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"excessiveness" poems
This morning as I walked along the road, The winter’s shadow hung about the air; And casted out its gloom. It was so cold; But yesterday was spring like and so fair. A flock of geese I watched the other day, Perplexed they were as sure as I could tell; Disoriented like they’d lost their way. They soared in circles until evening fell. What have we done to our sweet Mother Earth; With our excessiveness and sins of greed? And now that we’ve created this great dearth, What will we do to rectify our deed? We must act now before it is too late. I hope we haven’t sealed our childrens' fate.
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Nov 15, 2010
Nov 15, 2010 at 1:37 AM UTC
Sonnet XIII
of this earth i will cursor with octopus suction a lung in spring to tame the readied earth for harvest, should i fail blotch with soaked feet in ink a followed route readied for future grime known as generational gaping a form of yawn - but never leave poetry singled-out worded with only one word - craft more syllables to mind - at least enough syllables to rhyme, i know that haiku does not rhyme, but excessiveness of knowing so will leave poetry without technique altogether... at least keep what pop music decided to make of poetry: rhyme - at lest keep rhyme, at least write enough syllables to craft a rhyme! curating syllable usage to make identifiable a poetic technique - without enough syllables no poetry - because of lost technique stressed via syllable rubric spoken of no rhyme to be multiplied into echo for a coercion to mitigate: i.e. rhyme -e- with please & ease - mitigated meaning a lessening with the echoing rather than the rhyming resound - for indeed in optics the words rhyme, but in practice we care for echo rather than rhyme: i rhyme we eat                           and we seat - but in fact opting for echo to be the curator.
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Apr 25, 2016
Apr 25, 2016 at 11:11 PM UTC
desecration of the haiku (echo v. rhyme)
ever read an existential comic? i love that jokes are necessary in them, when all thinking can become comical, but as i found out: too many jokes and... too many jokes, but it's not the sort of comedy you get to play out with spontaneity and excessiveness, the spontaneity and excessiveness of laughter at no apparent reason - well, reason being a bunch of reasons in the realm of too many to handle a vector narrative - philosophy, not so much "choose a narrative", but become comfortable with a vocabulary, like a billionaire with a bit of his wealth stashed in the vaults of Switzerland of bonds, some wealth it bit-coin, some in paperwork under the mattress sleeping uneasy, some in shares on the stock market, some in a bank debit account; me? i too want a stable vocabulary, high heels a purple corset and a red evening dress, vis-à-vis a well tailored suit and worn leather shoes expanded to a comfortable fit by someone else - as they say: make a footprint on the sand, make the foot mould the shoe making the footprint... but as i said, too many jokes, it almost makes philosophy a futility, but it only becomes futile as the futility to live on when a depressive agent of will decides that thinking per se is a futility: because thinking per se is the self; people can make you feel idiotic when they incorporate you into their use of language, they do so because they haven't really bothered to itemise a comfortable vocabulary - they've itemised something for sure, but when you deviate from the art of making good jokes to feeling comfortable with a vocabulary as if it's a tailored suit, you avoid the dictionary; i actually thought the dictionary was a holy book once, but i realised it's a book you do rubrics with, until you simply unlearn it... i could go on and on, but it's worthwhile to use it for a period of time, choose the words you're comfortable with, words you can use without question, without that existential tactic of "god", transcendental "ego", "meaning", you know that chance to create a sixth meaning of the word or dig a tunnel of synonymity... plus all these existential comic strips always leave me begging the question: did we just have a Bohemian-style **** or did we simply sit down to get a haircut?
