(stopping here to tell you about my first
******* because it was terrible &
the one thing I remember most vividly,
a pock under her left eye
marking my shame & confusion &
this portion of the poem is a lie)

How many days until tomorrow
(& do not bolster me—I know the day is long)
because tomorrow I promised something
to myself, a sort of present for the hard work
of not repeatedly ramming my skull into a pack of
venture capitalists & I'm pretty sure I could take
the Koch brothers in a fight even though I am the minority &
Fox News killed racism just as MSNBC killed watchable TV &
all of this is so incredibly unimportant because
I saw the sun born of yesterday's ashes
the rebirth of light as so many slept & dreamed
but I do not dream, no, I do not wander so far away.
I think I hold my world closer than that.

A Jim-Davies-esque poster cartoon of my guts
on display at the Smithsonian as though
I could pretend to be any other poet
with my insides outstretched because
I cannot feel without cohesion or medication or
either, or—
it's lost upon synchronization.

I hear some wormy **** gobbling
(insanely might I add)
about Marx or Engels or one or both twice over.
I'm too busy trying to impress myself with this
Jenga block tower of carefully balanced fibs to notice
why you cry when the sun sleeps.
I don't exactly care so much as it intrigues me.
Another feeling stimulating what's lost.
I imagine sunshine & weep.

I thought before this writing I might
tear out this paper & roll up
give me some numb for the numbers &
no one is asking how I've been sleeping but
my words caught my urge mid-rip & said
You are so sad and not even you know why.
Blisters on your tongue from bottle-bottoms
chasing a rising air bubble running for life.
Copperhead, half-thing,
whole-brain, funnelmouth,
throwing bricks from bedroom windows hoping to
hit my head at the end of flight, free-fall.
I forget a few times daily how much animal
seeps past this face & I have not been outside this head
since who knows when & I just want it to—
Candy canes for teeth and I am indifferent.
The television smiles for me, red-white-mint lit
in the faded glow of almost-morning.
They would almost certainly mourn for me.
I have to keep believing that is true.
I am funneling and it will not stop.

PSA: please set
aside time today to hug
a gay narcissist.

However long spent staring & you've yet to move your feet.
Ten yards of breathable space, scent of honey or lemon,
I can't remember.

                                        Her walk, his walk.
                                        Why spoil the fun?

The ****** falls from the branch almost always,
then so too will I fall I feel—less gravity
in headspace, room for words to float.

                                        Step one, step two
                                        Step 3 step 4

& they move like wine together & here I am
up to my neck in blood-tainted water.
No TV show has ever felt like this.

                                        How many cities burn
                                        for sake of
                                        love & death?

I want to build a city of her living bones
magnificent skyscrapers dance with the
slightest gust of my breath—

                                        I send
                                        that city
                                        shaking. They
                                        are waltzing
                                        now.

Lehár's The Merry Widow.
The irony cuts holes in my veins.

Chicken-scratch staining
this prescription glass grasping
on getting life back.