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Nora R Mar 2015
Sweet hymns of nightingales
awaken this soul; pollinating it
into full bloom. Nectar melts the
wax walls, the rush of the mystic
river baptises the ancient soul,
extinguishing flames into sodden ashes.

Spying trees whisper with the wind.
The soul emits an ethereal glow,
like jewelled constellations
forming a carousel in the night sky.
The scent of almond flower evokes
lingering memories in the transparent air.

The revived soul spreads its wings,
at twilight breaking the bond between its companion as it bids farewell to the
earthly world and embraces the
heavens cocooning it's being.
Adellebee May 2012
Wasted away

You lie to your place

You hurt the pathetic and polish your name

Your insides ache, while you baptises the sin

You ponder extinction as you pollute the path

Sky sets and you’re wasting away
The music harmonizes your unknown place

Blasts through your ears crushing the thunderess waves
Killing your eyes and feeding your thoughts
It stopped,

I have nothing else to say


Today was the day I wasted away.
Tu meurs d'envie de moi
Et tu me dis tout de go
J'ai envie de toi

Maintenant
Bande
Bande
Bande
Et tu chronomètres le temps
Qu'il me faudra pour atteindre
La taille exacte que tu désires
Et quand le petit soldat s'exécute
Au quart de tour comme tu l'exiges
Quand il pointe l'arme vers tes neiges éternelles
Tu dis : Garde à vous, fixe
Tu condamnes mes fesses au peloton d'exécution
Au clic de ton appareil photo
Tu tires à vue
Tu mitrailles à bout portant
Et quand tu es enfin satisfaite de la pose
Tu dis :
Déposez arme
Et je me dégonfle
Instantanément

Et tu exaltes, tu jubiles
De ta toute puissance
Je suis ta chose, ton pantin
Ton esclave
Tu es ma maîtresse
Et tu me flagelles à distance de ton flash.

Et tu exiges des photos explicites
Des gros plans, des détails intimes
De mes parties honteuses
Tu veux la vulve qui dort paisiblement sous mon aisselle
Tu veux la raie du cul qui se dessine dans le creux de mon coude

Tu veux la trique qui ronfle
Au coeur de la mangrove du mont de Venus

Tu veux le trou de mon cul dans le nombril béant
Que je forme de mes plantes de pied jointes
Tu veux que mon sein gauche secrète
A gogo des tasse de café chaud arabica

Tu veux tout
Tout de suite
Le tout et les parties
Sans filtre
Sans retouches

Tu dis que mains et mes doigts t'excitent
Et tu suces mes ongles pour en soutirer
Les envies et les cuticules

Et tu mordilles mes orteils
Lentement l'un après l'autre
Tu croques
Histoire de voir si je suis chatouilleux
Ou si je ne suis pas déjà mort

Et tu veux que je me batte en douce
Comme on bat la campagne
Comme on bat un cil et les cartes
Comme on bat le fer quand il est chaud
Comme on bat le grain pour le moudre
Comme on bat sa coulpe
Comme on bat la mesure
Et comme on bat son coeur
Je me bats en douce
Je te baptises de mon foutre
Je te fais des messes basses
Et je fais main basse sur tes envies
A voix basse
Je m'exécute
Je t'exécute
Car tu reignes vierge souveraine,
En sourdine, Osmose et Extase,
Dans mon royaume tantrique.
Donall Dempsey Dec 2016
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in as 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.


"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Brighid reappears in various guises in various times and seems part historic, part mythic -- part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary

She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb").  She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of their cows by dipping her fingers in the milk.


As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.



The **** of the Abbess of Kildare in 1132  destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** threw paved the way for the Norman occupation of Ireland.  


James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her. She is invoked in all post-Chamber Music work. As St. Bride [220.03], Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.

The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
Mon amie, ma muse
Nue et sincère
Tu cherches l'oiseau rare,
L'âme effervescente aux yeux d'eau noire,
Aux yeux sans visage
De sel, de cendre, de vin
Qui te ressemble
Et qui profusément te rassemble
Entre tumescences et détumescences.

Tu l'appelles Décébale, géant guerrier de pierre,
Tu le pries Gilgamesh, immortel héros mythique,
Tu le couves des yeux Lucifer,
Ange déchu, doux démon
Entre tumescences et détumescences
Tu les synthétises, tu les allaites
Tu les baptises et débaptises
Tu les tatoues
En femelle animale virginale
En chatonne de lynx captive
Un jour Regina, le lendemain Jao, le surlendemain Zoé.

Je l'appelle sublime élan vital,
Entre zénith et nadir, incandescence.
Il se manifeste entre boursouflures,
Dilatations, bascules,
Turgescences, érections, éruptions, bandaisons,
Flux et reflux de sang et de sève,
Marées basses, dégorgements,
Enflures, dégonflements, coulées de lave.

