Though altercations of a secessionist sound stern,
Their minds are stuck and never learn.
Through a disabled rebellion their built,
Words designed to deplete one's self are spilt.
Although it's said consummation executes in the leaning vice of the secessionist,
The desecration becomes the birth of the segregationist.
The segregation of closed mindedness with those of the voice.
The voice has sculpted our worlds obedience choice by choice.
The voice has seen demons at their best and angels at their worst,
There is a reason why this world hasn't burst.
You see, our world is seen through a lens,
This lens doesn't defy our worth and script the uncleansed.
It simply sets a standard for the closed minded to follow,
The voice, doesn't have a standard to follow, this voice makes the lens for those left to follow tomorrow.

-Joseph B Schneider

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

From America I have gone home to Africa
I jumped the Atlantic Ocean in one single African hop and skip
Then I landed to Senegal at a point of no return
Where the slaves could not return home once stepped there
Me I have stepped there from a long journey traversing the
World in search of dystopia that mirror man and his folly
Wondrous dystopia that mirror woman and her vices
I passed the point of no return into Senegal, Nocturnes
Which we call in English parlance crepuscular voyages
I met Leopold Sedar Senghor singing nocturnes
He warned me from temerarious reading of Marxism
I said thank you to him for his concern
I asked him of where I could get Marriama Ba
And her pipe ******* Brother Sembene Ousmane
He declined to answer me; he said he is not a brother’s keeper
I got flummoxed so much as in my heart
I terribly wanted to meet Marriama Ba
For she had promised to chant a scarlet song for me
A song which I would cherish its attack
On the cacotopia of an African women in Islam,
And also Sembene Ousmane
I wanted also to smoke his pipe; as I yearn for nicotinic utopia
As we could heartily talk the extreme happiness
Of unionized railway workers in bits of wood
That makes the torso of gods in Xala, Cedo
As the African hunter from the Babukusu Clan of bawambwa
In the land of Senegal could struggle to **** a mangy dog for us.

Any way; gods forgive the poet Sedar Senghor
I crossed in to Nigeria to the city of Lagos
I saw a tall man with white hair and white beards,
I was told Alfred Nobel Gave him an award
For keeping his beards and hairs white,
I was told he was a Nigerian god of Yoruba poetry
He kept on singing from street to street that;
A good name is better tyranny of snobbish taste
The man died, season of anomie, you must be forth by dawn !
I feared to talk to him for he violently looked,
But instead I confined myself to my thespic girlfriend
From Anambra state in northwestern Nigeria
She was a graduate student of University of Nsukka
Her name is Oge Ogoye, she is beautiful and ****
Charming and warm; beauteous individuality
Her beauty campaigns successfully to the palace of men
Without an orator in the bandwagon; O! Sweet Ogoye!
She took me to Port Harcourt the capital city of Biafra
When it was a country; a communist state,
I met Christopher Ogkibo and Chinua Achebe
Both carrying the machines guns
Fighting a secessionist war of Biafra
That wanted to give the socialist tribe of Igbos
A full independent state alongside federal republic of Nigeria
Christopher Ogkibo gave me the gun
That I help him to fight the tribal war
I told him no, I am a poet first then an African
And my tribe comes last
I can not take the gun
To fight a tribal war; tribal cleansing? No way!
Achebe got annoyed with me
In a feat of jealousy ire
He pulled out two books of poetry from his hat;
Be aware soul brother and Girls at a war
He recited to us the poems from each book
The poems that echoed Igbo messages of dystopia
I and Oge Ogoye in an askance
We looked and mused.

