stand(ing) here alone in the dark
like a head of tack pirouetting away
  to no music - only acrid scruple
    of this being with and not being with,
     one is always alone.

  space occupies the potteries in
  the garden as a steady arm of light
  stills in its mouth, a flowering dark.
  it is only 3 o'clock in the morning
   and the heat clambers the wall of
   the vacuously atrabilious moment
  of just plainly existing. the slender
  harlequin of moon, like an old lover
  having its own way with me, a child's
  yelp coming home — the hermetic
  air crushing the light, slivering it
  revealing all the ensconced phantasms
  too commonplace like a fork in the road
that i know, or the wayward metropolitan
  that teems with a concatenation of roads
  and gutters bilious with the squall of day.

  a figure moves entering a warm miasma,
   receiving the star of aloneness,
    vacillating between
  place and         placelessness
   telling this originary of repossessing
       the moon with a hand in my hand,
   pressing a question of where
    have you been all the raging while.

BULL   FIGHTING
(WITH A CLASSICAL TOUCH)
                  * By Raj Nandy*
(I)
The Minoan Civilization of ancient Greece,
Was well centered in the Aegean island of Crete;
And around 1600 BC this civilization had peaked!
Seeing their frescoes, and paintings on potteries
and vase,
Scholars concluded that ‘bull-jumping’ was
perfected as a gallant art!
Those jumpers grabbed the bull’s horns, -
And receiving momentum from its violent
head-****,
Vaulted over its back in a somersault,
To land on both feet to break their fall!
I was spell bound by Minoans courage and agility,
Their acrobatic feats performed with such
dexterity!
Those bulls were not killed and no blood was shed,
Some acrobats might have been injured instead!
What a shame for our bull fighters of date!

(II)
Today bull fighting has become a popular sport,
Where the bull gets slaughtered amidst loud applaud!
I recall those Roman amphitheaters that remained
jam-packed,
When the Gladiators performed their fatal acts!
But even those Gladiators had a chance to survive,
Our cornered bull has no place to hide!
Friends, to see blood is an age old thrill,
But none would like to see their own blood spilled!

(III)
Our Matador today is like a popular Rock Star,
While the bull becomes a martyr in the pit by far!
The bull’s mighty horns are sharp and strong,
Can lift up a man like a rag doll!
But when the Picador lances the bull’s ****,
The bull never gets a fair deal and jumps!
Next the Matador waves his ‘muleta’- a red cape,
The bull makes a final charge but cannot escape!
I wonder if the bull sees red!?
The Matador then amidst much pomp and applaud,
Spikes the neck severing the bull’s spinal cord!
He is greeted by flowers and cheers of ‘Ole’! ‘Ole’!
Let us learn from those Ancient Minoans, -
That's all I have got to say!
                           - by Raj Nandy

Just hanging around stuck in the background where Echo and the Bunnymen sing sad songs,they're not funny men and I'm not one too.
Going to take my Queen and fulfill a dream,dine in style at Mile End,wend my way down to Nandos,pay for chicken,sticking less to the plan because I'm only a man I travel to Hackney where the wild men of Shoreditch come out to attack me with rolled up newspapers,their capers amuse me until I blink twice, and I see, that my Queens seen it all and goes off in a huff,
Puffs of smoke are no joke when you're born as a bloke because the magic don't last,blast it nearly passed it,the turn off for middle age,junction twenty six on the revolving glass mirrored stage,but I made it and now I'm back in the sun waiting for my Queen to come,my apology accepted along with the promise of a day trip to Poundland,stand and deliver while we shiver our timbers and limber up for the party on interstate four,
sore from the laughter we take a bath shortly after because we like to stay clean,my Queen thinks I'm ***** and men go that way after thirty but I'm not so sure.
I have pure intentions and clean underwear,does she care? I think so but it's so hard to know what she's thinking,she tastes of melons when I'm drinking her in.
In this flotilla where the will of the one doesn't win,we all stick together, whether it's a good thing or not,
but I've got a plan and because I'm only a man it's a good one and so I carry on and she carries me,I meet her mum and she marries me..sounding obscene,I mean I married my Queen,not her mum.

It's all in the spaghetti which I'm sure that SHY YETI'S BEST OF BRITISH - PART 1 doesn't cover,so it won't keep me warm but no harm in me looking through this facebook and cooking a dish,should I wish, for some it's back to interstate four,where the cops will be waiting with a ticket to the potteries and a fine for the finder of the stopped timex watch winder.

where was I
in Mile end?
yes,
going to spend but stay lean as I talk with my Queen,
and so it goes on.

In New Brighton,
in the Wirral they gently laugh at
anyone who thinks the Beatles
could be bettered
Still to this day I think
The Big Three's " Some other Guy"
was the better version.
In Stoke, dear Staffordshire
they apportion YMCA mentors
to the homeless teenage kids
who haven't yet navigated
the logistical hub of the new Potteries,
yet can only dream of open spaces
where weeds will flourish
Trentham Gardens being  one.
Each of us would agree
there's a nuance in self preservation,
only recently carried to extremes by the vitriolic
of the late Summer Riots
whose fiefdom cry
"preponderant re-distribution"
turned England over.

I gathered like a collector,
And put them all together
Like a piggy bank that's dear
I held them close too near.

The Waves may clam
what's written on sand ,
and so i carved them
safely on the land.

Structures may change
when the clay is moist.
So in kiln I baked for
them to be poised.

All these efforts went in vain.
The carvings submerged ,
The potteries damaged.
Yet I stand here in pain.

Why you met me?
I don't know.
What did I lose ?
I don't know.

I stand vanquished
with no more stories
And thief you stand there
stealing my memories!