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 Jun 24
Glenn Currier
I enter the sanctuary
my hand traces the brown skin
of the smooth wood
atop the last pew
where Saint James sits every Sunday morning,
his slender body planted in spit-shined shoes
that reflect the light of that sacred space
the light that pours from each tortured soul
that sings the praise, joy, pain, and love
inked in the green hymnals
that we open, feeling with our thumbs
the edges of pages
gathered over ages
from the fervent hearts and minds
of our faithful progenitors.

I will hug and touch
the shoulders and backs
of my fellow believers
who will grace these pews,
beating hearts scattered like red pearls of love
in the perfectly aligned rows
where each of us broken
beautiful brothers and sisters
will sit and listen to the Word
stand and sing
and breathe in and out the same Spirit
that cracked open his heart
and bled the universe.

I myself broken
and opened
am here where finally I belong
among my fellow travelers
pilgrims one and all
living our salvation
among each other
shoulder to shoulder
heart to heart
cheeks traced by tears
of joy, sorrow, faith and hope
we, tied together by Love.
The black cat brings bad luck,
how low stupid men can stoop
is beyond your imagination,
literate but never really
liberal but not liberated
from long held prejudices.

Drive that black kitten away,
don't look at it,
it shows up at your home means
bad times are on the way.


The cute little kitten breathes heavy
chased from one door to the other
without the least idea why
seeking the comfort of love
is such a big sin.
In the eerie hours half asleep
I heard my name in a soft voice.

It was a wake up call I couldn't resist
The jungle was in dark mist
The night ending but morning was still frail
The call was to tread on the fallen leaves trail.

The trees were shaded dark the sky was pale
Every bush was where the shadows fell
Quiet was the air our heart tautly tense
We tiptoed our best, and it made sense.

Tweet of early birds didn't sound sweet
Danger awaited at all sides to meet
We strained ears for the slightest sound
The jungle a romance on a perilous ground.

On the dry boulded river shapes were deep
Moving in a herd crawling to the steep
We stood frozen on this other side
To let the distance between grow wide.

Years have flown and whenever in the woods
I see my father's figure in jungle brood
He wakes me up and stretches his hand
We fly through the bushes in jungle land.
Humbly dedicated to my father who was an avid walker in the forest in the wee hours of the morning. It was on such a trip he met with an accident and died.
Flaunt your joy
Dig your sorrow
You have only today
Who knows 'bout morrow!
Under the mango tree where the shade is dark and deep
she waits with years on her skin.

The face though weary with the burden of time
has not yielded to the fate
of having once loved and lost.

She believes the winds from the barren field
will one day carry the rustle of footsteps
raising a song from within earth
that the moment is arrived
for the dead river to rise in tides
and flood her cheeks with the sapplings of
all the unplanted kisses.

When the nights come
the fireflies would sing
love is such a beautiful thing
basking in the glow of her heart.
On the bike the rider is a blazing glory
winds to him whisper hair raising story
whizz past houses, trees, and towns
wheels giggle joyous with the ups and downs.

Girls on the sidewalks look up in awe
as the speed streaks on the wrong side of law
the copper burnt hands grip the baby tight
to ride away from dark and into the light.

Through the flash of clouds, torrents of rains
sun on the mountain, sunset's pink stains
piercing the wind, cutting across rainbow
steams the metal man, in seamless flow.

Days nights roll, beneath the grey arch
on an intense pursuit, one frantic search
he looks for a place where a loving hand
will open the door to the God's resting land.
 May 25
Carlo C Gomez
~
Ladies-in-waiting
reflecting on
a fragile state of mind

precarious creatures, these
hunters of coal
that outlines both
eyes and words

black paint for blue girls,
they pray in a circle
for their queen's wedding night
to be one of celebratory rapture

deep into the looking glass
they peer for a sign,
a soul, a stigma,
but cannot see
beyond their own glib faces

a universe ago they
caparisoned as pixies
in sunflower corsets,
twirling in a centrifugal forest

tonight in eclipse,
in their all-together,
they merely wear masks
of their former selves

the firelight dramatically shifts
in bacchanalia pratfall
--the oblong menace
of their smiles, fingers and navels
dancing to the age of Sideria

~
The classroom window had a clear view of the park
and when the July clouds painted the sky dark
the boy would start to cry!

Why, the teacher exclaimed, why these tears
it's all so pleasant, and there's nothing to fear
the rain is so welcome, it does only good
so why boy it finds you in such bitter mood!

Saying thus, he would walk back to his table
by the rain upon windowpane, I was inconsolable
brisker than rain were the tears in my eyes
in the thought there would be flood, water would rise
the walk back home would be a herculean feat
with the street flooded, hidden manholes beneath
I was haunted by the spectre of how the water rose
crawled past my chest, and reached up the nose
the swelling river would find me an easy victim
the teacher didn't know, I didn't know how to swim!

When the school bell finally rang, they ran joyous in the rain
splashing and soaking merrily, their way was heaven
only I stayed back, as if my feet had grown roots
late evening I reached home, in heavy sodden boots.
On the table is all quiet
it's the **** shellphone
everyone is fond of that
and all I feel is alone.

Nobody converses anymore
eyes riveted on the toy
I dunno what's in store
hooked is the girl and boy.

I must draw them to talk
for long there isn't a word
eyes just don't take stock
of the sky or a flying bird.

All islands in the ocean
I distract if I speak
only fingers are in motion
relations are falling weak.

The table is a silent scene
what should I say about
I speak to myself unseen
the wall is stubbornly stout.
Here lies the dead wishes of men
once alive
the dense shrubs hide the pain
weeds thrive.

Here lies a grieving heart
once much joyous
the windows are broken and hurt
bricks break like glass.

Here lies the power of wealth
once pompous
now in ruined health
seems it wasn't all that precious.

Here lies the remains of heydays
once vibrant
with bones the jackal plays
reminds time is a tyrant.

Here lies moss on the wall
once finely painted
now dark and dull
the air is serpent scented.
Simultala, April 4, 2024 evening.
 Apr 18
Nat Lipstadt
Dig deep poet;
You too reader;

Commandment One:

Both must obsess to possess,
Air the curvature of each line
shape with two hands, creasing and
no ceasing not till the air waves have filled
your flushed face with compressed comprehensions

You weep as you compose!
Good!
The well of tears where hid
the pool of emotions
in cavernous reservoirs
in the center of your
gravity,
needs a daily tapping,
a draining, a purification,
a quenching sweet and
raucous

where you dig, salted water will come

in the soiled, imperial but imperfect body/mind cappuccino,
there are swirls of treasures, sins and histrionics
that need discovery, expiation, expulsion,
when~then, object is surgically removed,
accept surging water will desoil,
and you can revel
in the revelation
of honest effort

Debate Commencement:

reveal, which, what and how
much, how much? how much?
(this reverbs)
what must be shared,
what must be reburied,
what must be refuted,
what must be reconstructed,
refurbished,
and what must be
demolished & deconstructed

ah, but as soul judge,
you hold yourself to a higher standard,
but in all of this but two constraints rule:

the quality of the recalled data,
the quantity of storage space delimitation

do not tease us with rivulets, nor bury
us under thunderous rushes of memories
spilling and cresting with a reek of abandon,
unless, you’re abandoning the memory en tout,
giving us your newly orphaned all innermost,
then, we must accept the product of your labor,
whether it be spoiled fruit or glorious
                            truth

Tuesday Apr 16
8:32AM
(the year of pollard, a/k/a 2024)
inspired by dancers and choreographers speaking about the sources of creativity @Guggenheim New York
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