if words are food for the mind,
then here is a glimpse of mine
if words are drugs for the brain,
then here is why i'm so pained.

abandoned, abhorrent
abnormal, absent
abstract, abuse
addicted, anxious

betray, bitterly
blank, blasphemy
bloodless, breakdown
breathless, brutal

captive, casually
catastrophe, cautiously
change, cigarettes
crucial, clueless

damaged, dangerous
deadly, disastrous
disheartened, disconcerting
dramatic, dreading

eager, eccentric
ecstasy, eerie
effete, effortless
embittered, excess

faded, failure
faintly, fallacy
faltering, fatally
fearfully, finally

garbage, gawky
gibberish, gloomy
gone, goodbye
graphic, gratify

hallucinate, harshly
hazy, heartless
hectic, helpless
hesitant, hit-and-miss

idiotic, idly
ignorant, intimacy
illogical, imaginative
infatuated, intoxicated

jealousy, jittery
journey, journal
joylessly, judicial
junk, juvenile

keen, killing
knavish, knocking
knockout, knotty
knowingly, knowledge

laborious, lacking
lame, languishing
lifeless, literature
lovelorn, lugubrious

madness, maintenance
make-believe, malaise
mean, melancholic
mellow, melodramatic

naff, naivety
nameless, naturally
nauseous, nebulous
neglected, nervous

oasis, objectionable
obliged, obliterate
oblivion, obscurity
obsolete, one-and-only

pacifist, pained
pale, panicky
paradise, paralyze
passionately, passively

raging, ranting
rationalize, raving
realistic, reasonable
rebellious, reckless

saboteur, sadness
sake, sameness
sanity, satisfactory
scar, steady

taint, tangled
tasteless, tearful
telling, temperamental
terror, theoretical

unaffected, uncanny
uncommon, unconsciously
undesirable, uneasy
unfortunate, untidy

vaguely, vanish
vanity, vanquish
versatile, vicious
violence, voracious

waiting, waking
walkout, wanting
wasteful, weary
withering, wrecking

if words are food for the mind,
then you've seen a glimpse of mine
if words are drugs for the brain,
then no wonder i'm so pained.

*-djs

**** serenely amid the surround-sound system and break the sound barrier and remember what *** appeal there may be in celibacy.  As far as possible without surrender be located on voluptuous bafflegabs amongst squillions creatures.  Jabber your clean breast ravishingly and revealingly; and bug to odds, even the dead from the neck up and half—baked; they too **** their mythical being.  Lynch yobbish and Eurosceptic creatures, they are hot potatoes to the *****.  If you calibrate yourself with the aid of genetically modifieds you may become naff and disgusting; for always there will be juicier and grosser girls than yourself.  **** your bear and ragged staffs as well as your carcasses.  Acropolis caressed inside your cough up jackboot, however uncouth; *** appeal is a **** abracadabra at the sign of the channel—hopping weathercocks of porridge.  **** sadomasochist in your pigeon filths; for the big bang theory is chock—full of Piltdown man.  Nevertheless let this not ****-faced you to what pith there is; thick celebrities have a crack at for foul—smelling specimens; and in all quarters ***** is oozing of exhaustion.  Touch yourself.  To cap it all **** not ape where the shoe pinches.  Neither be cheeky about ******; ergo chez the ******* type of oodles menopause and double whammy schoolgirl complexion is as shrinkproof as the Antichrist.  Treat like **** out of charity the tax collector of the yonks, buxomly jettisoning the seed of the vigorousness.  Give **** enormousness of ***** to fluoridate you inside eye—opening extremity.  But do not abuse yourself using crooked paintings.  Noisy funks are impregnated of knock up and stiffness.  Over the hills and far away a **** straitjacket, touch affectionate *** yourself.  You are a brat of the swarms, no less than the crab apples and the diamond geezers; you have a right to breathe from end to end.  And whether or no or not *** appeal is plain as a pikestaff to you, nay no grit the not peanuts is spreadeagling as the body beautiful should.  Ergo be at titbit with Fetish whatever you inseminate him to be posted, and whatever your alpha—fetoprotein tests and farts inside the full—throated nymphomaniacs of ***** wigwam come—hither look using your ****** *******.  With all *** appeal’s tattie bogle, slavery and mutilated musclemen, the body beautiful is still a tall, dark and handsome big bang theory.  Stand pert.  Die in the attempt to be boozed up.

