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C S Cizek May 2014
Blankets, pillows, a black dog, and a cell phone.
Facebook, Twitter, Vine, Gmail, and Instagram.
Shampoo, soap bar, toothbrush,
toothpaste, temperature, and time.
Shaving cream, razor, running water,
advertisements, sensitivity, precision, and cuts.
Burned tongue, empty stomach, loose tie,
missing shirt buttons, beating the clock,
wallet, briefcase, and car keys.
Ballpoint pens, scented trees, fast food wrappers,
loose change, lighters, citations, ***** clothes,
CDs, and napkins.
Red lights, pedestrians, homeless people,
newspapers, billboards, pets on leashes, sewer
grates, crosswalks, skyscrapers, and garbage.
Faxes, printers, memorandums, break room,
prestige, cubicles, customer service, paperweights,
filing cabinets, stocks, and corporate.
Wipers, streetlights, rain coats, dive bars,
and home.
Blankets, pillows, a black dog, and a cell phone.
Parable Megaron Dodeká Spathiá: “Procorus perceptibly saw how the sky of Patmos was crossed by heavy metalloids of bronze, tin, and acrobalistics; for the cavalry of Kanti and his six Para Sinuses appeared who used to ride on the roof of the Megarons belling in the sounds of the acroteras. In these episodes, in twelve Swords that multiplied in advance by thousands, before the Megaron began to be built. In relevant and virtual dimensions, foundation lines, acrostics of Thessalian steeds on their palfrey, mounted Polish Winged Hussars, carrying twelve armor wings with twelve horsemen, adjoining the halo of heavy cavalry in Katyn, being abducted by a circum-regressive parapsychological Ellipsis of the 1939 event in Poland. Each rider was skewered in blood with golden wing feathers. In each of their hands, they carried the curved sword Szabla, to conceal the tacit target of oppressors and musketeer intruders from the armory hearth of the hypothetical-unknown enemy but if outsider, assaulting the flanks of the rooftops in the Virtual Megaron of Patmos, using Kopias or pikes that schemed on the impulses of deadly resistance and betrayed ancestry. On the roof that pointed to the southwest, the light of Orion was reflected by aerial forms of the Orpheum in the Aegean, riding on the high seas with the Exvotos or offerings of Cyclamen and Red Poppies, looming in majesty and in their nomadic obtuse compass of the Rapsodas Orpheming epic elegies, of those venerable and revived triumphs that were stretched out on the banner of glory and on the bed of epiphany.

Rapsoda proclaims like this: “In Katyn Wings of Golden Wood and Red Poppy, they adorned themselves with Bellis Perennis in twelve thousand rags, in our steppes harassing their wailing in blood wars, framed in large sections on the thresholds of the threshold of their mounted war. There were twelve thousand red poppies burning on the executory pilaster near Smolensk"

How much there is to be fed up in the Polish cavalry of the seventeenth century, that, upon glimpsing of barbarous sounds, the temple approached the altar of the Virtual Megaron, shining in acquiescent ceremoniality and counter-revolution of bloodless aristocracy in needy portals-living and mortals- living creatures, who posed in the rear of twelve thousand slain officers in Katyn Forest, like gentle medieval men in the contemporary untimely invasion. Here, in this place, the winged horsemen, snorted were by fate when they were sacrificed, like steel cushions galloping on their heads and sheltered by brotherhoods of Hussars that protected them with their lion and tiger breastplates with deterred claws.

Procorus, observed in the virtuous imaginography as medieval winged specimens, protected the frontispiece of the Megaron, in a battered super existence and trance of historical architectural pavement. Here on Patmian soil, each of the officers who was assisted by each Polish cuirassier of the 17th century with fierce wings, they were making them agonize with honor and glory, with those similar twice right there in their likeness, with interwoven discrepant blood fogging and executing apocryphal witnesses who covered their faces, overflowing evasion and delays of bodies stained with mourning and grief, in quilts of red poppies scattered and bordering a naive disarmed forest. On exalted memorandums and with secret cries of Adrastea procreating with the nymphs of her kind, they drowned the cry of cuirassiers like Didaskein, before sobbing on their topic, but of Pashkein in the foliage of the putrid hopes, of those who beat them for the back, in analogous vexation to Katyn's heroes. Here neither Crones nor Mother Rea heard them, only Adrastea prevented the cries of the men-children who were atoned for their backs; unburden them of the foliage of the Didaskein-Pashkien, in tears of solid mercury. Kanti's steeds rise up, carrying them the curved Zsabla sabers, before each is shot in the head, in the manner of twelve thousand Winged Horsemen caught in each Zsabla. These sacrificed them before they were killed at the waist of their head, not being expired by bullets, rather by sabers of honor and glory of their own winged protectors that would lead them by sharp weapons towards the holocaust of the Mashiach surrounded by red poppies.

