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I am a poet.
I am an artist.
A lover of words, a shaper of thoughts, a master of feelings;
A player of emotions, a speaker of charms, a thinker of minds.
A giver of taste-and at times, a succulent creator of madness.
Madness outside such lines of timid regularity;
The rules of the common, and the inane believers of sanity.
For to me, sanity is as easy as insanity itself-
On which my life feedeth, and boldly moveth on;
And without insanity, t'ere shan't be either joy-or ecstasy;
As how ecstasy itself, in my mind, is defined by averted uneasiness,
And t'at easiness, reader, is not by any means part of;
And forever detached from, the haunting deities of contemporaneity.
Thus easily, artistry consumeth and spilleth my blood-and my whole entity;
Words floweth in my lungs, mastereth my mind, shapeth my own breath.
And sometimes, I breathest within those words themselves;
And declareth my purity within which, feeleth rejection at whose loss;
Like a princess storming about hysterically at the failure of her roses.
Ah! Poetry! The second lover of my life; the delicacy of my veins.
And I loveth, I doth love-sacredly, intensely, and expressively, all of which;
I loveth poetry as I desire my own breath, and how I loveth the muchness of my fellow nature;
Whose crazes sometimes surroundeth us like our dear lake nearby;
With its souls roaming about with water, t'at chokes and gurgles-
As stray winds collapseth around and strikest a war with which.
And most of the year-I am a star, to my own skies;
But by whose side a moon, to my rainless nights;
On the whole, I am an umbrella to my soul;
So t'at it groweth bitter not, even when t'ere is no imminent rain;
And be its savior, when all is unsaved, and everything else writhest in pain.

Thus I loveth poetry as well as I loveth my dreams;
I am a painter of such scenic phrases, whose miracles bloometh
Next to thunderstorms, and yon subsequent spirited moonbeam.
And t'eir fate is awesome and elegant within my hands;
They oft' sleep placidly against my thumbs;
Asking me, with soft-and decorous breath;
To be stroked by my enigmatic fingers;
And to calm t'eir underestimated literariness, by such ungodly beings, out t'ere.
Ah, poor-poor creatures-what a fiend wouldst but do t'is to aggravate 'em!
As above all, I feeleth but extremely eager about miracles themselves;
and duly witness, my reader-t'at t'is very eagerness shall never be corrupted;
Just as how I am a pure enthusiast of love;
And in my enthusiasm, I shareth love of both men and nature;
And dark sorrows and tears t'at oft' shadowest t'eir decent composures.
When I thirstest for touches, I simply writest 'em down;
When I am hungry for caresses, I tendeth to think them out;
I detailest everything auspiciously, until my surprised conscience cannot help but feeling tired;
But still, the love of thee, poetry, shall outwit me, and despise me deeply-
Should I find not the root, within myself, to challenge and accomplish it, accordingly.
I shall be my own jealousy, and my own failure;
Who to whose private breath feeleth even unsure.
I shall feel scarce, and altogether empty;
I shall have no more essence to be admired;
For everything shall wither within me, and leave me to no energy;
And with my conscience betrayed, I shall face my demise with a heart so despaired.
Ah, my poetry is but my everything!
'Tis my undying wave; and the casual, though perhaps unnatural;
the brother of my own soul, on whose shoulders I placeth my longings;
And on whose mouths I lieth my long-lost kisses!
Ah, how I loveth poetry hideously, but awesomely, thereof!
I loveth poetry greatly-within and outside of my own roof;
And I carest not for others' mock idyll, and adamant reproof;
For I loveth poetry as how as I respectest, and idoliseth love itself;
And when I idoliseth affection, perhaps I shall grow, briefly, into a normal human being-
A real, real human being with curdling weights of unpoetic feelings;
I shall whisper into my ears every intractable falsehood, but the customary normalcy-of creation;
And brash, brash emptiness whom my creative brains canst no longer bear!
Ah, dearest, loveliest poetry, but shall I love him?
Ah-the one whose sighs and shortcomings oft' startlest my dreams;
The one whom I oft' pictureth, and craftest like an insolent statue-
Within my morning colours, and about my petulant midnight hue?
Or, poetry, and tellest me, tellest me-whether needst I to love him more-
The one whose vice was my past-but now wishes to be my virtue,
And t'is time an amiably sober virtue-with eyes so blue and sparkling smiles so true?
Ah, poetry, tellest me, tellest me here-without delay!
In my oneness, thou shalt be my triumph, and everlasting astonishment;
Worthy of my praise and established tightness of endorsement;
But in any doubleness of my life-thou shalt be my saviour, and prompt avidity-
When all but strugglest against their trances, or even falleth silent.
Ah, poetry, thou art the symbol of my virtue thyself;
And thy little soul is my tongue;
A midnight read I hath been composing dearly all along;
My morn play, anecdote, and yet my most captivating song.