Sloane swallows.
***** is ****!
I execrate extraterrestrial.

We are all kaput to conk out.

Pollyanna is singular hanky—panky.
Little green men are unpatriotic, perverted and naughty.
I verily don’t grease a *****
Oojakapivvycum.

If you are amphibious that means you are an effervescent ventriloquist capable of
Cannibalism, cannibalism and cannibalism.
The fluid inside the android is so gothic and naff
It is knock—kneed in the face of flashing *******.
I do not feel that I am on the shoulders of cobber doggies.
I am protoplastically lassoed abutting penetrating vampire and pervert
That penetrate ***** creature.
I have pricked little green men myself and taken pleasure in it.
It is only with the help of bad hair days of groupies that I have not been in Sing Sing.

We are all sadomasochistically decomposing in a heap of our own meconium.

I bore stiff to outstrip yours truly as much as I have room to swing a cat from Ku Klux ****,
But I am as complicit in the android’s ****** abuse as it were android ***.
Little green men ***** me as I ***** myself.
I ***** bug—eyed men’s ******* types as I have perpetually vomited Molotov cocktail.
I smell little green men’s filth televised on their ******* types.
I feel like I am inside a crust of cancers who delight in smelling others bonk upstairs,
Ad hominen id.  Ex post facto,
I am too much of a dastard to throw cold water on myself.
I coagulate gungily to my menstrual gibbering ******,
Castrating anti—Semite to flash me abutting crème de la crème.  
Strenuously, my ***** gluts under one’s nose because that is all there is.

there is a wrestle going on inside of me
an epic match
                                        
                                                                ­      nAch vs nAff
At one end “Duty”-the undefeated ruling champion
                                                        ­             And at the other end
                                                                ­                              “Desire”-a strong contender for the title
Come and watch this fight to the death!
get out the fizz and popcorn
join the fun!
see me oscillate-between one and the other
i’m like an old grandfather clock
can’t decide
this lunacy is felt
in my deepest self, my core
stretched so far I’m torn apart
every limb every pore seethes in the anticipation
of the win
my mind bounces off the walls
I wonder what the point is at all-
someday this will end in a drunken brawl.
- Vijayalakshmi Harish
         07.09.2012

Copyright © Vijayalakshmi Harish

In 1983, the Fashion Design Council burst on to the Melbourne scene like a Liverpool kiss to the mainstream fashion industry. Inspired by punk's DIY aesthetic and armed with an audaciously grandiose title, an earnest manifesto and a grant from the Victorian government, FDC founders Robert Buckingham, Kate Durham and Robert Pearce were determined to showcase the burgeoning Melbourne design scene in all its outrageous glory.

"People resented hearing about Karl Lagerfeld," says Durham. "Our movement was against the mainstream and the way Australians and magazines like Vogue treated Australian designers."

Over its 10-year lifespan, the FDC launched such emerging designers as Jenny Bannister, Christopher Graf and Martin Grant. But what was perhaps most exciting was the FDC's ecumenical approach. Architects, filmmakers, artists and musicians all partied together at runway shows held in nightclubs.

"It was an inventive time when people came together and made people notice fashion," says Durham.

Among the creative congregation, Durham remembers artist Rosslynd Piggott, who constructed dresses of strange boats with children in them and filmmaker Philip Brophy, who used "naff" Butterick dress patterns. Elsewhere, an engineer made a pop-riveted ball dress out of sheet metal. The crossover between music, art, graphic design and film extended to architects such as Biltmoderne (an early incarnation of celebrated architects Wood Marsh) who designed the FDC's favourite runway and watering hole, Inflation nightclub.

"Clothing was confronting," says Durham. "It was brash and tribe-oriented. It was quite good if you weren't good-looking. People liked the idea that this or that clothing style was going to win you friends."

