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NF Aug 2015
Five monoliths stand,
Look down on the lost lady,
Scattered in leaf litter and memories,
Chased by the faint scream of a saxophone
It's funny
That she's alone.
After night after night on a darkened stage
In a seedy bar
Where it isn't wrong- it's jazz
And life,
And she can wear her skin like a crown
But now,
She is lying in the dirt,
And the only hoots she gets are from owls who dismiss her as no threat
And the only eyes that watch her are wide and glowing and waiting.
Her feet twitch to the muscle memory of a tap routine
Where she stamped her way to a high kick, slide, jazz hands, splits, arms up to take it in-
Now there is only one part of her that still sings.
It's a song of mourning.
Her heartbeat drags its feet along the floor it goes slow
Like the blues chord she never knew the notes to but she heard it in every song.
And she saw it in the smile of the piano player as he winked at her
And she flipped her hair and turned to her audience,
Safe in the knowledge he'd still be there
Until he wasn't.
Wedding bells never mastered the blues
And from the moment of his matrimony every note was too sharp to swallow,
You can't be light on your feet if your heart is heavy
She started looking for his smile in the bottom of bottles
And hugging empty pianos-
It wasn't that she needed him but without him her lungs were empty
And her songs became the warble of shot birds
She started to screech.
Now surrounded by decay
Even her body gives way to time,
Now he'd have to find beauty in between the lines that score her face
And her skin is a crust that is slowly contracting
And she is cooling.
She's half dressed in half heeled nudes
And a **** neglige
And her hair is only half curled cause the trees like it that way,
Her lips lost their red to the tint of blue,
And though she's lost her liner, her eyes are even darker.
She howls herself to sleep in shades of blues,
Writes her own chords across her bones and teaches them to the birds,
Takes their cackles for applause.
They think she sounds better that way,
Broken and drowned in a torn **** neglige.
Mateuš Conrad Nov 2015
i'm a poet, i don't see language in linear fashion as a plumber or an electrician might, or as circular as a lawyer spinning lies might... for poets language is multidimensional... and, counter-intuitively... disposable.*

in the language of phenomenology
the kantian concept of the noumenon
is just translated:
an exception -
and there is not article attributes
to suggest whether the stressor
can qualify as definite or indefinite,
since the quantification value is 1,
while the qualification value is 0,
meaning that the phenomenon of, say,
a heart attack, with the phenomenon
allowing 3 years more to live,
while the noumenon allowing ~8 - ~18
years to live is un-quantifiable,
since it's an exception,
and can only be un-qualifiable
to stress its parameters if it's left
un-inspected by the noumenon-itself.
i can't stress it simpler, nor can you;
as with regards to to the commonplace
problem of existential identification
with concepts such as god, john smith
b. 1974 living on mayfield st. for the past
twenty years, married with 2 children...
using such edenic nakedness as are the pronouns,
then returning from this realm of nakedness
into attire of concepts in cognitive signifiers
used elsewhere for prayer and divination,
what are you so naked among the cardinals' clothing?
a wriggly worm, if anything?
we have inherited a nakedness with the nakedness
of pronoun usage to avoid theological association
specifically, to remain human,
to remain as john smith etc., and not thirst
for such entities beyond the invisible realm
of sub-atomic particularisation - refreshed
by the fact the we can ***** the einstein bubble
where time and space huddle hug and play the harp
in a parallelism of the dipped-in...
we can suddenly hear newtonian causality
of the atom bomb... of the internal combustion engine
and the "sparing" use of fossil skeletons
derived from hawaiian postcards and pavlov of the eyes
that ingest jealousy to salivated rather than hunger...
we can see newtonian physics provide us
cause & effect... but in the einstein muddle
we go on... living our perpetually-seeming lives
to the extent of a debt unpaid...
seeing is believing the old maxims shushes
when others are muttered in retreat
from the arena of rhetoric where the greatest actors
engage a sizeable inversion of parameters
in terms of mechanics and activity...
oh there... there they have it...
the western hinterlands who took pride
in teaching children of the greatness of nations
being built upon the remnants of butchering
social / civil engagements... and having no
other foreign power engage with their
disorientation... now... the great nations... now...
suddenly... trying to invoke a foreign civil code
into a nation that lost its civil practices?
will an english butcher say to a syrian baker
that the syrian tailor is prizing his body for bounty?
no, because an english politician will do that for him,
the english butcher will be a pop-art colour splash
against the pavement...
civil society of syria is not dependent on
english civility... and no english politician
can provide the syrians their former civility
between trades to make society coherent again...
only the syrian neighbour with a syrian neighbour can...
no politician knocked on my door in my life...
i don't even know what a politician looks like
or sounds like...
a civil war can only be solved by civil means...
not by foreign intervention...
it is about civilians becoming civil once more...
foreign investors will never crack the stalin code
available to the civilians, there, waiting...
to re-engage with society once more...
with civilising with providing art...
we don't need bombs and foreign soldiers in syria...
we need art... seeing how all the foreign neglige additions
of the final solutions in terms of postponed paranoia /
para-phobia / the spider just transversed the ceiling
doing a moonwalk - care for old ruinous buildings
that define the meaning of museum.
if i'm being honest... i rather see the worst... than fear the worst.
Mateuš Conrad Sep 2015
given the balthazar incident, to end the babylonian party
along with cuneiform, and prior to that the extinction
of ancient egyptian, both could have continued,
none the more "ridiculous," i.e. complex than chinese,
and given so much heat came against the hebrews
for their supposed christ killing badge of honour
(there is a modern equivalent, he's called dynamo,
he's a magician... the three magi... where's the wise
bit?), i greatly surprised that the latin alphabet survived
and was not fated for extinction through divine intervention
of some sort.*