I thirstest for thee regularly, and longeth for thee every single day;
I am dead when I hath not words, nor any glittering odes in my mouth to say.
Thou art my immensity, in which everything is gullible, but truth;
And all remarks are bright-though with multiple souls, and roots;
Ah, poetry, in every summer, thou art the adored timeless foliage;
With humorous beauty, and a most intensive sacrifice no other trees canst take!
O poetry, and thy absence-I shall be dead like those others;
I shall be robbed, I shall be like a walking ghost;
I hath no more cores, nor cheers-within me, and shall wander about aimlessly, and feel lost;
Everything shall be blackened, and seen with malicious degrees of absurdity;
I shall be like those who, as days pass, bloometh with no advanced profusion,
And entertaineth their sad souls with no abundant intention!
How precarious, and notorious-shall I look, indeed!
For I shall hath no gravity-nor any sense of, or taste-for glory;
My mind shall be its own corpse, and look but grey;
Grey as if paled seriously by the passage of time;
Grey as if turned mercilessly so-by nothing sublime;
Ah, but in truth-grey over its stolen life, over its stolen breath!
I shall become such greyness, o poetry, over the loss of thee;
And treadeth around like them, whose minds are blocked-by monetary thickness;
A desire for meaningless muchness, and pretentious satire exchanged '**** 'emselves;
I shall be like 'em-who are blind to even t'eir own brutal longings!
Ah, t'ose, whose paths are threatened by avid seriousness;
And adverse tides of ambition, and incomprehensible austerity;
Ah, for to me glory is not eternal, glory is not superb;
For eternity is what matterest most, and t'at relieth not within any absence of serenity.
Ah, but sadly they realiseth, realiseth it not!
For they are never alive themselves, nor prone-to any living realisation;
And termed only by the solemnity of desire, wealthiness, and hovering accusations;
For they breathe within their private-ye' voluptuous, malice, and unabashed prejudice,
For they hath no comprehension; as they hath not even the most barren bliss!
And I wantest not to be any of them, for being such is entirely gruesome;
And I shall die of loneliness, I shall die of feasting on no mindly outcome;
For nothing more shall be fragrant within my torpid soul;
And hath courage not shall I, to fight against any fishy and foul.
My fate is tranquil, and 'tis, indeed-to be a poet;
A poet whenst society is mute, I shall speak out loud;
And whenst humanity is asleep, I wake 't with my shouts;
Ah, poetry! Thy ****** little soul is but everything to me;
And even in my future wifery, I shall still care for, and recur to thee;
And I shall devote myself to thee, and cherish thee more;
Thou hath captured me with love; and such a love is, indeed, like never before.

But too I loveth him still, as every day rises-
When the sun reappeareth, and hazy clouds are again woken so they canst praise the skies.
I loveth him, as sunrays alight our country suburbs;
With a love so wondrous; a love but at times-too ardent and superb.
Ah, and thus tellest me-tellest me once more!
To whose heart shall I benignly succumb, and trust my maidenhood?
To whose soul shall I courteously bow, and be tied-at th' end of my womanhood?
Ah, poetry, I am but now clueless, and thoroughly speechless-about my own love!
Ah, dearest-t'is time but be friendly to me, and award to me a clue!
Lendeth to me thy very genial comprehension, and merit;
Openeth my heart with thy grace, and unmistakable wit!
Drowneth me once more into thy reveries of dreams;
And finally, just finally-burstest my eyes now open, maketh me with clarity see him!

Ah, poetry, t'ose rainbows of thine-are definitely too remarkable;
As how t'ose red lips of thine adore me, and termeth me kindly, as reliable;
And thus I shall rely all my reality on thy very shoulder;
Bless me with the holiness confidentiality, and untamed ****** intelligence;
Maketh me enliven my words with love, and the healthiest, and loveliest, of allegiance.
Bless me with the flavoured showers of thy heart;
So everything foreign canst but be comely-and familiar;
And from whose verdure, and growth-I shall ne'er be apart!
And as t'is happens, holdest my hand tightly-and clutchest at my heart dearly;
Keepest me but safe here, and reachest my breath, securely!
Ah, poetry-be with me, be with me always!
Maketh me even lovelier, and loyal-to my religion;
In my daily taste-and hastes, and all these supreme oddities and evenness of life;
Maketh me but thoughtful, cheerful, and naive;
And in silence maketh me stay civil-but for my years to come;
and similarly helpeth my devotion, taste, and creativity, remain alive.

