
ironing clothes
ironing countless knickers
for my seven sisters.

My mother’s hands
taking my hands
in hers

such love...such laughter!

My mother’s hands
patting talcum powder

on another baby’s ***.

Mum being Mum.

Me, kissing

my mother’s hands
for all...they’ve done.
Donall Dempsey Mar 2015
She said: “Hi...
I‘m from a different
planet! ”

I said: “******...
...so am I! ”

It’s so hard to
meet genuine
Earthlings

...these days! ”
Title comes from jocular chat up line at an Irish disco in the '70's. The rest of the poem exists in the playful banter and retort that endeared us to each other. We both obviously came from the good planet Humour!
599 · Jul 2015
THE BEAUTY OF THE WORLD
Donall Dempsey Jul 2015
The city inches towards
the dawn.

Most of it is still
( not awake )

but sleep
has disowned me.

I stand and stare
as this world

comes into being
as it dresses itself

in sunlight
the new moment

as it glistens
translating the now

into the song
of a passing bird

so beautiful
I call out

your lost name
amazed

that this world
moving through space and time

does not contain
you.

You who have gone
beyond even

the great silence

and my tears fail
to bring you back again.

"The beauty of the world
hath made me sad. . ."

I tell my reflection
gazing through glass

a startled bird
flying through my face.
Donall Dempsey Jul 2016
THE SWEET CARESS OF ANY HUMAN HEART

Amory Clay and Logan Mountstuart
getting drunk in Boyd's Bar
"To Life!" they say "To Life!"

*

Amory and Logan are of course the main characters in William Boyd's books ANY HUMAN HEART and most recently THE SWEET CARESS. Just goes to show that fictional characters are real people too! We follow their journeys through a life that encompasses the whole sweep of a century and its turbulent histories. They are very much alive in our mind and realer than real thanks to the power and energy of Mr. B's master storytelling.
598 · Dec 2018
SCATTERED DREAMS
Donall Dempsey Dec 2018
SCATTERED DREAMS

Whenever I fell
asleep

my father came
& cupped me in his hands

carried me to bed
as if I were as precious

as water
in a hot dry land


or draped like discarded clothing
on a couch...in a garden


on a bench or a beach
I would be gathered up


& awake to find myself
back in the safety of my own bed.


And I would have thought
I had flown


or being magically
transported by a spell


but it was only the ordinary
magic of my father


cradling me in his arms
gathering up the littlest


of my scattered dreams
stroking my hair

& tip-toeing backwards
out of the room

his voice
full of tenderness


casting a spell
“Good night son...goodnight...goodnight.”
598 · Dec 2023
IN THE DEEP MIDWINTER
Donall Dempsey Dec 2023
IN THE DEEP MIDWINTER

the fox pauses
a paw
left in mid air

resting upon
a clump
of darkness

the fox listens intently
the countryside listens
to the fox's listening

a stillness falls
upon all
a snail stops mid-wall

nothing moves
the fox's eye glistens
the world holds its breath

the fox trots
as if in a dream
across countryside that's never been

my face reflected
in the diorama
the museum closing for the night
596 · Feb 2018
THE PICTURE OF DONALL GREY
Donall Dempsey Feb 2018
THE PICTURE OF DONALL GREY

My face distorted
in a tea spoon

( much more the real one
that I feel )

than the me
I am.

I hide this real me
under my palm.

I can feel it

biting into my flesh
refusing to be

hidden.

Reality takes a step
...back.

I pour a cup of tea.
Earl Grey in a China blue cup.

No sugar.
Slice of lemon.

And taking the spoon
from under my palm

drown the real me
in the lemon'd tea.

I smile falsely & hope
no one else noticed.
596 · Dec 2015
MY WORDS FAIL HER
Donall Dempsey Dec 2015
MY WORDS FAIL HER

She dived
into the poem

the words closing
about her

like the sliver light
of water.

She swam underwater
from stanza to

stanza she
laughing to her self

as I tried to trap her
in the nets of thought

she throwing off
each

baited word
that dared

to hold her
though I turned

the pen again &
again

unable to
catch her

"as
she
is"


mythical mermaid
newly minted lover.
595 · Oct 2018
DA VINCI'S GHOST
Donall Dempsey Oct 2018
DA VINCI'S GHOST

( for my little brother Brian )

I listen to
classical guitar in the dark

with only a single
candle for company.