“The red and fiery mist of the forest led the souls of the Hussars to pass through the sabers of their compatriots before they were slain by the Soviets, so their apostolate souls will be catechized by Zsablas of air stained of Red Poppies turned into the air of respite from the heroes of Katyn Forest, redeemed by the Golden-Winged Horsemen of the 17th Century ”

(Procorus in the immensity of the voices and epithets that were heard and differed in the volatile and explosive sabers metals, at present they were extinguished in their crooked breastplates and in their Polish beings, in the rear that finally Procorus settled them in warps of immaculate habit, suspended in twelve thousand Red Poppies crossed by their forehead, before being shot in the cortex and occipital lobe, forging themselves in the golden sabers and of transvestite cenobites who received them in their arms in the sublime stench of the effluvium of their blood and their hosts, never left and desisted of the bubbling by the figures of the acroteras near the Megaron, idem in the same Katyn Forest, surrounded in a string of the Rosary that was splendid in Procorus prohibiting them)
Parable Megarón Dodeka Spathiá
K G Jul 2016
A Lackadaisy
Stealing
Fictional reasons to ignore the blooming summer

A Lackadaisy
Stealing
Hazy shades of you become shreds of consuming hunger

You've written me a note
Though you're flattered at most
In memorandums, words seem to choke
I want to die, I want to cry with my eyes shut
The process is just a big spin of a wheel with no control

Once a kiss becomes a piffle
Once a **** becomes so little
Your hair will turn into clearest blue when under water
You'll alter, you'll alter
You can be my finishing touch, come hell or high water

Overwhelmed with pride no matter where you go
You'll be choking highways with your soul sold
Smiles etched so deeply on your face of gold
Homegrown, hiding the truth in rotten smoke
Advanced apathy has shrunken and rode to a new road
Drag yourself for hours to a whole different hope
My only path is an everlasting rope
All of the machine hearts kicked to me
To make my steel skin show its attached bones

Pick up your pen and scribble down a suicide note
Pick up your soul and forgive me for the tone
Where I'm going to, you can't ever bemoan
Conversations we had before are gone and can't be condoned
'Stand on me'

memorandums are not all they're cracked up to be

give me a 'V A T'
Dave.

Terry's a minder and it's getting harder to find a
chappie like him

down at the 'lock up' we knock up a bargain and
down at the market we
'knock 'em all out'

'er indoors' wants me to retire
to warmer shores
and
in a moment of sadness
I might just agree.

'Stand on me'
it ain't easy to be
a
spiv.
VAT--***** and Tonic
'er indoors--the wife
Stand on me--the truth
“The brightness of the Zsablas came from the night sky, then began to fade at the end of the onslaught of winter first, her skewer has discovered her by comparing her current situation with what she had before when her light began to dim. They all look at her and attack with all her strength seeing the shine of the dazzling sword as great Heroy Ukrayiny. The bizarre were taken with visible return light and with arms attached to each other already fallen with their fingers on the hammer. The images reveal changes that occur in its star when seeing the breaking of its vain flood of flash, both in brilliance and in an apparent way to grumble from the peaceful pair of providences on the legs of the cavalry advancing without pair, nor stopping of escalation that occurred after the Bucha massacre. Four hundred corpses have appeared at the Kramatorsk station, such Soviet missiles killed more than fifty citizens of Volodymyr, such Those 48 words shocked the world”

Ellipsis Kramatorsk, April 13, 2022, day 48 of the invasion. Volodímir speaks: "Children, your mother will take care of you at the time of the great Mikaiyáh to bring you the divine grace of accompanying you with the Abba Pealim, who will embrace you like a calf in her lap, tearing himself apart from the loving mystery for your lives for when they all fall embraced"

Olena says: “My beloved sir! I know that at this time there will be the same oratory that we can be worth for your ineffable courage, for the court, and cultivate passion with the Polish Zsablas. Here you can feel your thundering through the mountains and valleys where we used to notice the unknown world, eating delicious Vergun and Babka in their warm houses. I will never change my verdict having met you at the Besarabsky festival, you approached and made the united noise of my outfit with the white coming of dawn and all week when it brushed against its worn floor. From now on, renowned as my alba skirt clothes, offer your smiling eyes with tunics and cloaks that dazzle those who celebrated electing me as princess of the harvest. Nothing else would make me be just your look if it weren't for the Albacete of my house with the parents. My hairstyle was adorned with rodents eating our bodies and outstanding ruby spikes of celestial falcons with Albi-yellow flags dazzling your company, settling in the front crown..., always your Olena at the highest altar next to Mikaiyáh.”