Ah, poetry, thus I shall be awake in both thy daylight, and slumbers;
And as thou shineth, I knoweth that my dreams shall never fade away;
Once more, I might have gone mad, but still-all the way better;
And whenst I am once more conscious; thou shalt be my darling;
who firmly and genuinely beggeth me t' keep writing, and in the end, beggeth me t' stay.
Leave me not, even whenst days grew dark-and lighted were only my abyss;
Invite my joy, and devour every bit of it-as one thou should neither ignore, or miss.
even the dullest of knives
can **** —

a smile has fallen deep into
the silence.

wincing on and off
like terrible vertigo.

it is you lashing across
dispersing images

seeping like ruthless mileage
underneath the bone.

you come in the room
full of these hours splintered

an outpour with a foreboding,
like spindrift you wet my lips

sealed shut and silence
is all the language i understand.

what good is there that this hungry
cavalcade gapes its mouth

and metastasizes like an opulent
laugh as maniacal as drum-taps?

your are river with feet or pond
sprawling mad, enigmatical.

is this the clearing motes depart,
unhinging the crepuscular

and fade out, as a cat shrieks tumbling writhing fornication of metal and rust?

even sleep cannot manage such realness,
and the doubleness of its comatose

or say, a war in spite of its radical
artillery. between two cities lost,

its indefatigable exertion pullulates
to a hand, laying garlands

over the same blue lament of sky
and the unawakened orioles.
Karina Apr 14
I like to be hybrid and plexus.
the center is something that should be c-lust-er. where in the middle under layer of sound of the "end" is "lust". for one cent or less.
one center should exist only when I want to infiltrate the center of him.
my name means «the meaning».
my assemblage point named «good again», I'm good again, but I was yes.
I was yesterday, with my whole room.
i was sacred, real yes to excess and grey.
my assemblage point is between twin and a cancerous tumor.
or between two most round things - human head and tear.
in the crystal of thunder.
I'm her garden.
I'm her fork.
I'm her venus.
I feel fun-nel in the place of sun.
a dense heavyweight sun in the place of my body, like soil and brain.
sun on me it's always sun of my twin.
sun on body wants you want to be alone.
I always agree with vibration under the word «tree», but «sun» need a pair that strange enough, like «4th level of sun», detailed research for something complicated for justification.
«cliche» is a beautiful as word. the seal at least is pushed and sticky, may not work, sun is less than a cliche.
I can't not have sun so elegantly beautifully as you with your double falling even.
you are nothing like sun.
«good again» symbolized like circle around.
I will tell you that I will help you get your things.
and at that time I will change them while you are not looking.
so that I can see you again.
i haven't stopped being a fountain with monkeys and ears yet, especially in hands. you're had a pig pen.
imitation of kinzugi - natural rhythm of this life in me.
I'm invisible for heavenly bodies, for colours that swimming inside themselves, alive and glossy liquid, they're not actualized me.
but something under consciousness made me actualized being.
I believe that house doesn't saying anything about anybody.
I **** myself because people can't talk. you're tell them everything, and it's still meaningless.
remember stealing? I'm still stealing, but at least without editing. still feel. the same way?
feel is inverted «live» with released, closed eyes. released like fire. exist only in sound from mouth or conscious mistake.
will you concentrate on «evil» or never noticed?
your eyes is «ice» or «yes»?
«leave» is even not inverted, just «i» converted to «ave».
«yes» is inverted «hell» on my first language, only two letters.
70% of my life is mercury, I drowned 70℅ of my life in that poison, and scattering, broken temperatures, flowing, a words of 1000 1000-pages books and my words on other side of mirror. and years without pages.
70% of years and nights I'm looking for a mirror for mercury in my head.
this mirror glued in the shell, but run from RNA.
so far, I have only mirror of my opportunity in other people's words.
I'm nobody, I'm yesbody.
my body is an inscriptions on forehead.
still remember the phobia of «be kind» before mirror, like behind.
before me, before or, before head, before for and be.
maybe it was a premonition. kindness is an instinct. and fear is an instinctive knowledge of cruel consequences of kindness, not of its necessity. so in fact, this fear is kinda embodiment of kindness.
anyway i'm living in chalk on the floor and inside the door.
I have and need word «lips» on knees.
knees that I can cover myself with.
all parts of my body like knees, forehead and lips.
i wanna listening to own body with face and the back of a head.
all I need is knees and words. together is a bells world.
breathing, centuries.
only between doubleness and decay.
I am snake through page, i am snake and page between us.
I learned how to read in Nevers.
your whole body should be like eyelashes to mine.
no lash, no ash, shhh. they're should drink liquid black gloss and feed me.
I need slipping. and awake. and slipping. my venus earlier than even moon. even moon again. I'm running consciously into your mars, your Mars in ash, in shhh around drawed arrow, grab the hour hand with fist like it's a seance, to move along the same segment, but just further. although I am 4 and you are 3, but I am also 1, and you are 3 for my 1. but I'm 4, but 3 was freedom.
