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A L Davies Jan 2013
outside my apt. ,
life passes
one bus at a time.
A L Davies Jan 2013
last night i almost
gave up thinking of bronzy brazilian girls
perspiring pure coconut oil, eau de margherita ;
supermodelas eating my dreams like concord grapes, lionesses
lounging on new york balconies, lithe, reading céline.
(esti ginzburg, on the phone, considers another pomeranian) .
almost stopped.
almost derailed strange vogue-like fantasme of irina shayk, standing legs planted
left knee out-****** and foot
in ebony heel, cocked against the earth.
set being imitation of gloomy coal mine, east of prague. thin arms firmly controlling the
arc of her pickaxe, clothed in leather, high heels;
sheen of sweat holding her feline body in sweet embrace.
imagining that when shift's end buzzer echoes thru the tunnels she smokes a cigarette
on a bench in the women's locker, apple planted on old planking, elbows on her knees.
cover-alls peeled
down to her waist and her hair,
free at last.
(click)
on the tram back into the city all the smoked glass
cartier storefronts pass by like polaroids held in the hand. the same speed.
giggling, 'rina thinks of the six she could place
along her arm; gilt gold, brushed silver, diamant...

there are 11 smoked belmonts by the back steps; i did
little with the night. (tall shadow of a woman in a black dress and my mouth
a cotton ball)
that is to say:
i did almost give up thinking about bronzy braz ilia     g rls ,
-
but i didn't/and so there's nothing else.
'some girls' (insp.) / kanye west taught me a lot about supermodels.
A L Davies Dec 2012
i became the jumpin' jack flash in november '77.
there was slush in new york city and the bums at the piers
still burned trash in metal barrels you could see from over on coney island even.
just like kerouac said.

in the daytime foolish kids picked weeds in central park
and called them flowers. they got laid by stringing charming words together as they gave them
to the thousand daughters of manhattan's old monied men,
the wall street hacks hanging from the teats of the
great & frenzied cash cow of capitalist interest. the milk
came slow that winter.

one week, early december when the slush gave way to furtive snowfalls
i took a bus to patterson, NJ
for a few days, drank a lot of awful coffee writing obscenities in my journal but speaking
them aloud in the restaurants and bars and so
was deemed just like everybody else in patterson, NJ.
drunk & high, helicopter tours, stuffed with bread and half-truths.
and when shortly my irish luck ran out i raced back to the big smoke
in a drop-top mercedes driven by a man whose thick accent i couldn't quite place.
whose only serious question was whether i knew anyone
who had good coke.

in the city it rained for three weeks straight and
david byrne, in some bowery apartment wrote a song called 'flood'
which was never released on any talking head's album
but lingered in his brain as a reminder of the three weeks
he spent cooped up, eating saltines and dancing to the rhythms of the thunder and rain outside.
totally alone with his mind & a bass guitar. tina weymouth, naturally, was furious.
the bass was the last thing she had left in a band she half-started. and david had stolen even that.

but that was tina weymouth, that was new york.
feels good to be back with my typewriter, spinning roxy music records in the basement.
A L Davies Nov 2012
(in the dream it is late March)
there's a light rain in Montréal & the sky
is a gorgeous, early-morning variety of slate grey. imagine the lid
of an old metal garbage-can.
everything is dismal, perfect. and quiet; even the people leaving the bars are silent.
dismally, perfectly, silent.

ghosts of old cats—belonging maybe to ghosts of old ladies who lived, say, just off St. Lau, back
in the eighties—ramble downhill, in the direction of rue St. Catherine (Saint Cat! O patron of felinity!) ,
between the legs of those spilling out from the trendy & ****** clubs.
some of the ghosts wander out into the street, flash thru car tires that would've (& have) (at one time)
smashed them to pulpy carpet on the asphalt.
(who goes to pick them up then? when the tires have had their way with them over & over?
when they are just hair & porridge by a sewage grate?)

after a greasy smoked-meat-on-rye or a nightcap at somebody's place, just off the drag,
i'm in a sodden, but warm overcoat, hands curled in the bottoms of it's pockets; mis-shapen mass
of hair plastered to my scalp; walking en bas de la montagne just past the McGill Medical Centre.
—this late, the busses back downtown are never on time.
(driver's probably having a few smokes before he starts that long tour down. full up of drunk kids,
taking one another back to their dorms, etc.)
(and what does he have, to look forward to at shift's end?
        i. a cranky wife—past her prime?
        ii. a buncha dogs—yapping for attention?
        iii. some ******* kid—who's disrespectful & won't shut up or turn his stupid ******* punk-rock down?

—it's enough to make me patiently wait.  i'll wait forever, as long as that isn't me.)

...'spose I'LL have a cigarette too. waiting
in the bus shelter on Ave. Des Pins looking down over the
football fields of the McGill Athletics Dept.
still lit up. no sun yet but
now at 4 AM a dull inch or two of lightened grey out there on the horizon.. dawn will come,

though i'd rather not face the day. all the mornings are so hard after nights like this.
bound to be hungover &
spend the day hiccuping in bed texting some girl; maybe get up
in the late afternoon t'fix coffee, toast & eggs.
sit on the balcony,
make my little guitar sigh,
and try to feel normal until i [have to] puke.