0
Mar 17, 2016
Mar 17, 2016 at 2:03 PM UTC
alter philosophy: a comfortable vocabulary
ever read an existential comic? i love that jokes are necessary in them, when all thinking can become comical, but as i found out: too many jokes and... too many jokes, but it's not the sort of comedy you get to play out with spontaneity and excessiveness, the spontaneity and excessiveness of laughter at no apparent reason - well, reason being a bunch of reasons in the realm of too many to handle a vector narrative - philosophy, not so much "choose a narrative", but become comfortable with a vocabulary, like a billionaire with a bit of his wealth stashed in the vaults of Switzerland of bonds, some wealth it bit-coin, some in paperwork under the mattress sleeping uneasy, some in shares on the stock market, some in a bank debit account; me? i too want a stable vocabulary, high heels a purple corset and a red evening dress, vis-à-vis a well tailored suit and worn leather shoes expanded to a comfortable fit by someone else - as they say: make a footprint on the sand, make the foot mould the shoe making the footprint... but as i said, too many jokes, it almost makes philosophy a futility, but it only becomes futile as the futility to live on when a depressive agent of will decides that thinking per se is a futility: because thinking per se is the self; people can make you feel idiotic when they incorporate you into their use of language, they do so because they haven't really bothered to itemise a comfortable vocabulary - they've itemised something for sure, but when you deviate from the art of making good jokes to feeling comfortable with a vocabulary as if it's a tailored suit, you avoid the dictionary; i actually thought the dictionary was a holy book once, but i realised it's a book you do rubrics with, until you simply unlearn it... i could go on and on, but it's worthwhile to use it for a period of time, choose the words you're comfortable with, words you can use without question, without that existential tactic of "god", transcendental "ego", "meaning", you know that chance to create a sixth meaning of the word or dig a tunnel of synonymity... plus all these existential comic strips always leave me begging the question: did we just have a Bohemian-style **** or did we simply sit down to get a haircut?
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58
The time has passed in which the twig could bend; awaken uplifted to a bright-eyed sun; lay claim to its full legacy with the comfort of nature's backing and, at day's end, caressed by tender winds, frolic in a moonlit garden of blossoms. I have heard it said: if only I knew then what I know now, how different I would have been. Yet, I often think: if only I had not been afraid to partake of the things which I did know then, how different I would now be. For from a distance, desire can breed obsession, weakness can encourage excessiveness, and regret can induce passivity. I have read: "Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind." Yes, the twig is now brittle, but I will no longer bemoan this state. Instead, I will gain inspiration from its determined posture. For no distance is so great that homage cannot be borne from desire, nor strength from weakness, nor action from regret. And, even in the worst of times, the Muses will appear, the senses will rejuvenate and the heart will beat heavily.
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Sep 28, 2016
Sep 28, 2016 at 10:32 PM UTC
The Twig
Swirl of bitter smoke as smooth as a scent. Richness, indulgence. Why deny the body corporal pleasures? What more is there to living than cake, creamy coffee, scents, softness- excessiveness in excess. Finding meaning in knowing that it's all Absurd. When the pang of wanting arises, do not deny. There are no rules. Willpower will not follow you beyond the grave. Brass bed posts, tainted and smoothed by touch, casual grazes, as the feet touch the cold floor, the breath creaks out. A wooden table, round and stained that softly accepts the heavy mug. That gives the fingers something roughly smooth to touch when there's nothing- or when there's everything, it's all too much- the sensory. A window with an eroded sill. Or better yet- a balcony. A purple sky, the air humid and warm. A chance to breathe. Is it selfish? Is it how true life should be? Lazy, gluttonous, pointless, boring. Tell me I don't know what's good for me. Sleep, wake, bed, sheets soft and hugging tugging on a duvet to cover from the breeze- an open window with curtains dancing. Is it time clocks or is it days and feelings? 11:30 is not too early for lunch because lunch is when you're hungry. My body calls for blueberries, tobacco, dozy sleeps on and off for 3 hours, dark chocolate squares to excite my tongue, outdoors, fresh air, being naked in the day time. A shirt with a joke on it that only you understand.
0
Jan 27, 2016
Jan 27, 2016 at 10:06 AM UTC
L'Etranger