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A woman who writes feels too much,
those trances and portents!
As if cycles and children and islands
weren't enough; as if mourners and gossips
and vegetables were never enough.
She thinks she can warn the stars.
A writer is essentially a spy.
Dear love, I am that girl.

A man who writes knows too much,
such spells and fetiches!
As if erections and congresses and products
weren't enough; as if machines and galleons
and wars were never enough.
With used furniture he makes a tree.
A writer is essentially a crook.
Dear love, you are that man.

Never loving ourselves,
hating even our shoes and our hats,
we love each other, precious, precious.
Our hands are light blue and gentle.
Our eyes are full of terrible confessions.
But when we marry,
the children leave in disgust.
There is too much food and no one left over
to eat up all the weird abundance.
Elsie Greek May 2022
That is not a mild story,
She neglects it;
That's a sunken bittercup black.
Only what can be told;
Sip it up, never call her again.
Like a sign of approval
On your daily fetiches,
No sugar, skim right;
As you're taking it in, she can live with it.
Learn how affected one is
Under caffeine,
How it mingles with you,
Becomes your resting point.
Like it's when you wish
You could be dormant;
Only then she reciprocates.
Let it help her recapitulate
Your story:
Passage in sentences,
Words into syllables,
the dull infused with some glory.
El cadalso y carlota corday los alinearon
en la habitual arruga de la historia
pero danton robespierre marat
no se miran ni se dirigen la palabra

la muerte esa inasible
que fuera su cofrade y su enemiga
los recorre con dulce escalofrío
en tanto que la fama los satura
de himnos desafueros y retórica

matarifes o mártires
pródigos o inclementes
jacobinos o nada
entrañables o impíos
bonne nouvelle o fetiches
patronos de la luz o del terror

blandieron la justicia como fiebre
el amor cual relámpago
la excepción como regla
y la revolución ese eterno entrevero
como última acrobacia inevitable

no obstante hace dos siglos
bregaron deliraron murieron con urgencia
no sin antes mostrar al resto de los tiempos
lo frágiles que eran la cerviz los poderes
y sin embargo esos
huéspedes o anfitriones del peligro
marat danton y robespierre
no se hablaban ni se miraban o al menos
no se hablaron ni se miraron hasta
que de las nuevas arrugas de la historia
emergieron artigas y martí y sandino
y el che y otros abuelos
y bisabuelos cándidos

y al abrazarlos sin hacer distingos
de a poquito los fueron persuadiendo
de que todos lucharon por el hombre
el pobrecito duende de este mundo

— The End —