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Ray Miller Mar 2016
I’m Oxfam clothed and head full of henna,
he’s Age Concern dressed for less than a tenner.
Does this make us rivals or more compatible?
Anything’s possible now I’m out of hospital,
picking his path oblivious to obstacles,
catching him in an unguarded interval;
he’s too hospitable to swerve my tentacles
and I too intent on the prey.

“What’s with the titfer?” I bubble up giggly,
kissing his cheek and trying his trilby,
holding his eyes – why should I feel guilty?
If he’ll play Jesus lurking in Gethsemane
then I’ll be Judas flirting with the enemy.
Don’t say betrayal and the double agent,
I’m just a female at my play station.
He used to be nurse and I the patient,
now we negotiate new relations.

Aspiring to more of an equal footing
I’ve climbed too high and abandoned hoodies,
the dreary woollies, sackcloth and ashes,
the words that stuck to my tongue like glue.
Between heavy make-up and credit crashes
I talk too naughty and hug too warmly –
he must take his turn to be poorly,
his turn to breathe in blue.

In minutes the mood will be mellowing:
I shall saxophone and cello him
and proffer the charms of poor scarred arms,
the burnt flesh of thighs and *******,
this sin within my second-hand dress
to caress his heart and capture him.
Wind and string go enrapturing!
Pull him close to the edge of the abyss –
I want him to hang on my lips
as I’ve hung so long on his.
Vidur Khanna Nov 2020
A stacked pile of matchbox dwellings,
yellow hue visible from the shades.
Meant for hiding the darkest truths
and never to be shared escapades.

A withered leaf struggles to escape,
the branch it grew upon.
The fall wind sets it free,
and the dead beauty treads on.

Across the gravel road of my bedlam,
a street lamp casts a flickering light.
Like the rhythmic notes of a violinist
playing an ode to a mesmerizing sight.

The bard sees a silhouette,
his titfer' tip shines.
Circling the edges of the block,
the watchmen protect the times.

— The End —