"—and who was that girl i spoke to for so long at St. Sulpice last night? how many gin-tonics did she let me buy myself, nattering on?.. probably too drunk to even get her number."
"—maybe Sean or Dylan will know if she came thru with anyone we knew.."

the bus is finally here. twenty-and-three minutes late. the back of it probably smells of
stale smoke, dim sun, and sweaty, rain-soaked cloth, absorbed from jackets into the seats—the eau du jour.
it's always a bump 'n **** ride down the hill; bound to,
with the other handful of dumb & silent riders, drunkenly sway,
(or is it a natural compensation of the body, to groove along with the curves and stops?)
back & forth like carcasses of half-dozen slaughtered pigs
swinging on their hooks in back of a meat wagon..
(i'll end up getting on, but only for three blocks. i'll ******* walk the rest of the way home,
after that comparison. to hell with the rain.)

SIX MINUTES LATER:
(Avenue Des Pins still—4 blocks closer to downtown)

directly in line now with McGill campus via McTavish; this way i can
cruise down thru the silence of the main drag having a couple smokes drinking beer
(copped a 40 at a Dep before i left St. Lau—frosty under my arm enshrouded by brown paper.)
& be left to my own thoughts for fifteen minutes 'til i get to Sherbrooke
—i adore that fifteen-minute stretch down thru the jumble of
student associations, clubs, faculty offices, administration buildings, resources centres & the like;
all contained in the same red bricked, white trimmed victorian monster, multiplied threescore
on either side of the lane; all built in the early nineteen-hundreds, all acquired by the university in one of several expansion initiatives in a decade i won't bother to guess at, it doesn't matter. you don't care..

midway down the hill i stop and go sit on the verandah of one of the buildings,
the graduate studies in math offices —
cccrack that forty.
sit there with the sun JUST barely splitting the seam of the horizon feelin'
like the lyrics from a Sun Kil Moon song. nothing more or less.  
"off to a good start," says i.
MORE TO COME.. tired as **** right now but wanted to get this up here. get off my back. love A L .
A L Davies Oct 2012
noon grass, gin & my eyes.
heart attack
in back of a fancy/long/black/car.
fall skies & sun thru the trees.
(ashes in a bowl)
buenos dias
A L Davies Oct 2012
you could perhaps,    some n
ight come
up to 3rd flr           &
entertain. you know
.     split
words in 1/2 with
silver straight razor kept in
yr mouth. loving to
chastise mundane things i do —
grip th' railing
white hands
as petals of obscene flower
that makes feel    ...
one's everything  ...
o phelia.

and why when siren wails
past the mercadona at 3 AM
while i sit on the curb
as you buy
some-thing (i forget. wine i hope).
do you come out and stare
at my shaking hands?
your very eyebrows contesting
my innocence?
the way the fully-loaded hips ****
with the asking of your unspoke question and
legs angle to the sidewalk left foot turned
slightly inwards,
a heart attack in roberto verino.
might seem familiar to some. original written may 2012, granada. re-worked for submission to a friend's publication, keep a look out for it if you live in toronto, name of Grey River Zine.
A L Davies Oct 2012
wednesday  ..
                      is faded black jeans/old white tank (too big) (hole from belt buckle centre front)

glass of water stuck into the rings left by past week's mugs of beer
sitting by the ashtray. and you are better than a nip of rye in the truck cab heading to work.
the dust in my lungs (wide open saskatchewan fields)
is not as important as watching the clouds stain purple with the sunrise
patting two gorgeous farm dogs who run over from behind a silo turned to bronze in the light
(there is an angel laying naked in the wheat grain)
to nip playfully at my calves while i unchain the derrick,
somewhere in my mind's recess it feels like i am loosing atlas from his *******
tho i do not register the thought until later upon waking from a nap.

saturday // 1:15:44 pm
i am in only briefs now working on a song/i clocked 4
                                                               ­                                       hrs greasing truck 1117 this morning and
hauling pallets.
daylene from dispatch brought in donuts.

i'll spend the afternoon listening to kanye and talking to women online.
—there are no girls in estevan. i have (kind of) looked.
                                                       sometimes i believe this to be pathetic but then i think further ahead
and it's not so bad.
you do really meet some nice girls. phone is replete with their numbers &
they keep me company on long rides to and from leases,
asking about work. hoping that i am well.
(once back home by christmas account will be deleted and i can
take them out at my leisure. you'll understand i hope that i am not
a desperate man. but one has to work with that which he has.
would you rather i go lonely? make my home in the mud to croon hank williams to crows?)
(temporality.)

15/10/2012
there are now three beer cans on the carpet & one on the washing machine by the
bathroom door which i will drink in the shower.
it was sort of a long day.
oil field poems though.
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