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"buckteeth" poems
Ingrid stares at the sea the wild waves the seagulls we've come down on the coach from London organised by the church of gospel worshippers what are those? she asks me they're seagulls do they bite? I don't know want ice cream? her brown eyes gaze at me no money she tells me I’ve got some I tell her is there lunch? she asks me I think so there's money from the church for us kids from poor homes I tell her her brown hair is pinned back by steel grips she smiles wide her rather mild buckteeth beam at me fish and chips? she asks me I guess so can I be your girl friend for the day? want ice cream? O yes please she utters I go get 2 ice creams from a van parked near by what you want? the guy asks 2 ice creams with choc flakes I watch him fill 2 cones with ice cream then plonk in 2 choc flakes I walk back to Ingrid here you are I tell her she takes one and we walk on the beach in the sand 8 year olds hand in hand.
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Oct 7, 2014
Oct 7, 2014 at 3:43 PM UTC
INGRID AT THE SEASIDE.
Summer recess had come and she sat with you out in the field over looking her house and the railway was not far off where the occasional train puffed by sending a sprouting of white smoke as it went by and she looked at it passing and spoke of after school days when she would begin her adult life and settle down and have children but you were thinking of a train trip with your parents years before to some seaside place and you watched the scenery go by and the steam go by the window and the smell and the sight excited you and stuck itself inside your head and Judith said what do you think? and you said about what? and she said about children's names? what names would you choose? your brain struggled to the surface and whirled through a list of names that came to mind boy or girl? you asked she sighed either haven't you been listening to me? sorry got distracted by the train smoke had a Proustian moment you said a what? she said a Proustian moment you replied what the heck is that? she said pulling her skirt over her knees where it had risen up as she moved   Marcel Proust wrote that eating a certain cake took him back to a certain moment of his life but you haven't been eating cake Judith said her hand rested on her knees her eyes focusing on you no it's just an example you said about how things can remind you of other things or places or times do you recall the first time we kissed? she asked yes you said of course I do it was near Christmas and we were carol singing and it was dark and the moon was out and the stars were bright and your lips pressed onto mine ok ok she said laughing at least you remember and as she moved forward the buttons of her white blouse parted briefly to reveal a hint of fleshy ******* so what names do you like? she asked none come to mind you said she shook her head what about Rachel or David? she said fine you said nice religious names although David brings to mind a kid with a catapult and a girl I once knew with buckteeth who smelt of old socks she looked skywards and sighed and lay back on to the grass and you lay beside her both of you   gazing up at the expanse of blue and white her hand reaching out for yours in that one moment of life in the great out of doors.
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Jun 23, 2013
Jun 23, 2013 at 9:25 AM UTC
THAT GREAT OUT OF DOORS
Summer recess had come and she sat with you out in the field over looking her house and the railway was not far off where the occasional train puffed by sending a sprouting of white smoke as it went by and she looked at it passing and spoke of after school days when she would begin her adult life and settle down and have children but you were thinking of a train trip with your parents years before to some seaside place and you watched the scenery go by and the steam go by the window and the smell and the sight excited you and stuck itself inside your head and Judith said what do you think? and you said about what? and she said about children's names? what names would you choose? your brain struggled to the surface and whirled through a list of names that came to mind boy or girl? you asked she sighed either haven't you been listening to me? sorry got distracted by the train smoke had a Proustian moment you said a what? she said a Proustian moment you replied what the heck is that? she said pulling her skirt over her knees where it had risen up as she moved   Marcel Proust wrote that eating a certain cake took him back to a certain moment of his life but you haven't been eating cake Judith said her hand rested on her knees her eyes focusing on you no it's just an example you said about how things can remind you of other things or places or times do you recall the first time we kissed? she asked yes you said of course I do it was near Christmas and we were carol singing and it was dark and the moon was out and the stars were bright and your lips pressed onto mine ok ok she said laughing at least you remember and as she moved forward the buttons of her white blouse parted briefly to reveal a hint of fleshy ******* so what names do you like? she asked none come to mind you said she shook her head what about Rachel or David? she said fine you said nice religious names although David brings to mind a kid with a catapult and a girl I once knew with buckteeth who smelt of old socks she looked skywards and sighed and lay back on to the grass and you lay beside her both of you   gazing up at the expanse of blue and white her hand reaching out for yours in that one moment of life in the great out of doors.
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131
Another four legs and a tail fall prey. The pink tablets are too believable. The family does not contemplate. They only eat and eat and eat: disemboweling. They run along the white Tubes, filled with grey straws That spawns red, yellow and black. But do not drink from them. Their ears rise up like antennas Picking up signals they worry to decipher. They only run and run and run. Hear those patters. Hear them chasing death down the stairs. Their buckteeth carves through the pills, Lulling them into dehydration. Death craves for thirst. And when their stench bleeds itself across the room, It ferments electronics and shuts noses. Shalini Nayar © 2002
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Sep 23, 2014
Sep 23, 2014 at 9:28 AM UTC
Mr. Jingles & His Family
I slide the silver painted six shooter into the holster on my right hand side. I stand there arm arched, hand ready to go for the gun. I push my cowboy hat back away from my cool forehead. The bad guys are circling me. Today I’m Wyatt Earp, the day before I was Bill Hickok, shot in the back while playing cards with some blonde ******   One of the bad guys goes for his gun, I go for my gun before his is out of his holster, I’ve got him between the eyes, then the other before he can say: What the heck, then the other before his gun reaches to his eye. I blow along the barrel as they do in films, put it back in my holster. My mother irons clothes in the other room. My sister plays with dolls, in the long hallway. None heard the gunshots inside my head; all bad guys are dead.   I light up a thin sweet cigarette and light it on an imaginary match struck on the wall.   Half hour later I see Ingrid on the balcony. She talks of going to the park to go on the swings and slide. She has her brown hair held in place with hair clips, mild buckteeth, brown gravy eyes gaze at me. What you been doing? she asks. Cleaning up the West. West what? She says. Wild West, I reply. She nods, uncertain, uninterested. Shot three baddies. Bang, bang, bang. I push back my thumb and point two fingers. I am Wyatt Earp today. You were Bill Hickok yesterday, she says, looking at my two fingers aiming at her narrow chest. What happened to Hickok? She asks. He 's dead. Oh, she mouths.  I put my fingers away in my trouser pocket. Swings? She says. I guess. So we walk off together down the stairs, she wearing a red flowery dress, white ankle socks, black plimsolls. I look down the stairs well for any bad guys lurking, gun ready in my trouser pocket, Bowie knife in the belt around my waist. She talks of a new skipping rope her mother has bought her, I see no one lurking, no baddies waiting with guns out. We walk through the Square, out in the open, my two fingers posed for action, my Bowie knife ready to throw, off we walk towards the park we slowly go.