and then I became a moon, and then my home is without any me at the end, only ha, only use. and then i ******* electrically into destruction of hands, into shaking sun.
after knot I find ange* and weapon with inscription «moony hands», between roots
in them and not.
sometimes it's not a form of knife, it's a body with hands and feet, still with beaded inscriptions.
i protect agression with moon knife.
I need write line on the edge of your moon that clinging to my mars and hands. and I don't want to write any word about him.
words of my birth and lust want to know content of nodes.
what drives me out
from under
a down-pour to a room where
I can find paper and ink, only to run back out into the rain?
pull out the all computer parts with wires where there dirt and no outlets outside, or pull it out in the rain and will burn out, the matrices will flow. in pink. on neck.
is it the mad mud moon drives me out to record, or mercury, since his doubleness, was pluto? I think, he's not just an genderless twin and child, he knows how to ****, he's **** my mess. every book and every word rapes me. Persephone rapes herself. and I want to **** the image of Aphrodite with Persephone, with her hair from under scissors.
hermes is hermit, hermes is hides, is hades.
orbiting, or biting.
just not to hide, just to hide.
four days it's a four weeks in month.
for first day I'm a twin, then equal to milk and flower, then half-snake, then suede
and a sketch of languor on the sand gorgeous suede. but it's a 4th day and now i know that i can't enjoy, it will happen tomorrow, although right now i merged with venus, and oeuvre is under venus. but suede under desert sand will happened after sun, and sun will happen only next time, because now it's obviously night.
at the same time i think: "creamy sand suede", "desert suede". about cream and sand at the same time, sandstorms, tiptoes, the sound of word desert like sweetness in different language, and different language in fact is mine.
and hourglass. drawed hourglass, in chalk, two triangles, with circle, like it's head.
inappropriate creativity. I realize how i look forward to desert as the apogee of creativity because sun. and because I'm a half-snake, almost mermaid. only thing that carries here the water right in body. and i thrown my body on another snake, to find wetness, sweetness in each other.
a snake is never a ***** unless it's you who just can't have, hold and just give, just give enough love. and warmdevotion. and attachment without cowardly slipperiness and sleepy glances for what it could means, although most of the time it's about crawling into cognition. and conscious choice of pharmaceutical doze of obsession and surrender. better learn to lean, and cling. and cli. and ling. and L. and in. and intertwine. respect surrender, respect surrender, respect surrender, respect surrender, possession, dissolution and complexes of merging.
but it's a 4 1/2 days, not 4.
I'm half-snake, twin and equal to flower, to the suede.
it's all happening together only in the day of birth.
and then what's happening - the rest of days. and the rest of days because birth I crucified from memorizing this echo and imprint.
and I just have to not suffer from morality
that only depends on time and place, but depends on it like birth.
but just like birth.
so disgusting lovely word order.
I'm that, I'm not twin to flower to snake to suede. I'm four "but", like walls. walls are good and bad. and after birth i can only enjoy how that fifth element of cancer and can'tcer of everything in me, cancer and can'tcer of today, that intertwining tongues of twins on lowest transparent thick flexible aquamarine page in me, speakers and annihilators, where the ocean of sleep like two twins.
it can develop only after years of life.
people with echoes still makes act the right way.
remember that this is the way to act, but forgot that this is the right way.
insert a guilt wire between the layers.
these words in place where self-esteem is hurt,
self in place that curated by editing,
but I'm manifested in conscious mistakes,
in assemblage,
in service,
but in 1st
where solar experience too old, sun tied and overflowed, and in 1st, the reversed node that looks like a normally standing bowl
Onoma Feb 23
Private worlds expand as we contract--

it begins by thinking of a number &

telling the mind to guess.

A highly ambitious paranoia, a do over

for every correct guess.

Four hands & a gazillion fig leaves later--

here we are, as if denying accusation.

As privacy self-edits for lay readership,

readership is at an all-time low, because

everyone is too busy self-editing.

It seems like heros/heroines barely set

foot on terra firma, before these private

worlds are unceremoniously destroyed.

These gameshow windows lit by private

residences.

I believe this to be telepathy-pains, the

paradoxic response of our collective

doubleness to thwart the internet.

What was once relegated to the realm of

private, is now public--so interiority is in

hyper drive.

Big Brothers & Sisters--toilet bowls must

remain sacrosanct!

Eventually, Idios kosmos will implode

inward--& become symbiotic, fiber optics

is just the safety net of cross-cultural

telepathy.

This doesn't mean I'm going to whip my

**** out & bang a bongo anytime soon.

— The End —