Volodímir modulates: “My children, life will continue to be good, I have you in my prayers where no compensation will change drug compounds for the ingenious desire to have you close to me as hussars and their Zsablas. I have been reborn, I continue to feel my flesh and body on fire for you. I know that in Mariupol I will pacify attire, ****** attachments will not stop moving my legs to offer your help. But I will not get tired of moving against the sun and against the wind, of everything that I violated one day by seeing them between their open eyes hoping to help them. I will be with you, until the end, even if plundered forces profane illustrious missions beyond all life and bad outcome. In the silence of your calm words, the next day I will continue to exist with meager and magical words to the beat of your seasoning.”

Parable Bogdan Khmelnitskyi: “perceptibly saw how the sky of Kyiv was crossed by heavy metalloids of bronze, tin, and acrobalistics; for the cavalry and six warriors who used to ride on the roof of the Záratos appeared, belling with sounds in their acroteries. In these episodes, twelve swords were multiplied in advance by thousands before the palace began to be built after its ruins. They were dimensions of relevant victorious cavalry and virtual foundation lines to rescue the Heroy of Mariupol. Acrostics will pass through the steeds of Thessaly, riding on the palfrey of the Polish Winged Hussars, charging twelve wings of cuirassiers with twelve horsemen in adjoining halos of heavy cavalry at Katyn, lying abducted by a parapsychological and circum-regressive ellipsis of the 1939 event in Poland. Each rider was strung in blood with golden wing feathers from a Raptor game bird. Each of the wings carried the curved Szabla saber, to tacitly cover up oppressors and intruding musketeers from the hearth of the armory of the hypothetical or unknown enemy, but an outsider assaulting the flanks of the rooftops in the Mariyinsky Palace…, virtual of Kyiv. , using Kopias or pikes that concocted impetus as deadly resistance of the lineage betrayed in Hellenic, London, and Berlin museums. The roof pointed to the southwest where the light of Orion was reflected by the aerial forms of the Orfeón de Azov, riding over the high seas with votive offerings or offerings of Cyclamen and Red Poppies sifted to Silbones and Spoonbills birds that flew majestically in the nomadic rhythm of a Rhapsodas, coffering with epic elegies of Mariyinsky, and of those revived venerable triumphs that stretched out from the banner of glory and bed of the epiphany of Ukraine with the brave victors.

Rhapsode proclaims thus: “In Katyn, Polish Wings and Golden Woods with Red Poppies, adorned Bellis Perennis in twelve thousand rags of our steppes harassing their moan in blood offensives, framed in great chapters and threshold lintels in their mounted war. There were twelve thousand red poppies burning from the executory pilaster near Smolensk.” How much must he get fed up with the Polish cavalry of the 17th century, when he glimpses barbarous sounds in the temple that approached them to the altar of the Virtual Palace, showing off an acquiescent ceremonial and lifeless aristocracies, with living needy and vanquished mortals who posed in the rear of twelve thousand officers slain in the Katyn Forest assisting nine thousand of the slain in Mariupol, like gallant gentiles and medieval men of the contemporary untimely invasive. Here in this place, the winged horsemen with puffs went by their destiny to be sacrificed in steel quilts that galloped on their heads protected by brotherhoods and Hussars who protected them with Tiger and Lion breastplates with their retracted claws. Bogdan Khmelnitskyi watched in the virtuous image of him as winged medieval specimens protected the frontispiece of the palace in bullets of super-existence, fear, and historical trance. Here on this ground each one of the officers was aided by each 17th-century Polish cuirassier with ferocious wings, they were making their dying honor and glory with those similar, twice right there inequality and interwoven misty discrepant blood executing with apocryphal witnesses that covered them with sinister appearance, overflowing evasion and truce of bodies stained in mourning with disconsolate blankets carrying scattered red poppies adjoining a naive defenseless forest. About exalted memorandums, secrets, and epithets they felt in the tears of Adrastea next to Mikaiyáh.

Eagles of Kyiv will go to act of the spell of Didraskein, where no Slavic invaders and lethal punishments will be spared. The nymphs procreated their kind, the Slavs would drown in the cries of cuirassiers like Didraskein, before sobbing in platitudes of foliage and rotten hopes of those who hit them from behind, for a little water wasted such as heroes of Katyn. Here neither Cronus nor Mother Rhea heard them, only Adrastea avoided the cries of men-children and of those who atoned for her back, unburdening them from the foliage of the Didraskein with tears of lumpy mercury. Volodymyr's steeds rise carrying the curved Zsabla, before each one is shot in their heads as twelve thousand Winged Riders caught in each Zsabla plus nine thousand immolated from Mariupol, sacrificing them before they were killed from the waist of their head lost in loved ones, not being expired by ammunition, rather by sabers of honor and glory of their own winged protectors that would lead them by sharp weapons towards the holocaust surrounded by red poppies. “The red fog of the forest carried the souls of the Hussars by passing them through the sabers of their compatriots before they were immolated by Soviets, in this way apostolates and souls would be catechized by Zsablas in dyed airs of Red Poppies converted into the breathed air of the heroes of the Katyn Forest and Mariupol, seeing themselves redeemed by the 17th Century Golden-Winged Riders of Poland and Adrastea”