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Aug 22, 2014
Aug 22, 2014 at 2:52 PM UTC
WAITING FOR ACTION.1956.
I slide the silver painted six shooter into the holster on my right hand side. I stand there arm arched, hand ready to go for the gun. I push my cowboy hat back away from my cool forehead. The bad guys are circling me. Today I’m Wyatt Earp, the day before I was Bill Hickok, shot in the back while playing cards with some blonde ******   One of the bad guys goes for his gun, I go for my gun before his is out of his holster, I’ve got him between the eyes, then the other before he can say: What the heck, then the other before his gun reaches to his eye. I blow along the barrel as they do in films, put it back in my holster. My mother irons clothes in the other room. My sister plays with dolls, in the long hallway. None heard the gunshots inside my head; all bad guys are dead.   I light up a thin sweet cigarette and light it on an imaginary match struck on the wall.   Half hour later I see Ingrid on the balcony. She talks of going to the park to go on the swings and slide. She has her brown hair held in place with hair clips, mild buckteeth, brown gravy eyes gaze at me. What you been doing? she asks. Cleaning up the West. West what? She says. Wild West, I reply. She nods, uncertain, uninterested. Shot three baddies. Bang, bang, bang. I push back my thumb and point two fingers. I am Wyatt Earp today. You were Bill Hickok yesterday, she says, looking at my two fingers aiming at her narrow chest. What happened to Hickok? She asks. He 's dead. Oh, she mouths.  I put my fingers away in my trouser pocket. Swings? She says. I guess. So we walk off together down the stairs, she wearing a red flowery dress, white ankle socks, black plimsolls. I look down the stairs well for any bad guys lurking, gun ready in my trouser pocket, Bowie knife in the belt around my waist. She talks of a new skipping rope her mother has bought her, I see no one lurking, no baddies waiting with guns out. We walk through the Square, out in the open, my two fingers posed for action, my Bowie knife ready to throw, off we walk towards the park we slowly go.
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52
you like a girl with teeth too big to fit into her mouth (i'm glad i grew out of my buckteeth)
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Sep 11, 2015
Sep 11, 2015 at 5:33 PM UTC
i can tell that when she laughs her tongue sticks out
I would say that I don't care what I wear but, I would be lying. I would say that I don't care for my hair but, I would be lying. I would say I don't care what people think about me but, I would be lying. I would say your words don't hurt me but, I would be lying. I would say that I have no feelings but, I would be lying. I would say that I don't care about my broken glasses but, I would be lying. I would say I don't care about my buckteeth that stick out but, I would be lying. I would say that I'm not a lier but, I would be lying.
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Feb 12, 2015
Feb 12, 2015 at 2:19 PM UTC
I'm Not Lying
I saw you ugly in a costume You wore for Halloween. You had decaying buckteeth on And the ugliest hair I've ever seen. I recognized you right away Though your face I could not see: Maybe it was how you walked Or the way you spoke to me. We went along, you took the teeth out, To show me they weren't real; When I asked you if I could, You offered your hair to feel. It was oily and matted and looked like bugs Were living somewhere within; You laughed and asked if I noticed The paperclip used for a pin. We kept on walking, side by side, I liked you, ugly or not: Its what's beneath that matters, And that shines through, I thought. Beneath the surface I saw beauty Out on an ugly lark And me becoming more and more eager To be with her in the dark.
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Oct 22, 2016
Oct 22, 2016 at 6:50 AM UTC
I Saw You Ugly
valentines is today? odd, i don't feel anything. sylvester's is more depressing anyhow, that catholic name for new year's eve gets me, rough; now for a boxing match; the first kiss went to the bone, we clipped our buckteeth going beyond the lips: clumsy kissing paved the way to quote her, on our first date, buying an edward hopper book in which she wrote: dearest mateusz (mateush in english), thanks for a wonderful day in london! i doubt you'll end up like any of the people in hoppy's paintings. your to good looking, lots of love, a promise with the dot above the i signed with a morphing into a heart. these days i laugh for two people, i'm happy for two people, my diabolical laugh like a magpie's cackle call resounds with searching depths, and such contentment is only reserved for the few who rather show a singularity, a monohumanism, akin to monotheism, of a man isolated from his peers, who sometimes plays a broken guitar to raise the dead, and subsequently haunt the living, with him alive, but the living not allowed entry, merely a distance of shutting up in a nestling hope of counters of providing more, not akin to mozart and the others in the + (plus) category, but in the x (multiple) category... of seeing in near proximity a thousand dramas of themselves in grown sperms outside the ova: innocently they craft the tale of the bees and the birds thereafter.
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Feb 14, 2016
Feb 14, 2016 at 8:34 AM UTC
Valentine v. Sylvester