These my teenage years.

Music and flame
travel through my mind

unveiling thought.

Da Vinci's
Vitruvian man

pinned to the wall
with most pins missing.

He comes alive
in the candle's flicker.

Gets into a flap
each time the door opens.

Little brother is spooked
by that Vitruvian stare

but is fascinated by the fact
that he exists

within a circle
within a square.

Like a priest I
dress my self in the garb

of Leonardo's words.

"Write what the soul is.

Illustrate whence comes....madness.
Whence...tears.
Whence...dreams!"

The whences make him wince.

As he sees it:  "...it is like a man
travelling through time

in his dream machine
and arriving at his own

dying
becoming his own

ghost."

Our mother's voice
calls him

and he is grateful to escape
his own thought.

*

Now, here I am
at your death

as you step inside
the circle
(inside the square).

You stare back at me
with that Vitruvian stare

and I " try to write
what the soul is."
592 · Jan 2016
LOSING MY MARBLES
Donall Dempsey Jan 2016
LOSING MY MARBLES

The bear rears up
against the cuckoo clock

arms outstretched as if
to catch that dammed bird

when it 9
o'clocks!

A tiger snoozes
in front of the fire

unaware of the spark
that throws itself upon

its tattered tail.

Firelight & candlelight
gleams in the beast's deadly eye.

A golden eagle
spreads its wings

above the mantlepiece
as if it would

****** the gilded frame
that holds a honeymoon.

I am a player
of marbles

upon the floor
nose to the ground

eyeball to eyeball
with my host's tiny son.

We watch in awe
as the blue(slowly)yellow

marble(slowly) rolls into
the tiger's gaping jaws.

"That doesn't count!"
host's son shouts

as the host snorts
awake to see

me with my hand in
the fore mentioned jaws

the tiger's tails
just beginning to catch

"Fire...fire! host roars
throws his G&T;

over the smouldering tiger.

The tiger gives up
the blue & yellow marble.

We return to
our little game.

Our host pours
himself into

an armchair
fat as he

and another
G&T.;

I lose.

The stuffed animals
snigger.
.
592 · Jul 2019
FIRST LOVE
Donall Dempsey Jul 2019
FIRST LOVE

I am new to
this

"love thing"
read about it in manuals

of course
but this is

the real thing.

Ok..ok so
she is just a dust bin.

I love her
rusty dents

she so very very tin!

Oh the metal of her.

The way she wears
her lid.

Her name is Tin(Sn) &

she has 10...10
stable isotopes!

I know the humans will
never understand.

A robot never forgets his
first love.
592 · Jul 2016
ALL THOSE THOUGHTS
Donall Dempsey Jul 2016
ALL THOSE THOUGHTS

that vacant stare

the here-not-here

thought gathering
these few seconds

of a world
of little or no

significance
consequence

a glance capturing
a bird in mid-flight

the dance of sunlight
through lime green leaves

a memory of her self
being all of four

the yellow pencil sharpener
held steadily in her hand

paring all the  coloured pencils
down to the last shavings

a swirl of frocks
dancing with each other

all these thoughts
scattered upon the air

all these thoughts lost
as

the bomb goes off.
Donall Dempsey Jun 2017
STICKING ONE'S HEAD OUT OF THE UNIVERSE

See, here's me
just being this

bundle of
I am's

maybe 6...maybe 7
stuck halfways

between this Now and
a Past I used to be

as if I could cut
myself out of

time and space
( **** the continuum )

like the woodcut I cut out
where some astrologer fellow

crawls forward and
sticks his head out into

the universe
his hand reaching for the stars.

I used to carry it
in my left hand back pocket

later on when I would be nine
but not now.

That nine year old boy will
take it out and just look and look at it.

Until it would fade into nothingness
a ma of lines and creases.

Right now I am back when
my age is at 6's and 7's

the sudden rain of
that particular day

rain falling on
sun warm stones.

I could see myself
in one so

I decided to steal it
from the world.

Put it in my pocket
'cos I wanted to possess it

as it had possessed me.

The summers it had known.
The winters it had passed.
The history of its weathers.


I pocketed also
that yesterday rain

( it is forever falling )

drag it into this
Here and Now.

"Words...!" I beg
"...help me please!"

And the words haul it all
from that There to this Here.

Stealing a stone.
Stealing a past.

