cuando gallagher bentahm murió
se produjo un extraño fenómeno:
a las vecinas les creció el odio como si hubiera aumentado la papa
feroces y rapaces comenzaron a insultar su memoria
como si el deber obligación o tarea de gallagher bentham
fuera ser inmortal
siendo que él se preocupaba cuidadosamente
de vivir imperfecto a fin de no irritar a los dioses
jamás se cuidó de ser bueno sin ganas
pecó y gozó como los mil diablos
que sin duda lo habitaban de noche
y lo obligaban a escribir versos sacrílegos
en perjuicio de su alma
así
creció famoso por su desparpajo y sus caricias
"ahí va gallagher bentham el desgraciado malparido" decían
            las vecinas con su hijos
y lo mostraban con el dedo
pero de noche soñaban con él
de noche una extraña nube o mano o seda
se les metía en la garganta soñando con él
¡ah gallagher bentham gran padre!
pueblos enteros habría fundado nada más con su hijos
de haberlos querido tener
de no haber sido por los versos
que no piden de comer y es de lo poco que tienen a favor
de modo que murió nomás y la gente
desconcertada por la falta de ejemplo del mal ejemplo
o con la sensación de haber perdido algo de su libertad
designó representantes que entrevistaron a gallagher bentham
y por más preguntas que le hicieron
sólo escucharon el ruido de abejas en su cuerpo
como si estuviera haciendo miel
o más versos en otra cosa siempre
es difícil saber porqué el vecidnario de Spoker Hill llegó a odiarlo
            así
lo descuartizaron una mañana de otoño para alegría de los chicos
no hubo más nubes en garganta de mujer
ni desquites feroces en la cama con marido extrañado
o hasta sueños de las más delicadas que llenaban la noche
y hacían girar el viento y llover
todos los arbolitos de Spoker Hill se secaron
menos el tábano real que volaba y volaba
alrededor de gallagher bentham o sus últimas mieles.

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

I. I thought you were her world;
   Her paperback novel
   She could ponder quotes in
And crack the spine of.
   But you’ve now got police orders against you
And the pain of missing you
   Seers the seams of her striped-sweater heart
   And though you’re trying to get into Green and Ginsberg,
   She can’t see what the big deal is.
   You were the Holden Caulfield
   To her Jane Gallagher
   But Holden never took Phoebe
   To the mattress so
   I guess that makes the two of you
   Sid and Nancy
   Instead.

II. I suppose she never believed you
   When you told her that you were an alcoholic.
   Because alcohol burns
   And though you lit her fire,
   You couldn’t keep it burning.
   You told her that you didn’t read
   And she should have
   Backed away then.
   But she didn't.
   Because you played accordion
   And dressed like Gatsby
   And she adored that for a good while.
   Until you told her that you despised the Rolling Stones
   And may have committed a ******.
   Even then she did not back away
   Because you bought her cigarettes
   And hit on other girls
   While she waited for you
   To give her the boot.

III. She liked your accent
   But it was just a sweet, endearing cover up
   For a mind as empty as a gypsy’s wallet
   And a rich man’s soul.

IV. You liked to give her drags
   Off your E-cigarette
   Because it tasted like cherry Pez
   And you wanted her to see
   Or rather, taste,
   The magic.
   Kissing you was like magic
   Until
   You moved on to an older broad.

V. Everytime
   Her lips met yours
   You tasted like heavy *****
   And she was too desperate and twisted
   To really give much of a ****.
   So she accepted it
   And moved on.
   Because you called her pretty
   And made out with her in the forest,
   Denim scratching denim,
   Hearts hurting hearts.

VI. She didn’t know you were homeless.
   Or, rather,
   Maybe she did
   But she didn’t accept it.
   Like an elderly doesn’t accept death at first
   And attempts to bargain.
You smelled horrible…
   She believed it to be a natural thing.
   But you were neglecting your hygiene and with that,
   Her as well.
   And the only thing you cared more for than ***
   Was the *** Pistols.

VII. You asked her to take off her glasses one day
   And with one look of her freckled,
   Pimple-shell ridden face,
   You told her she looked like Ramona Flowers
   And upon googling who that was,
   She nearly crapped herself in glee.
   She should have taken it as a sign
   When you began to find
   And tiny reason to touch her in as playful a way you could.
   Through tiny nudges
   She should have seen the possibility of romance blossoming.
   But you were 29
   And she, 17.
   Twelve years, practically
   Three Presidents
   Between the two of you.
   But your undivided ideals
   Brought you only closer together.
   You were an English education major,
   With a III mark after your name
   And Megaman on your walls.
   She took one look
   At the astounding possibilities,
   Drew a breath and fell in love with
Every little thing about you.
Every single,
Unnoticeable thing about you,
From the scar
Stretching down your spine
To the scruff on your chin…
She fell
Deeper in love with you
Than she ever had before.
And she saw a dream,
A future,
That came in on a hot summer day
With Taco Bell
And destiny.

