Submit your work, meet writers and drop the ads. Become a member
Johnny Noiπ May 2019
A triangle wave is a non-sinusoidal
waveform named for its triangular
shape.   It is a periodic, piece wise
linear,     continuous real function;
|
Like a square wave,  the triangle wave
contains only odd harmonics;
however, the higher harmonics roll off
much faster than in a square wave
(proportional to the inverse square
of the harmonic number as opposed
to just the inverse):                  a square wave
is a non-sinusoidal periodic waveform
in which the amplitude alternates at a steady
frequency between fixed minimum
& maximum values, with the same
duration at minimum and maximum;
Although not realizable in physical
            systems, the transition between
                   minimum and maximum is
                   instantaneous                                      for an ideal square wave;

Non-sinusoidal wave forms are
wave forms that are not pure sine waves:
  They are derived from simple
math functions.           While a pure sine
consists of a single frequency,
non-sinusoidal wave          forms can be
described as containing multiple sine In knot theory,
                              a Lissajous knot is a knot defined
                              by parametric equations
                              of the form

{\displaystyle x=\cos(n{x}t+\phi _{x}),
          \qquad y=\cos(n
{y}t+\phi {y}),
          \qquad z=\cos(n
{z}t+\phi {z}),} x=\cos(n{x}t+\phi {x}),\qquad y=\cos(n{y}t+\phi {y}),\qquad z=\cos(n{z}t+\phi {z}),

A Lissajous 821 knot

where {\displaystyle n
{x}} n{x},
{\displaystyle n
{y}} n{y}, & {\displaystyle n{z}}
                         n{z} are integers and the phase shifts
{\displaystyle \phi _{x}} \phi _{x},
{\displaystyle \phi _{y}} \phi _{y}, &
         {\displaystyle \phi _{z}} \phi _{z} may be any real numbers. [1] . . .
waves of different frequencies.
These  "component"      sine waves
                                   will be whole
number multiples                           of a fundamental
or "lowest" frequency.  The frequency
  & amplitude                              of each component
can be found using a mathematical
technique known as Fourier analysis . . .

A Lissajous figure, made by releasing sand
   from a container at the end a double pendulum
In mathematics, a Lissajous curve /ˈlɪsəʒuː/,
also known as Lissajous figure or Bowditch curve /ˈbaʊdɪtʃ/,
                   is the graph of a system of parametric equations

{\displaystyle x=A\sin(at+\delta ),\quad y=B\sin(bt),} x=A\sin(at+\delta ),\quad y=B\sin(bt),
which describe complex harmonic motion.
                           [This family of curves was investigated
                    by Nathaniel Bowditch in 1815,
and later in more detail by Jules Antoine Lissajous in 1857.]

The appearance of the figure is highly sensitive to the ratio
a
/
b
            . For a ratio of 1, the figure is an ellipse,
with special cases including circles (A = B, δ =
π
/
2
                radians) and lines (δ = 0). Another simple
Lissajous figure is the parabola (
b
/
a
= 2, δ =
π
/
4
).
Other ratios produce more complicated curves,
which are closed only if
a
/
b
is rational. The visual form of these curves
is often suggestive of a three-dimensional knot,
& indeed many kinds of knots, including those
                                     known as Lissajous knots,           
 project to the plane as [Lissajous figures]

                                   Visually, the ratio
a
/
b
determines the number of "lobes" of the figure.
                                       For example, a ratio of
                                     3
                                      /
                                      1
                        ­              or
1
               /
                        3
produces a figure with three major lobes
              _(see: image)
Similarly, a ratio of
5
/
                            4
produces a figure with five horizontal lobes & four vertical lobes. Rational ratios produce closed (connected) or "still" figures,
  while irrational ratios produce figures that appear to rotate:
                The ratio
                                                   A
            /
                              B
determines the relative width-to-height ratio of the curve.
                       For example, a
                                   ratio of:
                                                       2
                                                       /
                                                       1
produces a figure that is twice as wide
as it is high. Finally, the value of δ determines
the apparent "rotation" angle of the figure,
viewed as if it were actually a three-dimensional curve;
     For example, δ = 0 produces x and y components
                                             that are exactly in phase,
  so the resulting figure appears as an apparent
three-dimensional figure viewed from straight
on (0°). In contrast, any non-zero δ produces
a figure that appears to be rotated, either as a left–right or an up–down
                     rotation (depending on the ratio
                               a
                               /
                               b
                               ).


Lissajous figure on an oscilloscope, displaying a 1:3 relationship between the frequencies of the vertical and horizontal sinusoidal inputs, respectively.
Lissajous figures where a = 1, b = N (N is a natural number) and

{\displaystyle \delta ={\frac {N-1}{N}}{\frac {\pi }{2}}}
{\displaystyle \delta ={\frac {N-1}{N}}{\frac {\pi }{2}}}
are Chebyshev polynomials of the first kind of degree N.
This property is exploited to produce a set of points,
called Padua points, at which a function
may be sampled in order to compute either
a bi-variate interpolation or quadrature
of the function over the domain [−1,1] × [−1,1]:
Jude kyrie Mar 2019
This nights air is purified by silence
Autumns cold kiss touches my face
Hearts are filled with the pungent
Odors of all things ending.

A palid sad sky
Becoming the backdrop
Of the swarming starlings
Curving ever changing lissajous
Shapes in impossibly complex
Mathematical formulas.

The signals of winter
Are everywhere.
And my spirit is in mourning
For a summer scorned.
beautiful Canadian
Autumns
Come at a heavy  price.
Jude
A Purple Moon Jun 2019
Imagination
On the cusp of extinction.
Surreal dreams, tethered.
Creativity, withered.
Can't fly, so heavy.
Can't think, so clumsy
Can't contemplate, only can process
what we're being fed.
Our minds, concealed.
Can't think, shut up.
And keep running
like a dog playing fetch
or a hamster running
but getting nowhere.
Keep running
from what you've really got.

I miss those days

when I saw a fascinating shine,
even in a mere dime.
Or the beauty in a snake's eyes.
Whole civilizations in the clouds.
Tiny little monsters I used to draw.

Now, my mind is elsewhere,
pretending to be an intellectual,
it wanders from eccentric angles to factorials
and making its way through the Lissajous curves,
makes a perfect robotic locus.
Studying!

See.

It used to rhyme.
It used to question.
It used to weave poetry.

Now it does none of them.
I wrote this when I was studying for my entrance exams for colleges!
I really felt like I was losing myself.

— The End —