Sunrainstone
of that moment

stealing my senses
fooling time

allowing this 60 year old child
to somehow survive

so that he can
be it

all over again
a forever first time.

Take my word
for it.
The Flammarion image is a wood engraving rather than a wood cut...but there ya go.The "ubi cœlum terræ se conjungit"( the point where the sky and earth touch ) was for me that little black stone that let me dismiss both time and space and is my pathway back to that little boy who was busy finding himself.
586 · Nov 2018
LOVE CHARM
Donall Dempsey Nov 2018
LOVE CHARM

I kiss your philtrum
and you moan.  

I lick a tiny trickle
of sweat  

from it.  

I know
it has no  

apparent function
& survives  

between your delightful nose
& your delicious upper lip.  

But what
of it?  

A kiss
fits  

so
neatly  

into
it.  

And leads to lips
& lips upon lips  

ending in an ******
ellipsis . . .

I love to look
upon it  

as the indent left
by the finger of God  

or where an angel
shushes the yet-to-be-born  

teaching it to forget
all it has learned  

in the world
of the womb.  

I kiss again
your philtrum  

a kiss  
fits  

so  
neatly

into  
it.
Donall Dempsey Jan 2016
INTRODUCING FRANKENSTEIN TO CHILDREN

I'm a very put-to-get-her-at-the-
-last-moment 'me.'

My eyes stuck on
mere coloured paper & glue

like something Year 2
would do

a  pair of lungs
fashioned from

a deflated blue ballon
a pierced Fairy Liquid Washing Up bottle.

My mouth...aghhhh...my thoughts
all full of bile...vile!

This trying to put one foot in front of
the other...oh what a bother!

Oh I remember now
it's called walk-ing.

The mouth moves
but the talk doesn't come out.

My brain bits of string *
tin cans & things.

Yes yes & YES
SILENCE PLEASE.

SILENCE THE BEST
CURE OF ALL.

Oh no Year 2
are lining up in the hall.
The joys of teaching whilst being flu ridden....I looked and felt very much like the Frankenstein we were building. This was also the day I discovered I was getting fat! One of the littlest childs patted me on the belly and said in all earnestness "AWWWWW...SIR'S HAVING A BABY!" Out of the mouth of babes!
584 · Feb 2016
GOING TO THE MOVIES
Donall Dempsey Feb 2016
GOING TO THE MOVIES

Now in these nights
without you

I go to the movies

alone
this time

all the time
remembering

the times of you.

Escaping
the absence

of you

(losing the plot)  

sleeping the film through

smuggling my loneliness
past my sleeping mind

catching the pain
off guard

until it’s time

to walk the long walk
home

to what used to be
our home.
584 · Nov 2016
EVERYONE WAS SOMEONE ELSE
Donall Dempsey Nov 2016
EVERYONE WAS SOMEONE ELSE

Neville Chamberlain
gets on at Barking.

Umbrella, stripped trousers
the whole kit and kaboodle

just like the cartoonists
drew him.

Almost expected him to wave
that piece of paper and declare

"Peace in our time!"

But he only snapped open
The Times

with Trump trumpeting
some more inane lies

like a Dumbo
on acid.

At the next stop
the Chamberlain look-alike

got off and
an entity like something

Beardsley would have drawn
got on...yawn...fell asleep.

A girl at the end of the carriage
looked like she had just stepped out

of an Edward Hopper .

People kept assuming
the likenesses of others

no one was
themselves.

Here was a real dead ringer for
Meatloaf.

There the Mona Lisa
in a micro-mini and

still wearing the same
elusive smile.

Me too
even I

had awoken this morning
a badly drawn boy

feeling like nothing but
a bunch of scribbles..

I stayed on to the end of the line...

not wanting to get off
just going nowhere.

The next stop
the American elections!
Donall Dempsey Oct 2017
A SEAHORSE QUESTIONING

( for Onelia)

The cellist's hand
waits outside the music

pauses
beside his instrument

like an exotic fish

steadying itself
in the flow of the music

before dashing out
from behind a glowing coral

eagerly snapping up
the little notes that swim by.

At Nazzareno's head
his cello bobs

like a seahorse
questioning

all that is
happening

as he tries to enter
the same stream

(despite Heraclitus's advice)

~ ~ ~ t/w/i/c/e/.
583 · May 2015
CLEAN OUT OF HIS MIND
Donall Dempsey May 2015
CLEAN... OUT OF HIS MIND!