Thursday to the shopping list did add my tremulous bequest,
Honey Nut Cheerios, great was the anticipation of a marriage with cold milk,
product of the oats and the cows that made this nation really, really great,
but in the Manahattan organic commisary seems this
so called food is strictly verboten,
so she brought me home on Friday some imposter named
Grain Berry?

this pseudo Cheerios tainted with Onyx Sorgum,
intended to give me heavy metal poisioning surely,
and rob life of joy by slowing down my sugar absorption rate,
and the plant fiber contained was purportedly natural,
as if there was another kind!

clearly a plot on my life by the Bannonian alt-right, for it,
this "whole grain toasted oat cereal,"
supplied more free radical protection
by sun activated antioxidants!

I am a real man,
I love my artificial flavors and colorings,
how better to preserve my pickling, briny brain
than in artifical perservatives!

From West Texas came this grain,
surely they will appreciate the insoluble fibered irony,
while I eat cold cereal for Friday dinner,
**SHE is eating steak rare at Gallagher's Steakhouse!

"Faith can move Mountains."
I've read in some book.
Now mind over Melon
can be done with a look.
Hooked up by electrodes,
a test subject's brain
exploded a melon
and fried some plantains.
The Watermelon trick
sure excited the crowd.
The comedian, Gallagher,
truly was wowed
He's been in the hospital,
truly heartsick.
Physically unable
to keep doing his Schtick .
Soon, with his brain,
He'll resume his pursuit,
popping jokes while exploding
some innocent fruit.

It was quite evident as a teenager , drawing Boston's guitar shaped space ship on the back of an English book , playing the opening riff to Smoke on the Water with a broomstick
Hiding in the closet , listening to Kiss's first album , singing in front of the mirror to REO Speedwagon
Bad Company on the eight track in my '63 Ford Falcon , taking a Guess Who album to show and tell in Kindergarten
Reciting every lyric on Three Dog Night albums , Foreigner turned up so loud that the windows would ratttle !
Learning Free songs note by note on the guitar , playing Born to be Wild like I was on a World Tour
My heroes are Page , Scholz , Perry and Geddy Lee ! Soundgarden , Alice in Chains , Mott the Hoople and Queen
Jimi Hendrix bringing his Strat to life , Eddie's blistering fretwork !
Crosby , Stills and Nash , three part Angelic vocal harmonies , Ronnie James Dio wailing like a banshee !
A Gibson through a Marshall , A Fender through a Vox , a Tele through a Peavey , a Rickenbacker through an Orange !
Jim Morrison turning poetry into song , Elton John baring his soul through the piano
Eddie Vedder in a trance on stage , Anne Wilson crying out in pain  , Layne Staley raising the hairs on the back of your neck , the reassuring voices of McCartney and Lennon , every musical note committed to paper by George Harrison
Chris Cornell screaming into the night , the aura of Robert Plant onstage
the sweet guitar work of Eric Clapton , heart wrenching soul of Janis Joplin
The wailing guitar of Robin Trower , the blues power of Rory Gallagher
Siren song of Annie Lennox to the infectious , brilliant lyrics of Tom Petty

You wrinkle your nose, No
I laughed. ‘Why?’
‘It’s silly.’
‘Sillier than driving
In the middle of the night
To my house and
Pulling me away
To eat pizza and
Drink milkshakes and
Write poetry in our arms
And sing and scream
And driving into a
Miraculously open
Carnival?’
You rolled your eyes
‘I’d rather do a Holden Caulfield on you,’
Would that mean that
To you
I’m just...Phoebe?
I shot you a sceptical look
And told you that
One ride at a carousel
Won’t taint your
Masculinity.
I sure as hell hoped
That I convinced you because
I don’t want you to be Holden
If I’m just Phoebe,
I’d rather be Jane Gallagher even
If there wasn’t a scene in the book
Written for us.
I know that if I could be Jane,
We could write
Our own **** story
And our story would
Be better.
So please, please, please
Say yes
To going to the carrousel
With me
And we could start writing
Our story as Jane
And Holden.

If I had a gun I'd shoot a hole into the sun and love would burn this city down for you.



*Thank you Noel Gallagher

I Think Ziggy’s playing guitar again.
And walking on the wild side.

I fancy a walk it’s a fine spring evening.
And I’ve kept my self busy with half arsed house cleaning.

Who knows what’s round the corner?
What tattered hymns are being hummed from the leopard skin trolley dollies?

Their kneeling for distraught drunken jockeys
Discussions which inevitably create fraught tension.
That which must be defused

Catch a break brother you’re casting successive **** storms.
Throw on the parker and thus to the shelter.

Thirty six and dour and positively *****,
Few dollars in the bank.

Show patience and may receive what I deserve.
I lean and drool, the swagger of Liam Gallagher and clean my shiny Excalibur.