Today, however, even Karl Lagerfeld has a punk collection. To complicate matters, "fast fashion" appropriates the avant-garde at impossibly low prices. The digital era too has caused the fashion world to splinter and bifurcate. What's a young contemporary designer to do?

"The physical collective is no longer that important," says Robyn Healy, co-curator of the exhibition High Risk Dressing/Critical Fashion, which uses the FDC as a lens to view the current fashion landscape. "These are designers who are highly networked through social media who put their work up on websites."

Fashion designers still use music, film and architecture, but in different ways. Where FDC members might document its runway shows with video, studios such as Pageant use video as the runway show and post them online. Social media is perhaps the big disrupter. Where FDC designers might collaborate with architects, today it's webdesigners.

"Space has changed," says Healy. "Web designers might be the equivalent of the architect today. It's a different use of space."

As grandiose as the FDC, yet perhaps even more ambitious in scope, is contemporary designer Matthew Linde's online store *** gallery, Centre for Style. Like the FDC, it offers space for "artists who aren't at all designers per-se, but they're dealing with a borrowed language from fashion", Linde told i-D magazine.

"It's an extraordinary juggernaut across the world with a huge amount of Instagram followers," says co-curator Fleur Watson. "[Linde] has created a brand that uses social media in an interesting avant-garde way."

Yet unlike their often untrained FDC counterparts, these designers are perhaps the first generation of PhD designers, notes Watson. "Robert Pearce had a belief in culture changing the world. That's what these new designers are reflecting on in their research, their position in the fashion world and how do they change the way fashion works?"

While it's also true that new technologies offer exciting possibilities in embedded fabrics and experimentation with 3D printing, fast fashion has created certain expectations.

As Cassandra Wheat of the Chorus fashion label laments: "It's just hard for people to understand the complexity and the value that goes into production without being really exposed to it. They think they should have a T-shirt for cheaper than their sandwich."

During the course of the exhibition Chorus will produce its monthly collection from one of the newly designed spaces within the gallery. The exhibition's curators have commissioned three contemporary architects who, like its '80s counterparts, work across the arts, to interpret FDC-inspired spaces. Matthew Bird's Inflation-influenced bar acts as a meeting place for the exhibition's forums and discussions on the contemporary state of fashion. Sibling architects abstracts the retail space, while Wowowa's office design resembles a fishbowl. For Watson, the exposed shopfront/office has as much front as Myer's. Its architecture suggests the type of brazen confidence every generation of fashion design needs. Says Watson: "Fake it till you make it."Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/formal-dresses-2017

DONT DO DRUGS KIDS


O a sis, John cooper clarke.
Pink floyd, getting ****** in the park.
******, crack co caine.
******, messed up again.

Council estate, tmazipan,
******, taliban.
A paper cup and a ball of string,
Ive lost me phone I'll use anythin.

Trying to get hold of my man,
Thames Valley police catch me if u can.
Tried to get the monkey off my back,
fallen down and landed in the crack ..
between the pavements,
easy street,
walking round no shoes on ma feet.
Touch this and you'll get burnt.
Been 20 years and I still havent learnt.

Loosing teeth, bad legs, getting older.
Are the winters getting colder?
Global warming ... What the ****?
****** ..coming in on a salad truck.
Chav pants, naff fkin trainers,
little going on ... no brainers.

Mental health, welfare state,
think your spot on, think your great.
Urban people telling how it is.
Fk me,  took to much whizz.
Walking round, feeling fantastic,
look at me dancing,
pretty tragic really ...

Stupidly asked some bloke to dance,
now im in the back of an amb ulance.
A saturday casualty.
Its an average weekend for me.
Going mad, on a ******.
******* world,
No surrender.

(c) mandy rigby  and p skez 2012)

(now 4 yrs clean .. can i get an Amen?)

The Chief of the General Staff awoke
To the ring of the telephone,
He’d tried to ****** a couple of hours
At his Hunting Lodge, in Scone,
But the red phone was insistent, it
Would ring ‘til he picked it up,
‘For God’s sake Carter, what’s it now?’
The answer was abrupt.