I kissed Ogoye and told her bye bye!
I began running to Kenya for the evening had fallen
And from the hills of Biafra I could see my mother’s kitchen
My mother coming in and going out of it
The smoke coming out through the ruffian thatches
Sign of my mother cooking the seasoned hoof of a cow
And sorghum ugali cured by cassava,
I ran faster and faster passing by Uganda
Lest my elder brother may finish Ugali for me
I suddenly pumped in to two men
Running opposite my direction
They were also running to their homes in Uganda
Taban Lo Liyong and Okot p’Bitek
Taban wielding his book of poetry;
Another ****** Dead
While Okot was running with Song of Lawino
In his left hand
They were running away from the University
The University of Nairobi; Chris Wanjala was chasing them
He was wielding a Maasai truncheon in his hand
With an aim of hitting Taban Reneket Lo Liyong
Because him Taban and Okot p’ Bitek
Had refused to stand on the points of literature
But instead they were eating a lot of Ugali
At university of Nairobi, denying Wanjala
An opportunity to get satisfied, he was starving
Wanjala was swearing to himself as he chased them
That he must chase them up to Uganda
In the land where they were born
So that he can get intellectual leeway
To breed his poetic utopia as he nurses tribal cacotopia
To achieve east African thespic utopia
In the literary desert.

Thank you for your audience!

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)


I guess most of you will be born when
Taban Makitiyong Reneket lo Liyong is dead
When he will be already another ****** dead
Myself I am luck I have met relative of zinjathropus
I have shared a table and a roof
With Liyong the poetical witch of port Africa
Let me tell you how he is and what puzzles him;
He is black and short stumpy and weak
In his shadow of seventy years, a sagacious septuagenarian
He has **** eyes and his protruding nose is keen
On solving problems of an African girl child
He has read all the books in the world
Apart from the book of Amos in the evil Bible
He is ugly in the face and breathes cacophonously
In the left north with heavy sound
He is an aggressive eater with sharp appetites
Towards African herbs and turkana beef; goat meet
He is a sympathetic listener who gets
Inspiration by listening to the young
He loves all students with passion, but who knows
He loves poems and incantations
From the akuku culture in southern Sudan
Where he was born before becoming a temporary Ugandan
He is fond of taking knowledge upwards
The palm wine tree along the shores and coastlines
This is where he found the fellow son of zinjathropus
A palm wine Drinkard in the name of Amos Tutuola,

Taban wonders why Frantz Omar Fanon has
The un-even ribs on the sides
Taban wonders why there are no aged Chinese in the world
Why turkana women are the most beautiful in Africa
But they play like playing bush love where
But every time before you go off her top
The deadly desert scorpion bites you on the leg
Why The Babukusu of east Africa stopped their revolution
Why the books of Ali A Mazrui form a succinct tribe
Why the Masai chiefs eat as peasants beggingly look
Why there is oil in turkana area and no turkana man knows where oil is
Why Obama has not read his fixions and meditations, his youthful oeuvre
Why Wole Soyinka used to be jailed by foolish people in Nigeria
Why Achebe and Okigbo condemned Captain Elechi Amadi to detention
During the tribally secessionist Igbo war of Biafra
Why publishers in Kenya take bribes in kind
Especially whisky, pilsner, viceroy, smirnoff and freezing tusker
Why Pablo Neruda was not born in Congo
Why Jews are all over the world but none is seen
Why thirteen offenses against his enemies
Never shook the world like Das kapitel of Karl Marx
Why man cannot eat socialism but only bread and wine
Why Ramogi Acheing Oneko was not in Lodwar prison
Why Paul Ngei broke the leg of Jomo Kenyatta
When they were in detention at Lodwar
Why he missed by a whisker to betroth Grace Ogot
A Luo babie who leaves in the land without
Neither thunder nor promise of thunder
In the bossomy bossom of Bethwel Ogot
Whose foot prints on the sands of times
Hat to Sent Daniel arap Moi Home shout a lame poem;
Jogoo! Jogoo! Jogoo! Jogoo!
Why a short fat big headed man the poet in this poem
Asked him why he launched Christmas in Lodwar during December 2013
But not the intellectually logical So what and Show What
Why turkana men don’t put on *******
But still their ***** cannot make three percent in size
Of the size of the ***** of a Luhyia man Mr. Wanyama
Who hosted Taban during chrismas in Lodwar
Why his tribesmen will remove six front teeth
From his lower jawbone when he is dead.