Indulge the kindness of strangers.
The merging of unstable behaviour.
Shake the snow globe and set tasers to stun

I talk to the luscious Lucia. Tell her to skip the small talk and let’s get to marinating the pork
Another dumb quirk, dumb dirt that comes from my cracked beak.
She considerers me flippant and   freakish.

I am truly scrooge macduffed
She returns to her posh rugby fan with blonde locks and a chin that could hold six pints.

I lay this dog to die and meet some more familiar faces.
All the venues are familiar.
Avast the putrid fog of masculine sweat, the desperate air of ****** puns that drag and caress us in the arm pit of jacks sick giant.

None of our jokes make any sense and were ducking and diving into primitive offence.

The next few hours are unacceptable and the horror must have me in chained.

If I could describe the rest Charlie Bronson would light my ***.
Woke up next day lying on the wing of a Heathrow aeroplane.
Without my trousers.

And several tubes in the near regions.
And now it come to this.
Prison showers and a Glaswegian mans kiss.

too many youtube punctuation akins before my voice comes through, like: hi! i'm child-minding chalrie! ola! oo! advert gives a ****?! you see that? advert gives a toss! well... ola! original lost to marsh potatoes mash.

like i was led by a solomonic harem:

we're buggered;

   to be honest.... hugh grant could have
said that better, and, would have facied him...
if he made that one film from my youth
about a damsel in distress... and the return
of charles II to england... the thing adam and the ants
imitated: highwayman no robin hood...
clean shaven like a daffodil in early spring frost
for the eye to peer into...

as it turns out, you write one great piece of work
and everyone applauses...
you write a thousand symphonies,
and everyone turns flame-eyed and forgets
your one spectacular moment, which
you take into hades and wish to forget given
the total output, when they mention that it
was all great, but so comes cousin critic and you
know that most of it was... a bit ****...
               and because of that:
they tend to do better... they?
   the ones that hit the banknote of a one song
wonder... and then receded into life,
and debated with gay peerage in some restaurant
akin to bridet jones' diary scenario,
and oh my oh my: the palpitations necessary
like make-up... i can almost see flamingos take to ballet!

and then it's back to *quack quack quack
of promenades in the park watching mallards...
  
original jealosy fades.... no, nothing else,
it just fades... which can feel a bit weird,
basically it, just, fades - i take to foot what people
take to: speeding down the a408 thinking
about tax; well yeah, i tax my feet with a mile, or two,
sometimes i take to the mile or two
with a different pair of shoe.
                                   you a rhyming rhino too?
              
you write pachebel's canon,
you're going to compete with haydn's 103
symphony...
similar to a question: how many eggs am i
carrying in my basket?

dear reader, like i child i never fathered,
or like a dog i never petted,
          or should i simply aim at: dear ego?
what unit i had and never thought with,
never mind the thought of?

the fact that you can't cry, is the reason
that you are depressed,
that's another statement that's worthwhile,
stating apathy as a misery
without tears, the original melan- -choly...

listen, i don't care because i don't want to,
  i care about something that i want to care
about because thte things i would like to care about
i can't or don't want to,
   so i take the "metaphor" (which means
half my hans zimmer is gone) that keeps
haydn's symphony no. 103 almost floating
above pachelbel's canon...
      i'd love to miss out the second l...
and there, the ****** white, the doves,
     the church, and... hail! the marching bride!
that feeling of consecration...
    can you realise that newspapers are stink
compared to dust-affording books?
              yep... newspapers are ****
compared to book... i kept a week's worth
of newspapers in my room, i realised
that it stank as if a cat ****** in my room...
  when i listen to pachelbel i'm supposed to think
of kent, or devon, aren't i?
thumbs up essex oi oi!
                   halfway house out of 'ackney
  or 'eckham...
      oh right, right, like i was ever invited to a
marriage...
                     some 'un 'as to be the black sheep
of the family...
   well... i hope she divorces aged 40 and has a miscarriage
aged 35... if i really wanted to give a toss...
i'd toss, a cricket 'ard ball of
                mahogany cranium and make
believe that i was loved,
instead of receiving postcards from strangers...
living about a mile away...
    so there i see pachelbel with his canon in D....
and there i see mozart, laughing in steppenwolf
as is worth citing:
      i wrote so much ******* i just had to
tickle my ***** like a philosopher might ****** his
beard... if that answers your question:
they remember him for only one song,
and do so rightly,
   me? i'm not quiet sure why they remember
me for a hundred.
   it's like pachelbel is the *** pistols
        and i'm the ramones, or the offspring,
or stiff little fingers... or the dread, ****!
green day?!
                 according to noel gallagher
who did say that never mind the *******
was something we didn't accomplish with his
oasis albums... even though back in the day...
on the european continent, no one sang anything
apart from oasis songs... you went to paris:
oasis... you taizé... oasis...
yes, what was, once, france... or frau hans...
and then the exagerration on the f....
like an alo alo alo episode...
                 that's basically what it sounds like....
pachelbel's           pa-she-sha  l          fix it bell's
   pashelbel's               it's also half check in czech...
     but that's what noel said akin to mozart:
to be honest? i'd rather just (have) written than canon in D
and ****** off; if i wrote more than that
i'd be anything but that spare prosthetic limb
for that one legged man, dancing at a party in Versailles.