perhaps rome was a wreck, tooth marble crumbles
and spicy tatters itchy with lice,
but the itch took a **** girl's cat's eyes
innuendo filled with distance and neglect
apart from neglige ushering in fancy and fantasy
but not the: oh, i forgot you were there.
but then ezra's french is there, and i bitchslap back:
perhaps the ordinances of rome were lost,
the gladiator's podium replaced by a bulge of rugby tackles
and necks with bigger circumference
than a model's lettuce and m & ms diet waistline -
but i have you know rome is alive & kicking the trashcan,
god spared it, took to accenting the original borderline
locals with the french, being the most annoyingly
spelled - no distinct units i have to know -
no distinct phonetic units i have you know -
keep the peasants buttered too eager to slap
ivory into lard to gee up with glee the anti-ageing cream,
i'd kept the power in the tongue,
but that power origination is long long gone,
everyone's a mythical typo mischief with such words
from the plum tree dropped as:
tout ça en arrière -
that c that's an s, that edible cutthroat loose eh dropping the -re,
when it's not a stressor in the mud of an electric current shot
through to the marrow for death's cackle i'm
saying a few words over and over, again:
perhaps rome is in ruins, but at least it's tattooing ink
did not switch to runes. rome's in ruins but not in runes,
too many matchstick men in counting with a longbow man's
free hand churn to throw the dice and arrows into
the french infantry: five's a quarter
and an icicle of index and middle; up yours!
well some say, poetry: white man's rap. i say that too,
although i'd rather think it through with rubrics of a rhombus
turning the beatnic conception of a suede savvy square:
to be a chirpy bunny cool in the city of hangmen walking
to fresh knot toe ties on the flea market of bargaining pensions
for offshore interest in champagne and ****** by the crate.
so tell me if rome was given a bogus backup
had the babylonians kept their cuneiform and the egyptians
their rosetta twins with jackal and hyena and osiris audible in silence
for the eyes - but because the norsemen came with runes,
the great intervention came, provençal -
hence the holocaust culmination from the rune men,
down in shackles we heard the idiots' marriage to the old ways,
to revive the runes and loons and bugs bunny,
but the power rift never took shape - came the divine intervention
to strain accents into perfect, and distinct,
came the "wrath" to salvage the beauties of the ancient past,
just because you couldn't hebrew a program into software
like you could write in mandarin the moment the lightbulb went out
with more than one image: buzzpoptst with our spectacles -
wet drum slick i say, mosquito in a balloon.
Mateuš Conrad Nov 2015
what terrible news, the marx in me said it true, article heading: mental health gets only 1% of council tax...£664 million a year on ****** health... £111 million on tackling obesity. here’s a simpler explanation... c.d. is part of hardware... mp3 is soft-ware... get a scratched c.d. and turn the hardware into software... then put the virus mp3 onto an iPod, which is hardware... then watch the technological virology take over... the host hardware will break, given that the parasitic software is implanted from a sick hardware it was copied from.*