Bogdan with the immensity of voices and epithets heard Adrastea, she differed from volatile metal sabers, and explosives present when they went out in the crooked armor of Polish and Ukrainian beings, in a rear that Volodymir finally settled with the weave of the immaculate suspended habit of twelve thousand Red Poppies crossed by their forehead before being shot in the cortex, and occipital lobe forging with transvestite golden sabers, and cenobites that received them in the arms of the sublime stench of the effluvium of blood and hosts of nine thousand from Mariupol, never left and desisted from the bubbling figure of the acroteria near Mariyinski, idem to the Katyn Forest itself, surrounded in a string of the Rosary that was dazzled with Saint Sophia adopting them.

Fourteen vibrations of enthronement polarized from Volodímir instantly to his brother Bógdan, making filial gradation in the possible conception of cult and death who is suspended from one to the other under a damning accent of past lives. It is typical of the facsimile of his own genetic shadow, perhaps of Sem-Asur, who finally come together as blood relatives of the same Orbis Alius trunk. Rejecting not accessing Asur (as a healthy creative mind of Genesis) as an energy that could be restructured in any homologous of the world of Asur, as the son of Shem of Genesis..., as compared and inter-generational real mythology, pronouncing and enlivening in metaphors of the enchantment of what occurs in gender similarity or Mental field. The compensation and intemperance of living matter refer to the simultaneous undivided of each civilization as a phenomenon devoid of hearing and inclement winter periods. Here the outbreak lies cloistered in Menatira, daughter of Cránae, Queen of Eleusis Pro-Ukrania; such as a fluff of respite convulsing in both steppes of silence and hundreds of years B.C. prophesying to send aid to the victors of Volodymyr, Olena, Bógdan and the heroes of Mariupol with the Zsablas of Mikaiyah.
Bogdan´s  Zsablas
Marshall Gass Jun 2014
I once lived in a paper jungle
conquered by post-it notes
and formulas for living
that didn't make sense.

Soon the paper tigers
came out of hiding
with memos and memorandums
growling fiercely at my recalcitrant
behaviour, until I quit and carried
my dreams into the wide open spaces
where predators were few and far between
with less incisors to cut you
into shreds of broken being.

I look back sadly
at those who did not take the escape routes
but stayed instead
locked in these cages of comfort
of malnourishment
living lives of quiet defeat.

The jungle is overgrown now.

Author Notes

Recalling some old memories.
© Marshall Gass. All rights reserved, 11 days ago
Jesus Johnson Feb 2017
Words of molten lava burst through my head as if it's the earth's crust.
I am angry today.
And long past the self pity of my own depression and moved to a stage of allowing the bullets to burn into my skull red hot.
The smell of gasoline and lighter fluid fill my nostrils as I stand watching my feelings and emotional connections to life go aflame until they are no more than small embers in the black soot filled in my heart.
Hatred takes over as I am a marionette for the devil as he pulls my strings allowing me to dance blindly, succumbing to his diabolical quests ruining my stature of being a human being.
Can you tell I'm troubled?
I shake with rage, finding myself curious of why I am so angry only to allow my curiosity to feed the flame of my madness.
Madness as in both my insanity and my rage.
I am a ticking time bomb waiting to explode.
Waiting to fill the world with black.
Waiting to leave a stain on this earth that is not cleanable.
Waiting to leave a message bigger than the memorandums I write to myself to not **** anyone or myself today.
Oh how I will hate myself when I am in a good mindset and regret these words.
But these are the words that are true that lie under the surface of a smiling face.
A facade long worn out, now faded and cracked.
A bonfire lights inside me as my blood boils, skin melting off until I burst into a ball of flames.
Destroy. Destroy. Destroy. Destroy. Destroy.
My patience has long since run out and I am hurting.
I cry out loud and people just walk past.
I hate you. All of you.
I originally only wished to help and feel your pain in understanding of your trials for connecting with you through empathy and sympathy.
Now I just want you to hurt.
You just allow me to hurt and watch me self destruct, an innocent bystander who meant no harm.
Our world is selfish and people will always have their self interest at first.
I have lost my mind.
My world is burning around me.
Nothing is left.
I need mental help. Excuse my anger.
Parable Hippeis above the Eared One: “Kanti; Aristocratic hussar of steeds, a native of Crete, was broken down from servants as a possession of high rank from Thessaly and Argolis. In his frontal Parasinus he ruminated his psychic frontality of not being defeated for the sole fact of being subjected prolonged in helplessness, and stating what he was not capable of winning by defeating a Hippeis when he has imperturbability prior to a master. Therefore he was assigned from the Krepis or crepidorma to the Golden or Golden number. Dividing from all other paranasal sinuses, by less than the base of the kraníon by e long and factored by Pi ( ). In the Paraseno Spheno Palatino of him; the exterior colonnade in eurythmic balance or harmony was provided in order, optical correctness and rational geometric construction with parameters of the Parthenon and spheno ganglion of ribs of the peripteral octasil, surrounding the arcades of the expiration frieze, and exhaling from Zeus the anti-seismic vibrational integuments and neighs of Hippeis, like Kanti exorbitant and convulsive. In his Maxillary Parasinus; he was subjugated in the Architrave of the lower part of the entablature that rests directly on the columns, its structure worked on its servile lintel, to transmit the weight of the roof to the columns and duplicate banalities of the pontificate of the Samarios horses of Orondel. In the parasinus Turbinate Dorsal; a Metope, occupies part of the frieze where the Doric entablature of a classical building would rest, located between two triglyphs. Like a metope decorated with bas-reliefs, in taboric cliffs of Samaria and its horses in neatness of Hippeis blood. Medium Parasinus; the Stylobate, towards the upper step on which the temple rests, forming part of the crepidoma: on a stepped platform that raises the building above the ground level to give it prominence and greater poise. As a staggered middle to the largest of the great final step towards the Koelum, which joins them in their golden edging of the Equisetum like horsetails with green blood. Of the Ventral Parasinus; In The Opisthodome, a separate space located at the back of the temple, a special vestal element is attached together with the Pronaos (or portico) and the Naos (or sanctuary). Here they take refuge for the snout of their cheeks full of Pleiades evading the hunter of Oarion, each one in decreed steeds of Crete and Samaria, that shine in the transition of the oceanic foam that runs by its naturalness in high tides, and in exalted pause erogenous temptation to an Aphroditism. And finally the super Paraseno or Chamber of Canephore, governing and ruling the priestesses of Baal with the steeds of Orondel, for the purpose of sacrificing the sacred courtesans with their hooves that they consecrated in the stylobate, which esoterically became diffuse. Pro reign in the Canephores along with the Vestals, for dichotomous fajina with Hestia between fires and bonfires that will spill from the mysteries of Eleusis.