it blossoms itself from mossy ponds and glistens in humid summer rains. the days pass so often it’s quick to reminiscence
how beautiful it has been.
do you want me to go home when you want me.

my heart stumbled into this/ jane gallagher, will you be mine?
i’ll surrender my kings for your company that has proved to be divine.

what a whacky weekend, it's finally over, a shift at the Romford ice rink watching Romford Raiders vs. Peterborough Phantoms, selling tickets, ones by card, others by cash, checking pre-booked ones... and then? the easiest shift... watching the game... i have to be honest: the first time i watched ice hockey live i was bored stiff... but then again i was on top of the stands looking down on the game... from a high place looking down? it's... a really **** sport... BUT... today i had more flexibility... i was next to the rink... i have to admit: to watch ice hockey properly you need to be really close to the ice... and compared to the Oxford United shift?! **** me... im never doing that ****** shift ever again! ten hours out of the house and for what? £35 quid? here i can wear black trainers, i don't need to wear a white shirt or tie... i "work" for 4hours and get paid for 5... plus? i can cycle here and be back before i know it... total time spent out of the house? maybe 4.5hours... plus at the ice rink might get a free hot dog like today and a free drink: plus as it happens in ice hockey, the whole play-stop routine the DJ will play some sample of a song, today i managed to hear a sample (donkey's years old - September Cry For You... i knew it but forgot it, but remembered the lyrics: you'll never see me again ¶but that's not about all of that... i was talking with my coworker about finishing our shift at Wembley yesterday, she finished much later... oh! it took me ages to get home! i only got home at 4am - i sort of blundered and replied: yeah, me too... she's quick to pick up lies - but didn't the trains work? oh no, they did. so how come you only got in at 4am? oh, i don't know (****, one little white lie will not pass her, she was already growing suspicious, i should have just told her the hypothetical truth that i managed to get home at after just 1am... and i would have, i got to Stratford and spotted that the Southend Victoria bound train was via Romford, and not via Shenfield... it was supposed to come in 5 minutes by the time i was standing on the platform, but suddenly it became delayed, a passenger was taken ill... it would take forever for the train to start again... the original plan was to go the brothel, but i figured: i might as well go home early, get some chicken on the way at Romford and catch the last bus home, get in early and write for a while... but then the ill passenger made me return to my original plan). ¶well an hour or two later i had to own up as to why i came in at 4am, so i told her: well, you know... the reason why i came home at 4am is because i had, a slight, ahem "detour"... she looked at me smiled and sort of giggled... oh: that sort of "detour"? yeah... the beautiful thing about this was that i gave no further explanations... maybe she figured it out, maybe she didn't...

I.

well... at it's not me scribbling with squint eyes after having
have to catch four night buses to come home from Wembley
from a shift at 4am... this time i stopped over
at the brothel...
i can't help myself:
i can hit the ultimate high but then follow up with
the lowest of lows...
i even managed to buy a t-shirt... ****'s sake...
what are the chances of a "tour" of "compensation":
paying tribute to a drummer...
with only two dates of tribute... today's currently the 4th...
i don't exactly: love love Foo Fighters...
they can't topple the pyramid of Red Hot Chilli Peppers...
but it's still so much better than
what i heard the previous night.. Garage...
i had to buy that £40 t-shirt... they were running low
on the one i really liked: the yellow one...
i bought the black one... waited...
soon the merchandise shops opened again and the yellow
one was made available once more...
oh man... it's 4am and it's not like i just took 4 night buses
to get home...
i took the tube from Wembley Park to Stratford and then...
plans changed twice... i was originally planning
to visit the brothel... then...
a Southend via Romford bound train was supposed
to come... o.k. forget the brothel...
but then... a passenger became ill on the train
and the train became delayed indefinitely...
**** me... off to the brothel i go...

it was sort of gladdening to have seen
    josh homme...
                 brian johnson... liam gallagher...
roger taylor... rufus taylor...
   brian may... who else was there?
brian mccartney... the pretenders, i.e. chrissie hynde...
i had the best view in the stadium...
at the far end opposite the stage... fifth level Wembley...
in the disabled (accessibility sector)...
easy... boring... 12 hour leg numbing shift...

no... i don't really like the Foo Fighters...
i like Andrea though, our supervisor... this tiny little
creature with spectacles that looked
so quirky lifting her spectacles up
and looking at a page when writing like she might
have looked at bacteria through a microscope...
darling: she called me...
      yes: the the great big world would eat me up
with a yawn and i'd still reply: yawn great big
world... should i meet her ever again:
a woman of my implant idealism... of borrowed books
and failed loves...