ChIRp! ChEEp! TwEEt!
Lone bird playing Jazz
with a real kick...in the *****!



GLAN AS A MHEABHAIR!

BiOG! GiOG! MiOG!
Leathean ag seinm snagcheol
le fíor lasc...magairli!



HORS DE SON ESPRIT!

Le ChIRp! La ChEEp! Le TwEEt!
Oiseau solitaire jeu Jazz
avec un véritable coup de pied dans les couilles

*

LIMPIO ... FUERA DE SU MENTE!

El cantO! El gOrjeO! El  PíO!
Pájaro solitario juego Jazz
con una verdadera patada en los cojones ...!
Donall Dempsey Mar 2019
"AHHHH SWEET MYSTERY OF LIFE
       AT LAST I'VE FOUND YOU!"

What?

You think I don't know?
I do so know!

All that cabbages and stork sutt
...strictly for the little kids.

Where babies come from
was now a mystery

no more!

Who told me?
Who told me!

A movie told me
that's who!

Allow me to
set the scene for you.

It is a dark and stormy night
you know the movie cliche kind.

A horse gallops across
a black and white countryside

under a celluloid moon
racing past

stage set trees
to the lonely homestead.

Doc and horse
arrive dead beat.

Flecks of foam
around the horse's bit.

Doc chewing the end
of his moustache.

The camera closes in on
golden embossed lettering

on the ******* bag
clutched in his right hand.

Doc. Something something
or other.

"Hot water...towels!"
he barks curt commands.

His wire framed glasses
flash in the lamplight.

Mounts the stairs
Rolls up sleeves.

Howls and moans
behind the bedroom door.

Father helpless
paces the floor.

Then a mere
movie moment later

Doc announces
"It's a boy!"

What joy!
"And - a girl!"

Both newborns
wail!

The babies have appeared
as if by magic.

They weren't in the room
before!

Then it hits me!
Been staring me in the face

all this time
doh!

Don't know why I didn't
cotton on earlier.

Doc. has obviously
smuggled the babies

in his ******* bag
the golden embossed lettering

shining in the candlelight
the neigh of a horse.

Now there's nothing
I don't know!
When you are 7 and you put two and two together and come up with five and a half. It all seemed so logical at the time and I thought it a good stab at an answer. The movies are all illusion and flicker with celluloid maybes and frame by frame mightbes!

When one is seven it is hard to tell!
580 · Oct 2015
CLOTHES HAVE NO MEMORIES
Donall Dempsey Oct 2015
CLOTHES HAVE NO MEMORIES

Your most prized dress
must confess

that it
cannot

remember

the swell of your breast

the rise & fall of your breathing.

Clothes have no memory.

It is Winter now and your summer
frock has totally forgot

the sheer sunny shockingness of being
(underneath it all)    

absolutely knickerless.

Kisses like butterflies
alight high (high)    
on your inner thigh (thigh) !

Clothes have no memory.

Your bra
unhooked & unhinged

cannot really recall

the thrill of it all

as my hands caress

create your *******.

Clothes have no memory.

Clothes have no memory
...but I do.
Donall Dempsey Jan 2016
THE LOST MOMENTS OF CHILDHOOD RETURN

the trees stop running
the hills slow down
the station arrives at the train

he felt if he were to
let go of the tightly held red balloon
he would float away into the forever

the silence settles
upon him like invisible snow
even the noise is quiet

the teacher speaks to him
in visible italics
sarcasm staining the space between them

the teacher shouts in CAPITALS
he cringes in lower case
rubbing himself out

a snowfall of dust
upon the snail's back
sunlight shifts from foot to foot

a sunbeam slices through
the attic's ages
motes pretend they're atoms

the night like
black blotting paper
absorbs him bit by. . .

a yellow brick on a red brick on a
the ** ** ** of Christmas
my tonsils no longer mine

fields dozing
under an unrelenting sun
trees walking in shimmer

the world too big
to pack into the little words
he knew

in the space between
second and second
he sees the world as it is
These are the 'non-times" or times of no apparent consequences...remembered bits of nothing where the sense of a sense of things and how the world comes to invade my little head...where the thought can think itself but can't express itself in those building blocks of uselessness we call words.