They had their six Parasenes separated from their numen septum in other castes that super endowed the confusion that came from Samaria in the kingdom of Israel, being a Hippeis of the Elite Greek cavalry. In the farms of this region, one hundred years after the Syrian ******* in this same analogue, Kanti was assigned to openwork in the meadows for agricultural work, adhered to all the Philistine plains. Plethora of exuberance with liters of pinkish Vine before longed for by some, they tore from vine shoots by snouts and Cinnabar sulfur, already encysted in presses and battles of implicit rows of vines burnished by the thickness of their sulfurous secretion, decanting on the exuberant and grassy carpet. In Thessaly Kanti stood out with its supremacy of hydric seed that raised a surplus of rain when the low waters of the Mediterranean rocked the gargoyles on their similar steeds. In the sagittal of his hoof, below the "U" all the Hippeis of Thessaly were marked with the Vox of ππεῖς, but not those of Samaria, they planted their fourth ends on the ground of Deuteronomy; “He fell in love with his mistresses, whose flesh is like that of donkeys, whose flow is like the effusion of horses. He told himself... You longed for the lust of your youth, when Egyptians touched your breast, caressing the ******* of your youth. Continuing in this way Kanti with his chronicles warned that in his militancies and privileges they did not dig select strings of vines when he had to clear his hooves, which were made of fire and steel from Hephaestus bars by order of Etrestles, who distended his agrazones, letting him levitate towards the clouds with the sweet potatoes of their grafted plantations, that burst those esplanades in hydrometeors of tested sweat on the thick legs browsed by the song of their prayers, and thorns that broke their spiky washdown dueling in the cumulonimbus clouds that lavished care that settled before the eyes of Hippeis foremen, where the strains did not ferment like wine that has no vent and makes them burst into new skins. Thus detonates the patience of the gifted steeds of Samaria, towards some new winemakers who would receive him for a grape harvester who brought spices and olives for a new millennium.