i have a t-shirt to prove that i was at this gig...
that's all i have... but i don't think i was there...
i think i was looking for my shadow in Andrea's shadow...

i'm pretty sure someone died...
oh man... going to the brothel this tired is always a bad
idea... more unprotected ***...
but this time Khedra was different...
she kept whispering: **** a blonde little baby into me...
half asleep but nonetheless with a *******
i was thinking: what?!
three aphrodisiacs... the proper cider... exercise and
excess tiredness...
a complete ****-up of the senses....

even now it's coming to 5am and i'm thinking about
that *******'s slapping of a shift at the ice-rink
tomorrow from 4 through to 8...
i never thought that ice-hockey could be just a boring
sport to watch...
i.e. where's the puck?! hockey to me is a bit like
monotheists in prayer...
lunatics... at least the pagan Hindus throw spices
and more spices around to cover themselves in excess of
what can be sometimes missing in nature...
but monotheistic reasoning for procrastinating
within the confines of labouring the bend and beating
of prayer to an otherwise deity that demands
the "prayer" of "thought" rather than
the deification through a "prayer of the body"
and use of the tongue...
    monotheism ought to never be about pseudo-paganism
of procrastination with idle words on idle
tongues of idle bodies... the matrimony of lunacy
of bending objects...
monotheism is a sort of telepathy...
a telekinesis...
prayer should be abolished in monotheism...
as well as all the lunatic deifications of monotheism...
esp. in Islam and Judaism...

                monotheism ought to start to equate
thinking with speaking...
by that standard... collapse it furthermore...
the freedom of thought is not the same as the freedom
of speech... in that writing: with writing being
the extension of thinking: the medium of writing
is not an invitation to speak, but rather an invitation to think!
monotheism speaks like the pagans speak...
too much... monotheism has as many mantras
as polytheists have...
the only difference is that the monotheists have
abstracted their deities as cryptic language structures...

in the crypts of the ciphers:
one can find at least one decipher... some sacred word...
either over-used: e.g. blah-lah
or under-used: the acronym yhwh...
of Æ... when Adam was a Siamese twin with Eve...

i'm sort of... half blinking... i have these half closed
eyes: i'm squirming and pretending to blink....
i lay mountains in a single valley
and later called this same mountain range
a witness of the canary's song that could
encompass a folding of a cave to boil a river
to a standstill: from a sea create a river
and from a lake a mirror...
what miser ******* i'm thinking:
thank god i'm simply thinking it rather than speaking
it in arena of rhetoric...

let clouds be puffs of negative-salt clusters...
negative-salt clusters so that they can absorb
"positive-water" into their invisible gobs...
and... like seagulls... carry the food-stuff over
kilometres of agony... from sea toward land...
from rivers to the lakes...
and then back again... from the lakes toward
the seas...

II.

i must have been really tired yesterday, i just abandoned
part I. altogether: i don't want to know what i've written,
i'm not rereading it... i'll have to rewrite some aspects
of it...
                 today i feel livelier and actually awake...

1. i figured out the brothel, finally! it took me some time!
half an hour sessions... no more those 1 hour sessions...
why? i can go more often, ergo i can **** all of them in the brothel,
so much so that i will have to start looking for
a new brothel... one hour sessions don't work anymore:
if i am to please a woman who i never met,
i either will or i won't... and that will be within the confines
of half an hour...

2. my three favourite aphrodisiacs are:
(a) cider + a little bit of whiskey + a cigarette or two
(b) exercise
(c) tiredness... my god... every time i came back
from a very long shift i would try to relax before
writing by jerking off... each and every time i would
get a ******* like clockwork....
i guess tiredness switches the mind off completely
and you feel more and more uninhibited...
mix that with aphrodisiac (a) and made (c) comparable
to the effects of (b)... hey presto!

a rare moment for me... original thinking while sitting
and listening to my father dictate to me
the invoice i'm just writing
myślnik: i.e. dash or hyphen (-)
od nowego akapitu / wiersza:
            from a new / "poem"
it's not actually a new "poem", it's more a new verse...
i.e. it's lazy speaking because it's not
actually akin to the sign applied in medieval
times to use up as much paper with
an indicator for a new paragraphs
employing the ¶ (the blind P): come to think of it,
i think i'll employ it in the italic section of the intro.
i just added... them... the pilcrow...
it was used to use up as much paper as was available...
these old texts never wasted space...
but a revelation came when writing my father's invoice:
thank god i'm an employee and i do not have
to write any invoices or do any tax self-returns...
of all the people employed i don't know whether anyone
else is in my position...
but the revelation came with...
i remember my English teacher: the Scot didn't teach us
much English... he introduced me to jazz and a love
for Led Zeppelin rather than Black Sabbath...
but i remember his one major lesson:
you, don't, start, a, new, sentence,
with: a, conjunction, namely: and!
you can't stand a sentence with And...
what is the semi-colon for?

