Submit your work, meet writers and drop the ads. Become a member
Jade Massey Dec 2014
Those clear liquid drops of fluid that roll down your cheek when you cry. Crying defies the scientific explanation. Tears are only supposed to lubricate the eyes. When tear glands overproduce tears at the behest of emotion...I think it's our way of releasing those emotions; sadness, grief, desperation, anger, shock, happiness, etc. Emotions are weird things. As humans, we have hearts and brains. But emotion also defies scientific explanation. Hearts are only supposed to pump blood, not feel emotion. I guess, in a way, humans defy scientific explanation. We cry, we have feelings. But it's beautiful. Tears fill our eyes until they're blurry and we can hardly see. Tears roll down our cheeks, the sides of our noses, into our slightly open lips, down our chins, and even along our necks. When eyes are full of tears and they glint in the light, it's almost inhumanly beautiful. But tears can also be ugly things. When you cry, tears clog your throat, your nose. You have to breathe in gasping breaths and you can't see because your eyes are too blurry. All you feel is the damp marks your tears left. When you look in a mirror, your eyes are blotchy and your nose is bright red. Your eyeballs are glassy and water marks your skin. After a good long cry, you grow tired and fall asleep. When you wake, your face feels like it has been scrubbed raw, but really it's just the tear tracks. It isn't the tears that are ugly, but the crying. Humans are complex beings. Everything about them is also complex. Sometimes, those complex things are beautiful. Like...Teardrops.
["Crying defies the scientific explanation. Tears are only supposed to lubricate the eyes. When tear glands overproduce tears at the behest of emotion..." (Insurgent, Roth)]
judy smith Sep 2016
If anyone can make a feral animal print cool it’s Arabella Ramsay. The designer, who skipped the city in favour of the coast a few years ago, has launched a new lifestyle brand in collaboration with her dad Dougal Ramsay, an accomplished artist who has designed ranges affectionately named after all things Aussie; Hello Cocky, G’day Love, Veg Out.

Burnt out from more than a decade in the fashion industry rat race where she had amassed a cult following among adoring 20-somethings and private school girls for her unique apparel, Arabella shut her Melbourne shop five years ago and moved to Jan Juc where her husband has a yoga studio, her daughters play with bunnies and organic eggs are collected from the backyard coop.

Yet the fashion industry has come calling again, albeit in a different guise born of her slower lifestyle and rearing two children. A born and bred farm girl from Kyneton, she has forgone on-trend collections and retail overheads for family-friendly leisurewear and an online boutique.

The print-heavy collection features irreverent Australiana imagery created by her dad: “Bonza” bunnies, cheeky runaway gnomes, larrikin cockatoos, and come summer, a “******” croc print. The coloured sketches run across all-over yardage on leggings, hoodies and T-shirts for men, women and kids.

Dougal says his brief comes from his daughter who then “weaves her magic so the next time I see those drawings they are transformed into cute frocks and tops”.

She has a great eye for pattern and scale. “I enjoy seeing the finished product where a small crab on a skinny leg can grow into a giant monster crab on a rounder leg.”

A successful illustrator and author, Dougal has been fascinated with Australian culture for years, his nostalgic pencil sketching idiosyncratic scenes of country town lifestyles and coastal culture; seedy caravan parks, fishing hamlets and an architectural vernacular that “sadly has pretty well gone now”, he laments.

It was these scenes and Arabella’s own wholesome rural childhood that inspired the father-daughter label. In the spirit of Linda Jackson and Jenny Kee, Arabella wants to “show people the exciting things our country has to offer”, she says of her desire to “celebrate what’s in our back yards and in doing so, tap into the tourist market with a bit of style”.

Manufacturing is done in Australia where possible; a favoured maker is Cheryl, a woman Arabella’s nan found years ago while shopping at Spotlight in Ballarat. “She works from her small shed and has been making my clothes for years. It’s nice having quality control so we don’t overproduce.”

Lighthearted and a little bit kooky, the Dougal range is cultural cringe re-imagined as contemporary cool. Its Instagram (@wearedougal) is a feed of everything from Aussie idioms (Stoked! Strewth!) to summer vacations in Menorca, photography honouring Rennie Ellis, Dougal in the home studio, surf reports and Arabella’s idyllic beach house that has graced the pages of international magazines. Her own sartorial style is an inimitable mix of “70s vintage, preppy, **** and even a bit dorky” that’s equally at ease with the yuppies and the grommets.

“You can basically wear your pyjamas to school pick-ups and your wetsuit to the supermarket,” she says of the local surf town look. “But I still love high fashion and just bought a pink lace Gucci suit for my best friend’s wedding.”

An online purchase, it arrived via the dirt track leading to her secluded beach house. Fair dinkum.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/blue-formal-dresses
Candice h Dec 2018
i got so much to say i trip over my words
They overproduce they clog my mind
My words are my bones
My thoughts are my spine
My mind my home
My memories the marrow
My brain are my feet
My eyes the window  
My laughs are my nerves
My body is a temple
My Knowledge my food
It’s how i eat
My voice are my hands
They reach out in need
My tears are my blood
They flow through me
My opinions are my teeth
They’re sharp as can be
My truth are my lungs
It keeps me breathing
My past my hair
They fall upon me
The present my skin
I’m in it daily
The future my heart
I fear but can’t see

— The End —