They are of importance only in the fleeting sketch of my me-ness as it encountered a world that grew organically out of the time I was planted in. This is the place between second and second where the world comes into being.
Donall Dempsey Dec 2015
AND THE WORLD WAS AS SIMPLE AS SNOW

You are like all
the dark shops of my childhood

where you enter
with the little ****** of a bell

and the world blossoms
into a myriad of things colourful

to sell
stacked

in impossible & impeccable
order.

All yelling
shining
glinting

wild & glassy.

And the cash register singing
with the hard earned money

and the little ****** of a bell
lets you out again

into a world
excited with the falling of  snow

& the palpable approach
of  a Christmas when Christmas was Christmas

and the world
was as simple as snow.
I used to save up all my little pennies throughout the whole year to get my Ma "4711" and me Da "Old Spice." These were their perpetual presents but they always pretended surprise. Then there would be the trek through falling snow to enter this magical store and to have it assault one's senses and zing all around you. I can still feel my hand in my big sister's hand...our footsteps echoing into the long long ago. This little scrap of remembrance is a little treasure that I hoard...real emotional treasure more gorgeous than gold.
577 · Dec 2018
JUST IS
Donall Dempsey Dec 2018
JUST IS

A bird sings
the morning into being.

The sky itself seems
to emerge note by note

from its tiny throat
as if it sings sunlight.

A bud opens colouring the air
with the scent  of itself.

The grass laughs with delight
in all its thousand green voices.

My naked feet
stepping through its words.

A flock of dandelions
alights about my toes.

Sunlight becomes the world.

“I am the here and now!”
it announces.

Season's greetings.
Sap rises without a second thought.

It just - "is."

A feather flutters as I watch time pass
amongst the garden's trees.

Wondering what bird owned this
balanced upon my palm

it takes to the air
as if it were the bird itself.

A feathered fractal.

A sudden gust blows a rook off course.
It stands its ground upon the air

returning to where it was before
the wind played its practical joke.

Oh how the other rooks chuckle.

A cloud does an impression
of Merlin the Magician.

Then impersonates itself
being a cloud again.

A lark skates upon a sky
as if it were the bluest  thinnest ice

that it may fall through
into some other dimension.

A butterfly half drunk on flight
pretending to be a flower...flying.

A willow bows to me. I bow to it.
Humbled by its grandeur.

I, the least needed here.
All this would happen without my mind.

My eyes given the privilege of such seeing.
I, a mere observer

trapping in words
what can not be trapped in words.

Time drifts and I am left
with all this beauty

the beauty
just in being.
I saw these things when I was seven and I felt them intensely but had no words for them...I knew them but didn't know how to know them in words. I can still see and feel them to this very day so I thought surely now I have the words to explore them...I only had to wait 54 years to be able to explore them....this is an attempt to capture the beauty that overwhelmed the child but took seed in him and hopefully bloomed into being once again. One attaches words to things only to see the words fall off! Some of these words have appeared to held on!
576 · Apr 2019
CHINGACHGOOK SPEAKS
Donall Dempsey Apr 2019
CHINGACHGOOK SPEAKS

still see the saw
cutting through time
the small boy's mind

Da's spirit level
disappearing all the time
becomes my Star Ship Enterprise

the saw hums to itself
time eclipsed
with the smell of pine

the song of the saw
sunbeams & sawdust
dancing in time

and lo
wood becomes window
the small carpentry of miracles

a heart-shaped block of wood
becomes my saddle
on his crossbar

we fly through time
tame hills
the tick of bicycle wheels

lost in speed
down down Dobbin's Hill
we the bubble in the spirit level

we haunt the dumps
hunt for a wheel here...a frame there
Da creates a bike

new bikes from old
our "Frankenstein bicycles"
we the new masters of speed

"Look at me...lookame...no hands!"
the hill smiles to itself
"wheeeEEEEEEOOOOOOOOPS!!!!!"

trees breaking gently in our hands
become our bows and arrows
stolen from young plantations

I a nine year old Chingachgook
limp horribly home
an arrow in my left calf

my Da shaving wood
it curls
to his whistle

sawdust amongst his curls
my Da smiles
as the wood comes good

I still see the saw
pine
opens memory
I, the Last of the Donalls...lost in my Curragh Camp, Kildare, Ireland childhood...caught up in the writing of Mr. J.F. Cooper.

