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Westley Barnes Apr 2013
“When people move-when they travel-they look at where 
they come from,
not where they’re going.” -Martin Amis, *Time’s Arrow

*

Let us now take this chance

to praise those dancing demons 
of ambition,
whose feigned clairvoyance 
of fortune
and exactitudes of fame

burn as the smell of smokey fallow 
to the new-retired mare.



Travel, and all its takeoffs,

all its energies in skidding towards

an unopposed truth, makes its mince

by outlining all we ever look for

but leaving the chalkdust prints

of what we fail, at first, to find.



Yes, spaces contrary to the familiar exist
Carnivore cities of grind and result

cascaded above the floodwalls that save

the vagrant’s midnight search.

Coastal clearings of pacific civs,

best kept secrets where trees are still planted

and further kinds of nowhere that you never expected

to simmer with all the prospects of bored and implacable youths

who pine to efface the status quo, which ,after all, is quite the average,

is quite like “HOME”



Though I suppose, we eventually find

whatever space can be considered our own

when everyone grows up and stops

pretending they read Burroughs,
have a lot more going on, or are a lot less busy
than they make out over infrequent coffee meetings
(where it is also admitted

that they brew their own hot beverages,
or tell their own jokes)

Somewhere in the near-space continuum where Travel has

become for us what essentially differentiates
the commonplace in nature from 
that most human of neuroses,

the acceptance of a willing to improve the conditional.



And so to Ambition, and its fiery fops who make us refute

steadiness, accountability, the routine of the resolute

Who let our ships of sanctimony attack

implied with the luxury of steering back.
E Jan 2013
Time keeps her moonlight
dripping, day after day
breaking, we reach toward
something beyond us:
We consider the lilies, the birds,

The trees budding promises into the air,
The breeze tasting of rainwater,  
The chalkdust collecting in our open palms
like childhood dreams, in our hearts.

Pulled forward from the shadows,
Fast, by the spotlight of spring.
We are understudy actors:
finally on the stage, but surprised
by the drama of split tea,  
rainkissed pauses, and almost burn
down the apartment.

All the while, the moon smiles thinly:
time-light in the sky, in our eyes.

We've a long distance yet to travel.
Our footsteps press into mud and freeze
toward the West, where we learned to be happy.
I gaze East into the unknown,
not quite deciding to be brave.
While you search heaven for a piece of your soul:
The skylark, ascending.
There is no light at the tunnel’s end—
Only dented cans and newspapers,
Amid discarded butts of dissatisfaction,
Strewn across broken pieces of gravel.

Empty bottles and empty hearts
Play wrestle games throughout the night—

What am I really doing here?
Who led me down this dark alley?
This alley so deceitfully painted in colours,
That, before, were all so lovely.

I’ve given up the daffodils
For chalkdust and white paper.
I’ve thrown away my careful bag,
But, now I want it back.

I want my heart to smile again.
I want myself to return.
But, this heart and this soul,
So sweet but alone
Are absent and i’ve no clue where they’ve gone.

*06.2011
Randal Webb Dec 2013
I want to see chalkdust
made from their skull(s).
beat that(those) thing(s) against the asphalt.

I want to cut open their skin
and pull their muscles out.
Carefully;
slippery-
disgustingly,
like slugs.

I want to make them feel really ******.

You know
because I shouldn't feel bad
unless everyone else feels bad too.

Which I suppose is sort of rude,
and makes me feel a little worse.
but how do I explain to them how I feel
without crying
and going on like,
"you hurt my feelings".

I've sat here and said nothing
for however many years old I am
and I can keep doing it.
But it feels like its time to say something
or do something,
and most times I don't know what to do
but contemplate extinction
I found gods voice
In a clocksmith in Rockland.
I asked him how to turn back time

He said
"Careful use of your hands."

I smashed clocks like pills
credit card scraped sprigs & sprockets
into lines of chalk powder.
Just to hear more of his gospel

His shop closed.
Rain washed pink pastel rivers
down my childhood home
street gutters like blood
Glitter became shattered glass.
That same chalkdust
fashioned into A body outline

Ask a child
"What is your favorite creation?"
Witness the passion of a thousand poets.
Fade with age
Hands stretched out for paint
Handed pills.

He said sprig sprocket dust

"What is your favorite creation?
I can guess your mother's."
Took her 9 months

Timeless old crinkled construction paper
colorful paints in the shape of your fingers

I Cover my hands in blood
From the shattered glass
Press my fingerprints
To the timeless colors
I've forgotten
Where to place my hands.

Clumsy with time
Leave ****** handprints
On my mothers fridge
My lovers

Face down in sprig sproket dust
On my final tick
I hear a clocksmith tinker
One last lullaby

"when you run out of canvas
You will stop drawing blood
you will still leave fingerprints"

"What is your favorite creation?"
Was it worth the time?
Madeline Cirullo Mar 2014
Alone
in a darkened room
I have hidden
with the
chalkdust remnants
of a dissembled nation
Katie Clark Sep 2014
A boy more chalkdust than memory
A girl more Jekyll than Hyde
misha Oct 2021
bike spokes
and chalkdust
and sunsets
and street lights
and
being careful of how you sit
can't show those bruises
can't get mud on my dress
or there will be more
i can't i can't
i'm too scared
the chalk will be thrown out
and the bike will rust
but the laughter remains
just outside my window
but they bound me
like a straitjacket
i'm not insane i promise
do you still want to be my friend?
Hues of pain would exposure;
Due to treating your wounds through Lemon juice
&Blowing a surface of chalkdust on Regrets!

— The End —