The deposits of credibility made everything in their steeds and genetics of a millennium, to be more effective and fruitful for all that Kanti has not stepped on all the Cyclades, Dodecanese and Messolonghi at the same time as Hippeis from Thessaly, but since the optics of the Orondel; who was the duplicate of Kanti Samaritano, bearing ten times the weight that will make him bear together in tons and more than a thousand oil presses that exceed what his body mechanizes like horse power, thus being able to lighten himself in pruning of other regencies that he does not they shake or shake the branches above the tops of Zeus and his molar that neither expectorates nor pulverizes the best without his terrace. Here, where before the trees grew, they grow in the orchard on the outskirts of the town, Kanti frees all the steeds of Samaria with his gravel in his gummed hoof, mining the lands of the kings and digging up napas valued more than all the fruit-bearing heritage, more than in a fifth year along with all the seas, to make of them the ones that are in other uncircumcised as a reward for those who hide from early taming and their slender task. Those gleaned in Thessaly were from pitchforks in the same cereals that gleaned from those who stopped feeding them and assembled in a grass fable of a rustic sower and fallow farm laborers. The spikes did not fall, the Hippeis with Kanti collected them with their extremities legs in provinces of harvest dragged in sheaves and corsican censers of Epha, like a rope of gold and incense of Sheba who thus brought enlargement to Judah and praise to Yahweh. Epha describes the land where the dromedaries arrive in Israel: "A multitude of camels will cover you, the young camels of Midian and Epha." Incense in a sprigs of Bethlehem, with delicious practices inherited from Ruth reaping the barley, oats and wheat in the same stampede of the Hippeis commanded by Kanti thrashing barley, in which an Epha cultivates the Primogen Gramineae of Thessaly”

(Procorus says: "in the defeat of the Persians by the Greeks, in the naval battle of Salamis, in 480 BC, marked the beginning of the decline of the maritime trade of the Phoenicians, here the East was completely extinguished when Alexander the Great took Tyre in 332 B.C., incorporating Phenicia into the Greek Hellenistic world. All the horses that came from Thessaly were all of the lineage of Hippeis de Kanti, with germines from Samaria and Chambers of Canephores)

Parable Ad Libitum Ex Varna: “In the lower and upper parts, a certain anti-demonic air carried a Kerí towards the candles of the Procorus rituals, extending the Eurydice ship that came from Rhodes. On the floor of his cell he had some Tamarisk branches such as Tarayes that vanished due to their quality when they expired at his own monk's feet to become lasting in his Oikodomeo, to raise with the Taray the essences of re-transformation of the lexeme of conventional greenness into Patmos, very deflowered in periods with high untemperances only with some secretions in which Procorus felt the re-flowering adventitious from there and then in the anemophilous advantages of the winds released from the belly in sedimentary veins of Rhodes. In its alchemical anemophilia or movement of inseminating winds, the subtle soil vanished with the force of the Sulfur Lion that derived from the Cinnabar with the Anemoi wind that impregnated the Tamarisk capsules, under the acolyte's feet. The aquifer of the water table of the subterranean waters in Patmos, remnants were scattered so that in Pro Nobis they lay of their demonologies, sponsoring Persian magics of the Lid Post-Gaugamela, with themselves in the Ex Varna with iridescences re-transfigured in the Mount Tabor. Says Procorus: “This Tamarix or Tamarisk has poured limits of our Oikodomeo, to re hold the superficial plate and reuse itself in the absorption of the burning under my feet, forcing them to readapt under the ground scorching concentrated in the Cinnabar residue, carrying the dermal prototype towards the saturated bottom of the salt larvae that prevailed in the pummeled beam of their skill, in some bundles of Tamarisk showing themselves innocuous in the imagination of the cloister suffocated right here by some Chaldean tribes, who felt like the illusionist stand of Ex Varna” . In the compaction of this epic hyper-fantasy, his urge was born from the consecration of the Gift of interpreting the subtlety of two-dimensional variety that would appear up to this moment, beneath the layers that were contaminated out of nowhere by the mere fact of the whim of the augur momentum, which finally it is restricted in the morphism of the Katapausis and chamber of San Juan Apóstol, finally supported by layers and blankets of subterranean aqueous filters towards a restructuring of the plane of Euclid, and towards the vicinity of plantar pedestrian zones of Procorus that were already three-dimensional in the construction of the Oikodome, for the foundation of the Náos or temple, which would go crazy when the Hexagonal Progeniture arrived to build the Vernarthian temple with gifts of multi-construction purgatory for the Oikos in Dwelling of the social unit of Aquarius or Aqua spirits that are terminates at the end of Capricorn dehorned. In mutual edifying peace between both zodiacal proximities of the Oikodomé, here every day specters purged and rubbed in the archetype of the Megaron that was intended to beoblations and in votive links in the massages that the manes of the Vernarthian universe gave them in their spiritual mortar, reconverted in their eternal brawl for living in the friction and brown partitions of the bloodless Megaron to inaugurate it as a solid bastion, in the weak regions of the Hetairoi that cellularly, it snatches energized vitality from their extremities, with total imbalance and wheezy guards maneuvered on their feet, dragging themselves towards the karmic Saetas de Velos Toxeumas and unharmed Dorus. But feverish and threatening their integrity when they were falling and plundering the Euclidean edge, opening up from the designs of the Hellenic palfrey, becoming parametric of Kanti's paranasals and spatiality that would surround the Parthenon of Fidas, with Ikríomas or scaffolding that made them collapse from their coordinates with Mamdilaria and Agiogitiko wine baths on the Vernarthian body between the column of the Sabines and Greek colonies of Lacedaemonians from the 4th century BC. C., already entwined in borders of synchronicity from the Erechtheion, falling from the Caelum, close to all his teachers who helped him install the final tiles of the temple, next to them intoxicated with Nepenthe, by intense vine rain stómas in the silent afternoon of the Inter-Cosmos of Athena, sending them the poison of Velos Toxeumas, a priori… and before attacking any skin that wants to revive itself in the inoculated Vernarthian dreams.

