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A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Francie Lynch Nov 2015
On this side of the bridge,
Between time and eternity,
A foothill to the Necropolis,
Rises the cathedral.
The remains of St. Kentigern
Maintain it, the founding Father.
The spire tops the cruciform
Pointing the way to Glorify.
Within, walls are embedded
With plagues, standards and swords,
Praising foreign campaigns
And distant expeditions
Of long lost brave hearts.
Pilgrims stand silently;
Tourists nod quietly,
Pointing at remarkable achievements
Of Empire, and the young,
Beatified on distant lands.
The fading banners protest:
For this I gave my all, my best.
The stones are cold,
The windows stained:
In the crypt, St. Mungo lies,
The foundation of all
That died.
Kentigern and Mungo are the same person.
201 Jan 2016
nana,

my love for you is immeasurable. i hold you with fierce love, packed into a brief and firm hug. i try to put all those years of pure love you've had for me and this entire family in a quick brush of my lips to your cheek. i hold you as if it was the last. i've never felt more joy than seeing you at the dinner table, smiling when i gave you some of the hot cocoa i made. hot cocoa, i know. it probably meant nothing to you, just another night at the dinner table. but in that moment, i understood.

i made that hot cocoa with love and i understood why you spent all those years on your feet, hunched over a huge *** of tinola. sinigang. mungo. pancit. i understood the love you put into everything you do, paralleling the love you have for this family.

i remember your face lighting up after taking that first sip. you're diabetic, believe me, i know. sugar is a privilege and your diet is strict. seeing you, with your hands wrapped around the mug and your smile lighting up your eyes. i saw youth. i saw happiness. you laughed. and i did too.

i know i haven't been the greatest granddaughter to you, and i'm sure i'll think of 500 ways i've wronged you in the future. but i just want to immortalize my sentiment, even if you'll never read this. i know i've strayed from tradition. i know i've took the opposite fork in the road. i know i'm not who you hoped i would be. but i also know that regardless you're still proud and that you love me. i just want you to know how much i love you too. and how i hope you understand. i love you.
Taylor Marion Mar 2012
One
You spit on the pavement
You sit like a seat
You walk on your tip toes
You latch like a leech

You rhyme like a mime
You sing like a mute
You dance like the legless
You glide like a boot

You trip over cracks
You fail like a stock
You fumble words like a drunk
Youre as holy as a sock

You fit to get in
You lie to see truth
You disobey like a sin
You rot like a tooth

You compete for first
You come in last
You try over and over again
You grow up too fast

You is you and you
You is me and he
You is mungo jerry
You is James dean

You is everyone
You construct common mistakes
You are he as he is glee
You can make what anyone makes

You were painted in a picture
And we all joined for this cup of tea
You are all what we can be as we are all what you can be
Mateuš Conrad Apr 2019
****, i've just ran out of drafts, good news:
this 15th Dec. suspension on ola poetry.com
is going pretty well...
               well: as any worth that's the worth
of dealing with jealous people...

   only today i remembered myself,
shackled in the edinburgh university
never close to the Pleasance courtyard,
St. Andrew's Place...
       oh no, i didn't wish to live on the main
university campus, with its own canteen...
i wanted to learn chemistry,
but also perfect my cooking skills...
every single morning waking up to the sight
of the Salisbury Crags...
    one wild night i stayed up all night,
to walk up Arthur's Seat... returning from
the mountain (in the middle of a ******* city)
to buy myself some cornflakes and full-fat
milk...
   why would anyone even bother
with ******* Halls of residence...
   a university campus makes sense,
if you're talking about a city the size
of Warwick, or Brighton...
         but Endinburgh? to live in a university
bubble, in the middle of the city
like it's some sort of fortified "defiance"?
             where am i, at university,
     or the ******* high school canteen?!
i would still bring packed lunch...
          i liked the nicknames i acquired
over the years...
               goldilocks,
                  the strange fruit man (pomegranates,
passion fruit, sharon fruit, etc.),
                            viking...
   at times i would really love to hate myself,
but i found the stoic alternative of:
just laughing at myself...
   never mind that...
        ah... sweet sweet 18...
having discovered a new prog rock band
outside the top 50 mentioned in the mojo
music magazine while still in high school:
atomic rooster: death walks behind you...
tomorrow night, the devil's answer...
     i would plug in my electric,
put the piecyk (slang for amp) on the windowsill
and muse, full volume, blasting solo after
solo outside the window, trying to see if i could
make the Salibsbury Craig crumple
just a little bit...
                   mind you, in terms of playing
the guitar - i clearly remember Anthony
introducing me to tablature...
                        i can't read music, i wish,
but i can't...
    you really don't have to start with
smoke on the water, or iron man...
               death walks behind you is pretty
easy to learn, even without tablature...
even black sabbath... let's see if i remember
the strings correctly

e
G
F
D
A
E.... let's check.... ****...

