I have long sought quiet.
And please, let me be clear: quiet.
Not the quietus Hamlet desired,
No “consummation devoutly to be wished” for me.
No, with or without a bare bayonet,
UNBEINGNESS is hardly what I seek.
It is not the predicament of death,
But the quiet spectacle of the grave I envy.
Originally a city mouse,
I am familiar with the urban soundscape.
I know city noise, amped up in decibels.
Noise-induced stress, shrill and enervating,
Add to the mix a working-class neighborhood,
Where someone is always hammering,
Using a power tool of some kind,
Repairing, improving an older, somewhat decrepit home;
But a steal as the realtors say.
Or vehicles, like Old Havana relics,
Held together by secular prayer,
And thriving underground Cuban capitalism.
Then just for fun: "Let’s send the ******* to war."
Tympanic membranes be wary and be ******.
Stretched and perforated,
Compressed and torn,
Shredded like wheat.
Pummeled by shock wave.
I was Lear wandering the heath,
Your ***-cheeks cracked:
“Cataracts and hurricanes . . .
Oak-cleaving thunderbolts . . .
Sulphurour and thought-executing fires . . .
Singe my white head!”
Cue Cabaret music (Cabaret (1972) - IMDb www.imdb.com/title/tt0068327): “Willkommen, bienvenue, welcome . . . to Indochine,”
First a Weimar-Saigon suckee-fuckee,
Then out to The ****,
Mind-numbing concussion,
Reek of jellied gasoline,
Charred meat,
Assorted red entrails,
Obliteration of thought complete.