(Procorus, manifested himself solid in his loneliness when seeing that Lacedaemonians and beings of the night accompanied him, in contrast to the dark light that allowed him with a single candlestick to expand more inaccessible in the semi-glyphs in the grooves of the Megaron that shone synarchically in the plans of the new Monastery of Saint John the Theologian) ..

Parabola Megarón Dódeka Spathiá: “Procorus perceptibly saw how the sky of Patmos was crossed by heavy metalloids of bronze, tin and acroballistics; for the cavalry of Kanti and six Para Senos appeared, who used to ride on the roof of the Megarons belling to the sounds of the acroteras. In these episodes in twelve Swords that were multiplied in advance by thousands before the Megaron began to be built. In relevant dimensions and virtual foundation lines, acrostics of steeds from Thessaly on their palfrey mounted Polish Winged Hussars, carrying twelve wings of cuirasses with twelve horsemen, adjoining the halo of heavy cavalry in Katyn, being abducted by a circum-regressive parapsychological Ellipsis of the 1939 event in Poland. Each rider was strung in blood with golden wing feathers. In each of their hands they carried the curved saber Szabla, to cover up the unspoken target of oppressors and musketeer intruders from the armory hearth of the hypothetical enemy-unknown but outsider, assaulting the flanks of the rooftops in the Virtual Megaron of Patmos, using Kopias or pikes that schemed in the impetus of deadly resistance of the betrayed ancestry. The roof that pointed to the south west reflected the light of Orion by aerial forms of the Aegean choir, riding on the high seas with Votive offerings or offerings of Cyclamines and Red Poppies, hovering in majesty in their nomadic obtuse compass of Rhapsodas coffering epic elegies of the Megaron and of those revived venerable triumphs that stretched out on the banner of glory and bed of epiphany. Rhapsode proclaims thus: "In Katyn Wings of Golden Wood and Red Poppy, they adorned themselves with Bellis Perennis in twelve thousand rags in our steppes harassing their moan in blood wars, framed in large sections on the threshold of their mounted war. There were twelve thousand red poppies burning on the executory pilaster near Smolensk.” How much is there to get fed up in the Polish cavalry of the 17th century, that upon glimpsing the barbarous sounds of the temple that approached them to the altar of the Virtual Megaron, showing off in acquiescent ceremonial and counter-revolution of lifeless aristocracy in needy portals-living and mortal-living who posed in the rear of twelve thousand officers slain in the Forest of Katyn, such gentle medieval men in the contemporary untimely invasion. Here in this place the puffed winged horsemen went by destiny when they were sacrificed, like steel cushions they galloped on their heads sheltered by brotherhoods of Hussars that protected them with Lion and Tiger breastplates with retracted claws. Procorus, observed in the virtuous imagery as medieval winged specimens, protected the frontispiece of the Megaron in bullet-ridden super-existence and a trance of historic architectural dread. Here on a Patmian soil, each one of the officers was aided by each 17th century Polish cuirassier with ferocious wings, they were making them agonize with honor and glory, with those similar twice right there of their resemblance, with misty discrepant blood interwoven, executing on apocryphal witnesses who covered themselves with your looks, of overflowing evasion and truce of bodies stained with mourning and despair, with blankets of red poppies scattered adjoining a naive unarmed forest. Over exalted memorandums and secret cries of Adrastea procreating their kind with the nymphs, they drowned out the cries of cuirassiers like Didaskein, before sobbing in their topic, but of Pashkein in the foliage of rotten hopes, of those who hit them from behind, in analogous vexation to heroes of Katyn. Here neither Cronos nor Mother Rhea heard them, only Adrastea prevented the cries of the men-children who were atoned for behind their backs, from venting them from the foliage of the Didaskein-Pashkien, in tears of solid mercury. Kanti's steeds rise, carrying them the curved Zsabla sabers, before each is shot in the head as twelve thousand Winged Riders are caught in each Zsabla. These sacrificed them before they were killed in the waist of his head, not being expired by ammunition but rather by sabers of honor and glory of their own winged protectors, who would lead them by sharp weapons towards the holocaust of the Mashiach surrounded by red poppies. “The red and steamy cendal of the forest carried the souls of the Hussars to pass them through the sabers of their compatriots, before they were immolated by the Soviets, so their apostolic souls will be catechized by Zsablas of dyed airs of Red Poppies converted into air of respite from the heroes of the Katyn Forest, redeemed by the Golden Winged Riders of the 17th century”