                     e
                     B
                     G
                     D
                     A
                     E...      i'm pretty sure i'd still
be able to tune a guitar...
    i.e. make A sound like E on the 5th (divide)
   make D sound like A on the 5th divide...
   F like D on the 5th...
      G like F on the 4th divide...
     e like G on the 5th divide... i think that's right...
5th divide? you press down on the string...
and play E & A together, if they sound the same...
well... you're tuning a gee'tar...

                     e------------------
                     B------------------
                     G-----------------
                     D-------3---------
                     A-------------2---
                     E--1---------------  black sabbath - black sabbath
intro...
   but the next tablature will break
the camel's back...
           it's so... so... simple... & therefore
so genius... it goes against all of punk,
the punk of the rhythm section with only
3 chords... well... this song uses only 2 chords...

free - all right now... i still don't know how
mungo jerry's - in the summertime beat
all right now to the no. 1 spot in england...
  
                     e------------------
                     B------------------
                     G-------7---------
                     D--7----7----------
                     A--7----5----------
                     E--5---------------

                      (obviously you have to find
the rhythm yourself ADG 577 yourself,
       bouncing from a 1-2-1-2 on the EAD 577)...

i really should have succumbed
to teaching my former marijuana dealer's daughter,
a paranoid schizophrenic with an obsession
regarding the illuminati straight out
of Kingston ya'man Jamaica the guitar...

________
.well at least the english peoples
got one thing right,
brewing,
            name me an ale that
doesn't hide a hint / accent of
specific, or an irish stout,
       and i'll show you a cross-dressing
nun riding a chimera
coming from some german
convent, alright?


i guess it's just the tale
of the said / "unsaid" times...
    it's about to crank up the use
of cipher...
   if i get one haiku in old norse,
i'll be happy:
since, as much as i favour
   grammatical rules,
   i'm not a big fan of poetical
constraints...

hence?
    ᚱᚨᚦ ᚺᛟᚻᛖᚾᛋᛏᚨᚢᚠᛖᚾ
    
rað
hohenstaufen

       (plan)
                    which alludes to
          ᚠᚱᛖᛞᛖᚱᛁᚳᚴ  ᚨᚾᚾᚨᚱᚱ

frederick annarr (second) -

some prepositional words
will be missing,
notably the / a,
   direct and indirect articles...
but some prepositional
words might appear...

mind you, if i pull this project
off,
   and forget however many times
i have to ctrl + c / ctrl + p
   my way through it,
how i will have to
                  consult the english v.
old norse dictionary...

how i will also consult
                 futhorc runes
of the english,
         and the younger futhark
of old norse
over an aesthic squabble
when it comes to

             ᛄ / ᛅ - j (futhorc runes)                (ᛃ)

(not to be confused with ᚾ...
which... already exists in a modern
tongue, mein zunge...
          Ł,                     ł -    wom-bat...
see...
             i once heard a scientist
say: 'why bother swabbing
the inside of your mouth,
sending off your genetic
                                signature to
a company,
   to find out your ancestry?
   you'll naturally gravitate to it
                                                   anyway!')

and...           "kaunan" (ᚲ),
   i.e. before the whole mathematical
greater than >
                    and lesser than <
    became problematic,
ergo?

younger futhark ᚴ - k
                 (anglo-saxon) futhorc ᚳ - c (k) -

this could somehow work...
all i'll need is enough nouns and verbs,
prepositions will be troublesome,
given that modern english
is littered with this sort
of shrapnel...

                     but it's about time
to start to elevate the cipher,
if all the youtubers are jittery...
you know something's coming,
and it's not good...

i probably will stick to english
grammar,
   i can't promise a haiku,
         but at least...
          it will seem like...
speaking a language
                  from, my,
previous, now,
                   reincarnated, "self"?!
i don't believe in reincarnation
to begin with...
   it's too NPC for me,
and that's not even a reference
to mahjong solitaire;
   dunno...
     i once sat down and solved
one... then solved another...
i just don't like
        the whole:
there's only a limited number
of authentic souls,
   and they behave in a benign way,
soul-parasites,
while everyone is just plain
outright zombie.
- so this is the plan...
   rarely do i plan something...
might as well give it a shot...