i was redecorating my mother’s living room,
for a handshake and the prize:
don’t interrupt my drinking pattern, woman please!
so i found to ancient scribbles of paint,
but then hid them like a treasure chest...
i also found the vol. no. 2 of kant’s critique of pure reason
under one of the pieces of furniture...
over a year i lost it... blamed everyone i knew...
but in reality the realisation came when i rekindled
the bookmark coordinate:
it took me two conscious years to read heidegger’s opus,
consciously defined by reading poetry on the sly...
with kant i ended my reading with the introduction of hegel:
antonyms of a pure mind - the third conflict between transcendental ideas -
i got the antithesis straight away... mainly because it spoke of freedom...
while the thesis spoke of the laws of nature and 1, 2, 3, 4, 5...
0 central...
it spoke of sequencing of events... it spoke of 1, 2, 3, 4, 5
as paradoxical of 2, 3, 4, 5... and 3, 4, 5 and 4, 5, and 5.
i think i better translate this passage to exemplify the point...
i lost kant for over a year and the **** sizzled...
i kept heidgegger for a year and i came out wondering
why it should take someone 15 years to study aristotle by the man’s suggestion,
so i had myself the alternative:
philosophy begins with awe... well... so does tourism.
let's just say there are corridors at the junction...
we say i almost pickled a cat's paw with wet cinnamon
or ketchup to imprint a paw-print with the gaff quote:
i was here, i found the sound meow inexplicable,
incomprehensible... given the human complications,
i decided to utilise meow with randomisation away
from my superior intuition... whereby the phoneticism
of meow was less than my eyesight and hearing...
so i announced the whiskers and fur and snake-eye in mammal
with a meow... i used meow to communicate with the complex
vowel-consonant reason, but i found my intuition
in rachmaninoff's vocalise wordless song... with my ear against
the radio dreaming away... so said man un-attentive of me...
that i managed to mingle my instinct without the meow
asking for butter... and instead for the daydream...
diva lute diva tangled... diva es lute es flos...
there i was... the cat of abashed baptisms at the fountains of
the baptist with my head wetted...
careless for the dung bag walking partner, or the plaything
i was forced to take interest in... my casual...
fat for keratin, as if fat translated from man unto animal
to ask the boar for the daydream of the conveyor belt
with lost fur and gained fat...
off with my shirt i too graded the follow-up...
as a loss in the tightened woods of winter with the losing shadow
of the shadows of beckoned crowns not adorned in vogue.
but this was only 1912... five years before the revulsion...
before the revolution... five years! spent in the abode of harmonics
by the piano i tried to mistune to write a deathly haunt of presence...
operatic alphabets twisted me into recovering from
the foremost attraction of failure... the neglige of virginity lost
to the public's applause missing...
i too could have vouched a coming back: of spirals away from
the champagne starlight in bouquet crescendos,
for the simple minded aura of perfection - but i vouched
hypnosis as the adequate precursor of staging fright
as the lost composition rekindled into revisionary composition
regained - there too i found the picturesque familiarity
of unsung hilltops regaining strength in the longshanks' heels
as if by deed of achilles in strength regained...
to frighten the lowlands with that glorious fame of
being poisoned by the gratifications of excess in the untrodden path
thus trodden by ear and echo rather than foot,
into the zephyrs of the larynx-ballerinas upon mountain-tops...
thus there, among the content misanthropes -
i too searched orpheus' mirror and prometheus' stone
to be bound to an eternal moment that denied all
other eternal moments and furthered the denial
by not allowing a bullish billion of china
its existential prowess among nations so frequented
by scandinavian description.
Mateuš Conrad Oct 2015
i find this mentioned success found and expressed in the parameters of life,
nothing more than a philistine’s interpretation
of why la traviata resonates more profoundly than madam butterfly
when a girl does not use rhetoric to see the latter opera
but bows to the former in a sort of cognitive neglige,
so why do i find this mention of existential “success” so unprivileged
as to require a deviation from it and complete the individual?
think of the existential “success” as nothing more than:
a zoological phenomenon, the one chance to zoo-keep the dodo not executed,
most people will live in this safeguard,
they will forever remain the one example of continuity undisputed,
they will be safeguarded by the fact that countless examples have & will follow
them, and they will be petrified into ranks in a soldierly fashion
without moaning, for they are indeed the ones who reaped
the safeguard in the first place, the continuity must persist,
individuation must known nothing of what individuation is -
that process of self-depreciation as a worth in the worth of isolation -
they do exist in this safeguard not for any amusing qualities,
it’s the quantity of the escapade that’s amusing, amusement
based upon its success!
there's mr. and mrs. with 2.4 children,
and there's mr. barney and mrs. barney née barnacle
with an only child and a ticket to jerusalem.
so i digress now on the whim - if i were a sufferer of a medical condition,
a psychiatric one at that... would i have great or no insight?
i find it hard to concentrate on the theoretical side of things
without giving a chemical idle wave of the hand giving full
trust to the chemical cure... rather than a theoretical cure...
if i were truly a sufferer of a condition... would i theorise?
i guess i’d button up do my trouser zip up and take the chemical answer
as the “cure,” instead i decided to “cure” myself theorising,
which can’t make me a sufferer for all reasons stated by
an abstinence from the hippocratic trust... which isn’t really there...
hence the need to translate all this as: a hippopotamus oath,
the nearest noun next to dinosaurs... hip oh oh...
for why would anyone being a sufferer of a diagnosed condition
suddenly decide to theorise the symptom as a cure
rather than accept the cures given?
no sufferer of a condition accepts theory as a cure...
most just take the force-fed mechanisation of excessive use of
chemistry as if it was a choice of a beauty product...
yellows olanzapine and blues some other anti psi psi...
in summary... if i truly suffered i’d suffer without theoretical escapades, i'd take the cure and not bother theorising:
but since i don’t suffer from a false diagnosis i theorise...
sober enough to do so... even though drunk enough to enjoy the silence
and the holy lack of conversation...
i guess in depth, the migrant's ambition in me to be content with
arbeit macht frei... translated from doing construction work
with my father, or my specialisation in chemistry into
industrious writing patterns... a poem a day... let's
you throw an apple at a psychiatrist every other day.
Qualyxian Quest Jun 2023
No religions very believable anymore
Theologies all broken
Charlotte alone in Kyoto
Silences unspoken

Seminole resistance
Navajo spirit guide
Democracy is chaos
Frogs in formaldehyde

Aliens might be out there
She might be inside
I might be crazy
On that day I cried

See her in her neglige
See her sway down low
Charlotte, sweetly Charlotte
Lost in Tokyo

              Kamakura snow

— The End —