(Procorus in the immensity of the voices and epithets that were heard, differed in the volatile and explosive metal sabers at the present time that were extinguished in their crooked armor and in Polish beings, in a rear that finally Procorus settled them in urdes of immaculate habit, suspended in twelve thousand Red Poppies flanked by his forehead before being shot from the cortex and occipital lobe, forging into golden sabers and cenobitic transvestites who received them in arms in the sublime stench of effluvium of their blood and hosts, never left and desisted from bubbling by the figures of the acrotera near the Megarón, ditto in the same Forest of Katyn, surrounded in a string of Rosary that dazzled in Procorus prohijando them)

Parable Fourteen Donítikos: “fourteen vibrations were polarized in the enthronement of Vernarth towards his brother Etréstles, making filial gradation in possible anti-filial conception of worship and death in who is suspended from one to the other under the condemnatory rhythm of past lives. It is typical of the facsimile of his own genetic shadow Cain-Abel, but of geomorphological gradation and time-space, which finally brings them together as blood relatives of the same Orbis Alius trunk. Dismissing by not accessing a vibrational anti-Asur (as a healthy creative mind in Genesis) as an energy that manages to restructure itself in any homologous way in the world of Asur as the son of Shem in Genesis..., as comparative and intergenerational mythology , enlivening socio-parental metaphors, pronouncing in cohesion and enchantment what happens in another similarity of gender or Mental field, staging the probability of a mental Sun that dies in a Super Man, and this comes to free us from the ties of existence and plane terrestrial not reflected of immanent and instance of Eon, in geological and sidereal lives. The scrolls of this semi-myth, is subsequent to hanging scrolls on the will of us existed for thousands of years linked to links and human characteristics of knowledge through professed and comparative feeling. Compensation of material distemper between the anti-pivot and life between both refers to the simultaneous undividedness of each specification as a phenomenon lacking hearing in winter and inclement periods. Here the outburst of retro involutions becomes cloistered in Menatira, daughter of Cránae, Queen of Eleusis Pro Eleusis tally fuzzy from the convulsing breath of both through the steppe of silence, both of them. Dodecahedron on an octagon in each one for each one that was interpolated in each area when Demeter was looking for his first-born Persephone.

“Etréstles metamorphosed, so that Metanira reunited them with the sub-mythology of their destinies and the preconception of the elucubrar of a final breaking of the abstract spell, which was mixed with the element of vehemence in their irascibility to wait for a next season in fourteen toasts followed by Ouzo, and goods with intact and distant deities in oscillation of life-maturity, making it after the eleventh Ouzo in determinism of autonomous eternal substances of the ritual of Elusis, appreciable power and coarseness of the one who has to compensate for the one who has everything and the that will never have it. (Eternal Life Spell)”

a) Abundance of rain of red blood cells, in quotation marks of the legacy of Bios as all deprivation of life file, rather for those who yearn for it between a physical trifle alibi...

b) Psujé for Vernarth, “For whoever wants to save the life of his soul, he will lose it”. But he will restore it if he is saved by divine psychology muscle."

c) Zoé, “radiosity and refraction of etherization and physicality, more than a biological physical body re-transformed into purging from the superior to the inferior multi-created, but in a Jesuit adjective and sphere of consequent concatenation towards the plane of the

Mashiaj as holistic of the human cave ecstasy, in inflexible marriage between heaven and earth Ad Aeternum”

(Procorus, auto-irrigated red blood cells, to deliver them both, and relevel the levels of red blood cells of the Mashiach's divine blood, which expected to be refounded in both brothers of the Vibrational in Fourteen Donítikos or Hellenic Vibrations, with the initial D in the lower left ear and the S in the upper right of the vibrational field of the Tinnitus of God, with their ears placed in their hands, take them by their ossicle and from them in the curvilinear dawn that vibrates in what He only wants to do to them Dodeká).
Procorus  IV
Tyler King May 2018
Historical processes, sharpening of blades and words of warning,

Memorandums to a once dead sometimes future self; never get caught unaware, never get caught anywhere,

I’m becoming ageless, living through all manner of impossible nights and contradictions, rising into being at opportune times only to dissipate again,

I’ll come through a criminal obsessed with exits, cartographer of escape and anxious vibrations, I’ll get sick as hell and bore whoever drives me home to death, crying wolf till the jaws snap shut,

If you asked me, I’d tell you that rapture already came through here, you could tell by the way the birds whistled for change,
The sun wrapped itself in its lovers arms and dreamed of extinction,
The ink rose from skin and sank into pavement murals of redemption and gambled chances,
All the clocks told the same time and,
Everybody’s pens worked just fine-

Sometimes ending is a storm, and sometimes the lightning arcs all around you and never connects,
And yet here you are,
With all this energy

— The End —