****...
            beside that...
i do remember youtube's algorithm
when it was intelligent...
oh... 4 years ago... maybe even 2...
it behaved like
a thesaurus...
          glory days of exploring
music, i never even managed
to come across these current youtubers...
i couldn't care less...
the algorithm shifted from smart,
to dumb, real dumb...
     and then exploring new music
became a hag, not a hack,
a hag...
                       i'm not even
surprised to say that i never left
comments...
      why?
      i can sort that **** in my own
head, i don't need to comment...
                  oh right...
and if you're reading this soliloquy...
i supposed i never asked
for money.

p.s. good thing that i didn't
desire to consult the paragraph...
if it's poetry or "poetry"
or, more of the allure considering
it a soliloquy...
  well... imagine the claustrophobic
optics of your standard
   piece of paper...
in a book, with a paragraph...

this would never work in a paragraph.

p.p.s. seeing how
i didn't find the old norse
for not...
   but no: neinn (ᚾᛖᛁᚾᚾ)
alludes to a "missing" Tyr (ᛏ)...
which would elevate
the modern word not
               from an adverb
to the status of a definite article...
no and yes are not determiner
words for me,
they share the same article
status as the aesir and,
                                           esp. Tyr.

p.p.p.s.
   red ice tv disseminating
   ms. beat-box gala
                       for the ultimate
stut-stut-stuttering contenst
winner.
UWANDU VICTORY May 2019
Sadness is a ray of darkness
Blind photons darting in effervescent emotion
Melting away the grip of pericardium
Waterboarding tired heart
Smiles are labour pains
Laughter, a jaggered cut through grey matter of necrotic brains
Thalamus, grave of relayed impulses
Empty carotid, dead heart in danger
The night is darker
Your shadow, your stalker
Call the Bishop
Tell the imam to bring the Bible
The Abbot and the crucifix, love and no jinx
Wake mother, hold the door for father
A son is coming, their last daughter
Tell Mungo Galapagos is not Darwin
Basquait was a raincloud
A mean frown in the sky
Tell Kelly journeys have two ends
That tears are diggers
Say these before sunrise.
Play dumb act smart
school bus pant-less
cocktail of prank calls and parental figures
you'll push me mungo, to the brink
but it makes you grin
I hope it sticks
Written sometime in 2017
Mateuš Conrad Sep 2017
sometimes a movie comes along,
and it just has a blistering soundtrack,
matched with a simplistic element
that enthralls with its quirks,
and i've never seen jake gyllenhaal
in a toilet-paper script,
that said, the soundtrack?
   probably as good as the soundtrack
for blow...
    besides the point:
even though b movie by gil scott heron
is on there...
   did i tell you about gil penning
the ****** factory?
   ah, but when he talks, he talks,
when he writes, that's just second hand
oxfam material.
on that note, or rather: to untune a piano
and play a ***-note on every turn..
how do you tune a guitar,
with only 5 strings, hole in the back
you can peer through, and the most necessary
string (D) missing?
oh yeah, used to play,
then i did a nirvana echo of smashing
it on the garden patio...
        **** me, it felt good...
the acoustics of the area improved...
     anyway...
   you know how punk was beaten in
terms of 3-chord minimalism?
ha ha... i still can't believe that
mungo jerry's song in the summertime
beat this song...
    2 chords... 2! two chords!
  that was all that made this song...
now, if paul kossoff wasn't the genius
of rhythm minimalism,
then i don't know who was...
   well...
      there was the spirit guitarist
randy california (sounds like a pornostar
already) - but that song
when i touch you on the album
twelve dreams of dr. sardonicus?
   three chords? i can't remember,
but the songs that can be played by toddlers
are the songs you treat as dogma...
forget deep purple's smoke on the water,
**** it, i once held
an ibanez iceman in my hand once,
while you still had a ****** megastore
on oxford street, before megashithead
branson pulled the plug...
always wanted that guitar...
but i gave it up: why? after a while playing
a guitar on your own feels
much worse than jerking off -
lucky me, unlucky women -
still playing with a part of ken and
barbies...
   by now it probably feels as soft
as performing ****...
      so... yeah... what's the problem?
it has become so routine that i sometimes
forget to brush my teeth...
wipe my *** i do dully -
  but if i'm not in a close range to someone's
nasal duct: pea-sized smear
(rather than dollop) - can't remember
when i last had a dentist appointment...
anyway... but that's the truth!
paul kossoff went far beyond
punk minimalism of the 3 chord progression...
and it still, to this day, sounds:
so much better...
          i still don't understand
why in the summertime made it to no. 1
and free's alright now did;
bugs the **** out of me;
then again there's black sabbath's three note
rhythm on black sabbath -

D)               3
A)                            2
E)    1

i do remember using my pinky finger a lot,
yeah, i managed staircase
   and under the bridge -
  
but i settled for the piano, with letters and
punctuation marks on it.

— The End —