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Evergreen and ivory
Turquoise tears bleed ebony
Fuchsia trees bear violet cherries
Blood oranges,
Mushroom clouds and ashberries.
These are the thoughts that grace my mind
As I turn to leave
Garden gnomes and rose scraped knees
Faster now
Faster than before
Kiss me golden,
Less, then more
And tell me who I am.
Coteries and clandestine deals
Soft-sweet midnight chamomile
And indigo aspirations
Somber February celebrations
Anniversaries white and red
Blue and green and white and red
And can you keep a secret?
Black-tea memories always slap me sleepless
And I have never known quite exactly how I feel.
Clementines suspended in yellow lamplight
Cross it out to scarlet rewrite.
Beige mountains and Alaskan hills
Crescent moon and sawdust mills
Silver smiles on a benign boat
Blessed if I'm an allusion to a footnote.
Have you known the winter days?
Late February falls like frigid snow
Merciless undertow
Of evergreen and alpenglow
And grey ground pavement walking
Like Grocery shopping
and weak chai tea
Moonlengths from all family
And surrounded like strawbury temptation,
Late night lamp light contemplation
And drowsy-dampened mornings
Grey glaze of diluted boring
Spattered over every orifice
Charcoal eyes, platonic kiss.
Pull your bow to shoot and miss
Tell me all this is is what it is
And I will tell you, “okay”
(but you know this isn’t what I wanted)

Hide the roadsigns
Blur the guidelines
This is how I love you

Have you known the winter days?
Late February fell like fire on hell
And shook me from my sleep
Ashes cover snow-banked heaps of rubble
I slice my wrist on the sharpened stubble
Of your half-assed beard
(this is how I bleed my dear)
This is how I bear my soul
******* smile
And dominoes
Carnation cults
And buried bones
(This is how I build your throne)

Hide the gravestones
Burn the rainbows
This is how I love you.

And have you known the winter days?
Late February fallen like Lucifer to the underworld
We both knew I wasn’t altogether that typeof girl
But we pretended anyways
Alcoholic halo haze
And foreign intervention
Of somewhat insidious intention
And the legitimate logistical question
That defined our discourse on fear
(this is how I think my dear)
This is how I speak my mind
All that grey
Those missing roadsigns
Smoke and soot and
Blurry guidelines
And Gravestones gone
And rainbows ash
(and we are never coming back)

This.
This is how I love you.
Pine trees free from snow
Stretching green branches
Towards a baby blue
Spring sky's
Sun now warm
Against faces and
Other exposed
Things,

As if worshiping, or
Asking something much,
Much larger
To be
Hugged and
Held. Just
Lifted, hugged and
Held.

So harsh is winter.
So not is
Spring when
Undeniable.
I do believe my days withing these
Concrete ashram walls are
Coming to an end.

It might be a slow ending, but
It'll be a good one.
It began the day I saw the

Beautiful truth behind the ugly
Mask of everyday insignificance.
Beauty and meaning;

Soft hand in a mild one.
Water strength.
Cement frailty.

Thoughts are like air; find their
Way from A to another
A.

Looking at my friend fitting
A door, cursing at the promise of
Adjustments,

Or enjoying the way the Project Manager
Leaves us never knowing whether
He's joking or not with a face

As cold as his project's foundations.
I fall in love with Life every day.
Even when I hate it.

I've learned that I never stop learning.
I'll be a slightly different man tomorrow,
Yet still myself.

Always still myself.
There is wisdom in flexibility; the
Holding on to nothing,

Even ones definition of oneself.
I was a construction worker.
Now, I'm a

Construction worker.
I take comfort in the fact
That the only comfort I'll

Ever really need, is the
One I give
Myself.
Baby, there's a
white chalk outline in the street tonight
for the boy down the road
who didn't have a chance at life.

There's a lady working down
at the truck stop on Third,
and she's racing home tonight
to confirm what she's heard.

That's her baby in a casket,
not the usual sort,
and his mother's screaming in the storm
begging God to take this hurt.

There's a girl across town
who lost the things she had,
and the only thing she knows now
is the fright that's in her head.

Her father's in the living room
where he loads his shotgun,
almost hoping that the
**** from prom will
show himself again.

There are children in the desert,
in the city, in the streets
and they are dying every day.
All we do is argue
over what is best to say.

The journalists and soldiers,
those who worked a mile high.
Honest folks are turned to martyrs
and their names are used in vain.
No one considers rationale,
only how to profit gain.

We're political, tyrannical, existentially obsessed;
we haven't got a thought for those
who haven't even dressed.

"They aren't here; they're there;
we haven't got the time."
But if there's anything I know,
it's that my time isn't even mine.

"Jimmy wouldn't take me out tonight."
"Martha never called me back!"
"I wish that Art had never talked to me."
"I hope you have a heart attack!"

People dying every day
and no one seems to give a ****.

We are vain and we are damaged
and we will never be the same.
It seems that all which matters
is just how well you play the "game."
#JeSuisCharlie
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