Never wanted to be Natty Bumppo but one day I would be Chingachgook or Uncas the next
as I wandered through the Curragh plantation or roamed its 5000 acres in search of adventure! And oh the tales I told to myself!
576 · Sep 2016
My Mother's Tears
Donall Dempsey Sep 2016
magpies and nappies
growing on the Winter line
my Mam...tired...crying
573 · Jul 2015
LAPSI(CHILD)
Donall Dempsey Jul 2015
And, so
he marries the Finn and

Väinämöinen
walks in

dragging the whole Kalevala
behind him on a sled

opening the word box
for the sounds to escape

and leave
to dwell inside him

the myths and lore
of Love.

A cloudberry
falling into her

pregnant
belly button

the child
fashioned from her

living in the quick quick
midnight tales

the frozen hoard of words
thawing

as my hearing
takes them in

the unborn
listening to its future

in its past.

Words upon lips
dissolving into laughter

like a falling snowflake
on the tip of a pink tongue

stuck out in
the Aurora Borealis.
***

My Finnish wife brought a dowry of an unknown mythology and on long Finnish nights told me the stories mingling them with love and laughter which was the best way to hear the tales! I also remember us looking at HIROSHIMA MON AMOUR with Finnish subtitles so that she had to translate it back into English for me creating a telling that still lives in my mind. The telling is all!


The Kalevala or The Kalewala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology.

It is regarded as the national epic of Karelia and Finland and is one of the most significant works of Finnish literature. The Kalevala played an instrumental role in the development of the Finnish national identity, the intensification of Finland's language strife and the growing sense of nationality that ultimately led to Finland's independence from Russia in 1917.

The first version of The Kalevala (called The new Kalevala) was published in 1835. The version most commonly known today was first published in 1849 and consists of 22,795 verses, divided into fifty songs (Finnish: runot). The title can be interpreted as "The land of Kaleva" or "Kalevia".

The poem begins with an introduction by the singers. The Earth is created from the shards of a duck egg and the first man (Väinämöinen) is born to the goddess Ilmatar.

Väinämöinen brings trees and life to the barren world.

Akseli Gallen-Kallela (26 April 1865 – 7 March 1931) was a Swedish-speaking Finnish painter whose Kalevala paintings
and illustrations are almost integral to its story.

My favourite translation was published in 1989 by Keith Bosley (Oxford University Press) who has now brought out an audio book read by himself with a running time of 13 hours and 23 minutes!
Donall Dempsey Jul 2015
She sweeps him
up.

Puts the bits of
broken urn in the bin.

Empties the back end of
the ***** bottle.

And with the aid of
a little yellow funnel

decants his ashes from
dustpan to bottle.

A little cloud of him
hangs in the air

like a genie
appearing from...

She keeps him in
the ***** bottle

for ohhh...years

despite him being
a whiskey man.

When he was a real
life man

he would beat her
when the spirit moved him.

Sad to say she was glad
he was dead.

His death gave her
her life back.

She hated the way he
coloured her

skin in
with big blooming bruises.

One year she just got fed up
looking at him in the bottle

in his ashes to ashes
transformation.

So she just flushed
him down the loo.

His photo kept on
smiling as

he watched
behind the ***** glass

this her
final revenge.
The title comes from that nice Mr. Hitchcock man!
Donall Dempsey Oct 2015
the dark deepens
the tiny candle holds its breath
dives under the night's waters

halfway across
the little universe of a room
the candle drowns

& I am left
bereft at the bottom
of nothingness

I feel my self to see
if:I am...still here
if:I...still exist

I think I do
therefore I am
...I. . .think

"ooooOOOO!" cries the wind
pretending its a ghost
the trees snicker

"OOOOoooo!" cries the ghost
pretending to be the wind
the trees snicker

"...& if I die before I. . ."
I hurl the prayer
at the blackness

a-not-put-away shoe
catches me by the foot
I fall. . .

"Come to my arms!"
the bed mumbles
I tumble into its embrace

suddenly sleep seizes me
"Come with me..." sleep whispers
I make my escape

safe inside
a snore
the dark don't worry me no more

in the morning the sun
throws lances of light
at the retreating dark

the shadows flee
in desperate disarray
make a last stand behind the mirror

on the floor
a dead candle
with a right big toe(imprint)

the sun advances
the shadows' slaughter
emperor of light...conqueror of morning
Donall Dempsey Jul 2019
'. . . SWALLOW SWALLOW LITTLE SWALLOW. .."

Winter melts into Spring
the swallows ignore the War
return...as they always do
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