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Looking heavenward, I see only the earth.
The stars align and the planets turn,
But what of the holy?

Archangels sit and smoke and weep on tenement rooftops,
And the collared cherubim bleed into the rainswept gutters
Like cut dogs in cardboard boxes by the highways of New York,
Or the roadsides of back-alley Brooklyn or Paterson,
Where the demonic masses lie naked in the streets,
Their souls bared raw to heaven
And their hair as messy as sidestreet dumpsters.

The misted rain fogs on the busted double glazing,
The bare limbed trees outside fallen victim to a long winter
And a late spring.
The air that blows through the streets of these mundane cul-de-sacs
Has passed through the lungs of cancerous dodgers
In those hell-indulgent cities,
Where children find their kicks by freerunning
Across buildings of bricks made from c-grades,
Or by standing atop high-rises in the grey wind,
And biting their tongues only to feel their own consciousness
Burrowing into them
Like parasites from the condemning schoolhouses or university halls.

You’re alone when your skies turn grey,
And the rain falls with all the purposeful intent of a neon god.
You’re alone when your smashed milk bottles and broken plates
Are like music on those drug-dampened dawns,
You’re alone when your cold, ash-stippled roof gardens
Are your only way to heaven,
You’re alone when your fingers are cut on your own writing
And you are dizzy from spinning yourself sick
Alone in your splintered art lofts.

Your stars are misaligned and your planets need engine grease to turn,
And you sit and smoke and weep on tenement rooftops,
But you still look heavenward.
You see your madness in the same silver moon
That compels the tide and transfixes wolves,
You recognise yourself in newspaper clippings proclaiming ******,
You acknowledge your expression in broken syringes
And powder remnants
On the glass-topped coffee tables of water-dripping apartments,
You feel your heartbeat in the gasolined engines
Of stuttering Cadillacs
And taste your own warm lifeblood in the burgers of roadside diners.

You see cosmological galaxies bursting like Van Goghs,
Horrible, bitter-cold starstorms underneath white skies,
Raindrop-dripping garden leaves in shrubberies and verges
And earthy rockeries,
You dream of enlightened, ***-smoking boys in beat-up trailers
And the cluttered box rooms of sky-high apartments,
Of screeching atop stone-cragged mountains of green in highlands,
Of bell-rung harbours in the white seaside towns of England,
Of the salt-chapped lips of fisherwives
And the bone-skinny children of sailors,
Of visionary angels in stained glass cathedrals,
Of the cobbled thoroughfares of lamplit cafes in a Parisian purgatory.

And yet you lie naked on floors,
You lie high on floors and let visions spill from your hands
Like the whiskey you drink.
You are under us now,
Under the earth like meat sacks.
But your vision lives on
In every piece of self-indulgent fuckery written for you,
In every copy of your collected works
Or your novels.

Seek,
Live,
****,
Die.
For you are immortal, in the end.
**** ending, but endings are hard.
Alexandra Emmett May 2014
You yell beneath the floorboards.
Pounding fists, cracked promises lie in
Casual bricks dropping like tears that
Never mattered.

You cry beneath the floorboards
Of little red schoolhouses, tired tire marks that show
They’re not coming back and
You’re not going home.

You riot beneath the floorboards!
You shout and scream and rant but they
Cannot hear you anymore.
The stores are closing like a trap door.

You die beneath the floorboards
A death that was not peaceful but panicked
Like an elevator that has stopped moving
Briefly and indefinitely, you are gone.

Now we crawl beneath the floorboards
Searching for pieces of you like receipts
Stashed away in a pocket of an old coat.
You remind us of whispers and walruses and things.

And someday when we find ourselves, fierce
And fleeting, underneath the floorboards,
You will remind us of our fading voices forever
Silenced, but never ignored.
Sam Temple Jun 2015
stabbing pain fills my abdomen
the sensation of a heavy rock dropping quickly
hits my bowel
sweat forms down the center of my back
and on my upper lip
the Christians have arrived
and I am sickened by the sight –
cross wearing hypocrites line the streets
holding signs of hate
in the name of Jesus
trying to pleasantly force a false belief system
on little children leaving schoolhouses
throwing rocks at **** victims
whose only crime is not wanting to carry a ******* to term
and bashing the lifestyle of homosexuals
like God gives a **** where people put their ***** –
blindly following aged stories written by drunkards
the sheep-like nature is an affront to me
I stand both horrified and in awe
watching people speak of doing unto others
and expressing that only the Lord judges
do they know how full of **** they seem? –
backing slowly away from the scene
I slip quietly back into the shadows
as long as my country holds true to the adage
that church and state are separated
these lunatics cannot control me
well….except the run the country –
Do you see the caricatures neath the full moon pines
The ghost of General McIntosh , spirits of Creek hunters along
the river brush
Old Timers whittling song flutes from bottom cane
Farrier's shoeing mules , work horses straining at the
crack of the whip , ferryboats treading shoals across the
foggy Flint
The voices of children in one room schoolhouses
The rousing , morning bell of little towns , the clap
of field wagons
A fiddler sawing a piedmont 'Rag'
The rustle of picking field peas with Croaker bags
Copyright December 20 , 2016 by randolph L Wilson * All Rights Reserved
Michael Kusi Feb 2018
People always crying out
Some with the utmost pride
We in the field
You in the house
What field are you in?!
You don’t have a professional field.
You don’t possess no working field.
There are no working clothes
All we can see is your ***** laundry
Where can you hide that?
All the world can see and mock
***** laundry left too long only become legal suits.
The type the government brings against you.
That have you dressed up in court proceedings.
And wishing you had pride in being in the right field
Before it was too late.

There is no education there
In order for there to be a field
It has to be safe for seeds
But our seed are not in fields.
They in jails
They on probation
A place where seeds were not meant to be
A place where seeds cannot grow
A place where seeds die from lack of care.
And the last time I checked
Being part of a system
Is not part of a field.
When all we have to look forward to are gates.
You don’t even work in a field
You mistake bitterness for empowerment.

And you have the audacity to be mad I’m in a house.
So yes I’m in a house.
A house I bought with my money, my toil, my sacrifice.
A house I got because I went to schoolhouses all my life.
A house I acquired because I went to church houses and learned to worship.
A house that I could make a garden in
A paradise garden for my seed and kin.
That old house-field dichotomy
Ended when we was supposed to be free.
You say people who live in glass houses shouldn’t throw stones.
I say people who don’t have a field shouldn’t throw shade.

— The End —