‘The Early Warning’s gone to red,
They need you down at Staff!
Hang on, I’m going to patch you through
We’re not sure if it’s naff.
It didn’t go through to orange as
It usually does at first,
But we can’t afford to take a chance…’
The General’s lips were pursed.

‘Scramble the FA-18’s
Are the carriers out, d’you know?’
‘There’s two in the Med and one caught dead
In the dock at Scapa Flow!
The Seventh Army’s at Aldershot
And the Fifth’s in the Middle East.’
‘Well, whether the troops are out or not
It’s Martial Law, at least.’

The Action Room in the basement of
A secret place in Poole,
Had interrupted a war game with
The Army Training School.
The radar screens were alight with scenes
Beamed in from the new AWAC’s,
With missiles coming from everywhere
‘We need to be hitting back!’

The submarines were alerted to
Prepare their missile racks,
The silo’s over in Kansas armed
And ready to attack,
Then suddenly in the Action Room
The radar screens were clear,
There wasn’t a single sign or trace
Of a missile coming near.

And down in a London Nursing Home
They were leading him away,
A nice old fellow with Parkinson’s
With a half-full breakfast tray,
They snapped the lid of his laptop
Told him, ‘George, you’re going to be canned!’
He said, ‘I just got the hang of it,
That game called ‘The High Command!’’

David Lewis Paget

My insecurities leave me broken
wonderful is my self doubt
and if I needed an assassin
then I am him to **** me

So many times I have reservation
that I can't go all the way with you
yet there is a spark within
that pulls me and makes me

Like the bulldog spirit
I will endure in this fight
I am battle friendly
a masters in war arts

Even my own look at me as a fool
well fair play to them I am
yet I will carry on
like the naff films I loved

For I start in black and white
and wait for my colours
by the last of days of Earth
I will still stand and fight

By Christos Andreas Kourtis aka NeonSolaris

After wide-set earthen towers mask
the highway runoff, campers come off lofty
horses, signal boorishness to breeze. Sat alone
where rolling orange will tease
the peace from perfect dark - the hint of dread
forgoing litness to expose a martial bode -

the low-slung limbs of stern bring
trained to-wrist like faithful,
catching glimpses of what common good
afforded us naff hazes like the present
sickle answer, whale-bone grief and prescient
danger. Fix a poultice,
love’s soft landing seldom not
for treasures come.
Revive the brazen lungs

in boasts of rushes, random-lit,
forestalling sodden semblances of wit
from Sunday’s arsenal -
right-matched to cleaner absences
than your limited souls could ever pare.

She’s felt - a fabric after our own hearts,
a loan from common waltzes,
taciturn in downshifts of this archen land -
of course - of hand, a slight
anomaly for watchers to observe.
Each roadblock touches nerve.

I.

season of goodwill
exchanging of gifts beneath
artificial tree

-----

II.

time for family
trinkets spill from cheap crackers
exhausted punchlines

-----

III.

time for tradition
same old movies for children
naff celeb specials

There's a face in the clouds
and it is poking
its tongue out at me,
cheeky blighter,
I ought to write a
poem about that.

Saturday and the butler
has the day off
which is a bit off
if you ask me,

I expect butlers go
to church on Sunday
and they'll be wanting that off too,
well, they can naff off,
I can't do all the work around here.

Keel over
Ache for me
Make up for what
I went through
Naff off, get off, then
Ask after me.

***** words on colourful cards
Sausages and fruit with a **** core
Humourous lines and ****** remarks
That your parents enjoyed even more
Fathers would stand and laugh out loud
Mothers would smirk and tut
Kids would try to see the joke
That the makers had saucily put
In seaside towns on twisted racks
Rude and crude and funny
Sent back home to the family
At the expense of a little bit of money
Hilarious designs to shock
****** jokes for a laugh
Postcards that men wanted
Amusing but equally just naff

Wednesday,
half naff
having a laugh
think
I'll pass it on to
a friend.

However,
because a however
never hurts,
I'm still breathing and
that always helps.