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Mary Torrez Jan 2012
inky black skies
pricked by pinholes of light
above our heads with your hand in mine
as our feet dance - exalted and anxious
upon the tired concrete ground
where we've danced before

the knowing gaze
of the sagely moon upon us
does not compare to the brightness
that gives life to your eyes
and births your smile

we escape inside
from the uncertainty of night
with your hand never leaving mine
and the frantic dance continues
until we are strewn together
cloaked by covers

hearts pressed together
in a duet of frenzied marcato beats
that steadily decrescendos as our breath slows
and our limbs weave and entwine
like a dreamcatcher

bodies intertwined
protected from the ghouls of night
with your hand in mine
we sleep safely
calion Mar 2014
he creates music
in the way he plays
and the way his body awkwardly jerks away at contact.
the small frame moves away as if it is to be played marcato
and the piece (his body, that is) returns to maestoso
and she creates lyrics
in her notebook
and in her life.
everything has anaphora.
she writes lyrics that always begin him.
(everything in her life begins with him, she'd like to think.)
and everything is an example of apostrophe.
everything she does is directed at someone who won't care about her.
and when these two meet up,
when their bodies collide,
the most beautiful composition is created.
his moves alter between marcato (louder, forceful)
and maestoso (majestic, smooth)
and her lyrics are very anaphoric (oh, ****)
and everything is all for him.
Rae Jun 2019
Punched and lulled and soft
Swung, fat marcato
Something whispered, stolen
Each voice is a scent
Each color is a word
And the taste of ash permeates each touch

I smooth a hand over the ending
A coating of dust turns my skin gray
Fuzzy and soft, like downy or feathers
Or the soft lighting of a rainy day

I fluctuate, expand, reexamine and redesign
The scent was cold, now hot
And the only thing I remember
Is the orange essence that clung
To your fat, red tie.

— The End —