after all, what's the semi-colon in Arabic?
either the letter(s) dh (the H is a surd borrowed
from the name of the Hebrews' deity)
                  ذ or Z(ed)               ز    -
aren't these semi-colons?! ; ذ ز
                                                               ­ ?

but i had a split consciousness: the cat that was sleeping
in my bed decided to jump out of the window and
sit on the roof of the kitchen...
while i was typing the invoice...
when i got back into the bedroom he was still
sitting on the roof... i have an invisible leash
on my cat... the moment he saw me perched
on the windowsill: i smoked one cigarette: he noticed me...
he jumped straight back into the room
and is current sleeping on my bed...

a split consciousness? what song to listen to?
the original i started with? September cry for you?
Collie Buddz Sensimillia?
Stephen Marley hey baby / iron bars
or Combichrist sent to destroy?
obviously the foremost...

i had to scribble this note down in between writing
the invoice:

/ aesthetic:
                                                      ­   look up Gothic
    bl.... blah blah. Also...                  a script and ᚱᚢᛖᛋ
                  no!                                       ­                       Σ
b (scribbled out)
"           "          "   ; also

                                          via example of And at beginning
                                             of (a) sentence
                                             is a massive
                                                         ­     no-no! /

some Copernican rotations in place... notably
via the Runic E (ᛖ) and the Greek S (Σ)
and obviously the work that went into crafting
the Roman S and ...
huh? i never heard about this 'un... the sigma-reflection...
what's this?

                           σ² ≡ E

id est: a twofold reflection on one plane
produces the operation of identity;
     any planar molecule has at least one mirror plane.

ugh... coding... something for termites...
    <p><var>a²</var>
                                   and what modern poet dabbles
in STEM methodology? people are still complicated?
or just plain ******* daft... having created so many complications
of their / adding toward their lives outside of themselves?
i think it's the latter...
there's no longer a need to concern oneself for
"being there":

Heidegger was slow on picking up on what
Zhuangzi talked about beyond his grave:
   the... grammatically correct "concern": or rather...
in the eyes of the Chinese rather than the German
concept of "there being" as that of concern...
the Chinese variant was always "being there" with
a sense of non-doing... some thing are unchangeable...
yes, pressed by the continuum of un-change-ability...
you can't alter the sun or the gravity the planets are fed
by it...
  to orbit...
               unlike Egyptian hieroglyphs... Chinese hieroglyphs
are ideograms... they are more than sounds:
they are as simple as sounds of letters...
whether alone or coupled... but they are also IDEAS...
ergo, they are ideograms...
"being there" is one of these...

                           在: zai... roughly, i'm not an expert...
i'm a: LA-IK... but Heidegger preached the wrong sort
of thinking, if Tao is the correct sort of thinking:
this is the contention (from the Chinese prespective)
against the German interpretation of da-sein...
i'm not concerned: that would be very Christian of me...
i'm not a fraud of F.O.M.O. (fear of missing out):
that takes concern... i know i can't change the world:
i can only change myself in order to grow into myself...

ANY AND ALSO are grand examples of when
the semi-colon ought to be used in a sentence,
a semi-colon is a follow-up to a thing already stated...
... yes... i use that puncture marker when
i'm following up one thought with another...
it's not aesthetically pleasing, but then again i am not wasting
any paper or using a type-writer...

but i have (i've) seen too many books in print
where a sentence opens up with such: DISGRACE
(the negation of grace, the prefix dis-, id est)

it figures... i'm too intelligent to **** neuro-typical women...
i need to **** prostitutes...
i'm not even paying myself a compliment...
i walked back from the shift peering into the houses...
ageing couples... one on one armchair
another on another armchair... living the easy:
mortal life... oh **** me...
alone again... the children flew their nest...
just waiting for a spot in the old people's home:
Protestantism is so cruel when it comes to old age...
it's spectacular when you're young!
me? i'm sticking around...
i applied the Japanese method of *******...
sure... no long partner: no need to talk...
at least the Japanese are unabashed about
complications of housing... at least they're open
about the ラブ ホテル (rabu hoteru)...
spares me the need to **** prostitutes: but no!
oh no! no no!
i need to **** prostitutes to avoid my makeshift
boney **** of a hand!
i need to eat, i need to sleep, i need to ****...
i don't care what the WASPS spew from over the "pond":
i stopped listening a long time ago...

hey! Darwinism preached adaptation...
i'm adapting! it's called... have you heard the term?
E-VO(h)-LOO-SH-ON?!
i know it's spelling evolution...
but you hardly hear the T to begin with...
well... if God made Poland his playground
(according to Norman Davis)
i'll just make England MY... mein SPIELPLATZ!
sorry... not England: ING-LEASH!
this is my playground!
                  