Alors dans cet entre-deux parfait où les eaux
Animales, humaines et divines
Se déversent en impossible amour
Ton masque entre en transe
Et tu nages jusqu'au delta lustral
Des colombes aux abois.
Tu es Dyonissia, tu es Aura, Gradiva,
Annabel Lee, Princesse Brambilla,
Tu es immortelle, tu es Tout-Monde
Entre tumescences et détumescences
Tu renais immortelle.
Donall Dempsey Dec 2020
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation
Donall Dempsey Dec 2023
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."
HISTORY. . .HAPPENS.

It is 11.32
in 1132 and  - now.

A sunset sets fire
to Kildare

burns it to the ground.

Night takes the town
in its arms.

Memory sets fire to time.

I, a mind invisible
( divisible by all )

move through the pages
of history

slip silently through
the ages

an unobserved
observer.

The ghost I've
yet to be.

The latitude of now
the longitude of then

the ****** flux
of history.

Voices scattered throughout time
( spoken in a 16th century accent )

whisper to me
greedily

wanting to be
remembered.

". . .the successor of Brigit
was betrayed

carried off...put into a man's bed
forced to submit to him."

"I hear you..!" I say
". . .I hear you!

". . .seven score killed
in Cill Dara...most of it burnt..!

The Chronicles tell
the tattered tale.

The voices once again
lost in the wind.

Diarmud Mac Murrough's
violence on Kildare

happens all over
again and again

written upon the wind.

The **** of the abbess
destroying the divinity

of her authority
her harmony.

A woman baptises
her new born

with milk
as in the old way.

The fires of her age
flickering across her frightened face.

Brigit born anew.

Time tamed
comes to my side

licks my hand
like some mythical hound.

"Take me back..."
I command
". . .to my own now!"

"Now!"
I cry.

Out of the Silken Thomas
one two and three inebriated

merrymakers sway and spill
out into the Christmas of I984.

One big one small and one very very tall
together they sing

informing the yet-to-be
of what is lost and past.

"Rejoyce!" the snow says:
"...snow falling faintly through the universe

and falling faintly...upon the living and the dead."

I tell the night
that is already passing into

the great beyond.

"Remember O Thou Man
Oh Thou Man, oh Thou Man.

Remember, O Thou Man
Thy time is spent.

Remember, O Thou Man
How thou camest to me then

And I did what I can
therefore re. . ."

*

Walking through Kildare one passes through all the history still hanging in the air...once one has heard the voices of those who have passed before us...it is impossible not to hear them ever again...the air is stained with the history of their times and the soul cannot but soak up all that has happened.
Brighid reappears in various guises in various times and seems part historic, part mythic, part Christian, part pagan. One of her dualities is that she is herself but also an incarnate representative of Mary.
She is the protectress of dairymaids and is associated with February lambing day (one of the four primary Gaelic holy days, Imbolc, meaning "bag of cream" or "butter-womb"). She was born herself by manifesting from a bucket of milk being carried out the door by her mother, a milkmaid. And the Irish Catholic Church, before it came under the aegis of the Roman Catholic Church, baptised in milk rather than water. My Auntie Nelly used to put the sign of the cross on the flanks of our cows by dipping her fingers in the milk.
As the first abbess of Kildare ( Church of the Oak ****-dara ) she was followed by an unbroken line of abbesses who commanded great respect from the people and were responsible through the saint’s order for maintaining by precise ritualistic means a continuous fire ignited by St. Brighid before her death in ca. 522. The abbesses were assisted in this by 19 nuns. With the sack of Kildare the fire of centuries was finally snuffed out.
The **** of the Abbess of Kildare in 1132 destroyed her sanctity and rendering her unfit for her office. MacMurrough imposed in her place a kinswoman of his own.
Her **** paved the way for the Norman occupation of Ireland.
James Joyce was intensely proud of being born on February 02, lambing day, that is on Imbolc, which by the old reckoning shares the claim for being St. Bridgid's Day along with February. The Celtic day was measured in a lunar manner like the extant Semitic calendars so that a calendar day begins at sunset, not midnight). Joyce considered St. Brighid to be his muse and liked to have his works first issued on February 02 to honour her.
She is invoked in all post-Chamber Music work. As St. Bride Brighid continues to maintain her abbey, now a "finishing establishment" for the "The Floras . . . a month's bunch of pretty maidens." She is Maria in "Clay," the moocow in Portrait, the old milk woman in Ulysses, the maid in Exiles, the broken branch in "Tilly," (one means allowed to stoke the sacred fire at Kildare was to wave air over it with a branch), and a thousand references to milk and things bovine in FW.
The Norman-Anglo Conquest of Ireland began in 1169, when a mercenary invasion force from Norman-occupied Wales captured Wexford and Waterford. A year later they took Dublin, and over the next century, 75% of Ireland would fall. Dermot MacMurrough's wily reign of deceit, beginning in 1132, paved the way for the Norman occupation.

— The End —