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Ross May 2010
I've seen the work of the best minds
of previous generations scuttled and
passed by like garbage in a dumpster
the angel headed hispters
have gone the way of the dodo
their legacy nothing more than
some printed word and fading images
replaced, for a time
by the high energy punks
fighting the machinery that
keeps us enslaved to the grind
and the money that they own
and use against us
buy buy buy or you’re not
doing your part!
but alas
their legacy is nothing more
than safety pinned faces and scratched
records discarded in bargain bins
replaced, indefinitely by apathy;
global apathy

pockets of resistance remain,
but they are ground down,
shut down before their fire
can be seen
a new movement is needed
angry music, vitriolic poems
revolutionary diatribes
printed in meatspace,
where it affects real people
not as ones and zeros
in blue lcd glow
ignored as rantings of
crazy people;
demonstrations, pranks,
hoaxes, calling out the
powers that be to own up to
their actions and decisions
a pulling back of the curtain
to show the gears and cogs
that make it all work
but who shall lead this
revolution?
not I, I’ve got TV to watch
and things to buy,
and alcohol to numb all the rest
inspired by Howl  by Ginsberg http://www.allenginsberg.org/
Argentum Jul 2016
i.
a girl in a dress the color and texture of storm clouds and cigarette smoke, which whips around her ankles in the wind. black hair in her face, you watch her twirl. her feet bleed on the dry cracked earth.

ii.
days pass and she's still not home. no one worries. no one cares. she'll be fine.

iii.
once, in spring, on a weekend, she dragged you to the beach and you waded waist deep into the cold Pacific. she dares you to go farther and her reckless ravenous joy makes you grin.

iv.
she will never love you back. you understand and stand back. she is storm clouds and cigarette smoke, and you are meatspace and books.

v.
'you read too much,' she tells you. 'and always fiction. that's why your head's in the clouds all the time. what's wrong with this world?'

vi.
'i don't think she's coming back this time.'

he lifts a cig to his lips. 'that's what i tell myself every time.'

vii.
she can't love you back. she can't afford to.

'tch. what a melodramatic explanation. plenty of people disappear.'

viii.
you always meet her in that field.
the cracked earth and solid toned sky a background to your memories of her. they're a part of her, in your mind. you go there to think. the field is part of you, too, now. it feels empty. you feel empty.

ix.
'the thing i don't like about this world is that she will never return to me, or love me.'

x.
she's in the field on a spring sunday and it feels like worlds are colliding when you see her face. you go to the beach and you wade out hand in hand.
title references the EDEN song. I was half asleep when I wrote this tbh
Argentum Apr 2016
ah, the anonymity of virtualization. a place where words are broken into bits and therefore harder to trip on. if only I was so eloquent in meatspace. some have achieved a subtleslick lethal elegant, a fluid flowing smooth-like-butter love affair with words. writing, like seduction, takes practice and street smarts to master. my relationship with words is fragile-soft shy. young love, cautious and sweet. a virginal coyness; the words maddeningly slip through my fingers like dreamsand. I chase after the right words through hyperbolic forests, slay dragons, kiss her (what else would Language be?) soft and hard, love her wrong and love her right. but girls leave you, always, starstruck and drunk with love or infatuation or lust or all three. Even language. even language.

— The End —