                                 well if God can make Poland
his playground for the Turks, the Swedes,
the Russians and the Germans to pretend to tickle
and juggle... i'll make his favorite tongue:
my... playground... i''ll make sure as many people
come to London as are readily available...
let's see, "god"... who's going to start having
a *****-fit... i can watch the natives become minorities...
don't worry... i'll fit in just plain dandy with the other
minorities: they won't even know where the ****
i'm from... they'll think i'm English but when i tell them
that i'm not German they might have a second
thought: why have so many Arab names
popped up as "friends" on my facebook?!

that's the thing about Slavs... English speaking people
associated Orcs with Africans...
well... where's Mordor? East?!
last time i checked... are these people going to be throwing
pronoun-grenades at the Russians as the Russians
starve Europe from a gas supply?!
oh sure sure... the "worship" of "correct" pronoun
usage is already keeping me warm: the warmth of WRATH...
maybe i didn't have children because i thought that:
my natural intelligence wouldn't be passed down
and they would become products of their
environment and peer pressure?!
i think so... i think i refrained from having children
because i thought: mein gott! and what if they might
be swayed by idiots?! guttrauer (good grief)...
imagine!
- but as i was walking back from the shift...
i noticed these old couples... me god, their ageing so quickly...
i sticking put... my parents invested in me...
now i'm going to invest in them...
i'm not moving... i'm not going to rent...
i'm sitting on money! i'm sitting on Smaug's ransom!
i'll keep them youthful for as long as i can...
they will not be sitting in two armchairs alone
before a t.v. with pictures of their children and grand-children
hanging on the wall...
they'll just have to deal with the insolent drinking
alone little me...
i'll entertain them... i'll do the household chores...
i'll cook for them... i'll do the d.i.y.:
they're not going to be packaged like ******* mushrooms
into the dark into an old people's home...
and whatever women that comes into my...
ah... ah ha ha ha... what woman? for a relationship?!
relationship with: what, exactly?!
i already have sway over a woman's body whenever i feel
like it: whenever i feel like...
do women have intellect? i.e. talk about what?
other people... i've heard it before...
you couple with a woman and all she wants to do is
talk about how happy she is when she's with you seeing
other women being single: how "superior" she is...

what conversation? the best conversations i ever had
were with strangers or when i started to write...
when i untangled my thinking into not-thinking...
i wouldn't appreciate a life of simply being lazy
existentially... this is not the right sort of time to be lazy
existentially: why? becoming existentially focused
by the simple demand of external forces that force
you to beg for explanations: just like the 20th century
proved is no beginning or, for that matter:
an encapsulation of: what?
do people really think literacy is omnipresent?!
if it truly was... we wouldn't have people scratching
letters in graffiti mode on brick walls like
those of Lascaux... sure... the caves imploded:
but the skyscrapers exploded...

how times change...
back in the day, even Milan Kundera lamented
the sayings of Neville Chamberlain...
what were those?
how horrible, fantastic, incredible it is that
we should be digging trenches and trying
on gas-masks here because of a quarrel in
a far away country between people of
whom we know nothing
that explains a lot... Czechoslovakia is
just a little bit nearer Ukraine... Ukraine is on the map!
far far way: i'm pretty sure the British became
confused by digging the Suez canal:
India suddenly became West of Ireland...
when it came to navigating ships!

that's the thing about the Slavs... we'd sooner start
a war amongst ourselves than succumb
to some Germanic festering wound of the intellect:
pronouns! blah blah ha!
the Germanic consolidation project for Europe:
hell! bring the entire world to our shores!
that's an Germanic intellectual starvation project!
the Slavs, like Orcs: would sooner fight among
themselves than tempt the idiot cross-eyed
serpent of the Germanic Twilight of Intellect...

today i learned the reason why i was so attracted
to that middle-aged woman from London Stadium
who looked like a frightened doe: in head-lights...
i was coupled with her at the Basildon shift...
isolated... i had to talk to her...
       Chill-y... she's actually Turkish... i would have
never known! i like Turkish and Romanian girls...
hell... if English girls have this post-colonial
black fetish against their fathers...
i'll pick one (fetish) for myself... wait... i have one...
we're good... we're equal...
now? more! more! more!
i need to fry my mind with as much ****-box-*****
as possible!
i'm not stopping: something was woken in
me that should be sleeping a tight monogamous sleep...
that's not, going to happen...
like all the beautiful girls that turn out to
be prostitutes: akin to nature's sake:
everyone would love to live through
seeing a tornado, a daffodil blossom...
******* a beautiful girl...
a man with many arrangements:
i don't want to be selfish...

last night was just, plainly, weird...
i can't remember the last time i was asked so many
questions...
Khedira asked me: so... did you prefer Michaela...
who? the short plump girl with great ****?!
the blow-up *** of pump?
or did you prefer the taller girl?
i'm just asking, as a friend... the former...
something was afoot...

