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Gold so glitters than any gem that doth shine,
Effulgently than lanterns of night skies,
Dazzlingly than a moon kissed shoreline,
But nears not my seraph's opalscent eyes.
Yes, so fresh are the waters of the Nile,
With exuberance of a silken Moon,
But nears not my seraph's vivacious smile,
That tends to draw all that doth breath to swoon.
Yet I know: "Velvety is Heaven's chin,
Whose frickles bear such a novelty luster
But nears not my seraph's unblemished skin;
More fair than them in a wondrous cluster.

So true love is but a gem that doth shine,
With a luster that at one's soul doth twine.


©Kikodinho Alexandros
Jumeira, Dubai
6th February 2017
#Shakespearean #Decasyllabic #Seraph Of Mine
#Attempt at writing in iambic pentameter

Honestly, for this is my third attempt at a Shakespearean sonnet thus if there's need for emendation, I'll be more than glad to hear from thee.

Besides, please allow me take use of this golden happenstance to thank everyone out there who finds beauty in poetry of such an amateur Bard like me.
  Feb 2017 Micahel De Tomasso
L B
She let the tape go—
on record
one evening for an ordinary hour
Five years later, we play it back
for laughs after dinner—then as now

“Remember how the stove door screeched
at the house on Olive Street?”
And our voices!
Phoeb’s, lighter–tired
wrapping the nine’s tables in elastic yawns
like flash cards in a rubber band
“Phoeb, your pitch changed so—
while  I turned...”
to run water in the tub
lamenting the **** of Two
in frenetic escape of hands
Unruly!
Running rebel taunts in Time’s strict face
who would not dare disturb her dawns
only mine—
Roused by the first round of another day’s
ring of twelve
digits that insist
like uniform with apron waiting
on ironing board that’s never folded

Now the **** of Two cries out
Exultant!
of success in *****
Then, Oratorio for Soap!
The splashy version
with endless bubblings of “Rocky Baby!”
and obbligato of “Where’s Shampoo?”
in jubilant glissadal plunge
an octave through vocal whoops!

…I had not thought
she hardly talked
but sang and squealed or whined in tunes
Her voice lay open to her soul
a roost of piercing humming birds
small of words
but filled with sweet and want
incessant wings and things to say....

How could we have forgotten?

“Are these your boots?
Your clothes laid out?”
From sound and talk, we still can hear
frost phantoms
in winter window rattles—then as now
And Phoebe remarks how one voice
didn’t change though—
“Still talking to herself”

We laugh
and let the tape go....
This is one of those poems I'm so glad I wrote because no photo or recording could ever capture this memory as well.
End of a terraced wall
Atop of Hungry Hill
Three of us, two thirteen
Smoking John Player Blue
**** all else to do
This council estate
All we knew
From there i could see
My Da's own family home
Where he grew
How far he'd come
Could retrace his journey
While the ash still hung
Council estate to council estate
Old Ballynanty Beg
To this shiny and new
No boarded up houses yet
But stifled with bags of glue
Yet we were no dreamers
Just a three minute pop tune
A wish to run wild and free
No thoughts of  breaking through
Red brick, grey skies, hollow minds
To town we'd go
Dunnes, Boyds, Roches Stores
Robbing what we could
Batteries, perfumes and tackies
The thrill of the chase
A need to feel alive
Over Sarsfield Bridge
Where we could belong
Hearts pounding, legs racing
Back to Hungry Hill
And yes we were young
Of course we were young
But we'd still be there now
Smacked up on those bags of glue
If not for our Ma's and our Da's
For they knew how far they'd come
They knew
"Married couples should stop thinking of Marriage
as an institution, but as a relationship that's
on fire.
It just may last forever."
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