the wind blows in cold into my bedroom...
it's a welcome breeze... it folds itself around
my ankle prior to strangling me around the neck
while kissing my forehead...

the glorious 4 were sitting there...
the one with the glasses was incredibly talkative...
Mona... Mina? does it matter... she was wearing
glasses...
where have you been? i ripped off my
bands... showed her: Wembley... the Taylor Hawkins'
tribute concert... oh... dearest Adriana...
that supervisor... please don't call me darling...
not when we're working... my name is enough...
out of the 4 i chose the predictable non-****** ****..

as you do...

i haven't seen Khedra for a while... the started with her
usual *******: thank **** that she doesn't charge me
for unprotected ***... either oral or vaginal...
i felt sort of relaxed-tired from not having to put
on the rubber... but we Polacks and Turks are
cleanly people: we wash ourselves regularly...
i can't remember the last time i *******
a *****-load into a woman while she whispered
into my ear that she wanted a blonde baby:
eating and burning my blonde mustache and love-bruise
of hair growth (catching up to the length of
my length of beard... some ******* quarrel between
a boy and a girl while i was leaving Wembley,
he breaks the argument... direct her sight toward
me with: i love your beard! my bib?! i.e. t-shirt...
forty quid... i'm later informed he was talking about
my beard and not my t-shirt... what?!
i've just spent 6 hours in an environment
where you have to don ear-plugs...
what?! i can't her you! EAR PLUGS!
you can still hear the music, but you can't sense
the vibrations! bib?! 40 quid... oh! right... oh! beard...
yeah... thanks... it took 3 years to grow)

but i had to **** Khedra firt... i slapped her ***...
she slapped me... i wish she slapped my face...
i deserved it... i was asking permission without asking
permission: oh... Mina looks lively...
the one wth the glasses... she's happy...
how about we have a *******...
that's the second time i've bee asked to have a *******...
i know Khedra could make a ******* magical...
seriously... i watched as she harked up some bad
*******...
next time i told her... before she gulped and swallowed
an "oyster" of my missing *******...
2nd ******* *******... well... **** me...
i'm not exactly readied to disembody myself:
quit certainn limbs: on a whim...
who's paying? of course i'm paying!
i'm not paying for food! i'm paying for the *******!
dating is such a 20th century sort of past-time...

people: get with the times!
the 20th century requires closure:
you're not giving it!
   i told her: next time... next time...
sure... you and Mina can please me...
i hope this second ******* will be much better than the frist...
i'd love to see you two kissing...
before competing for the oyster Olympics
of slapping ****...

me god... first she ****** me off then she decided:
you did enough work arching over me in the missionary
position... i'll ride you...
women are strange that way...
they speak during *** like men might speak
during sleep...
what i heard...
what didn't i hear? i'm sure as **** knowledgeable
not hearing any lies...
i don't pay for lie... i pay for ****....
after she finished her oral ***
and climbed onto me and told me to look into
the mirror...

i was thrilled with warm-shivers...
it wasn't an ******...
but close enough...
           she was stalling... shivers...
shivers: she was stalling a ******...
******-lost *** is... is what it is...
i was her parterened self re-partnered...
he clicked: a wet ***** a hard-on ****
of an uncircumcised phallus...

upon insertion? you always aim below
the floral patterns of the ****...
of the *****... you aim an inch above the ****
at the root of the ****...
it's a bit like undoing a woman's bra...
inserting your "weapon" into a woman's
"shield"... sword-sheath-sword-sheath...
metaphorical, "metaphorical": of course...

but she did say: you taste all of them!
don't me mind! if i'm readying myself...
you choose another: choose another!
have as many women as you please!
don't feel obliged to choose only me!
well: doesn't love have to be shared?!
i can't be selfish! i can't just love one woman
when so many women are left loveless!
can i? i must love as many woman as are readily
available!
if i find boy exclaiming: i love your beard, mr.
i'm pretty sure the women are tediously shy
about a great number of details about me!

die forderungen von dies nacht ar fertig!
the demands of this night are finished!
ein tag kann gewinnen sie mit
morgen sonnenaufgang

                                              alle­ mit morgig verheiße.

Assembled by Eli Williams
From quotes taken from works at poetry readings by Vladimir Swirynsky, Bob Olsen, Ray McNiece, Kathleen Gallagher, Joe Roarty, Eva Barrett, Russ Vidrick, Tam Polzer, Rosemarie Iwasa, Dianne Boresnik
Additional original content by Ryan P Kinney

I watched you undress like a stranger lost in a great city of hope
The problem of loving the same woman in different ways
And still love once more
This is my word in any language
So I cozy myself up to a murderer
So I can taste the infernal darkness
Too much white space, unpunctuated
No place for the demon to go, but further in
I'm a monster, I admit it
God not only loves a sinner, he prefers them
How long will I be playing to get by
Is it worse to be the one taken or the one left behind
Nothing is ever born again here